Bibliografia della slavistica italiana (2008-2012)
Transcript
Bibliografia della slavistica italiana (2008-2012)
BIBLIOGRAFIA DELLA SLAVISTICA ITALIANA (2008-2012) a cura di Gabriele Mazzitelli Premessa Opere collettive, Contributi personali e Addendatate in ordine cronologico, nella seconda e nella terza in ordine alfabetico per La sezione Addenda comprende alcune integrazioni relative a anni prece anni 2003-2007. linguistico. Articoli o libri di argomento sociologico, politologico o economico, o di carattere pubblicistico non sono stati presi in considerazione, così come le traduzioni sia di opere letterarie sia di saggi critici. ! " ""# $ $ facendolo precedere dall’annata, se conosciuta. In caso di riviste di cui esce un " %" progressiva all’interno dell’anno, seguita tra parentesi da quella complessiva dall’inizio della pubblicazione. & " ' " * tori del genere di rado riescono a rimanere esenti da questo difetto. +/" di una versione a stampa. Contributi italiani al XV Congresso Internazionale degli Slavisti, a cura di M. Garzaniti et al., ISBN 978-88-6655-404-2 (online), ISBN 978-88-6655-403-5 (print), © 2013 Firenze University Press 446 : fatto pervenire le segnalazioni delle loro pubblicazioni. A costoro, al direttivo dell’Associazione Italiana degli Slavisti e, in particolare, al prof. Marcello Garzaniti va il mio sincero ringraziamento. Un grazie particolare lo devo al prof. ;<"" " ziosi consigli. Gabriele Mazzitelli I. Opere collettive !"#$%&. A cura di Alberto Alberti, Stefano Garzonio, Nicoletta Marcialis e Bian!==+ >#?@@CDEHJ: ! slavistici, 7). '()))&&&*. A cura di Gior /#KQ!R?@@CTV@V +*,./0&01%)A =;/W?@@C?X@ 2!&&&) $&$34&5)YYQ %Z [?VJ?@@C\?CX 6&7!#!8 Bercoff. Y]$!;];!= Firenze University Press, 2008, 2 v. (Biblioteca di Studi Slavistici, 8). 0:&&)7;<=>:?@&&:)&D$1&5. A cura di AnWK^ _ `hj]# Y ]/"" /Y # ! : W ! / ?@@C?kDJW"k?w\ 0$D:E).D$F %&%YY]QW ! ?@@C 145 p. :))E&:#$! 01H111!/:zione/ ?@@CH?w x {{hhh {|?@@C } 0)YYY]!h?@@CDEV 0:J)0&:)]=Yli, 2008, 407 p. E*$E&*)7:. A KW Y# #]?@@C?wk Contributi italiani al XV Congresso Internazionale degli Slavisti, a cura di M. Garzaniti et al., ISBN 978-88-6655-404-2 (online), ISBN 978-88-6655-403-5 (print), © 2013 Firenze University Press 448 7)2&D+:&:. A cura ]:=:/]#]##]?@@C?w? 7D&)Y&]W Ybrosiano, 2008, 536 p. Storia religiosa di Croazia e SloveniaY&]W Ybrosiano, 2008, 486 p. Storia religiosa di Serbia e BulgariaY&]W Ybrosiano, 2008, 440 p. 7"#KL7E&)+>0E0#>#7#"J#+###>K >~; ;$Y ! ;<""h~W W "% nal and Area Studies, 2008, XV-378 p. Die slavischen Grenzen Mitteleuropas. Festschrift für Sergio Bonazza~! "Y]!?@@C?@?J$ !! Xw\ 2 :: &: : Q E RR :R@# &:R#. . && : 7 7 DTU7 Q T> TWR @J U&:7@:TU7%Y55)Y{ j! "Y]QW"" ?@@C%?XD (Slavistica, 9). =;&<+:Z@<R=#R<)Q&+:))/j >:/j ! "/h!?@@CkD@ .0.)[&#)2D&$$D T$:YYj#>h"] W ! + ?@@HkC@ &E0D().$6: 3J%)YQY #W> 2009, 255 p. FY]] Y?@@H?EE 2'&:\7toY! ; /:?@@HXCw '@R)'%13)Y=Y= 2009, 163 p. 2D*T!&0).3)$8$ 3&5)YWY ];!Q ;%W]?@@Hwwk +**0&. Atti del convegno internazionale pro&]&':/=W$putati, 2009, 245 p. I. Opere collettive 449 2D+: *! # D+:)Y! "/h! 2009, 157 p. E)J^5^1. A cura di Andrea Milano. % % ?@@H&?DV 2J)JD:8&\#. A cura ]W# #YK;]]< :*"Y ! K?@@Hw@@ :))E&:#$H!111!0)/ ?@@HCkD x {{hhh {|?@@H } E@RR>@&R>_R+:)F$_WRRR &)T>&WR@J+(E(7)]$%Y5JR Y!::jW!&# : W?@@HX?X E@DR@R#$Q.#$)! Y Y $YY $YW $!K * ?@@Hw?CJWZK* [H\ F0)YW & ! 2009, LVI-190 p. 8J&)]&&&DE$0$#$ E&. . $ 0$ 4 1)Y;Q]Q##+!?@k@kVV .*6))8DE&&1$)YQ #/ ?@k@kVE “2JJ`)& :11 1)YW $Francesco Pitassio. !K* ?@k@kH?JWZK* [k@\ :& D ) 7 &). & 82F$ T 34 J . YY:*%j ZY [J?@k@\k x {{hhh {{{Y|=} '@R)Y]W :! ?@k@kwH ]'@D:T'44%5).$]$H1Y##==+ > Press, 2010, 96 p. (Biblioteca di Studi slavistici, 15). J&J&. 7(:@RY!: / ! ]$YK ?@k@? Giallo rosa slavo. Y!$jW]!j ;KQ!?@k@kVC 450 &&&:)7).7$ 4%J1Y# Q&K ?@k@?E@ &)&7:1HH14H. A =;/W?@k@wDX 2 ! && &. Atti del II Incontro di 2$034&)Y/: / #+?@k@kH? T'&:)T'WjRR&) Atti del convegno internaE&$H&)Y/ Q& ]Q?@k@kEV 0& Y = =# Q K% !?@k@k@H E@DR@R#!"D7D@D&Q.# !"7&:YK; $/ !+ !?@k@?JXCCwXC\JWZK * [kk{kkk{?\ 7D.&T)2* slava. Atti del primo &?D?V?@@HY]W # ! /:?@k@?H?J!Y 1). 7J&6)8D+)F).)kJJ&YW$ :&=?@k@kHwJW/%K/ 7). m:@R> T>`! U @YDR@# qR ) Q m2 T/`!::: XVIII-XXY Y Y ! K * ?@kk ? JWZK* [kw{kkw{?\ *#&&Y#$; ]/ /W?@kkkVH FR)YW ;$W/Y mide, 2011, 110 p. 6 kE7F") ( & : D J J E ) 8:E:8F>@T)Ew$ 'RD"#0@]/% Kclopedia Italiana, 2011, 743 p. '20$)2E::. A cura di Vittorio Strada. :=] ]_:j?@kk?@E '::)8KxD.11. A cura di Anto$YY# Y?@kkDw@ 2D+:)'D%:#&)A cura di Fran!]/ ?@kk?k@ I. Opere collettive 451 2D"! = Y;W! ";/W?@kk?EE 16:. Atti del convegno internazionaleYYj j;! + ! * 2011, 234 p. 0&)0$$T&*&&$&. A cura di Igor Me& ! ?@kk?VD m0W:@#`)yD@# @! >Y Y$/]j/j ?@kkX?@ 0&0$:Y=W#~ ]Q==+ >#?@kkkCHJ: ! slavistici, 16). E#)F$TY! "Q=W]=Y]?@kk??X E!{&:)!//?@kkED E@DR@R #$ Q .# $ ) ! $ Y j Y W $ Y !j ! K * ?@kkX?HJWZK* [k?\ E@DR@R #$ Q.# $ ) ! $ Y j Y W $ Y !j ! K * ?@kkXwwJWZK* [kX\ 7&#D&:).]*227$]5$34T) A cura di A. Ferrari, F. Fiorani, F. #:/ ! h?@@HwC? m)))7@R:D)_>RE&!E@Rq_113)U >@T@$1@RR1RRQm))).:::)+E&)2&*:D113) &T$11&) Sostaviteli Stefano GarzoY $Y:!Y! ";Y $Y:!Q !K* ?@kkXHVJWZK* [kD\ :)&&FR@)">)A cura di /W+#]W# !&K?@kk X@XJWZK* [kE\ 2&7).&$%5& Y=:]$!/:?@kk?kw (Slavica Ambrosiana, 2). F)7:YW ;$ W/Y ?@kkkCk (|_@4$@:)72) A cura di Valentina :Y!W/W% ?@kk%?w? 452 2D&D&)R8&&. A cura di Pietro Q!]/ ?@kkwVD (&$:":&!JJT FerrazziYY] $WWWQ + ! Q $ ! =?@kkV?? p. (Labirinti, 137). 111)2&!:). 7$5&1. A cura di Iliana Krapova, Francesca Fornari, Y!:Y ?@kk&%%%kDX 2D1EY$WW ;!K* ?@k?XHEJWZK* [kC\ Arte e cultura russa a Milano nel Novecento#"K; Y/""&W:!K ?@k?VD Una bianca corteccia che si sfoglia. Incontri con la cultura russa. A cura di Barbara / /Y?@k?XHH &J. A cura di France:! !j::+ >#?@k?w@C $&$. A cura di Gianfranco Giraudo Y#*K ]W?@k?wK ?@@ER ?@@CT x {{ {| | } 2 ).$&$Y== W ! ] ?@k??w@ 2!&J$&:&)A cura di Francesca : ! !j = Z]Y[ kX (2012). x {{hhh {{kX?@k? } T@&8D@R). H&%)YK: Y/ :]% Y! re, 2012, 177 p. x {{hhh{{{{h{?} T&!mF&`#+")2&& :D&Y/] ; <""/:?@k?%?C?J!YX\ Multa et varia. Studi offerti a Maria Marcella Ferraccioli e Gianfranco Giraudo. A cura =WW&Y#]:K ?@k??JVX?E@C\JWj% k\ 2:0q@@R)+,.7) YW!/KW ?@k?XH@ I. Opere collettive 453 0!#$&$::).78E88$34 )Y]##W:!?@k?kkHJ*"& ?\ E0) .:#>K >/ # ]/=*j?@k?&%%%?EC E&&)]J"6)A Q=*j?@k?%&?XX E@DR@R#$Q.#$!"DE_7 D&!:YK; Y Y $/!K* ?@k??JDkV wHk\JWZK* [kH{kkH{?\ 7*FR)7D:J&Y$//]W?@k??Ek 7]w'@R) )A cura di Stefano Aloe. # ?@k?D?DJ: D\ @)77J8K)kJ7J8zonioK >;W=:!Z! " !! [w@wkJ?@k?\XD?XHV %%W YWWYQQ*%Y;K!KE di numerose voci presenti nel sito E x {{hhh {}J?@@H\ YWWYQQ*%Y;K!K2>x#!/Dria dello spettacolo italiano%ZK* [X@J?@kk\?EE?HD YWWYQQ*%Y;K!K 7&R |R:># : R& DR@R :_@R :$ 1H1H1 % m:@R> T>`! U @DR@# qRQm2T/`!:::$))YY Y! K* ?@kkX?DXw? YWWYQQ*% Y;K!K 2R 'W! D @R > DR@ @DW%m0W:@#`)yD@# @! >YY$/]j/j ?@kk p. 244-258. YW~%%YK!!Y$/*&&Palimpsesty >D7) %Z! ! [VJ?@@H\k@Dk?k Y:K/Q%Y:K/Q* Cura Contributi italiani al XIV Congresso inter!"#$%&. A cura di Alberto Alberti, :!! "; ]==+sity Press, 2008, 579 p. (Biblioteca di Studi Slavistici, 7). Y:K/Q%Y:K/Q*;Y/<Y%Q%]Y/WK*.@la tradizione testuale dei vangeli slavi. %Z! ! [VJ?@@H\?HDC Y:K/Q%Y:K/Q*.@)7:&7&:garo.==+ >#?@k@?wVJ: ! ! ci, 14). Y:K/Q%Y:K/Q*Cura ]$!$E&! YY Y ]W : ; : :"" / = = + > # ?@kk XXIII-221 p. (Biblioteca di Studi Slavistici, 17). Y:K/Q%Y:K/Q*ED%Le relazioni internazionali DT!&] D.T$4!7::! =W liano di studi sull’Alto Medioevo, 2011, p. 819-855. Contributi italiani al XV Congresso Internazionale degli Slavisti, a cura di M. Garzaniti et al., ISBN 978-88-6655-404-2 (online), ISBN 978-88-6655-403-5 (print), © 2013 Firenze University Press 456 Y:K/Q%Y:K/Q*Cura e traduzione D.E D&:&D")/K: ?@kk&%kHV J$/Q/$ ?\ Y:K/Q%Y:K/Q*7ED&:&D"riente % D. E D&: & D") / K: ?@kkk?EkD@ Y:K/Q% Y:K/Q* Lessico dei trattati secondo il codice Ipaziano % I trattati D.ED&:&D")/K: der, 2011, p. 151-169. Y:K/Q%Y:K/Q* %D.ED&:&D")/K: ?@kkkEkkHV Y:K/Q%Y:K/Q*EDD&:&D"J &:4%%Z! ! [VJ?@k?\wkE 426. Y:K/Q%Y:K/Q*R/TW&j>jF#8:$).. +$).2FK$6<@%Z! ! [VJ?@@H\w@kw@D Y:K/Q%Y:K/Q* R/ T I :Y Q % :j J \ 7@):$7 R%Z! ! [CJ?@kk\ 353-357. YK&YYK%!YCura 0)A cura di Annelisa Alleva. ]!h?@@CDEV Y*K !QK=Y* 2* *! )U) UR#D@ &]QW"" ?@@CXwEJ! C\ Y*K !QK=Y* T _ :@RR @# RW# : @&&% Contributi italiani al XIV Congresso internazionale de!"#$%&. A cura di Alberto Alberti, Stefano Gar ]:!==+ ># 2008, p. 253-285. Y*K !QK=Y* Cura 2 :: &: : Q E RR :R@# &:R#. Atti del convegno && : 7 7 DTU7 Q T> TWR @J U& : 7@ : TU7 %Y55)Yj! "Y] QW"" ?@@C%?XDJ! H\ Y*K!QK=Y*Q%2::&::QERR:R@#&:R#. Atti del con&&:77DTU7Q T>TWR@JU&:7@:TU7%Y55)Yj! "Y]Q W"" ?@@C%% II. Contributi personali 457 Y*K!QK=Y*'&R$R$.RDR@&WE &: % 2 :: &: : Q E RR :R@# &:R#. Atti del convegno interna && : 7 7 DTU7 Q T> TWR@JU&:7@:TU7%Y5 5)Y{j! "Y]QW"" ?@@CkwEkVE Y*K!QK=Y*Cura Die slavischen Grenzen Mitteleuropas. Festschrift für Sergio Bonazza~! "Y]!?@@C?@?J$ !! Xw\ Y*K !QK=Y* ( : 7 D % Die slavischen Grenzen Mitteleuropas. Festschrift für Sergio Bonazza ~ ! "Y ]!?@@CHkk Y*K!QK=Y*(&_7@R+&$ &ED% Die slavischen Grenzen Mitteleuropas. Festschrift für Sergio Bonazza~! "Y]!?@@C?XXk Y*K !QK=Y* \ m0 ` # k! & >&&%>D+: 2D+:>)& =?@@C?Xk?DkJW/%K/D\ Y*K !QK=Y* ] * % 7: D:!{JY]W; &=?@@CDEC@ Y*K!QK=Y*67R6@j7$ ::D+:Z#j j "j[Ew J?@@C\R ?@@HTHDk@C Y*K !QK=Y* q@ 7R 6@j :j. 8 % Z#j j "j[EwJ?@@C\R ?@@HTkCE 195. Y*K !QK=Y* 0WR :& )U) UR#D@! #& & @ R>@ % '#> _ @ @ :q_R) T> TW) _R @J) 6@@ _R) W Y& ] &j j > ?@@H kwDkDCXECXEH Y*K!QK=Y*8$D&$0&2# &.'8%(_0x@) [@#$Y#$¡j:!!via, 2010, p. 191-200. Y*K!QK=Y*U&! :JD:%'@R!T Q0#:#T$=D+>Q]J@&>q$R:R) AbstractsY]& ?@k@kwkD 458 Y*K!QK=Y*2x#@D#.'8 a Firenze%.@q)T @#K %#:¢j£ ¤?@k@XwXXDC Y*K !QK=Y* T@ j . 8! :@ R@&&@R&:_@&@%Z#j j "j[J?@@H\R?@k@Tj&DEEX Y*K!QK=Y*(7Rq@j:@R@&@&& @R& @ % URW @) 6_ @ @ dane, H1 :]!W?@k@XXEXwD Y*K !QK=Y* U @R @ :_@# @# :# 0q@%@_R!j; >> jY!#jZ:[?@k@D?@ Y*K !QK=Y* @_ '@R! & & > % =@ &> @> < # ;<?@#$ 1) ;. /Y] j ¥h>h h+h> ¥hj 2011, p. 261-269. Y*K !QK=Y* )U) UR#D@ 0& % 2D* D D# D+:. \]W%/&%?@kk?D?V Y*K !QK=Y* 0qR :@ :@ @ @R :R! @ :WR & % 7:@ @RW :@ @RW) 6_ @@w@{?:]!W?@kkkkXk?k Y*K!QK=Y*:&T:&:! versioni, varianti e traduzioni del ]%:&. Vero=?@k?k@Xk?@JW/%K/C\ Y*K !QK=Y* .R$ J&R$ @ @& &&! @D@&@:"))7@@%'>@##!F::@>K_$]<j:]>j =j£"j ?@k?kX?@J ~ kV\ Y*K!QK=Y*J@]# .JE&=)E)7)E.'8%La *)7]0YW &=?@k??kXX Y*K!QK=Y*Cura 7]w'@R) di scrittoreY! "Y# ?@k?J: ca di cultura europea, 5). Y*K!QK=Y*'@134%7]w'@R) Y! "Y Pitagora, 2012, p. 19-41. Y*K!QK=Y*m'@`! @ 1%7]w'@R) . A ! "Y# ?@k?wCDD?D II. Contributi personali 459 Y*K!QK=Y*F#TJJ#>2'#!'@>K =@<D6>%ZQ$ j>_% /h[k?kXJ?@kk?@k?\XEwV Y*K !QK=Y* 'W ' E DR@ @:> )) T@q % Z! [ kD J?@k?\ ! ? E @@:RR#_>#@&QR @>:#R##@&K!:%#kk?H Y*K!QK=Y*R/TTWR@JRmERR :R@#&:R#`%Z![J?@@C\wk?kk?w Y*K!QK=Y*R/T :*h@DD:&>@+]#¦?@@E%Z! ! [DJ?@@C\XDDXDV Y*K!QK=Y*R/TERR:R@#&:R#Y2 ::&::&kVkE ?@@E%Z! [DJ?@@C\XEEXEH Y*K!QK=Y*R/TE:@%Z! ! [VJ?@@H\w?kw?w Y]KQYYK!!Y$/*D!*&suali nella narrativa polacca del novecento. /K + 2008, 169 p. Y]KQYYK!!Y$/* 7 [ 8@) % Z! [ V (2008), n. 1, p. 117-134. Y]KQYYK!!Y$/*7/+: balcanica. %Z! [VJ?@@C\?XDH Y]KQYYK!!Y$/*2D*&).&: 0)%Z! [VJ?@@C\?X?Xk?wk Y]KQYYK!!Y$/*2::11)%:))E&:#$H! 111!0/ ?@@H p. 12-35. Y]KQYYK!!Y$/*Cura Inattese vertigini. Antologia della poesia ::11YYY W # "Y":+=?@k@?@E Y+$%!%*=K%W%YCura '@R)'%13)A cura di =Y= ?@@HkVX :Y$+/%YYQY0@R&$@&W@R)%U&::R#@@RWY[@! j?@@C p. 166-175. :Y$+/%YYQYF&@!6&@R:R)%0R )[@:&5)T@F&jYQ :W#<==#?@@Cw@HwkE 460 :Y$+/%YYQYy!::#@R@RW1) Rj&&& <&!##J #J#1#><&nationalism. %8&J&_@#:&R J&Y/ _!#<% "j j W j ?@@HC@H???D?XH :Y$+/%YYQYU@R::_@[@R+8:_R) %T@)[@$J&&::@)A cura di M. ;<W j ?@@HDHEw :Y$+/%YYQY6@@jR!#@@RWR1) )Rj)<W j ?@@HXkk :Y$+/%YYQY0_R#@W@::@)%7RjRW W&&@@#W&)Y!#< W j ?@@HXDwV :Y$+/%YYQY":RR@q@@[J@ U%ER_@ q@Y:$:j/j="j"j /j?@k@wHVE :Y$+/%YYQYR&&$R&R_R)F&R @RW@R@&Rj)%U&::R#@ @RWY[@! jkCH?@k :Y$+/%Y YQY : D &) % Z$ "[kDJ?@kk\k?E x {{hhh { "§|CwEwC} :Y$+/%YYQY"_R!8@R@R#@R@RW%Z[k@J?@k?\XCDD :Y$+/%Y YQY & W JR! &&$ :R R&#jR:R$U&::R#@@RWY[@YE&&$&$::YW # &j ; :Y ]>= ! < j*jj j ! <?@k? 63-78. :Y$+/%YYQY&:6'UqTgris%0E8&)2$$. A cura di Giampa:+=?@k??Xw@ :Y$+/%YYQYR/TTRW@:_/ _rin e Sandra Prlenda (a cura di), ]&&R::@!0&qRRRR:@R ]&&F0:!E#@6#7#0>$<% "j jW j ?@@C?HD%Z<[k@J?@@C\ 237, p. 38-39. :Y$+/%YYQYR/TUna casa fra Nord e Sud: J&&&:*])%Z![VJ?@@C\VVXVV x {{ {{§|kDH } II. Contributi personali 461 :Y$+/%Y YQY R/ T F/ F, " x&$ traduzione e ]Q] j<?@@H%Z! ! [CJ?@kk\XVwXVE :Y$+/%YYQYR/T]qJ&Y0 letterature non provinciali%ZQ Y W [@V{?@k?CH R/ %=<Q ?@k?T :Y$+/%YYQYR/T.R.&7Tj$)!27K>! anthropological, cultural and historical crossings.</Y + > #?@kk%Z! ]> ![kDJ?@k?\XCEXHk x {{{"{kD{!]!|kD|?@k?"} :Y_Y%_%_YY"&:&&!^|D22j ^@D2R.j%Contributi italiani al XIV Congresso internazionale degli !"#$%&. A cura di Alberto Alberti, Stefano Garzonio, ]:!==+ >#?@@C 339-350. :Y_Y%_%_YY7m`.#R&&^8TRD%URWY<::]!W{¢ pa, 2008, p. 487-494. :Y_Y%_%_YY6R@@2J&#R%InRJRRR@@RW)Y_&: ] j="j"j ?@@Hw@Vwkw :Y_Y% _%_YY E:R 2 2j R % ] ::@ :@R @RW H Y < : : ]!W{ ¢ 2009, p. 135-150. :Y_Y%_%_YY)2DD:T'%2D terra di rifugioYK""]W%/&%?@@H?Ek?C@ :Y_Y%_%_YY**D"!.)Fq&$') Albahari%2*Y#;Q= ! + ! QQ 2010, p. 155-166. :Y_Y%_%_YY2@R#&_@&:@&% 6_@@H1 !URW@Y$ ]/ :]!W{¢?@k@XDHXVD :Y_Y%_%_YY2D:1313)%2Dtalia vista dagli altriY//==W ?@k@DkVk :Y_Y% _%_YY E:R 7& TR R % 7& TR Y&Y$%$&j:=j"j 2011, p. 233-253. :Y_Y% _%_YY 2D 'R "j T@ % 2DY#;Q= ! + ! QQ?@kk p. 51-69. 462 :Y_Y%_%_YY(&8 Y:&@%6_ @@3 !7:@@RW:@@RW. A $]/:]!W?@kk?HXX@k :Y_Y% _%_YY ;+;%K]% */K<* F& @ & _R#R@)0:R@!:@R@%7:@@R@ R:@Y&j?:=j"j ?@kk 313-334. :Y_Y%_%_YYm2:2@`:@&&&%y$$$ Y $ :j =%+] !j ?@kk 223-230. :Y_Y%_%_YY2D.@%Odeporica e dintorni. 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Da alcune lettere a k%:))E&:#$! 01H111! /:/ ?@@CCwXCwV :K/QY<<*%&Y$%]%/*E%Z!/ [kCJ?@@H\kk?Hkw@ :K/QKÃ]YQQK*E E x {{hhh {}J?@@C\ :K/QKà ]YQQK* Cura generale del Catalogo#$U@>$T_YTD russaY!;K# &*Ww?V ?@@HW:!K ?@@HkCXkCH :K/QKÃ]YQQK* Cura Catalogo E T& & &&. A cura di Giuseppe : ! : W = K& ?? ?D ?@k@W ] Q=K?@k@ :K/QKÃ]YQQK* Sergei Diaghilev and the “VII Esposizione Internazionale di Ve`$15%ZK _"/W [kEJ?@kk\Hwk?w :K/QKÃ]YQQK* Cura del Catalogo J 68!.tifacts+ W=&?C V ?@k?W ] Q=K?@k?C 468 :K/QKÃ]YQQK* Cura in collaborazione con Giuseppe Barbieri e Silvia Burini del Catalogo :J)E_@)] #&, Magazzi!X&?H E ?@k?&KW= 2012, 159 p. :K/QKÃ]YQQK*2D:D+:D13%E@DR@R#YE@ .#!EYY $YW !K* ?@@HHEk@CJWZK* [H\ :K/QKÃ]YQQK*"mF`%E@ DR@R#!"D7D@D& .#!"7&:! Ä; $/{YK ; $ / ! K * ?@k@ XwEXVC JW ZK* [kk{k\ :K/QKÃ]YQQK*.K=@JJT&JJ!: laguna%0J"6)2 ]. )Y=: ]W W ] Ytiga edizioni, 2010, p. 21-41. :K/QKÃ]YQQK*7DD&|q@)%:@R>T>`! U@YDR@#qR)$F)) A cura di Antonella d’A!K* ?@kk?HEXk?JWZK* [ kw{?\ :K/QKÃ]YQQK*"@>@:DTWR#WR >@13%0W:@#!WD@# @YY Y$/]j/j put’, 2011, p. 47-58. :K/QKÃ]YQQK*. Schede critiche e #%Kj: 0 U>14Catalogue raisonnéU~] Y Å?@k? R+Y6 #Y#kHEwEDkk@kkk8># 07( 7U077kHEDkkwkkDx&: 0>W@kHHwkEVkEET :K/Q*%!!% !K/;%* Cura J& J&. Studi in onore di Boris (:@RY ! : / ! ] $Y K ?@k@? :K/Q*%!!%!K/;%*La W !*Esia del XIX secolo. %J&J&. 7(:@R$). A !: / ! ]$YK ?@k@ p. 49-62. :%Y;%%=/YWK!WY2D: %Le lingue !&&&)$&$34&5)YYQ Z [?VJ?@@C\k@Dk?k :%Y;%% =/YWK!WY 7@_@ R J@ ># >#R@&R>@%Z [kCJ?@k@\ n. 1, p. 123-139. II. Contributi personali 469 :%Y;%%=/YWK!WY7:*:D: %2!&&&. .2)034& Y/:/ #+?@k@ 35-48. :%Y;%%=/YWK!WYYQ*!Y2D:!trastivo su italiano, polacco e russo%2!&& &. . 2 ) 0 34 &Y/:/ #+ 2010, p. 49-60. :%Y;%%=/YWK!WYCura ! !jLe lingue !&J$&:&)A cura di Francesca Bia! !j= Z]Y[kXJ?@k?\ x {{hhh {{kX?@k? } :%Y;%%=/YWK!WYCura &Jsintassi delle lingue slaveY=:! !j::+ >#?@k?w@V :%Y;%%=/YWK!WY2 J&&!:&::%Contributi &J. A cura di Francesca Bia! !j::+ >#?@k?wX-66. :%Y;%%=/YWK!WY2D: *)( D::+ >#?@k??HX :%YW~%%!QK=Y*2 &*)$:#:D+ropa Orientale nel XIX e XX secolo!]/ ?@@HXEC :%YW~%% !QK=Y* 0J e cura # m* `&:&&)JEJ: delle religioni in Europa OrientaleY! "::W 2009, 369 p. :%YW~%%!QK=Y*mEJ&`,::# 0&1%)%+**0&vacca. .:&]& Deputati/=W$ ?@@HEXkkH :%YW~%%!QK=Y*2D+:11%Z# # [ECJ?@@H\DkV :%YW~%%!QK=Y*F:J!D:D%XXI secoloYQ ;>/% K% ?@@H?CH?HC :%YW~%%!QK=Y*&*)+&$:J&!/&:,%0+") 0 +@+:, (2010), n. 3, p. 82. xhhh} 470 :%YW~%%!QK=Y*F#+\J&,F#+># @]8:<thst centuries. %=@D .#+:()0+&#K > :W]+:= >"K+ >" Belgrade, 2010, p. 291-311. :%YW~%% !QK=Y* 6<@ &&) F# k 6 # Challenges of the European Integration%+:T&>! , K > % $j $j / 2010, p. 75-98. :%YW~%% !QK=Y* # " ! '& U_E E@F::)!!j!)!(>0$ $:)11H) :%YW~%%!QK=Y*0Je cura Una vita per la Cecoslovacchia. Il fondo Luciano Antonetti. Y! ":;; ! ]:W?@kkXVV :%YW~%%!QK=Y*& "_* !T7)'&$H%$)1$:)%) :%YW~%%!QK=Y*F#+(#+K:J7!#ges, Opportunities, and Confrontations. % Civic and Uncivic Values. 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A cura e con un’intro]:ÆJK\:K ?@kkkVw R/ ?@@E% EwVT :%$*&KW]Y/%Y: j nel corpus Nova beseda)\#Ddea di Venezia in alcuni classici della letteratura slovenaY$Y# $¡j%R@@RW. [@. Beo!!?@kkXEDXHE :%$*&KW]Y/%Y&R@:JR:_R!R@ _&))%3)Y%1H))%0j@@:R0jqY[@&@:W H)3):) godine. Y/] #$#?@k?kkXkkH :%$*&KW]Y/%Y0 11. Schede sugli autori/ ?@k??Hw :%$*&KW]Y/%YR/T! ""Y7pea "K% #:!/: W K Q ?@@C%Z;! [XHJ?@@C\?wHED@w :%$*&KW]Y/%YR/T_~Å7Y7*pea "_# #:!/: WK Q ?@@C%Z! [EJ?@@H\kXV?XVD :%$*&KW]Y/%YR/T]#J\2D&FY YY&Y:]jQ ?@@C%Z! ! [ 7 (2010), p. 423-427. :%$*&KW]Y/%YR/T#! k&&7Y7<# k& T %) x## J ]j\ Verlag der O ޠYj" ?@@C%Z! =[VH{E@J?@k@{?@kk\D?DD?C :%$*&KW ]Y/%Y R/ T < 0& Y 0&W F$ 4 ! 4 ] { $ ] { ;j ] W { W { ; ?@@H % Z! =[ VH{E@ J?@k@{?@kk\D?CDXk :Ç~]%;]%W~YKYm6`8D)(: &2,%6&7!#! 8JJ$))Y]$!;];!==+ >#?@@CwEDV :Ç~]%;]%W~YKY28&\#D5515%Z:: W: Y][k@X (2008), p. 137-168. 472 :Ç~]%; ]%W~YKY 0#@ E& U#>@#D ": m> #7`0&%Z<j/=j $j + [, 13-14 (2008), p. 85-91. :Ç~]%; ]%W~YKY 2D&& 6: : Ottocento-inizio Novecento%YE)JD5 D1YY]% % 2009, p. 113-116. :Ç~]%;]%W~YKY 6@RE#$:$)2D"& &%0&)#&. A cura ;*=!"+ ! * W ! :?@@HkEkkHC :Ç~]%;]%W~YKYm0RD0&:`!:@:R>@%">@R)7@R. #*:K]QjQj; >+versitet, 2009, p. 294-324. :Ç~]%; ]%W~YKY 0) : % 6: Y = 6:!&&JY<JW% ???w?@@V\%ZY+ È* ![!kHJ?@@H\R ?@kkTk??HwX :Ç~]%;]%W~YKY:_R$:&R&&>@#% T&>@D@WDRYY$j]j?@k@ p. 66-74. :Ç~]%;]%W~YKY y:>R@@@_@)m0RD0&:`U)R@R@%Z&> >[J?@k@\ n. 6, p. 261-293. :Ç~]%;]%W~YKY Alcune considerazioni sui concetti di istina e pravda e la loro &*%Ulica |_@4$@:)72) A cura di Valentina BeY!W/W% ?@kk?Hw@ :Ç~]%; ]%W~YKY " &:: : .) 7) 0q@ m+:@_`%ERYR!q_)T>@D@R_R@J!#?@kkHHk@C :Ç~]%; ]%W~YKY 0D 6) ) 8R m6`! :R m]&@` 2J,%">@R#*:Q% #jQj% Qj+ ?@kkkHV?kk :Ç~]%;]%W~YKY\D'@R&&D%ZK [X@J?@kk\EXD :Ç~]%; ]%W~YKY FDR RDD 6) x) . # godov%7@<>, !6:@@* 2011, p. 35-48. :Ç~]%; ]%W~YKY Cura 0D& 0) ]) q_ 14H145) % E@ DR@R#$Q.#$!"DE_7D& !:$)YK; Y Y $/!K* ?@k?XkXXXC II. Contributi personali 473 :Ç~]%; ]%W~YKY F# E ] ": m> # 7`! .@U#>@#D.%>#7)F#=D] Futurist OperaK >/: !$h$+ > "K ?@k?k@Hk?DR T?CH?H?R T :Ç~]%; ]%W~YKY m7R &:` &:&$ & J&$m`%2D1E. A cura di $WW ;!K* ?@k?VXk@@ :Ç~]%;]%W~YKYIl naso e la nasologia russa in prospettiva europea%Una bianca corteccia che si sfoglia. Incontri con la cultura russa. A cura di Barbara / /Y?@k?kkEkDX :Ç~]%; ]%W~YKY 0&! '@R 6: % 7 ]w '@R) )Y! "Y di Pitagora, 2012, p. 13-18. :Ç~]%; ]%W~YKY R/ T _ $j Gefühl für das 7# ) x# x#& =@& +{¡ J 2 ## '@E:Å&Å:Å&?@@E wEV%ZK [?EJ?@@C\w?HwXV :*Y$%]Y]Y/<%Y&&:&La guardia bianca di Mi#@%&&&:)7). 7$4%J1)Y# Q& K ?@k@XkwD :*Y<<Y !K/;%* 6& :> x U ¢&@# ## % Slo@&&7@ 7@&&7@)@K>@@ )U@& ) )>)K%#:]>j+ >=culty of Arts, 2008, p. 31-34. :*Y<<Y!K/;%*'7@&E#&#+<@#&:%2::&::QE RR:R@#&:R#. Atti del convegno internazionale della &&:77DTU7QT>TWR @JU&:7@:TU7%Y55) A {j! "Y]QW"" ?@@C p. 125-146. :*Y<<Y !K/;%* 'R "j :& :R _@& #& % 6_@@, H :]!W?@@CD@DDkX :*Y<<Y!K/;%*6£F&&%6& 7!#!8JJ$)) Y]$!;];!== University Press, 2008, p. 57-66. :*Y<<Y!K/;%*'&7###gegnung%(_0x@. [@#$Y#$¡j:!!?@k@kEDkCH :*Y<<Y !K/;%* E# 2 & 7: # x) ) T7)ER_j%Z$ ![DDJ?@k@\XV@XCX 474 :*Y<<Y !K/;%* F:R @ J@R ::@ Tq@U: % 6_@@H1 :]!W?@k@?CD?HH :*Y<<Y!K/;%*6&#&@@###@##%% .@q)T @#K %#:¢j£ ¤?@k@?HHX@w :*Y<<Y!K/;%*68R.7&&:%EJ&R7@&4FRR< ="j"j ?@k@D?EDwDJ*?E\ :*Y<<Y!K/;%*&%Le carte vive. Epistolari e carteggi nel SettecentoYW&/K storia e letteratura, 2011, p. 103-112 (Biblioteca del XVIII secolo, 16. Serie della ! &%%%\ :*Y<<Y!K/;%*xRU:&8de Moravia%16:. Atti del convegno internazionale. YYjj;! + ! * ?@kk?EXH :*Y<<Y!K/;%*6#@@&0 U:R@%Z! [kXkwJ?@kk\?H??HV :*Y<<Y !K/;%* xJ '@ Y .# ¤## 7#=%'>@##!F::@>K_ $]<j:]>j =j£"j ?@k? ?EXVJ ~ kV\ :*Y<<Y!K/;%*xU'#.##E&% 7#:@7@)"=&<#J#'. Festgabe für k&U:&5)8) F! 7@&'YR. ~%# ;Å :+ >#?@k??Hw? :*Y<<Y !K/;%* Cura Z! [ kD J?@k?\ ! ? E@@:RR#_>#@& QR@>:#R##@&. K!:%# :*Y<<Y !K/;%* ' J<# 7#J 7@ % Z! [ kD J?@k?\ ! ? E @ @ :RR#_>#@&QR@> :#R##@&K!:%#VEEE BONOLA ANNA. E#>)% Z [kVJ?@@C\k?7:!<&&, p. 219-227. BONOLA ANNA. Saggi di letteratura e linguistica]%!+?@@CkE? BONOLA ANNA. Strategie di organizzazione del testo russo: particelle e diatesi. Mi%!+?@@CkXX II. Contributi personali 475 BONOLA ANNA. ^7&R_DD2DFDR@&:&E%T>TW&:_@)Q% j_#?@@Cw?@ BONOLA ANNA. 2D& ! /# % Z ![ (2009), p. 72-74. :**YYY&K/!YWK]Y/%Y6&&& nella linguistica russa%Z: ! '[J?@@H\ !'QkEDHX BONOLA ANNA. FJ&!D: :::&%Lingue !&&&).2)034&Y/: / #+?@k@VkEC BONOLA ANNA. F@D> :&#@ J@ @# #! :D>R@DR@R>@%Z [kCJ?@k@\kkEXkCDRY: * %j :& D ) 7 & Q 8> @ :&> @) 7:D:R@#&@#R>@. .7& 82F 8:: $ T34]T BONOLA ANNA. ]#:)]&#& $stino. %2D&D&)R8&&. A # Q!]/ ?@kkX@kXXk BONOLA ANNA. 7)&& &:]& #?@k?wDEC :*!W~%K/*]Y+K2'%Z! [ 6 (2008), n. 1, p. 267-279. :*!W~%K/*]Y+KEttore Lo Gatto i Lev Lunc%Z/j [J?@@C\ 2, p. 47-62. :*!W~%K/*]Y+KCura e introduzione in collaborazione con F. del Barrio de la /]#]#7)2&D+:&:Y]:=:/ ]#]##]?@@C?w?RIntroduzioneEkDT :*!W~%K/*]Y+K#K*%;Y:/%KYBerlin & Berlin: le prospettive =&U&+"%Scrivere tra due culture. Lette&D+:&:Y]:= :/]#]##]?@@CXDVH :*!W~%K/*]Y+K&:7&')UWW@R!: letterario % && &:) 7 ). 7$4%J1Y# Q& K ?@k@wEV? 476 :*!W~%K/* ]Y+K mq TR#` 7)') UWW@! :D>&@@@@RE)%E@RY)>&@D>&&$2 >R@Y<) %2>R@<)=:@@<#*;¥ÁhjK!¦jÊÁË# Verbum, 2010, p. 148-158. :*!W~%K/* ]Y+K 2 2 @@ @R > @ # ). Q Z&%% j" > > [ ] k?kV ?@k@ % T> &W &W _ J& m2& `. Otv. red. %YYjjj # >Y%YY&Y ]j ]j Press, 2010. J {{{{|?@k@{?w?@"\ :*!W~%K/*]Y+KUWW@R%Z//[kCJ?@kk\ 91-97. :*!W~%K/*]Y+KY"2JDjdi 7& ') UWW@R & 6# % (&$ ::&)7JJT]razzi.YY] $WWWQ + ! Q $ ! =?@kkDEEV :*!W~%K/*]Y+K(:&)2]'6%ZW [wJ?@kk\VECX :*!W~%K/*]Y+KLev Lunc oltre il Novecento: edizioni e studi critici%Z//[kHJ?@k?\kVXkE? :/Y;*K]Y/%YW/%!Q%Y.JR&>#R)( E7=+ >#=?@@C?CEJ:teca di Studi Slavistici, 6). :/Y;*K]Y/%YW/%!Q%Y0@R_R.>E%=><R¦>@#;<?@#)%)":$@JR$:@;#]¥!hj ¥>¦j¥h>h h+h> ¥hj?@@CEkEEJ! kwE\ :/Y;*K]Y/%YW/%!Q%Y2D&:&DY" j2RT@R)%6&7!#! 8JJ$))Y]$!;];!==+ >#?@@CVEEV :/Y;*K ]Y/%Y W/%!Q%Y +: E D% D5 % F &)0&/mE7`).:&:&&&&: D(* 7 0$ 0$ 8#$ 4%& 1, D?Z%W" [J?@k@\k?DkXD II. Contributi personali 477 :/Y;*K]Y/%YW/%!Q%Y2x)=)0$ puerilium +& E& % J& J&. Studi in onore di Boris (:@R$ ) Y ! : / ! M. $YK ?@k@kkkk?X :/Y;*K ]Y/%Y W/%!Q%Y Cura ] $ ! $ E &)7 )YY Y ]W :;::""/==+ ># 2011, XXIII-221 p. (Biblioteca di Studi Slavistici, 17). :/Y;*K ]Y/%Y W/%!Q%Y )) 0 Y :_@! _R R>:@+&E&@^'&&:&D%7#:@7@!"=&<#J#')]Jk&U:&5)8$). A cura di I. Podtergera. ;Å :+ >#&j/ ?@k?kkX@ :/Y;*K ]Y/%Y W/%!Q%Y U @ +: W @%2&J)7@R_D7R_6@. !j # YY?@k?EDCE :/Y;*K ]Y/%Y W/%!Q%Y) 0 J +: E !0Uq@R%Multa et )7JJTT]8J8$). A =W W&Y#]:zioni, 2012, p. 119-130. :/Y;*K]Y/%YW/%!Q%Y)]E!@@$à %@0q_R!._:R@R@D@. A !_;Yj]jj?@k??HDX@V :/Y;*K]Y/%YW/%!Q%YR/TK/jE&@'RR E):>@ @)@]j %j?@@HHVV%Z//[kCJ?@kk\kkwkkV :/Y!W~% =/YWK!W* ] & # / J & &: #.& 2> % Z! :[ ?? J?@@C\ 409-422. :/Y!W~%=/YWK!W*Introduzione 7D.& T)2*. Atti del primo dies & ?D?V ?@@H Y ] W # ! /:?@k@%%%% :/Y!W~%=/YWK!W*Cura 2&7). &$%5&Y=: ]$!/:?@kk?kwJ!Y?\ :/Y!W~%=/YWK!W*I santi Cirillo e Metodio e le loro vite nelle liturgie occidentali latine%2&7).&$%5&Y=:]$!/ Bulzoni, 2011, p. 157-179. 478 :/Y!W~% =/YWK!W* F# 7 > T# # 2 =2%6@:&@7@#qT@_# @ 7) T@> .#R@ U:_#) 0&@ #> 7&#(6+7"~&>£]>j ~¨?@kkV?Ew :/Y!W~%=/YWK!W*T.&:& apertura. %T&!mF&`#+")2&&:D&Y/] ;<""/:?@k??@E?wk :/*;% :K/W*== ;%*&YY . : D( 7! la]hh0T#>Qj%Die slavischen Grenzen Mitteleuropas. Festschrift für Sergio Bonazza ~ ! "Y ]!?@@CVVEE :/*;% :K/W*== ;%*&YY @ #&>@ #DRD@& @D&:% Contributi italiani al XIV Congresso internazionale degli !"#$%&. A cura di Alberto Alberti, Stefano Garzonio, ]:!==+ >#?@@C 179-200. :/*;% :K/W*== ;%*&YY .& & :J D6. %7"#KL7E&)+>0E0#> #7#"J#+###>K >~; ; $Y ! ;<""h~W W "%ternational and Area Studies, 2008, 1-14. :/*;%:K/W*==;%*&YY.&>&&:#J ^T:D%T:R#)R$@D$D :&RDT>&#R@R@JR)>Q?@@C p. 368-394. :/*;%:K/W*==;%*&YYAncora sul barocco russo. A proposito del nuovo li2R)7)%Z/[kDJ?@@C\kkHk?D :/*;% :K/W*== ;%*&YY ' U ! @: (@ E % % $ 2 ] &&@ 7 >)]JkE#&)8~$ W $! &!Q]:!?@@HXEDXCH :/*;% :K/W*== ;%*&YY) " 6< 6! mE "#` > '&R F:$ T: J E) % Z! j [ wkw? J?@@H\x@_%qU&7_.@ 6&, p. 359-366. :/*;% :K/W*== ;%*&YY Cura Y ; presentazione del Forum .:&111)% Z! ! [VJ?@@H\X?EXHH :/*;%:K/W*==;%*&YYPOSSAMAI DONATELLA. Note conclusive al Fo.:&111%Z! ! [VJ?@@H\XHEXHH II. Contributi personali 479 :/*;%:K/W*==;%*&YY(:&)%Z!/ [kHJ?@k@\?EHC? :/*;%:K/W*==;%*&YY)T>#@R<&<>&@R<:>@;T<>#<R0T#>;>% 2/!@§R&>>/jjh_# >j Y]¥hjhjh%:?@k@DDV? :/*;%:K/W*==;%*&YYT>&_@R@>&&DR R%@R8D)>>H#&#$)H/>$ >!?@k@k@XkX? :/*;%:K/W*==;%*&YY"<!K>&&# :>JF|_@)%#>D)@=#k&E .& F) 7 k J x> .K K > ]j h+h> hj% > :¦% >>>Y ?@kkXkXH :/*;%:K/W*==;%*&YY|_@ 8D!&&% Uli|_@4$@:)72) A cura di Valentina :Y!W/W% ?@kkwkD? :/*;%:K/W*==;%*&YY7@DD@D@&:> T:> % 0>>: ">@! W>R$ :>@$ @>) T> TWR @[email protected]`H##RD@R@>R5 @>+]Y?@kkC@k@? :/*;% :K/W*== ;%*&YY) F : : :&)%Z! [ 8 (2011), p. 231-239. :/*;%:K/W*==;%*&YYCura ]$!$E &)7 )YY Y ]W :;::""/==+ ># 2011, XXIII-221 p. (Biblioteca di Studi Slavistici, 17). :/*;%:K/W*==;%*&YY. E0#1H%Z/' [C?J?@kk\wEHEC@k :/*;%:K/W*==;%*&YY. 2D+$xk)7:F|_@%[UR<E>&)[R<@<E>::R (@§ 7§.:@Ì / ] / $hj j >h j:¥> j%:$K?@k?XkV :/*;%:K/W*==;%*&YY)&%Cesare Baronio *Y;Y;/] =!": /&?@k?X@HX?X :/*;%:K/W*==;%*&YY)F#7&J.>E>>D@>R!k>$$&>%F#&k&)7R:q6x@@ Q7#&6x@@>?@k?wkww?w :/*;%:K/W*==;%*&YY)>R@@RD@##@, %(@RD@>R#&>R#R$>:)%5>> >j?@k?HDw 480 :/*;%:K/W*==;%*&YY)^0RDF|_@&$ :J& %@)77J8 K) kJ7J8K >;W=: !Z! "!! [w@J?@k?\kDDkED :/*;%:K/W*==;%*&YY)0!.F0#k>J0#. %051)F##T>#K >!#j>W ]+j/% ?@k??@D??V :/*;%:K/W*==;%*&YY. R/TQW>hj~6R@) 6RT]<E>::R)%H%%3H% > ~ #Y h?@@V%Z! ! [DJ?@@C\XkVXkE :/*;% :K/W*== ;%*&YY. R/ T ~_ :Å Frühneuzeitliche Na & # +:) ' :# 8##@ E#<###45J&Å"" % w\~h &?@@V%Z! ! [ 5 (2008), 318-320 :/*;% :K/W*== ;%*&YY. R/ T ] Æ (@@R @R @#_@RR@@!$R:&&R/YY*]j?@@E%Z! ! [DJ?@@C\ p. 323-325. :/*;%:K/W*==;%*&YY. R/TK/J\Y # ]¥j % > > jÁh?@@??@@C % Z! ! [DJ?@@C\XDXXDD :/*;% :K/W*== ;%*&YY. R/ T ] W (& #) ] 7).R#J_@R, Armando K /?@@C%Z! ! [EJ?@k@\w@Xw@D :/*;%:K/W*==;%*&YY. R/T]0:) 2:0 /?@k@J K {* \XkC%Z! ! [HJ?@k?\XkVXkC :/+WW%Y%;%YW*]*2)7$JE&))##+!?@@H?HE :/+%YK!!Y$/*]Y/%YLa tradizione slava antica della Vita di s. Gregorio il QJ:~;E?X\!J&)%Z/! [!HJDD\J?@kk\XDDw :/+%!%&%YCura e introduzione;<2¨&$©ª;Q2 &:)Y!:jÁh: Y ?@k?kXV :+*W/%!Q%Y*#Y*Y#@1H1%)%2D di rifugio. ]W%/&%?@@H%%wkkw?? :+*W/%!Q%Y*#Y*Y(&)&& &/W?@kk?Dk :+*W/%!Q%Y* #Y*Y @$ 8.@@R Rq_> % T#@$&R&>)U@R& R:)8WW 0q>xq7Wjh! ?@k?wkDw?X II. Contributi personali 481 WY:Y!!%%W*KQQY%]YY%K&YY]+!~Cura e traduzione 2D:&7Y W%#]?@k@?X@ WY:Y!!%%W*KQQY"J&$:&J. In2D:&7Y W%#]?@k@HwV WY:Y!!%%W*KQQY 77!: incongruenze%" !D$:$D&grazioneY$#]?@kk?VD?CD WY:Y!!%%W*KQQYFebbri pestilenziali in un trattato zaratino del XVI secolo% Z :/ [CJ?@k?\?Dww WYWWY]*=/YWK!W*Cura E#)F$ MediterraneoY! "Q=W]= Angeli, Milano 2011, 223 p. WYWWY]*=/YWK!W*Cura 0&0$:. Y=W#~]Q==+versity Press, 2011, 189 p. (Biblioteca di Studi Slavistici, 16). WYWWY]*=/YWK!W*2>)F&$: pubblica internazionale. %Z! [CJ?@k@?@kk\?CkX@k WY$Y]Y;Y%W%<%Y\:D:)7:&ne di due letture.%ZK >[?J?@k@\X?@X?C WY$Y]Y;Y% W%<%Y Introduzione % Yj #j Il retaggio J&&&&)%ZK >[D (2011), p. 48-57. WY$Y/K%/Y==YKK7:)7:&#:&%Z! ! [DJ?@@C\kHk?@k WY$Y/K%/Y==YKK\*$&!& &%ZK* [?EJ?@@C\E?X WY$Y/K%/Y==YKK7$&$&).::&glianze e differenze nello sviluppo fonologico%Z! ! [VJ?@@H\ 141-152. WY$Y/K%/Y==YKKx¦>@$J>$&¨j!<#>R 7;<%Z= K[DJ?@k@\CHHkE WY$Y/K% /Y==YKK FR& R@! &@<<@ % Zj%/jQh> h jY]jh[X JwD\J?@k@\kDkkDER&/""W& !/&@<%Slavica Viterbiensia IY/ W*$ & ! W ?@@XDkDET WY$Y/K%/Y==YKKT)[@&x)k@)7$ vita%Libri di viaggio, libri in viaggio. Studi in onore di Vincenzo de Caprio. A ! "#""WW & ! W ?@kkVDC? 482 WY$Y/K% /Y==YKK ": 7> ) + +K, %Z! ! [HJ?@k?\kDEkVV WY+!%*]Y+/%<%YEJ&#&:@DR@R)% T>TW&:_@)Q% j_#?@@Ck?XkXk WY+!%*]Y+/%<%Y2D%:. Il racconto delle *Q ; ] Y # K ?@@H 5-16. WY+!%*]Y+/%<%Y:&)0D: 0:@R]K$+W ?@@HkH@ WY+!%*]Y+/%<%YCuraLettere al boia. Scrivere a Stalin. A cura di _K ]W]Y ?@kk 147 p. WY+!%*]Y+/%<%Y70!0:@RD&&%" )FD$:$D&))#]+#K ?@kkkwEkVk WY+!%* ]Y+/%<%Y 2 & &:J) F : : +) .) >@R]K$+W ?@k?k@@ WY+!%*]Y+/%<%YI classici della poesia russa in Italia%Z![ (2012), n. 5, p. 94-96. WYQYQ*/%YY8D@R@@R)%T@&8D@R). H &%)YK:Y/ :] Istituto Lombardo, Accademia di Scienze e lettere, 2012, p. 139-145. WY#Y$*]Y/%*0Y !; % Z/! [!VJD?\J?@@C\DC WY#Y$*]Y/%*078)64«&:)%Z/! [!VJD?\J?@@C\DEEE WY#Y$*]Y/%*Due noterelle idiosincratiche. %Z/! [ Serie 6 (52) (2008), p. 287-300. WY#Y$*]Y/%*2&3)%Z/! [!VJD?\J?@@C\XXDXwX WY#Y$*]Y/%*)#8¬8/,%(&$:":&!JJT FerrazziYY] $WWWQ + ! Q $ ! =?@kk 77-94. WY#Y$* ]Y/%* T # : D & W !.::& &W%Z/! [!HJDD\J?@kk\X@kXkV WY#Y$*]Y/%*'&E0#!j %%Z/ [!k@JDV\J?@k?\XwDXDX II. Contributi personali 483 WY#%+#%!QK=Y*]Y/%YGli intellettuali russi. %2*J)& 7&*)]=Y?@@CkXVkwH WY#%+#%!QK=Y*]Y/%Y2])T)'@R: .&:)%$.&$+E+, )H) A cura di Gianfranco Giraudo e Adriano Pavan. ! h?@@CVwH@ WY#%+#%!QK=Y*]Y/%Y'7@$'@R$R!&:& qR &$ # :WR #@R ) % 7RR ]@ER)!j # % + !j # , 2008, p. 120-127. WY#%+#%!QK=Y*]Y/%YCura R7@DD)A cura di Stefa]W%*Kj]j!j # % /jYjj?@k@ R0JkXkVT WY#%+#%!QK=Y*]Y/%YT {! &: &%R7@DD)A cura di ! "]W%*Kj]j!j # % /jYjj?@k@X?CXwX WY#%+#%!QK=Y*]Y/%Y0" letteratura russa.%Z: h[kJ?@kk\? x {{ {{ h{ {h{?HD{?ED} WY#%+#%!QK=Y*]Y/%YDR@&>E@!>R R^_D&:>)%Z& j j Yj[k?J?@kk\kHkkHV WY#%+#%!QK=Y*]Y/%YU:R:#[:@)%Z& j j Yj[k?J?@kk\kD@kDH WY#%+#%!QK=Y*]Y/%Y'@R:)In7]w '@R) . A cura di Stefano Aloe. Napo# ?@k?XkkX?H WY#%+#%!QK=Y*]Y/%Y'@R&!&& culturale. %Z/! [!k@JDV\J?@k?\EDHC WY#%+#%!QK=Y*]Y/%Y"&mD&.&`m0&> @&@`])T)'@)%6_)7@0$Ek8.$3 4 )!j # % ?@k?XEwC WY#%+#%!QK=Y*]Y/%YF_@R:&&#R#WR!'|@:])T)'@)%Z& j j Yj[kXJ?@k?\ WY#%+#%!QK=Y*]Y/%YmF@R:&&`#R:&:R!])T)'@R)!j # Y ?@k? 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Contributi personali 485 WY#/%*;%*Y$%YR/TSci nautico sulla Moscova/K" &j Il buon Stalin JW! \QK?@@C%Z% [?DJ?@@C\kk?D WY#/%*;%*Y$%YR/T::F&:JW QÍ \#;?@@H%Z%[?VJ?@@H\ 11, p. 40. WY#/%*;%*Y$%YR/T.J*/j Vladimir, E&, Y]?@@H%Z%[?E (2010), n. 2, p. 29. WY#/%*;%* Y$%Y R/ T 0 : / ;j ]j7&Jj\Q+QKQ?@@HT%Z%[?EJ?@k@\VkV WY/Y]%QQ%]Y/%*2&:)2&. /: ?@k@XX? WY/YQ*<<** ]Y/W* 2 &/ D® La femme qui attendait de .T@%.T@)+::T2 &Y /?@@HkX?? WY/YQ*<<**]Y/W*"#:q&% %F.M. Do@R@@_@&RR@DK >ÁQ !: KQK?@@HEDCw WY/YQ*<<**]Y/W*m2E`!:D"0%70. Y]:%/ :! ?@@HEXCH WY/YQ*<<**]Y/W*.¯T@!langue russa, parole francese%Z [wJ?@k@\kkkk?X WY/YQ*<<**]Y/W*0@:@m7@>`%Collo/&)TW>R@_>#R#+#Y#j ::# ?@k@DwVV WY/YQ*<<** ]Y/W* #K/%* =/YWK!W* !Y&K/%* !K%¢K&Y K&;K_YLingua russa. Corso teorico-pratico:W?@k@w?k WY/YQ*<<**]Y/W*Cura '@R)A cura di ]W :! ?@k@kwH WY/YQ*<<**]Y/W*JJ6DR%'@R)A ]W :! ?@k@VDHD WY/YQ*<<** ]Y/W* '.& m7&> :@` % @ @#m7&>#:@`)0W$113. Pod red. O. Ko ]]j*?@k@kw@kwD WY/YQ*<<**]Y/W*6&&%Il vento del 6) 7 +: T * &. 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Vita ordinaria e epos. ! $W/Yne, 2008, 107 p. WY&Y%*$Y%*7:$2&)%ZK* [?EJ?@@C\DHkkC WY&Y%*$Y%*Sulle Ottanta poesie TDq&)%ZK* [?C (2009), p. 389-396. WY&Y%*$Y%*Cura(&$:": &!JJT]YY] $WWWQ + ! Q $ ! Letterari, Linguistici e Filologici, 2011, 622 p. (Labirinti, 137). WY&Y%*$Y%*&.)%(&$:" :&!JJT]. A cura di A. Mingati, $WWWQ + ! Q $ Studi Letterari, Linguistici e Filologici, 2011, p. 103-121. WY<<*Y#%K/*8F]D*teriniana. %Z: W%/&%[XkJ?@k@\kJVk\ WY<<*Y #%K/* 0 pod’pole D: :& 8D@R) % T@&8D@R). H&%)YK:Y/ :]% Y! e lettere, 2012, p. 35-44. WKWW~K/K%Y$/KYCura e postfazione <h~ E. #" _¥h ]j¥hj # " Y W Y W Y / % # ! 2008, 121 p. WKWW~K/K%Y$/KYmE`!& &#. Zbih~ E#"_¥h]j¥hj# " YW YWY/ Il Ponte del Sale, 2008, p. 105-121. WKWW~K/K% Y$/KY Cura 0 : &&) 7;< =>:?@&&:) &D$1&5YYWK^ _ `hj ] # Y ] /"" /Y #!: W ! /?@@C?kDJW"renze 124). II. Contributi personali 491 WKWW~K/K%Y$/KY7&m6`=>:?@. In0:&&)7;<=>:?@&& :)&D$1 & 5Y Y W K^ _ `hj ] # Y ]/""/Y#!: W ! /?@@C?EwD WKWW~K/K%Y$/KYxF<<@$:%ZW[H{k@ (2008), p. 198-199. WKWW~K/K%Y$/KYNota a [<k$\:%:))E&:#$! 01H111!/:. / ?@@CkDkC WKWW~K/K%Y$/KY]&D`!JD:2:0D"%2D+:*! #D+:)A cura di Ste"/h!?@@HCDHX WKWW~K/K%Y$/KYCura _Qhhj.JJ&&re! YWQYW # ;]] kC?@?@@Hk?? WKWW~K/K%Y$/KYxF<<@$'%_QhhjAfJ&&! YWQY W# ;]] kC?@?@@HkkXkkH WKWW~K/K%Y$/KYE%k>:@R#jÌ]¥h<j¥h>*¦j?@@HD@CE WKWW~K/K%Y$/KYT;0@%k>:@R#jÌ]¥h<j¥h>*¦j?@@H 276-305. WKWW~K/K%Y$/KY0>:<¨)0R<@<%k&#<@:@R/]¥h~h h ?@@HwHED?k WKWW~K/K%Y$/KYIntervista *Qjj7& D : & % :)) E &:#$H! 111!0/ ?@@HXkEX?? WKWW~K/K%Y$/KY\[&>@£)=@<mto” da Dacia Maraini%ZK* [?HJ?@k@\kCH?@C WKWW~K/K%Y$/KYCura W¥h]¥Abbecedario. A cura YW]Y?@k@X?EJ: YDVE\ WKWW~K/K% Y$/KY Cura Kh : :¥h h&:::YYWW W _¥h]j¥hj/ ?@kkkDV J K {* D\ WKWW~K/K%Y$/KY2D&&:$> parte III di .&T@<%Z[DJ?@kk\HkHC 492 WKWW~K/K% Y$/KY . +` mT>& E&&` &J:m7`07@%Cesare Bar*Y;Y;/] =! :/&?@k?X?DXw@ WKWW~K/K%Y$/KY7>&@)6&D%Z [J?@k?\x {{hhh } W~Y#*&Y*&Y_+$]%Y0&:D5D)E{ :T)8D@R)%T@&8D@R). H&%)YK:Y/ :] Istituto Lombardo, Accademia di Scienze e lettere, 2012, p. 119-131. W%WWY/%%]Y/%Y±$¨j$<)7@>>:@R. h ?@@CX@? W%WWY/%%]Y/%Y(&#)] 7! .R#J_@R/YK ?@@CkH? W%WWY/%%]Y/%Y]Y%!WYW*:Y!%K;%*&Y%.D: ! 6£ D+: % 6 & 7! #!8JJ$))A ] $ ! ; ] ; ! = = University Press, 2008, p. 95-110. W%WWY/%% ]Y/%Y F ! & *. %7"#KL7E&)+>0E0#> #7#"J#+###>K >~; ; $Y ! ;<""h~W W "%ternational and Area Studies, 2008, pp. 15-32. W%WWY/%% ]Y/%Y ER& #&>> < @ <@) " x .R;@&¨<@>%k&&:@;< >RY<:;¨j$)h ?@@C?@@HEDH@ W%WWY/%%]Y/%Y+ D%2D+: *!#D+pa centrale e orientale. Y! "/h!?@@H 32-42. W%WWY/%%]Y/%YY]KQYYF!:&6:#.).&%\0&28:: .$!2:Y!W]&K=?@kkDEVX W%WWY/%%]Y/%Y*:0!8::T.&T@<%2DD*)2$$:. /K! XkkX?w W%WWY/%%]Y/%Y6:<><¨j%;<2¨&$©ª; Q2&:)Y!:jÁh: Y 2012, p. 99-115. II. Contributi personali 493 W%W*;%%Y$%Y8D@R&!JEU<)%T@&8D@R). H&%)YK:Y/ :]% Y Scienze e lettere, 2012, p. 157-166. W%=Y/%K*YK!!Y$/*Ebrei e “zona di residenza” durante il regno di Alessandro II. %Z! ! [EJ?@k@\ 85-109. W%+K;+;%K]*/Y#*&Y%%YY"#J<#:#&:<#J%]&':J72!F#]J# J$2:HK >;<> h =j" ] R T# ?@@CXkCXXV W%+K;+;%K]*/Y#*&Y%%YYClitic reduplication constructions in Bulgarian%'#@2K >$ QhjY :?@@C?DE?CE W%+K ;+;%K]* /Y#*&Y %%YY " # < : structions of Bulgarian%.2D2)77#7k J+)=><K >!=j_&W: !?@@HkwHkVV W%+K;+;%K]*/Y#*&Y%%YY(&&conosciuta del bulgaro%Z/ [!HJDD\J?@kk\ 127-139. W*$K&%Y;%*&Y%2:!::E dalle origini ai giorni nostri. ]W] ?@@CDkE W*$K&%Y;%*&Y%#&:E!EDU]zione russa. #"! ; ]_:j?@kk&VCX W**]:*$+WW%*7$J(&vietico##?@@C?DV W**]:*$+WW%*&8(2!&. %Leggere la cenere: saggi su letteratura e censuraY/ =/Y ?@@HkkEkX@ W**]:*$+WW%*Cura F)7:. YW ;$W/Y ?@kkkCk W**]:*$+WW%*&)':#..#&& in italiano, e di cosa ne consegue%F)7:esiaYW ;$W/Y ?@kk 85-94. W**]:*$+WW%*Cura FR)YW ;$W/Y ?@kkkk@ W**]:*$+WW%*FR$|@@R:&&)%FR) Y W ; $ W /Y ?@kk 101-108. 494 W**]:*$+WW%*':!& D(%&!2#$Jvela, frontieraY/ =/Y ?@k?kwEkDE W**]:*$+WW%*Cura 2D1EY$WW ;!K* ?@k?XHEJW ZK* [kC\ W**]:*$+WW%*.R@R$&:&)%2D1EY$WW ;!Kpa Orientalis, 2012, p. 101-116. W**]:*$+WW%*2D[&RJ%Oltre il rego!''@R8!:&. A K] !]/ ?@k?kkHkDE W*Q%=Y:%*"D:.@&%Z!/ [kEJ?@@C\kX@D@ W*/$+Y!!K/;%*m0&`)%]x::)011&&: $))=K#listampa, 2008, p. 7-12. W*/$+Y!!K/;%*_Y##K%=/YWK!W*(D0Qx0#)MiK!Ck?@k@H@ W*!KQ%*YY%!YCura 0:&D!1% 1%1YYW +=+?@@C?X? R% k@kD kEEE T W*!KQ%*YY%!Y 7 0 % Z! [ E J?@@H\ ?X 9-14. W*!KQ%*YY%!Y0:&D!1%1%1. A cura di YW %Z! [EJ?@@H\?XDD? RY 2D: 0& :#, /?@@H0:&+?@@HT W*!KQ%*YY%!YCura e traduzione &£~Uscire di scena. Udi=?@k@C@ W*!KQ%*YY%!Y8#,%!&:&$Y=%& Fondazione Venezia, Marsilio, 2010, p. 111-122. W*!KQ%*YY%!YAlcune osservazioni sulle traduzioni ceca e polacca di due poesie di Valerio Magrelli % F ) 7 :. A W ;$W/Y ?@kk?DXw W*!KQ%*YY%!Y ]& & % Z! [ C J?@k@?@kk\ 41-47. W*!KQ%*YY%!Y@&)@$@@##H1#Ð<* £#=j£"j Univerzity Karlovy, 2011, 126 p. II. Contributi personali 495 W*!KQ%*YY%!Y2D)2xJ:@% ZK* [X@J?@kk\kkEkXk W*!KQ%*YY%!Y2&&%(&*&:)2Y.YTY&Y/ ! Q;%W]?@k??wH?DE W*!KQ%*YY%!Y .K & % 2 * Letteratura Europea ModernaY]/% Kpedia Italiana, 2012, p. 699-702. W*!QYQ%**/K<*J&:&0E20)%:))E&:#$! 0 1H111!/:/ ?@@C?EC?Hw W*!QYQ%**/K<*Cura F0)A W & ! ?@@H&%kH@ W*!QYQ%**/K<*Nota introduttiva e traduzione con Alessandro Amenta Urszula Kozio. 0%:))E&:#$H! 11 1!0/ ?@@Hkw?kwH W*!QYQ%**/K<*Cura Inattese vertigini. Antologia della po : : 11Y YY W # "Y":+=?@k@?@E W*!QYQ%**/K<*Cura 6&8D)&8R. # / ;W W / ?@k?wXX W*QQY/Y]+!%*#Y*Y2 :&)<<<))&)%2$$&)&zione e pratiche discorsiveY ]& W ; ] _ ! ]=Y?@@CCkHD W*QQY/Y]+!%*#Y*Ym+:#Fq@R>`!:@@:R@%Z& j%j j j [J?@@C\wXCwD W*QQY /Y]+!%* #Y*Y : E! . %6&7!#! 8JJ$))Y]$!;];!==+ >#?@@Ckkkk?@ W*QQY/Y]+!%*#Y*Y6:>RD>R@)":>:R&R :& )) 0>&) '@> % U&:DRR@@D>#)TWR@JR$ 2009, p. 219-224. x {{hhh?k{ {?@@H{ { {XD } W*QQY /Y]+!%* #Y*Y “Our Mission and our Values”: An approach to E@D&&7%'$&&# +:) 8 F. Giuliana Garzone e Maurizio Gotti (eds). 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W/%&KK/WY+$%YIntroduzione%7D)0 :&:. A cura di Andrea Gullotta e =:%K?@kkEkk II. Contributi personali 497 W/%&KK/WY+$%Y.R7R@R$m`. %Z]> [DJ?@k?\wkDk W/%&KK/ WY+$%Y m2 * & :`) 2 &$ 2 &$ bella, così dolce. Dialoghi intertestuali%Così bella, così dolce. Dalle pagine di '@R &Y=:W;#! ]/ ?@k?XHDC W/%&KK/WY+$%Y7JDR067!^DD 2R@@R* %Y;"Q#! #: YY*Y!#+?@k? p. 339-358. W/%&KK/ WY+$%Y Introduzione. % ZY _ " / " !"/W [kJ?@k?\F#EJJ #7J).:#]&8T&EJ 1##) , p. 1-9. x {{hhh > { { { {{ { {@k?@k?@k% "} W/%&KK/WY+$%Y8 &&Esia%ZY _" / " !" /W [kJ?@k?\F#EJJ#7J).:#]& 8T&EJ1##)$p. 21-48. x {{hhh > { { { {{ { {@k?@k?@?W"} W/%&KK/WY+$%YR/T.R>R&RRq_&R & (a cura di M. !j ]jj?@@C\%ZK* [?CJ?@@H\w?Xw?D W/%&KK/WY+$%YR/T2D:EJ/ /:#?@@HX?\%Z//[kVJ?@@H\kkVkkC W/%&KK/WY+$%YR/T@&) R)E{@R)0D& J;j!j # $ :?@@C\%Z! ! [V (2009), p. 426-428. W/%&KK/WY+$%YR/TIl volo dei corviJ!/&?@@C\ %Z! [EJ?@@H\kX@VX@E W/%&KK/WY+$%YR/TUn fuoriclasse vero. Distopia calcistica (S. Samso]%?@@H\%Z! [EJ?@@H\k?HX?HD $YY;%*=/YWK!W*2:&&!0Rk@ e la % !j%ZK* [?HJ?@k@\??D?DX $YY;%*=/YWK!W*\#J^7 ED)%Z/! [!HJDD\J?@kk\DDVw $Y]K%YYQ*KY0 )2E&derna/W?@@HXkD $Y]K%YYQ*KYCura .#!EYE@DR@R.#!E@. A cura di Antonella d’Amelia W $!K* ?@@Hw?CJWK * H\ 498 $Y]K%YYQ*KY.E&D6+:zione Internazionale e avanguardie%.#!E Y E@DR@R .# ! E@ . A cura di Antonella d’Amelia e W $!K* ?@@HkXHVJWK * H\ $Y]K%YYQ*KYRE% ) 0$&$&Y#W:#?@@H p. 141-158. $Y]K%YYQ*KY)m#WR : D :R&R D @`! R@RW>#WR&>E%">@R )7@R#*:K] QjQj; >+ ?@@HXDVXEV $Y]K%YYQ*KY) U m _@R` &@.@ . % 6 W @) 7@ _D %R .@ D_ 2. ]j *?@@HwkwH $Y]K%YYQ*KY) 0 E. ! Gli Ori, 2009. $Y]K%YYQ*KY) 2 : E % La : +:) ' T $ & J&\Y]W KW Y/;Ktoriale, 2010, p. 73-86. $Y]K%Y YQ*KY) mTR D&`! _@R &J 0q@ % 0q@&RQj%Qj ?@k@wEV@ $Y]K%YYQ*KY. “kJJ)))::J&&&:`!8DY%7J&6)8D +)F).)kJJ&YW$ :&= ?@k@DEVCJWE\ $Y]K%YYQ*KY)E@_#W&20lo % '& #& ) 7@ R _D 5R 6)) U. ! :Y;* ]j*;%?@kkH@k@k $Y]K%YYQ*KY. #>#>@R!@R#W+glio v Italii%0>)7ET2) kJx#+)T&K>:=Y =#j=j" ]R T# ?@kkXDDXVV $Y]K%YYQ*KY. Cura m0W :@# `) yD @# @ ! > Y Y $ / ]j /j ?@kkX?@ $Y]K%Y YQ*KY. E@ #W@ E& _ @! &WR>@%m0W:@#`)yD @# @ ! > Y Y $ / ]j /j ?@kkkXwV II. Contributi personali 499 $Y]K%YYQ*KY)E8_DR@R@D%"> @R#*:Q%#jQj% Qj+ ?@kkwX@wDk $Y]K%YYQ*KY)m7:&`! 2R@@R%7*&. 7&&[@>YQ#"" &<j:]?@kkwkkwX@ $Y]K%YYQ*KY)'&@DRY@_@# DR@##W@%m"&$RR)))`)7@_D 5R 0J +W ]> K / :>j _ > + / ]!+h> #> >>h!?@kk 169-180. $Y]K%YYQ*KY(:D. anni Venti%(&$:":&! offerti a Marialuisa FerrazziYY] $WWWQ + ! Q $ ! Filologici, 2011, p. 147-166. $Y]K%YYQ*KYWm)))7@R:D)_>RE&!E@Rq_113)U>@T@$1@RRY1 RRQm))).:::)+E&)2&* :D113)&T$1Y1 &)! ! ";Y $Y:!Y! ";Y $Y:!Q !K* ?@kkXHVJWZK * [kD\ $Y]K%YYQ*KYCura2D slave del NovecentoYY YW $%ZK * [X@J?@kk\ $Y]K%YYQ*KY.0. %:)&&FR@)">) Y/W+#]W# !&K?@kkEHHwJWZK* [kE\ $Y]K%YYQ*KYCuram:@R>T>`!U@Y DR@#qR)Qm2T/`!: rapporti culturali russo-italiani nei secoli XVIII-XX. A cura di Antonella d’A ! K * ?@kk ? 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Contributi personali 501 $K=YQ%!%&Y*Nota introduttiva e traduzione/>¦jLo devi :$6%:))E&:#$! 01H1 11!/:/ ?@@C?@E?kH $K=YQ%!%&Y*0F.&T@<! 262)%(&$:":& slavo: scritti offerti a Marialuisa FerrazziYY] $WW WQ + ! Q $ ! Linguistici e Filologici, 2011, p. 167-184. $K;%*/;%/*:K/QYIl testo della >] 2@|@_%'&R')|@_&$&. Atti del convegno internazio + ! + kDkE ?@@EY / ; =*j?@@CVHC@ $K;%*/;%/*:K/QY# x@0@< 0%6&7!#ture: studi in onore di Giovanna Brogi Bercoff. Y]$!; ];!==+ >#?@@Ck?kk?H $K;%*/;%/*:K/QYmx#`!//&/ :F¯F#@35%Z[ 32 (2009), p. 101-109. $K;%*/;%/*:K/QY'D*)2 7E14%Z!* [?HJ?@@H\2E D) E & . $ $>!wEVE $K;%*/;%/*:K/QYCura (&J)7.0YYW>Y/ ]/Y'/ $;Y$:; +=?@kk? $K;%*/;%/*:K/QYmT2&#:2*`) 2D: FR@ H1 % 7* FR) 7 D:J&Y$/ /]W?@k?CHk@w $K;%*/;%/*:K/QY&8)@431H% FR%@)77J8K)kJ Stefano GarzonioK >;W=:! Z! "!! 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[³>@@>#:D³_#R>R:J)])")"@³R>) >:)3)>?@k@kkEk?@ $K ;Y+$%* !Y&YQ*/K F>:#³_³ >> ³³RD@³R @RD@³R &#%U&:>³³WRDR@>#&³³>$>:))> 2010, p. 35-50. $K;Y+$%*!Y&YQ*/K7&>@&R>@!R D % U&:>³ ³WR DR@># & ³ ³>)0&R³@&³@2³#D@#>?@k@kE?@ $K ;Y+$%* !Y&YQ*/K * @@& @ R>@! :> :>%8@)00W!jY/j !"?@k@VHEw $K ;Y+$%* !Y&YQ*/K ( J @ R>@ (@ % Z=j j[kJ?@k@\kkCXkCD $K;Y+$%*!Y&YQ*/K"#6J7W>@!'0:) Mün:* !?@k@X?CJ!h YED\ $K ;Y+$%* !Y&YQ*/K .:@> @ R>@ (@ % Z#Ìj[?J?@kk\XCXXHE $K;Y+$%*!Y&YQ*/K"@R>@(@%Z% /Y! >>j[J?@kk\??CXV 504 $K ;Y+$%* !Y&YQ*/K 7>@>_ @>_ >&> mU>D@># ##>_># >@#[ % +)]) U@R & R>@! &> &W)_)_R8$&R);;+_> j]%jJ\Y&j ~;;+?@kkkD? 163. $K ;Y+$%* !Y&YQ*/K E @R@ :D&> @@>! @_@ &> R@# @# % .@D> :&> !_R@DR@R&!)_))* ~%j ]j:j > ?@kkXkXH $K;Y+$%*!Y&YQ*/K+>2Y+07%Z$ ![! {!jkwwXJ?@kk\+:# 7#2@(0>~= kE?w $K ;Y+$%* !Y&YQ*/K 2>D@ ³R y>³R ) ³ RR @DRD@>R:@%Z] [J?@kk\DCXCH $K;Y+$%*!Y&YQ*/K.³>_³>>_³:>>WR#&>_># ³qD ³³RD@³R @RD@³R &#! :>R&>@> ³ ³&³RR % Studia Linguistica. [³>@@>#:D)>:)4)>?@kkH@HH $K;Y+$%*!Y&YQ*/K7³>@´³R!³³R_³D%U&:>³ ³WRDRD@>#&³³)'%4³__R>@R³>_># >>:³U>RD@&³>³$>:)3>?@kk?kX@ $K;Y+$%*!Y&YQ*/K2@&>&³D@:³D@#:#WR &³D@#D@³R&³%U&:>³³WRDRD@>#& ³³)0&R³@&³@2³#D@#, >:)4>?@kk 46-53. $K;Y+$%*!Y&YQ*/K2@_R@R>@>@@>! @_@&>%Z=j j[kJ?@kk\kkVHkE@ $K;Y+$%*!Y&YQ*/K7DR³&>³³RD@³R&³%0&>&>@>$ :#&>@>@#³>R³#³>@>)[³>@@>#:D$>:))> 2011, p. 142-151. $K;Y+$%*!Y&YQ*/K'R@³>³³³RD@R@RD@R³R³R >&> % U&:>³ ³WR DRD@># & ³ ³$ >:) %. >?@kkwwD? $K ;Y+$%* !Y&YQ*/K T @RD@># &³#³ ´³R! ³D³ ³#³>_³#@>>@>>&>>>Ò$> :?@k?V@ $K;Y+$%*!Y&YQ*/KF#E2(@!&/>%6&J:2)8#0)&&>J0J)T#>K > /"]R T# &?@k??@E??E $K;Y+$%*!Y&YQ*/K(@RD@&³&@RD@R³:>´³R! ³³#³>_³ :@> % T ³ :³D$ H < ~# ]j Ò 2012, p. 202-209. II. Contributi personali 505 $K ;Y+$%* !Y&YQ*/K .:@D³D ³³RD@³R @RD@³R &# % Z]ÒÒj Òj >>Ò [XCJ?@k?\kCHkHX $K;Y+$%*!Y&YQ*/K.:@>³#>@>³³RD@R@RD@R &%Studia Linguistica. [³>@@>#:D)>:)%)>?@k??@@ 206. $K ;Y+$%* !Y&YQ*/K ´³RD@³ &> &³ @R&># ³RD@&>#&³#³)%Z=j j[XJ?@k?\kXX 138. $K ;Y+$%* !Y&YQ*/K (&>R :³ ³³RD@³R @RD@³R &#! @>³:@>%U&:>³³WRDRD@>#&³³$ >:)>?@k?XXXH $K;Y+$%*!Y&YQ*/KR/T/:jF) 20(@%Z* [J?@k@\ n. 2-4, p. 499-500. $KY;YQY;%+!K##KCura e traduzione ;;…e altre storieQ;$Y /&?@@Ckkk $KY;YQY;%+!K##KCura7"#KL7E&)+>0E0#>#7#"J#+## #>Y~; ;$Y ! ;<""h~W W "% Y! ?@@C&XEC $KY;YQY;%+!K##KLe traduzioni italiane di 7:& di Geo Milev%Slavia "#KL7E&)+>0E0#>#7#"J#+###>Y~; ;$Y ! ;<""h~W W "% nal and Area Studies, 2008, p. 65-74. $KY;YQY;%+!K##K2#&. %!"#$% &. A cura di Alberto Alberti, Stefano Garzonio, Nicoletta Marcialis e :!==+ >#?@@CXEHwkX $KY;YQY;%+!K##KT$@RmJ&`:&m7:&` na Geo Milev%Z & j[kHJ?@k@\kwHkk $KY;YQY;%+!K##KRT%Z & j[kHJ?@k@\ n. 14, p. 12-13. $KY;YQY;%+!K##KCura e postfazione Yj# Mitologia del &: # & Y ; $Y # 2010, 155 p. R0JkwEkDwT $KY;YQY;%+!K##K_@W@:&: @R%7)7:@@, ) !j ?@k@?ww@ 506 $KY;YQY;%+!K##KIntroduzione D:)T::D::&D:)/ Aracne, 2010, p.13-15. $KY;YQY;%+!K##KT$mJ&`:&Settembre di Geo Milev%8J&)]&&&DE$ 0$#$E&Y;Q ]Q#?@k@?XXV $KY;YQY;%+!K##KVoci di opposizione e coerenza di ideali nella Bulgaria dal 13311)%111)2&!:).7$5&1. A cura di Iliana Krapova, ==Y!:Y ?@kkEkCw $KY;YQY;%+!K##K)0 : bulgare. %Z/! [!HJDD\J?@kk\VDEV $KY;YQY;%+!K##K"#'&J2>. Nel :% >!>W _k?@kk x {{hhh {h|h§k?CCXD} $KY;YQY;%+!K##K2:27]>0:Ttafova%22)7@:&R2>8>7:R]j % ?@kk?DE?VV $KY;YQY ;%+!K##K U:R &W 2W 7 ] 0: Mutafova. %Z & j[?kJ?@k?\VHk@ $KY;YQY ;%+!K##K 2 0_ 7R@ % Slovesa :_R)x@_:J)R@!#Y]# **$?@k?kk?k?? $KY;YQY ;%+!K##K "& : 2 ) Nel . x {{hhh {{"{?{} $KY;YQY ;%+!K##K x# "D@>R "# "DW_ : Luigi Salvini%@)77J8K) kJ7J8K >;W=: !Z! "!! [wkJ?@k?\?C??HX $KY;YQY ;%+!K##K 0R #@ @ R ¶ R`T")#"]*7R. !$_j?@k?kE?w $KY;YQY;%+!K##KT$@RmJ&`:&m7:&` na Geo Milev%7R)"q_$R$@)x:@_ %q:J0RUD!+ j Z! *j[?@k?kVDkCk $KY;YQY ;%+!K##K T E 0#%Z/! [!k@JDV\J?@k?\?@X?k? $KY;YQY;%+!K##KR/TUJ+:Y/<! ?@@E%Z! ! [DJ?@@C\XDkXD? II. Contributi personali 507 $K*QQ*W%<%Y2&&2FR%Figure e intersezio!)x)2&)\ /'272$(*rona. YW! "; &=?@k@kEkkCH $K*QQ*W%<%YCura7J&6)8D +)F).)kJJ&YW$ :&=?@k@ kHwJW/%K/E\ $K*QQ*W%<%YIntroduzione%7J&6)8D +)F).)kJJ&YW$ :&=?@k@ p. 13-19. $K*QQ*W%<%Y8D!{$J&J&&bolista%7J&6)8D+)F).)kJJ&. A W$ :&=?@k@CDk@V $K*QQ*W%<%YT7.@0q@)'&#m &&`%:TD, Atti del convegno, Verona, Accademia Filarmonica, 4-5 dicembre 2007. A cura di Simona WW W &K ?@kkkEXkHV $K *QQ* W%<%Y TR>_> @ R :q@ @@ >R W &R > )! _@ &> _ 8R)%">@R#*:Q% #jQj% Qj+ ?@kkkkDkXC $K*QQ*W%<%Y_@8D%(&$: ":&!JJT]. A cura Y] $WWWQ + ! Q $ ! =?@kkkCD?@V $K*QQ*W%<%Y[&@8R%]&8R!T> xRR &WR _R @J$ :Rq_R R RWR6))8R#]&YY!j ## ?@kkD@HDkH $K+WY#Y**Ettore Lo Gatto giornalista%Z!/ [kHJ?@k@\?kXEkDC $K]%W~K%!WK!Y/K;U:@q_":TDq&%7# &R_D·)[:@TDq&@q_$ >:)3 ]j/;;+ 2008, p. 370-376. $K]%W~K%!WK!Y/K;2E&&:#%Gli scrittori E&Y!W/h W 2008, p. 101-109. $K]%W~K%!WK!Y/K;&!#%Vero e J)2D:/$?@@Ck@XkkD $K]%W~K%!WK!Y/K;+'T#]'@R%Eurialo De T#1311)Y: : #/=! 2008, p. 167-174. 508 $K]%W~K%!WK!Y/K;m077`0%6&do degli Slavi: incontri e dialoghi tra culture: studi in onore di Giovanna Brogi JJ$))Y]$!;];! ==+ >#?@@CkXkkXV $K]%W~K%!WK!Y/K;0J:#j2DQ+QKQ?@@C%&%%% $K]%W~K%!WK!Y/K;.m077`)%Slavia Or#KL7E&)+>0E0#>#7 #"J#+###>K >~; ;$Y ! ;<""h~W W "% Area Studies, 2008, p. 71-82. $K]%W~K%!WK!Y/K;2D)J&E. ]&?@@HX@k $K ]%W~K%! WK!Y/K ; E:R 0@ :RR m'@y)%Z! "!! [XEJ?@@H\F#JJ 0@Dm'@[#`)K >=CCHC $K]%W~K%!WK!Y/K;m0@`E:%:# j0. ))YY]/QK?@@HwCXwHD $K]%W~K%!WK!Y/K; Letteratura russa e letteratura italiana: le intersezioni. %.m]&=+$:&`)] =W/]?@@HkEVkCk $K]%W~K%!WK!Y/K;(&^:D# %Z//[kVJ?@@H\CHHw $K]%W~K%!WK!Y/K;DR+#%J&J&. 7(:@RY!: / ! ]$YK ?@k@kDkkV? $K]%W~K%!WK!Y/K;.J&&&JE%Z/ /[kEJ?@k@\??D?X? $K]%W~K%!WK!Y/K;8D^D+)0::%At*6))8DE&&1$ )YQ #/ ?@k@kkkH $K]%W~K%!WK!Y/K;E@R@:R%":>R &RR>R+:>@]j/j?@kk?Xw?wk $K ]%W~K%! WK!Y/K ; 2 / ^D ^:D '@R % ZY/K [J?@kk\?X@DX@C $K]%W~K%!WK!Y/K;&:*%&: ) 0 { &*) . 6:$ %1 ?@@H / ! K ?@kk 305-317. $K]%W~K%!WK!Y/K;'E%ZW [kw (2011), n. 3, p. 243-251. II. Contributi personali 509 $K]%W~K%!WK!Y/K;(&D+:2%Z! ! [CJ?@kk\XwXXwH $K]%W~K%!WK!Y/K;F$:J e &&j; Due storie pietroburghesi. /&?@k?kXk $K]%W~K%!WK!Y/K;'KT@:)'8##.chive%']@R#=#< . [FKUK der# j<~K~]~ ;Å ?@k?k?XkXV $K ]%W~K%! WK!Y/K ; & #" # W Un &!&7:&/Wrocci, 2012, p. 9-12. $K ]%W~K%! WK!Y/K ; 7 J&! E . %]&Y;: ::Y;?@k?k?kkXC RQFJ&!RRR%(Fde: Italian J&11133~"?@k??CXkQSecond J&!E>T $K]%W~K%!WK!Y/K;7&%Multa et varia. Studi ofJTT]8J8$). A cura di Florina W W & Y # ] : K ?@k? 291-302. $K]%W~K%!WK!Y/K;F&:$$&% ZY/K [J?@k?\k?kk?kE $K]%W~K%!WK!Y/K;2)FR$m8:`)%Letteratura europea. Il CanoneY/Y ;#]!!/%: $ ! KY% ?@k?kXDwwRQ 2FZ80%(&¸2 para a Europa. ~Ó?@k?T $K]%W~K%!WK!Y/K;E::!#%@)77J8K)kJ7J8K >;W=:!Z! "!! [ 40 (2012), p. 265-269. $K]%W~K%!WK!Y/K; Narducci, Virgilio%' ni, )55/% K% Q?@k? x {{hhh {{|Ô?C$:Ô?H{} $K]%W~K%!WK!Y/K;2D:8D%ZY/K [J?@k?\ 2, p. 192-198. $K]%W~K%!WK!Y/K; R/T&$mTE`%Z/ /[kVJ?@@H\kkCkkH $K ]%W~K%! WK!Y/K ; R/ TY W", “Storia della Chiesa ortodossa russa”%Z//[kEJ?@k@\?D@?D? 510 $K%!!*&Y;Y%YCura2+)EJ&&. A cura di ;$;% = ##+!?@@C??X $K%!!*&Y;Y%Y'J&&!:*,%2+)EJ&&Y;$ ;% = ##+!?@@CkCD?@@ $K%!!*&Y;Y%YCura ]$E .@: antologia di racconti russiY]$;$ Q]$]!?@k@kH@ $K*QQ*#YQ/%<%YGli esordi scaligeri di Nicola Benois%E@DR@R#$Q.#$)! 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Contributi personali 511 $K*QQ*#YQ/%<%Y0T]!:q:R#W@ po Apulii%ZK* [X@J?@kk\??E?wk $K*QQ*#YQ/%<%YCura Arte e cultura russa a Milano nel Novecento. #"K; Y/""&# $ W :!K ?@k?VD $K*QQ*#YQ/%<%Y7 F7%Arte e cultura russa a Milano nel Novecento#"K; Y/"" &# $ W:!K ?@k?XHDH $K*QQ*#YQ/%<%YE della voce Milan &$_j R35)0D&$E&6:R)"_@qq@ R ! 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Passi, B. / ! h?@@HXEEXHV =K//Y/% Y$* ) 2D¾ & D+&:%Z!* [?HJ?@@H\2ED)E&$ $>! p. 117-137. =K//Y/%Y$*'&2D.&R8&)%2D&D&) R8&&Y# Q! ]/ ?@kkw?HwwD II. Contributi personali 523 =K//Y/%Y$*2JE%'20$)2 E::Y& ! := ] ]_:j?@kkkVHkCw =K//Y/%Y$*Il grande paese. Saggi sulla storia e la cultura russe]Kzioni Mimesis, 2012, 210 p. =K//Y/%:/Y&*$*YQKYQ/K+KKYLa parola nella cultura russa tra DD1)T:#Q pisana, 2010, 513 p. =K//Y<<% ]Y/%Y+%!Y) :> ER@ ! .)') U& DR@R @ D>R RD 2W E@@ % 2 >R@ <) ':>@#*;¥ÁhjJY ÊÁËkC?@ ?@@V\ÊÁË>h h+h ÊÁj 2008, p. 43-56. =K//Y<<% ]Y/%Y+%!Y) U&R D : : .> >5H5H]j/jYjjj?@@CXkk =K//Y<<%]Y/%Y+%!Y).)')U&DR@@W2)U :RDR@R:R#WR.)')U&)% #W>R:D_@D0&Rx)')2. !j # /jYjjjkECkHE =K//Y<<% ]Y/%Y+%!Y) FD> W : _R @ &:> +>0>!:ER::_:@R: TF%"@@DR@@:_R@D>E@Atti !j # ?k?X ?@@H\##K:j+Kj$ j!j # =j=j !#;+?@k@XkkX?w =K//Y<<%]Y/%Y+%!Y)8&T':&m0 8$ &: E` % Z! ! [ E (2010), p. 43-65. =K//Y<<%]Y/%Y+%!Y)0@::>7@@5HH5H3%Z&%%% j[?VJ?@kk\XVD@ =K//Y<<%]Y/%Y+%!Y!QY/%*&Y_+$]%Y)7DR. %Z! [J?@k?\??DX?DH =K//Y<<%]Y/%Y+%!Y. R/TY!"ER@RJ!T@@R RD@R)J/jYjj% \ %j]j?@@EwwC%Z! [J?@@H\? 256-259. =K//KQQ% #Y*Y E ! Yj Exhhh }J?@@C\ =K//KQQ%#Y*Y'8E)+#&: :&&*6/W?@kk?EX =K//KQQ%#Y*YTJ*! ::&%ZK* [X@J?@kk\EDk@X 524 =K//KQQ%#Y*Y_RD&T)6. %2D1EY$WW ;!K* ?@k?kwDkEw =K//KQQ% #Y*Y & .R 0 % Una bianca corteccia che si sfoglia. Incontri con la cultura russaY:/ /Y 2012, p. 263-277. =K//KQQ%#Y*YR/TYj_;!Q jet al. (eds.), qR R_ @D 7R @ !# =j "j !j # j ?@@V%Z! ! [ 5 (2008), p. 337-340. =K//KQQ%#Y*YR/T]W Fedra]/! =W W$ =W + !?@kk%Z! ! [CJ?@kk\XEVXEE =K//*]Y/%YW~%Y/Y+(E(7Y2D+: ) $ & : &$ %5J$(*$]%Z! ! [DJ?@@C\ p. 384-386. =K//*]Y/%YW~%Y/Y0:@R>@::#_Rq_# (m8)'D.`0@)%7&>R@RR>@!J@:&>::R):$%5&%Z& j[ 24 (2010), p. 58-63. =K//*]Y/%YW~%Y/Y7* J&&)]&$:&&))==+ > Press, 2010, 272 p. (Biblioteca di Studi Slavistici, 11). =K//*]Y/%YW~%Y/YR@&%E@!R&DY#Wj_!]j % #!Q;+?@kkXkwV =K//* ]Y/%Y W~%Y/Y "W @R :&@ @ _@R % E@ ! R &D. A # Wj _ ! ]j % #!Q;+ ?@kk 151-156. =K//*]Y/%YW~%Y/YE{D&&). ::&+)$)U@#@$ % Z! ! [CJ?@kk\?Dk?DE =K//*]Y/%YW~%Y/YD):::T)/Y?@kkkXC =K//*]Y/%YW~%Y/YF#7"#$>> 7* *::%"# .*. A cura di Alessia Bianco. /Y?@k??k?Hk@Dkkw =K//*]Y/%YW~%Y/Y)*J&$&&%Z!/ [ 21 (2012), p. 12-18. II. Contributi personali 525 =K//*]Y/%YW~%Y/Y)7+J7D))(&E.,%Z+ [XwJ?@k?\w?Xwwk =K//*]Y/%YW~%Y/YF&&:: )'J *::)%Z! ! [HJ?@k?\kXXkwC =K//*]Y/%YW~%Y/YR/T8&&KQ ]W# :<?@@CX@w% Z! ! [VJ?@@H\wXEww@ =K//* ]Y/%Y W~%Y/Y R/ T % # ! 2 . ED, /%W?@@VXEC%Z! ! [EJ?@k@\XHDXHC =%W% =/YWK!WY 2 D # % )')F)F:). 7*8$0$%%) A cura di P. M. Bertinet &:W: ]=/%W?@@CkXXkDE =%W%=/YWK!WY2^J&&D:/%ZW %![2::!#D&. A cura di P. ! $!J?@@C\?D?XD?wC =%W%=/YWK!WY{!:::. %2!&&&)$&$34&5)YYQ Z [?VJ?@@C\DEEw =%W%=/YWK!WYF#JJ#{K:! &:>%Y&. ]#JJE6&%4)8Y!W ]&* Sagner, 2008, p. 337-345. =%W%=/YWK!WY=K$*Q*&Y!&KQYY2. &) Firenze, Le Lettere, 2008, 167 p. R?@k@ ?@kkT =%W% =/YWK!WY +*&Y YQY_Y 2 ) & . 8&&&= ?@@H?C? =%W%=/YWK!WY0:#%Die slavischen Sprachen. Ein ink##7@$#8###+J#) Y!# Q:; :hj Gruyter, 2009, p. 200-209. =%W%=/YWK!WY_Y]#*!Y_YYY2)&. Firenze, Le Lettere, 2009, 140 p. =%W%=/YWK!WY.. 2/)(J&tale agli studi linguistici%Z! ! [V (2009), p. 313-326. =%W%=/YWK!WY"_R@@R#R_R%8&@@@@&R&!@&R&:R&. Y! Q!:% jj!Y+?@kk p. 195-204. 526 =%W% =/YWK!WY " R &DR J@ {@># @@R % Slovo x>@)7@R@D&RR@&@x)').:R. A cura di %]:j%#>]j_>jjj > 2011, p. 645-652. =%W%=/YWK!WY+*&YYQY_YE{: *&#_&D%(|_@4$@:)7ti in onore di Claudia Lasorsa. A cura di Valentina Benigni e Alessandro Salacone. W/W% ?@kkDXVk =%W%=/YWK!WY':'2)78&&% Z! ! [CJ?@kk\?kX??@ =%W%=/YWK!WY+*&YYQY_Y)]&$J. Firenze, Le Lettere, 2012, 368 p. =%W%=/YWK!WY+*&YYQY_Y"&&@&_@#R# @@R : & j % Z/j >j [?XJ?@k?\kkCXC =%]*%WY6&&&&D::!dell’I # &j[#R"J)%(&$:" :&!JJT]. A cura di A. Mingati, $WWWQ + ! Q $ Studi Letterari, Linguistici e Filologici, 2011, p. 245-261. =*/Y/%=/YWK!WY[<k&&)%:))E&:#$!01H111!m/:`)/ ?@@CkHXV =*/Y/%=/YWK!WYE&£%_>~>j E&£Q# = = ] > " Ûjj /Y # !% #/?@@CHkX =*/Y/%=/YWK!WY2&)%$D*. A cura di Pia ]]&W"?@@CDHE@ =*/Y/%=/YWK!WY.#D&&))!2:xJ #<))!xJ#<)0)Q== #"_~ h]&W"?@@H?J?VC??E\ =*/Y/% =/YWK!WY 2 < &¦><R % k > :@R # ] ]j Ëj ¥h*?@@HX@VXwD =*/Y/%=/YWK!WYCura />>j. Il silenzio unica patria. A cura di ==%Z#[??J?@@H\?XVDkDV =*/Y/% =/YWK!WY Cura x k<) Y = = % Z#[?XJ?@k@\?D@?w?H =*/Y/%=/YWK!WYk<=;#)%]~>KÁj] Ëj x¦>@ @¦>) 0@;> &¦>< :R <¨ [<kjÁh>h h+h> _¦j?@k@ p. 105-113. II. Contributi personali 527 =*/Y/% =/YWK!WY Cura 111) 2 &! :) . 7$ 5 & 1Y%==Y!: Y ?@kk&%%%kDX =*/Y/%=/YWK!WY2:::11)%111)2 &!:).7$5 &1. A cura di Iliana Krapova, Francesca Fornari, Alessandro Scar:Y ?@kkCHk@@ =*/Y/% =/YWK!WY Cura =R T /j = =jÁh: Y ?@k??DD R=:<EHC?T =*/Y/%=/YWK!WYR/T7/D$xk<%:))E & :#$ 0 1H111! m/ :`) / ?@@CCXXCXD =*/Y/%=/YWK!WYR/T"@,6J, =;<7>&@) %:))E&:#$01H111!m/ta spartizione”. / ?@@CCXDCXE =*/Y/%=/YWK!WYR/TDYY %:))E & :#$ H! 111! 0) / ?@@HE@@E@k =*/Y/%=/YWK!WYR/T2&:_~ h%:))E &:#$H!111!0)/ ?@@H 707-708. =/YW*Y$/KY0:&7* "6%Z! ! [CJ?@kk\VkEC =/YQQ* KKY m&D J` ] ²R#&) % ZK* [?HJ?@k@\kkHkED ;Y:/%KK/KYQ*J&)7:[<k) %:))E&:#$! 01H111!/ spartizione/ ?@@CXEwD ;Y/KQQ*K$Y.EE&`!"E_7#2 Origins%EF@//+ >#?@@C?CXE ;Y/KQQ*K$YLa biblioteca russa di Milano%E@DR@R#$Q Archivio russo-italiano, V. ! Y Y $Y Y $YW $!K* ?@@H?VH 278. ;Y/KQQ*K$Y0D&6))0@RE&111)%6W@) 7@_D%R.@D_2]j turnoe Obozrenie, 2009, p. 126-136. ;Y/KQQ* K$Y |# @ .)) .& % Z> [ ?Vk (2010), p. 75-84. 528 ;Y/KQQ*K$YCura E@DR@R#!"D7D @D&Q.#!"7&:. YK; $/!+ !?@k@? JXCCwXC\JWZK* [kk{kkk{?\ ;Y/KQQ*K$Y/%<<%$Y%KY0&¿+:¿ %E@DR@R#!"D7D@D&Q.#!"7 &:$))YK; $/. !+ !no, 2010, p. 9-94. ;Y/KQQ*K$Y(T!+8_$:$:J$K terrorista%:)&&FR@)">)Y/W+#]W# ! &K?@kkk?Xkw? ;Y/KQQ*K$Y+8_#W$:J@$>qR@% m0W:@#`)yD@# @! > YY$/]j/j ?@kkDHEk ;Y/KQQ*K$YCuraE@DR@R#$Q.# $!"DE_7D&!:. A K; Y Y$/!K* ?@k??JDkVwHk\JWZK* [ kH{kkH{?\ ;Y/KQQ*K$Y0:@6)6)R)])#_"DRE_ 7D1H1HH)%E@DR@R#$Q.#$ !"DE_7D&!:$). A cura K; Y Y$/! K* ?@k?k@XkXC ;Y/KQQ*K$Y$Y]K%YYQ*KY0:@6)7)8_RT)])2")E_715145%E@DR@R#$Q .#$!"DE_7D&!:$)YK; Y Y $/!K* ?@k?kVXkHV ;Y/KQQ* K$Y # R +)x) 8_ % E@DR@R #$Q.#$!"DE_7D& !:$)YK; Y Y $/!K* ?@k??@E?X@ ;Y/KQQ*K$Y/*!Q*&Y*;Y0:@)U)[R")71H 1%4) % E@DR@R #$ Q .# $ ! "D E_7D&!:$)YK ; Y Y$/!K Orientalis, 2012, p. 231-250. ;Y/KQQ* K$Y $Y]K%YYQ*KY 0D& 8).) UR E)7) 8_ 114)%E@DR@R#$Q.#$!"D E_7D&!:$).YK ; Y Y$/!K Orientalis, 2012, p. 455-492. II. Contributi personali 529 ;Y/KQQ*K$Y0D&6>0@R1114)%E@DR@R#$ Q.#$!"DE_7D&! :$)YK; Y Y$/!K* ?@k?kDk??X ;Y/KQQ* K$Y $K*QQ* #YQ/%<%Y 0D& 0)0 T 1H1%) 0W!:&R"DE_70)0)T%E@ DR@R#$Q.#$!"DE_7 D& ! :$ ) ) Y K ; Y Y$/!K* ?@k? 89-118. ;Y/KQQ*K$Y#/%]*¢%Y<Y_WK&Y%0D&)T)#_14 1H4) % E@DR@R #$ Q .# $ ! "D E_7D&!:$)YK ; Y Y$/!K Orientalis, 2012, p. 339-358. ;Y/KQQ*K$Y&Y!!KY/Y==YKY0D&+)])|&151)% E@DR@R #$ Q .# $ ! "D E_ 7 D& ! :$ ) . Y K ; Y Y$/!K* 2012, p. 359-364. ;Y/KQQ*K$Y6>#>&>EUJJ%@)77J8K)kJ7J8. K >;W=:!Z! "! ! [wkJ?@k?\?Xw?wD ;Y/KQQ*K$Y2D&:&FR%7*FR)7D:J&Y$//]W?@k??kX??C ;Y/<Y%Q%]Y/WK*R@>7"#K%ZQ> * j >[DCJ?@@C\?Cw@ ;Y/<Y%Q%]Y/WK*.J&&) 4:J)0%0$D: E).D$F%&%. A cura di Albina MalerQW ! ?@@C?X?E ;Y/<Y%Q%]Y/WK*&DD*&%Le religioni &&Y;=&%&. A cura $]QK?@@CVCCw ;Y/<Y%Q%]Y/WK*2:T&8D(&&E%6&7!#! 8JJ$))Y]$!;];!==+ >#?@@CkEXkCX ;Y/<Y%Q%]Y/WK*2 D*!&. ]&]; ]% Z! ! [DJ?@@C\?wE?VV 530 ;Y/<Y%Q%]Y/WK*T&8$]D(&&]3&5%Z! ! [DJ?@@C\XEDXEE ;Y/<Y%Q%]Y/WK*(@:&_@R>'RE!>&:@@:&_%Z#># jj[ 106 (2008), p. 38-50. ;Y/<Y%Q% ]Y/WK* 7& T& 8$ ] D&&$]3&5%Z! [ (2008), p. 273-277. ;Y/<Y%Q%]Y/WK*"$7:/J X e XI sec.%Contributi italiani al XIV Congresso internazionale degli slavisti: "#$%&. A cura di Alberto Alberti, Stefano Garzonio, Nicolet ]:!==+ >#?@@CVXC@ x {{hhh"{Y{"{?C@w"} ;Y/<Y%Q%]Y/WK*.:D"):& &.JR6@%Z% [EJ?@@C\CEk@E ;Y/<Y%Q% ]Y/WK* 2> ## 7 ). 6< 0:JE#T77%Medieval Slavonic Stu)6<0:JE#)¾&)6::tives de rechercheY_YÜ#!Q# #% K !?@@Hk?EkwC ;Y/<Y%Q%]Y/WK*0@!>R J@_@R R>@%E@RR>@&R>_R+:)F$_RRR&!&>&R@J+(E(7]$% 5JR* >j >!::jW !&# :W+K:?@@HHkHD ;Y/<Y%Q% ]Y/WK* 0 D+: . % ) & ::) / % K italiana, 2009, p. 127-134. ;Y/<Y%Q% ]Y/WK* 2 D. % XXI secolo. &::)/% K ?@@H 319-334. ;Y/<Y%Q%]Y/WK*k7#J.T@&8@%Bibel, 2] &&@7>)]JkE#& )8~$W $! &!Q]:!?@@HXk@ ;Y/<Y%Q%]Y/WK*Due note critiche. A proposito di: ]W, Due no#))# / &% (LII), 2008, pp. 295-300¿A. Giambelluca Kossova$+R@ @#!00&¦ÀWWÀ¦q_¦T#R #:@:&Á@$0&UT@ @:@$7JR5QmUT@`$5$::)333. %Z! ! [VJ?@@H\??D??C ;Y/<Y%Q%]Y/WK*Y:K/Q%Y:K/Q*.@la tradizione testuale dei vangeli slavi. %Z! ! [VJ?@@H\?HDC II. Contributi personali 531 ;Y/<Y%Q%]Y/WK*87$D`+:`m]E` mE EJ ` ] % # m* `&:&&)m]E`J: delle religioni in Europa orientaleY! "::W+K: 2009, p. 53-61. ;Y/<Y%Q%]Y/WK*F@R@:RR@+R. %Z![ECJ?@@H\XwX@XXk? ;Y/<Y%Q%]Y/WK*. )2:tuale nel Medioevo russo%Storia della direzione spirituale. A cura di Giovanni Filoramo.)2D*&Y!:;:]na, 2010, p. 269-278. ;Y/<Y%Q% ]Y/WK* Cura K ; & ! : 0Y ] ; $ Possamai.#"/= ==+ >#?@k@X v., 846 p. (Biblioteca di Studi Slavistici, 12). ;Y/<Y%Q%]Y/WK*#*!!Y]Y%$*YQKY0&K;ni. &!:0. A cura di Marcel; $ #.#"/= == University Press, 2010, p. VII-IX. ;Y/<Y%Q%]Y/WK* :&%La bisac:!J&&):#&. A cura di A. Barbero, S. ##]" W $ !] W W$K?@k@?wH?DV ;Y/<Y%Q%]Y/WK*0&&J . %Z! =*/ Q $ + #[C?J?@k@\??X?XC x {{hhh {"{} ;Y/<Y%Q%]Y/WK*2D:D.J(&&E&%]'@D:T'44%5). $]$H1Y##==ze University Press, 2010, p. 13-21. ;Y/<Y%Q% ]Y/WK* 0 > : . %E#3!EE)#&#K$&$ #&#&&D#E&$K=ton, 2010, p. 34-41. ;Y/<Y%Q% ]Y/WK* E 2K@ W ! KW * ]JWK!KW*]\Slavi, Slavo-ecclesiastica letteratura, Slavo-ecclesiastica, lingua (2010). x {{hhh"{{" } ;Y/<Y%Q%]Y/WK*Cura del ]&!T&8$]D&&Y]; =/%Z! ! [EJ?@k@\?XHXHw 532 ;Y/<Y%Q%]Y/WK*0& al ]&!T&8$]D&&Y]; =/%Z! ! [EJ?@k@\?XH?wX ;Y/<Y%Q%]Y/WK*Sacra scrittura, auctoritatesT& il Greco%]&!T&8$]D&&. A cura di ]; =/%Z! ! [EJ?@k@\XwHXVX ;Y/<Y%Q%]Y/WK*"@>@!mq#W`.JR6@. %ZQ> j >[VkJ?@k@\DkCDX? ;Y/<Y%Q%]Y/WK*"#$7::R@R@WR) )Rj%Z![V@J?@k@\X@EXXw ;Y/<Y%Q%]Y/WK*+#0&0)%0& 0$:Y=W#~] Q==+ >#?@kkkEkkEV ;Y/<Y%Q% ]Y/WK* E{ : russo-italiano % ( |_@ 4$ @: ) 7 2sorsa.Y& :Y!W/W Italia, 2011, p. 62-70. ;Y/<Y%Q%]Y/WK*]Y> 6kE7F")(&:DJJ E)8:E:8F>@ T)Ew$'RD"#0@]/ % K% ?@kkEwX ;Y/<Y%Q%]Y/WK*2JD %6kE7F")(&:DJJE)8 :E:8F>@T)Ew$'R D"# 0@ ] 1 & Y 1 & /% K% ?@kkHHk@C R&D@ED@HT ;Y/<Y%Q%]Y/WK*.E&!DT6 :FE&%0&)0$$T&*&&$&Y%]& ! ?@kkDkVD ;Y/<Y%Q%]Y/WK*@R@R'RE%E@ )FR&D)7@RY#Wj _!]j#>! Qj > 2011, p. 11-19. ;Y/<Y%Q%]Y/WK*.@@>:]JRFD& E&)%E@)FR&D)7@R. A cura di #Wj_!]j#>! Qj > ?@kkkwkkD@ ;Y/<Y%Q%]Y/WK*'#!J@# #&#%Z* j! [V@J?@kk\kXCwE II. Contributi personali 533 ;Y/<Y%Q%]Y/WK*ED_7Rq_0RmyTJR`. %7Rq_0@@J@R>@R&@#R`)7@0)HRR1)YK]j !j # $ :?@kkkwHkDE ;Y/<Y%Q% ]Y/WK* =%%#*&%Ý YK!Y$/Y & & &%2&).E&7$51&$)Y K#! =W ]?@k? p. 115-147. ;Y/<Y%Q%]Y/WK*. 2:T&8J"6 :&D(&&E%E&&)]J"6)YQ =*j?@k?XkD ;Y/<Y%Q% ]Y/WK* Sacre scritture ed esegesi patristica nella Vita di Metodio% k)7:E8$). A cura di A. Bartolomei /+### =] !! ?@k? 385-392. ;Y/<Y%Q%]Y/WK*0{:mra russa antica”.%@)77J8K) kJ7J8)K >;W=:!Z! "!! [w@J?@k?\kkkE ;Y/<Y%Q% ]Y/WK* R/ T # k@$ '.# k&) + U&&$ =#$ ] ) ) %$ ::) 55 % Z! ! [DJ?@@C\X@wX@E ;Y/<Y%Q%]Y/WK*R/T08$ÂDE&! 7 E L. E) 2 & $ D$05$::)H%4)%Z! ! [DJ?@@C\ 310-312. ;Y/<Y%Q%]Y/WK*R/T.70&$k#&$ x)kRk)E#$=&$U Y=$ #$4)))k#@#.#FK$x)kR$+)(:#$::)%%4)))'J####à 3%H7#0+#w$)@$::)H5%) ))'###Ã35@##0 xkÄ@$x)U$::)5Q#0# U##)E#$+)6]$H%Z! ! [D (2008), p. 312-316. ;Y/<Y%Q% ]Y/WK* R/ T 0) F#$ T) T@$ E# JJ## 6) & ]#$ # $ U =&=%$::)435%Z! ! [DJ?@@C\Xw@Xw? ;Y/<Y%Q%]Y/WK*R/T67@>!F#.#=, traduzione, $];"jW # J]\?@@CXVH%Z! ! [VJ?@@H\w@Ew@H 534 ;Y/<Y%Q%]Y/WK*R/T+)7T$2& :&)(K$R: $T$::)Å3%%Z! ! [C (2011), p. 351-352. ;Y/<Y%Q%]Y/WK*R/T¾)F$2D¾:&&:$¾$01$::)35)%Z! ! [CJ?@kk\XD?XDX ;Y/<*%*_YW*#*.&JD&:so. %2!&&&) $&$34&5)YYQ Z [?VJ?@@C\kVHkCV ;Y/<*%*_YW*#*$Y]*QK=K$K/%W*7D:) %2!&J$&:&)A cura di =:! !j= Z]Y[kXJ?@k?\ x {{hhh {{ {#$=|"{ "{ ?@k?{@w| |"} ;Y/<*%* !QK=Y* +R&& : : & % +R&&)F##6Y;W: =##KQ!?@@C?@D?kV ;Y/<*%*!QK=Y*Introduzione Y!#jm7W&:>·`) R :R :# F&& 2 ]j & ?@@C 6-27. ;Y/<*%*!QK=Y*E@RDR@RJq&&@R:@1 # Y 1H# % ' # ': +: & ) x##) E @ 2 ~Y_] $ =: #j =j" R T# ?@@C?wH?E@ ;Y/<*%* !QK=Y* ¶.m :W :DDR DR@) % Z[J?@@C\VJkHw\VVVE ;Y/<*%*!QK=Y*TD_@$@>RR.)yD_.R Fioletova%7@)7E++:2$7>) kJF&K >/:= =:#j=j" ]R T# ?@@C?XE?wV ;Y/<*%*!QK=Y*Introduzione =$ j6&: estive.?]= ?@@C ;Y/<*%*!QK=Y*CuraContributi italiani al XIV Congresso inter!"#$%&. A cura di Alberto Alberti, ! "; ]:!==+sity Press, 2008, 579 p. (Biblioteca di Studi Slavistici, 7). ;Y/<*%* !QK=Y* .: 8D Y :_@ DR@# % &R &) @Y _@R @ @ qRR .@ 2D_":)]j ?@@CXwHXDV II. Contributi personali 535 ;Y/<*%* !QK=Y* +q_ &Dq&@# :# m6:@# :@`%m7#&R_D·`&>jwk?]j/;;+?@@C r. 64-77. ;Y/<*%* !QK=Y* ._D : 6@R #) 0D> &_R % ._D @R @D 7R @) 2@ _R)U4R.).)F#8#KYQ;]j& #?@@CkX@kXH ;Y/<*%* !QK=Y* E DR@ :> : .R % .R>R&RRq_&R&)U4RRWR)W ] !j]jj?@@CX?HXX? ;Y/<*%*!QK=Y*6@>&_RDR@#:#: x) qR % 0 @! 7&& :R@R @D @) T> @J &$ H # $] ! ] ! ]j&#?@@CX@CXkV ;Y/<*%*!QK=Y*2:&TR@@R[%&]jj0esie. Y;W]:+/?@@CDEk ;Y/<*%*!QK=Y*0&))8q_U)%%; Kutuzov. 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FiK#Y#?@@Hk?kk?E ;Y/<*%*!QK=Y*U:R:_@:0@%E@R R>@&R>_R+:)F$_RRR&!&>&R@J+(E(7]$%5JR g* >j >!::jW!&# :W+K:?@@H?EXk ;Y/<*%*!QK=Y*.::8Rm":$":$ >>,`)%Z! [EJ?@@H\kCDCE ;Y/<*%*!QK=Y*[:@6))#W%F>R@R7@$ >:@H. * ]*¢jKYQ_W]j&# 2008 stampa 2009, r. 604-611. ;Y/<*%* !QK=Y* y@R DR@ : % &J<\ j 0_RR&#, )$@)]j]KQ?@@HVkC ;Y/<*%*!QK=Y*2D~ '% 0)2)8&& letterario russo%YE)JD5D1. A Y]% % ?@@HDDV? ;Y/<*%* !QK=Y* 6@> RR ## & 8R % ZQ ! >[X@J?@@H\ J {{hhh { {X@{X@ \ ;Y/<*%*!QK=Y*0.)[&#:'y! {%.0.)[&#) 2D&$$DT$:YYj #>h"]W ! + ?@@HEXCV ;Y/<*%* !QK=Y*) DER T R)))D TR@@R) % & &)7@R@5R0J])0)]! jY! !j $YjÞjYß!?@@Hw@CwkX ;Y/<*%* !QK=Y*) 2 : & &* % Les liaisons fructueses. Culture a confronto D:8&\#Y]W# # YK;]]< :*"Y ! K?@@HDEVD II. Contributi personali 537 ;Y/<*%*!QK=Y*7#@&>&:&R &R ) % 7R@R #) ! 7#$ R>@$ &>. Pod red. Y&#Q&!j]j_>j!jj ?@@H 394-401. ;Y/<*%*!QK=Y*6@R8D:%.*6)) 8DE&&1$)YQ # / ?@k@?kXE ;Y/<*%* !QK=Y* mE@R q` &W R &! W$ R$&@%Z *[k@kJ?@k@\k?XkVD ;Y/<*%*!QK=Y*2D"Jx@URW%J&J&. Studi in onore (:@$)RY!: / ! ]$YK ?@k@??E?XD ;Y/<*%*!QK=Y*FRD:%ZK [?HJ?@k@\kXwkXC ;Y/<*%*!QK=Y*m0&T@`!'@T#2:. % &&) U %4R 2R ]Rq& ! jY + ]j&#?@k@kkEkX? ;Y/<*%*!QK=Y*2&FR:Æ e-début du XXe ) % Z/ ' [ Ck (2010), n. 1, p. 71-84. ;Y/<*%*!QK=Y*1)(E#QK#?@k@kXH ;Y/<*%* !QK=Y* [&@ ## @ 8J& % " U 0q@)7@_D%R6).)&#Y/]j Novoe Literaturnoe Obozrenie, 2010, r. 92-103. ;Y/<*%*!QK=Y*&RTR@@R)({&%Gli J&)]&&&DE$0$#$ E&. . $ 0$ 4 1)Y;Q]Q##+!?@k@HkV ;Y/<*%*!QK=Y*Cura ]*jLa contessa e il principe. 2 7 ] .@ U@ # QK# 2010, 181 p. ;Y/<*%*!QK=Y*7>:RR@@%Z<[?@k@ n. 10, r. 194-201. ;Y/<*%*!QK=Y*"]_R_11 )%'&k&()7@R_D5R6))Uw) W Y:Y&&;* ]j*;%?@kk 64-73. ;Y/<*%* !QK=Y* 1! R :@ 2D F % Z/[J?@kk\wkX@ ;Y/<*%*!QK=Y*Cura ;WLirici D"! = /W?@kk 277 p. 538 ;Y/<*%*!QK=Y*2'0m(`mE@Rq_D` '&@%UD>R:&)7)R@%R)+). Otv. red. Y&!# j?@kkkkwk?k ;Y/<*%*!QK=Y*Cura Y $Y:!m)))7@R:D)_>RE&!E@Rq_113)U>@ T@$1@RRY1RRQm))) .:::)+E&)2&*:D 113)&T$1Y1&) So ! ";Y $Y:!Y! ";Y $Y:!Q !K* ?@kkXHV ;Y/<*%*!QK=Y*!+#Y!!*:%YWYm&+* J`) 2 8 # R_ [ % E@ DR@R#$Q.#$)! $YjYW $Y!j!K*talis, 2011, p. 141-184. ;Y/<*%* !QK=Y* !+#Y!!* :%YWY "q_R @DR #@@E&!151%m:@R>T>`!U@Y DR@#qR)Qm2T/`!: :: $ ) . A cura di Antonella Y!K* ?@kk?@D??V ;Y/<*%*!QK=Y*WY/#%;+%$*0 agli Studi in onore di Giu::'D.)%Z! ! [CJ?@kk\?EH ;Y/<*%* !QK=Y* Y/*WWY ;%+!K##%Y * : % Z! ! [CJ?@kk\XkEX?D ;Y/<*%*!QK=Y*<YY]:Y%]Y/%Y2>&##<$151%.k>JE2>F#> &! F# 7 . > K > K> $j ; Q# + >"# #?@kkkkV ;Y/<*%*!QK=Y*<YY]:Y%]Y/%Y2R@@:_@R JJR:#RW@RR>!151%R@R R@@!@R:@R:#W K$j; Q]j ?@kkXEwV ;Y/<*%*!QK=Y*]R_@#:&! 6@>q#@&[%0W:@#)yD@# @]j/j ?@kkkXVkD@ ;Y/<*%* !QK=Y* R &D :_@& : : TDq&) % ERR! @@D> ]j % /Y?@kkkDVkV? ;Y/<*%* !QK=Y* 0& .R m]` % T> .R Belogo / % ]j !j :]j % :j ?@kkXVEXE? II. Contributi personali 539 ;Y/<*%* !QK=Y* ( &) T % ZY"[ (2011), n. 7, p. 14. ;Y/<*%*!QK=Y*!+#Y!!*:%YWY"@@@R)R &>)U]j/j# ?@kkwVw ;Y/<*%* !QK=Y* !+#Y!!* :%YWY 0_@R @DR WD @R @ E&) 0 && # @ & 8R % Ot 0@)E@RW&:R#Q ]j]j/j ?@kkXCXwk@ ;Y/<*%*!QK=Y*"R&#:.R8RD&% Laurea Lorae. 7@:&R2>8>7:R/j >! " ;j; !# % ?@kk 409-417. ;Y/<*%*!QK=Y*. (E#QK#?@kkkXE ;Y/<*%*!QK=Y*.@R7>RY&%Z! [ 8 (2010-2011), p. 135-138. ;Y/<*%*!QK=Y*0))8q_UT%(&$:":&!JJT FerrazziYY] $WWWQ + ! Q $ ! =?@kk 265-276. ;Y/<*%*!QK=Y*Cura Studies in Slavic Languages and Literatu)++7"68E+777@#&0:K > ! ";!#KW*:?@k???D x {{hhh{! ! } ;Y/<*%* !QK=Y* Cura Y ;. Stolb slovesnogo R!7#R:&>))! && !;# !;]j&?@k?E@wwX?J/j% \ ;Y/<*%* !QK=Y* Cura Y / m'@y`)0@$14$R]j/j?@k?w?w ;Y/<*%*!QK=Y*Collaborazione Y"= m(& Rq_RD)))` m0&)))`)0 traduzione italiana]jW j/?@k??DV ;Y/<*%*!QK=Y*T)6@__R>%R>) 0@)U)7@_DT°>")@R]j 2012, p. 108-114. ;Y/<*%*!QK=Y*T@&_@R:@#:_@#@ DR@RR>@%2:0q@@R)+,.gno Internazionale di Studi.YW!/K W ?@k?kHXkHH ;Y/<*%*!QK=Y*]&·)]&·]&%%!Q]&/ K / ?@k?HkE 540 ;Y/<*%* !QK=Y* 2 F ! E &:.'8)%(F#% K !?@k?kHD?@@ ;Y/<*%*!QK=Y*Cura della pubblicazione di Larisa Miller. Del celato senso la cattura%Z![wVJ?@k?\kEHCD ;Y/<*%* !QK=Y*) &: @: :#@& : 6@> RR @# : DR@R :) % F@ :@!:@@:&:]jYjj?@kkR ?@k?TX?XX?C ;Y/<*%*!QK=Y*. 2D::^ED^'DW >W D: 6@R # % E& &) Firenze nella cultura russa fra Otto e Novecento. YQ= *j?@k?EECC ;Y/<*%* !QK=Y* 7# m0` 1 7R 8@. In: 7Rq_RD)U1R.).)F#8]j;=?@k? p. 309-317. x {{hhh>{{k?k?k@DkXX|k|:kV| "} ;Y/<*%*!QK=Y*E0#D&ratura slava ortodossa. %Z/! [!k@JDV\J?@k?\ 213-220. ;Y/<*%* !QK=Y* R/ T _ $j Gefühl für das Schöne. x#x#&=@&+{J2##'@ EJÅ:Å&?@@E\%Z//[[kw J?@@E\R ?@@CTkXEkXC ;Y/<*%*!QK=Y*R/TW$ 2J&&E, Paris, Institut ' ?@@H%Z//[kVJ?@@H\?DH?V@ ;Y!#Y/%%K&K&!:0. A cura ]; $ #.#"/= = Firenze University Press, 2010, 3 v., 846 p. (Biblioteca di Studi Slavistici, 12). ;K:K/Q+WYDJ&ve%2!&&&) $&$34&5)YYQ Z [?VJ?@@C\kXX@ ;K:K/Q+WY'&&J&ve. % 6 & 7! # ! 8JJ$))Y]$!;];!==+ >#?@@CkHD?@? ;K:K/Q+WYJ&7%J&7ture and its InterfacesY]:hj] ;> 2008, p. 307-324. ;K:K/Q+WY<YÊá!Y]Y/%YCura Linguistica polacca in Italia. Lin0)Y>; ]<¥`j%Z! % Y [?CJ?@@H\X II. Contributi personali 541 ;K:K/Q+WY<YÊá!Y]Introduzione Linguistica polacca in Italia. Lin0))Y; ]<¥`j%Z! % Y [?CJ?@@H\XXCXXCH ;K:K/Q+WY.:$&:&:#%Lin:)20))A cura di L. Gebert e ]<¥`j%Z! % Y [?CJ?@@H\X p. 493-502. ;K:K/Q+WY2>:@%Z! =#j!h¦j[ 45 (2010), p. 119-131. ;K:K/Q+WY./D:&)%Cate:&D)7&YY:*%jZY [kCJ?@k@\k?kXV ;K:K/Q+WY7$$#!77&:%.> 7&!$27>J#7$). A cura ]=Q~ % #~ ?@kkwCDC ;K:K/Q+WY2:!:*)%\0& 28::.$!2:Y!W ]&K=?@kkwHDV ;K:K/Q+WY2D&:J$D&:JD &!:&%'&KQ"@@)+&Q7R&@>@R*%j':R T Peter Lang, 2012, p. 11-28. ;K:K/Q+WY2D/D::&. %2!&J$&:&)A cura di =:! !j= Z]Y[kXJ?@k?\ x {{hhh {{ {#$=|"{ "{ ?@k?{@E| "} ;K:K/Q+WY2>:/) %ZW%![J?@k?\XX ;K:K/Q+WYE: )6D>R@:)% Una bianca corteccia che si sfoglia. Incontri con la cultura russa. A cura di Barba/ /Y?@k?X?EXDE ;~K/:K<<YKQQ*/K2D).:::D contrastiva.%Z//[kDJ?@@C\HEkkV ;~K/:K<<YKQQ*/K<%==K/;%*/;%*EJ)2 U%Z//[kVJ?@@H\HDkkk ;~K/:K<<YKQQ*/K&:%7D.&T)2*. Atti del primo &?D?V?@@HY]W# ! /:?@k@?EE?CD 542 ;~K/:K<<YKQQ*/K0&%Z/ /[kHJ?@k?\kkEkX? ;~K/:K<<Y KQQ*/K Cura W Dove il sì suona. Viaggio attraverso la lingua italiana. JkD D?@k?]]W ! ! W /\Y;Y ]] #!QK;/! $ Y?@k? ;~K/:K<<YKQQ*/KE&%Dove il sì suona. Viaggio attraverso la lingua italiana. JkD D?@k?]]W ! ! W /\Y;Y ]] #!QK;/! $ Y?@k?X? R J8Rm`)0q:DR@& R>@\E&>DR@&R>@?wT ;~K/:K<<Y KQQ*/K 2 E % Dove il sì suona. Viaggio attraverso la lingua italiana. JkD D ?@k? ] ] W ! ! W /\Y ;Y ]] #!QK;/! $ Y?@k?wkR J8Rm`)0q: DR@&R>@\DR@RR>@EX@T ;~K/:K<<YKQQ*/K2JD:&. % T&! mF &` # + ") 2 & &:D&Y/] ;<""/:?@k?k@kkkw ;~K/:K<<Y KQQ*/K R/ T ] /j >j >]j<j_>jjj ?@@E%Z//[ 15 (2008), p. 151-152. ;~K/:K<<YKQQ*/KR/T#>Qj>>> ]jÄj?@@E%Z//[kDJ?@@C\kD@kDk ;~K/:K<<YKQQ*/KR/T: ]W=W% Jk?\/ Y?@kk%Z//[kCJ?@kk\k?Ek?C ;~KQQ% ]Y/%Y WKW%%Y 2 : ] 7! :& /D115)%+ * "" ] =Y Y ] $ W W WQ + ! Q $ ! Linguistici e Filologici, 2011, p. 277-306. ;~%$%% ]Y/%Y WY$%$Y F@_ _ _> :&>) 8 |: q@8R.@&#W>#6@%Z *[kEJ?@@C\Hk?XXw ;~%$%%]Y/%YWY$%$YF:':&0#:# 8.U#6)#&J&)%Z!* [?V (2008), p. 109-125. II. Contributi personali 543 ;~%$%%]Y/%YWY$%$YIntroduzione e cura=!&&schino% "]W;Q# < ]; ?@@C%&Xk@ R% &%%%&T ;~%$%% ]Y/%Y WY$%$Y >$ > J&> q_R @) 0&> :&R:&F#)%T>TW &:_@_#_#?@@CEkC? ;~%$%%]Y/%YWY$%$YCura e traduzione;* Una favola tutta ]!?@@H?@C ;~%$%% ]Y/%Y WY$%$Y & T# #$ & +$ 7&]@$R_%Y#Enciclopedia della persona del XX secolo. YY#K! % ?@@HDHVX 341-343, 364-369, 475-479. ;~%$%%]Y/%YWY$%$Y] Wq:@8.#6,. %F_@8)8)|:@@&&R)/j *;]Qj%Qj+ ?@@HXDD@ ;~%$%%]Y/%YWY$%$Y.)20)]@)2:#:# D&K 6&)%Z!* [ 30 (2010), p. 117-130. ;~%$%% ]Y/%Y WY$%$Y ]&> W! ::@$ : W _@# &>qR#_>#8.#6%Z[X@J?@k@\?JED\D?V? ;~%$%% ]Y/%Y WY$%$Y F >:@ J@ 8.#6) &RJ&>%8|: J@)(@&@@&/j Q]j/?@k@?DX?VD ;~%$%%]Y/%YWY$%$Yx0#TJJ![:@ ]@E@R 7 % '& k& () 7@ R _D 5R6))Uw)W Y:Y&&;* ]j*;%?@kkEwC? ;~%$%%]Y/%YWY$%$Y"WD$@)"JR:R @ % `RRq_# ) 0 R) R)0:RR)F_@K% K;#+ K;]<?@kk??XV ;~%$%%]Y/%YWY$%$Y$&&&)#FR% Z :[CJ?@k?\kkHkww ;~%$%% ]Y/%Y WY$%$Y " E y@ T) @ [: :@#RR+:>%'@DR# globalizacii!j # !;+#?@k?wDDwDV ;~%$%% ]Y/%Y WY$%$Y R/ T ; # # Gli occhi di Stalin % Z[?E?@k@?H ;~%$%%]Y/%YWY$%$YR/T.&E.))7W>%Z[?HJ?@k?\HXk 544 ;~%% ;%+!K##K Cura " Z [ E J?@@C\ ? (DJ&)T 0$+28 Antologia delle letterature straniere. x {{hhh {{ §{{?@@C? } ;~%%;%+!K##K0$28J&) %Z[EJ?@@C\? 13-40. x {{hhh {{ {@C@?;"} ;~%%;%+!K##K2D%Z[EJ?@@C\?kXXkw@ x {{hhh {{ {@C@?;?"} ;~%%;%+!K##K2:$ ·.::[&#%Atti del 0 .) [&#) 2D&$ $ D T$:YYj#>h"] W ! + ?@@HCEk@C ;~%%;%+!K##K(']&&'@R%Z/ [?CJ?@k@\kkXEkVw ;~%%;%+!K##K\2)0@!&% 2&::)78]]denbauer, 2011, p. 137-145. ;~%%;%+!K##K]J)::* destino%2D&D&)R8&&. Y# Q!]/ ?@kk?Xk?w? ;~%%;%+!K##K@#D8#:%ZQ ! >[XHJ?@k?\XHwV x {{hhh { {XH{ XH|"} ;~%% ;%+!K##K F# T +/ 0D E#>#& J& 0#@$FR#$0@$.@#&%E0). :#>K >/ # ]/=*j?@k?CHk@k ;%Y]:K+WY *!!*&Y Y$Y Cura Narrazione su Uruslan [_$ >D# ?@@CHX ;%Y]:K+WY*!!*&YY$YY. Esegesi dei pri&:)YW K ?@k@kkkDD?" J!C\ ;%Y]:K+WY*!!*&YY$YT@&8@) (&7TD4)W /! !?@k?kV@ ;%Y+%QY/*!YYCura')')|@_&$ &. .)(*7(45 &4Y/; =*j?@@CXV@ ;%Y+%QY/*!YY06:)+']::8D|@_%')')|@_&$ &. .)(*7(45 &4Y/; =*j?@@CkDEkHw II. Contributi personali 545 ;%Y+%QY/*!YYF%Il Lessico del*:&&%2&&tica. Q%F)A cura di P. Fornaro, M. Giovini, F. Bertini, M. Q/% K% ?@@C?wk?Dk ;%Y+%QY /*!YY && & % Il Lessi * : && % La letteratura &&) Q %% &&) A cura di Pierpaolo Fornaro, Marco Giovini, =: ] Q/% K% ?@@H p. 889-899. ;%Y+%QY/*!YYm&&:`!6Solaris.RF@@R$ {! j[%.RF@@R&Y/ W %]K ?@k@kHH?kX ;%Y+%QY/*!YYTWR_R@JRm@DFgo” v 8DRR%Z/j [J?@k@\wkk@kkD ;%Y+%QY/*!YY2:+2&)8%(&$: ":&!JJT]. YY] $WWWQ + ! Q $ ! =?@kkX@EXXD ;%Y+%QY/*!YYDR@RYR>@R&>@,%.@D DR@@R>@@D#K=!j%j j IGLU, 2011, p. 96-105. ;%Y+%QY/*!YY/Ivanov Alessandro%Nuovo Liruti. ' ]$ H) 2D* &:$ F& . A cura di W ! W ; ; : + = ?@kk 1787-1791. ;%Y+%QY/*!YY2D:%Il Lessico della Classici*:&. Volume II. Epica e lirica. Q%2D:)A #=];=: ] Q/ % K% ?@k?VHkVHE ;%;YQK ;%+%Y) F ) J& #D%Z! [VJ?@@C\k?CX?CC ;%;YQK;%+%Y)(#&:2R&>(@R%Z >[J?@kk\wJkX\XDwX ;%;YQK ;%+%Y FDR @&&@R! R@ : _WR _R@D)"R@#:WR:R#$:qq_#& R>@%U&&@@&&&:Y j; >+ ?@k?kwVkwH ;%;YQK ;%+%Y Entre deux langues et deux cultures % + $ * D K ; / Y Yj> : R T # Lang, 2012, p. 163-179. ;%;YQK;%+%Y. R/TBerliner Express%Z! [VJ?@@C\ n. 1, p. 293-294. ;%;YQK ;%+%Y. R/ T % !j 6q_> W> &q# % Z! [VJ?@@C\k?HD?HV 546 ;%;YQK;%+%Y. R/T0YY%Z! [E (2009), n. 1, p. 329-330. ;%;YQK;%+%Y. R/T:!jEqJ>R'@R%Z! [ 7 (2009), n. 1, p. 359-361. ;%;YQK ;%+%Y. R/ T * j ' 7$ : % Z! :/> ' W ~ ![ (2009), n. 2, p. 69-70. ;%;YQK;%+%Y. R/T£Á=Å'>'¯@k7J &%Z!:/> ' W ~ ![J?@@H\Xk@wk@D ;%*&Y*%&YKQ%Ym#W:&@&`.)6)FR! &)%Z$ W [DJ?@@H\?HXX@E ;%/Y+$*;%Y=/YW*2ED E e Ucraina%6&7!#! 8JJ$))Y]$!;] ;!==+ >#?@@C?@X?kw ;%/Y+$*;%Y=/YW*$R&:!R@@R &D @Y :D@R &D % m @@# # &R & &>@Rq_`, 7@ _># _D :J) E) 8) 7@>@. !# Izd. SPGU, 2008, p. 106-114. ;%/Y+$*;%Y=/YW*=K//YWW%*%]Y/%Y]Y/WKYIl Periplo della '&2'*414)%2'& :\7Y! ; / Bardi, 2009, p. 271-306. ;%/Y+$*;%Y=/YW*0&D+:. %2&#+: &Y]W#"!: RYT WK$Y]?@@HX?C ;%/Y+$* ;%Y=/YW* 2 .@R T#R_ D&: Shuhn Chih, Lo scontro di due tradizioni%Z$ â [!C (2009), n. 8. x {{hhh {C{W {; Yj] !W } ;%/Y+$*;%Y=/YW*=K//YWW%*%]Y/%Y]Y/WKY2&D".T ), 0 $ ]&)15H314%ZY ]! $ ! # [Xk!?@J?@@H\ p. 121-185. ;%/Y+$* ;%Y=/YW* =K//YWW%*% ]Y/%Y ]Y/WKY '& concernant la W;#/]Wde Venise% Z;j!j+ [HDJ?@k@\kw?VD?HX II. Contributi personali 547 ;%/Y+$*;%Y=/YW*=K//YWW%*%]Y/%Y]Y/WKYIl viaggio dei W .0%R@@R#$Y#$Új:!Slavia, 2011, p. 227-254. ;%/Y+$* ;%Y=/YW* =K//YWW%*% ]Y/%Y ]Y/WKY \ 0:,.::W a Venezia% "UR<E>&)[R<@<E>::R7§.:@§(@§#jÌ]/$hjjh j:¥> j% > :¦$ h h>?@k? 1145-1172. ;%/Y+$*;%Y=/YW*Cura $&$ne etnicaY;";Y#*K ]W?@k?wK?@@ER ?@@CT x {{ {| | } ;%+%Y% /%QY J@ R> 8R |>) " m D&$ :_&`%7D&>8@R)6))8DR@D. ]j¢/?@@CX?VXXD. ;%+%Y%/%QY8DE&!::%Gli scrittori stranieri racconE&)2D&&*. A cura !W/h W ?@@CkDkkVE ;%+%Y%/%QY2)6).&W@R R::@ />%E@R@Y_@@&R@)]j%]%/Y 2008, p. 219-227. ;%+%Y%/%QY2m/`D:&& %Z!+ [?J?@@V\R ?@@CTk?kkX@ ;%+%Y%/%QY'&$@T%Die slavischen Grenzen Mitteleuropas. Festschrift für Sergio Bonazza ~ ! "Y ]!?@@CEHCV ;%+%Y%/%QY#[&R!:)In6&7! #!8JJ$)A ] $ ! ; ] ; ! = = University Press, 2008, p. 215-223. ;%+%Y%/%QY/8R!&Rm">@`_)%6))8D R@R&$))Qj%Qj+ ?@@CkV@kE@ ;%+%Y%/%QYE&W_8R$:R>RR)T>R]j Novoe Literaturnoe Obozrenie, 2009, 285 p. ;%+%Y%/%QYJ@RE&%2DJ$)YK ""]W%/&%?@@HDVDDC@ ;%+%Y%/%QY0JER6))8R)URRWR) U>@]j; % j]?@@H%&%%% 548 ;%+%Y%/%[email protected]`%D&>8@R)6) )8D@W#&#&j ]j ANO Festpartner, 2009, p. 54-64. ;%+%Y%/%QY&R:6))8R/. %6))8D!&> R$))]j%]%/Y?@@HXXXXwD R/ ZW![J?@k@\kkk?2D(E77$::, 2&::CHk@VT ;%+%Y% /%QY " 8 Dq_@! W@ ] > . % xRR &WR @JR$ :Rq_R R R WR 6)) 8R)F>)]j%/%/Y?@@Hk@kk@D ;%+%Y%/%QYU:@:@$:] ] >%0@@R>)7@R)UR:JxR&_ Manna]j/;;+?@@HX?@XXw ;%+%Y%/%QY0^@D%Z/ ! /[wDJ?@@H\X00)0&. A cura ;_DVXDHw ;%+%Y%/%QY0&E&`)6@R8DJ@R)%ZQ ! >[X@J?@@H\Jm#=J6@ 8D`$3%7:&1$(>JE&m7:`$E&>) x {{hhh { {X@{X@ } R& 6&8D)&8R. Progetto e ideazione / ; W / ?@k?wHE?w@kw@XT ;%+%Y%/%QY":@RD@#W@8))2:_@%& & ) 7@ R @ 5R :J ]) 0) ] ! jY !$$+ ß YjÞjß „Saule“, 2009, p. 122-135. ;%+%Y%/%QY@$T&#R)%ZQ ! >[Xk (2009) x {{hhh { {Xk{Xk } ;%+%Y%/%QY$%]K*W~%Y/Y"W&@&J@R#@ @%J&J&. 7(:@R$). A cura di !: / ! ]$YK ?@k@?XE 255. ;%+%Y%/%QY@@&#%2_D_ T) .) @ @D& @@ @! @ R R WR &) T> &WR _R @J 0@ #W@, _):j?@k@XkXC ;%+%Y%/%QY"W_@#W@] >%'R>8@ R)6))8D_@)xR>R>:@)#& #&j ]j= ?@k@EDCD ;%+%Y%/%QY/6))8RqE&%F7.34) .&x77K<$> Q $ "! + >"Q ?@kkkEwkCE II. Contributi personali 549 ;%+%Y%/%QYY(0@JE&%Q! ]Fourth Annual ]m&:8JE`). Saint Petersburg 2011, p. 67-71. ;%+%Y%/%QY8D.@)[&@:R#%"> @R#*:Q%#jQj% Qj+ ?@kkk@?kkX ;%+%Y%/%QYE&#&@@D:7&8Dga%m:@R>T>`!U@YDR@#qR) Qm2T/`!::: $)YY Y!K* 2011, p. 67-83. ;%+%Y%/%QYIntroduzione&j'@@@)_>R 7 )*]jW j/?@kkDkk ;%+%Y%/%QYF#&%Odeporica e $)):+&UJJY#]W ""# #W]W % /&% ?@kkVkHVwD ;%+%Y%/%QY8D!J:Ani %(&$:":&! offerti a Marialuisa FerrazziYY] $WWWQ + ! Q $ ! Filologici, 2011, p. 337-354. ;%+%Y%/%QYmE&$_@$&`!8D@R)%]&8R) T>xRR&WR@J$:Rq_RRR WR6))8RT@Y7@04@RR1. Pod &&YY!j # # ?@kkEwH 765. ;%+%Y%/%QY8D&@>)[&@@&%">8@ R$'&&R:R!R&D)T>@J. Pod &#&j]jj j?@kkkVwkE? ;%+%Y% /%QY .@ &@ R> % F> &WR _R@Jm'@D!^DR@R@D@R^@R @DDR@R`T@$1RR))]j% j Yjj?@kkkH?@ ;%+%Y%/%QY$%]K*W~%Y/Y&E&E)2tura architettonica%ZK* [X@J?@kk\kXXkD@ ;%+%Y% /%QY U R : J& % @) 77J8K)kJ7J8. K >;W=:!Z! "! ! [w@J?@k?\Hwk@w ;%+%Y% /%QY 0 @! @> @ :@ ] ] > % @&R)T#;;#@<$R>&>. Pod red. G. Przebindy _äh^jh?@k?w@wwkD 550 ;%+%Y%/%QYF: & ] ] di Michail Bulga@%2 ).$&$. A cura di Francesco Fio W! ] ?@k?kEkkCV ;%+%Y%/%QYFR:.!@@D%7*FR)7D:J&Y$//]W?@k?k?HkD@ ;%+%Y%/%QY2:_@)2^J.DD$Dstetica e nella letteratura russa? /;?@k?kCH ;%+%Y% /%QY m'q@ .D`) UD2:_@ @& @$@/;?@k?kCH ;%+%Y%/%QYCura 6&8D)&8R. Progetto / ;W W / ?@k?wXX ;%+%Y%/%QY2m7:`!:*$$ &)%Z/! [!k@JDV\??k?X? ;%+%Y*;%+!K##%YF$e cura #=jIco)7DQ;;]]K?@@CkDE ;%+%Y*;%+!K##%YDR@R::&>.Rm8R`. %.R>R&RRq_&R&!@4RRWR]j j?@@CXV?XVD ;%+%Y*;%+!K##%Y^DT)%E@DR@R#$Q.#$)! Y Y $ YY $YW $!K* ?@@H p. 303-323. ;%+%Y* ;%+!K##%Y @> : R) .R % R_)R&>)>:@!##jj?@k@ p. 33-39. ;%+%Y* ;%+!K##%Y m0@ : :&R`! a dvuch #W@&)0:@T))'W@.)x)% E@DR@R#$Q.#$)! $YjYW $Y!j!K Orientalis, 2011, p. 115-188. ;%+%Y*;%+!K##%Y7$m&`)2]0#Reslav Ivanov%E@DR@R#$Q.#no, VIII. ! $YjYW $Y !j!K* ?@kkk@DkXH ;%+%Y* ;%+!K##%Y 6@R 6@ ]! qR@ 6: % m:@R>T>`!U@YDR@#qR)Qm2 T/`!::: $)YY Y!K* ?@kk p. 189-203. II. Contributi personali 551 ;%+%Y* ;%+!K##%Y %%Y$/K_ @ _ ) ) va % 2 2) 7@ :&R 2> 8> 7:R ]j % ?@kkXHVw@C ;%+%Y* ;%+!K##%Y Note W & $_jR35)0D&$E&6:R)"_@ qq@R! Y> #$ $ $ $ Y > Y / !# Giperion, 2012, p. 61-173. ;%+!QYYm7`!D::&D": russa. QK$Q?@kk&wk? ;/YW%*QQ%!YQKIntroduzioneStoria religiosa di Croazia e Slovenia. A cura di &]W Y?@@Ckk?? ;/YW%*QQ%!YQKSerbia e Bulgaria: due storie vicine e lontane%Storia religiosa di Serbia e BulgariaY&]W Y 2008, p. 9-28. ;/YW%*QQ% !YQK 2D& % 7 D& BalcaniY&]W Y?@@CHkH ;/YW%*QQ%!YQKE&Yx@E$j j !kHJ?@@C\?E?? ;/YW%*QQ%!YQK''&: F)%0R )[@:&5)T@F&jYQ:W#< FF Press, 2008, p. 521-529. ;/YW%*QQ%!YQK.&:La Polonia'&7% 6&7!#!8 JJ$))Y]$!;];!==+ >#?@@C?VE?EV ;/YW%*QQ%!YQK2##&:&&%Z/ [!VJD?\J?@@C\?Hw@ ;/YW%*QQ%!YQK]*)0%Z/ [!VJD?\J?@@C\wkDV ;/YW%*QQ%!YQKD(6+7"]8% & : /:?@@C p. 121-138. ;/YW%*QQ%!YQKE&x@E%Z¢ j [kHJ?@@C\?E??Rk&T. &:?@@CXkw@T ;/YW%*QQ%!YQK&:D:0%2D*T!&0).3)$8$ 3&5)YWY ];!Q ;%W]?@@HXHDC 552 ;/YW%*QQ%!YQKJJ!: 7J D.&T@<%2D+:*!#D+:) Y! "/h!?@@HVVED ;/YW%*QQ%!YQK'=##<#2:#U J&<#@<#&%)&)x#%Balcani $.JQ'=#@$ .& H)) x##)Y ; * *_! Ç Yj" ?@@H p. 179-198. ;/YW%*QQ% !YQK 2 T 7 EJJ$ : m` :*"6%YE) JD5D1YY]% % ?@@HHEkk? ;/YW%*QQ% !YQK Cura 2 '& :\7Y! ; / Bardi, 2009, 384 p. ;/YW%*QQ%!YQK0#.&.&)% 7D.&T)2*toria slava. Atti del primo &, 25-26 maggio 2009. A cura di Maria W# ! /:?@k@&% ;/YW%*QQ%!YQK2:&)%La tradizio&7).&$%5&. Y=:]$!/:?@kkk?HkDw ;/YW%*QQ%!YQK0J;W#&:E! EDU])#"! ; ] _:j?@kk%&% ;/YW%*QQ%!YQK0E0#)%Z/! [! 9 (55) (2011), p. 7-16. ;/YW%*QQ%!YQK2&Dm*&`J\/)%ZY ]! $ ! # [Xw%%%! (2012), n. 1, p. 9-28. ;/Y<%Y$K%WYQK/%Y:{m`": TD& % ZY = = + ![X@J?@@C\EEHC ;/Y<%Y$K%WYQK/%YUn anno di poesia russa%ZK* [?EJ?@@C\ p. 369-387. ;/Y<%Y$K% WYQK/%Y 7@R qJ$ W>R ^#D& &D ") TDq&`%">@R)7@R. #*:K]QjQj; >+versitet, 2009, p. 445-462. ;/Y<%Y$K%WYQK/%YT&. [&@:R#m0@R&>`) %0q@&RQj% Qj+ ?@k@E@CD II. Contributi personali 553 ;/Y<%Y$K%WYQK/%YSul cavallo rosso]W %Il critico poetante. 7.0=#?@kkkXDkD@ ;/Y<%Y$K%WYQK/%YIntroduzione e curaF)7duzione della poesiaYW ;$W/Y ?@kkkCkRIntroduzioneECT ;/Y<%Y$K%WYQK/%YDiafana voce%(&J)7.0$)YYW>Y/ ]/Y'/$;Y$:; +=?@kkHEk@H ;/Y<%Y$K%WYQK/%Y6:>R&)7@$'W@$ Muratova%m:@R>T>`!U@YDR@#qR )Qm2T/`!::: $)YY Y!K*talis, 2011, p.101-110. ;/Y<%Y$K%WYQK/%YCura FR)YW ;$W/Y ?@kkkk@ ;/Y<%Y$K%WYQK/%YFR).&%ConFR)YW ;$W/Ytemide, 2011, p. 7-8. ;/Y<%Y$K%WYQK/%Y0&# stulu J@R)%:)&&FR@)">)Y/W+#]W# !&K?@kkkwXkDH ;/Y<%Y$K%WYQK/%YT&)0#%ZY= + ![X?J?@kk\w@VC ;/Y<%Y$K%WYQK/%YCura 2D1EY$ WW ;!K* ?@k?XHEJW ZK* [kC\ ;/Y<%Y$K%WYQK/%Y0. Introduzione2D1 EY$WW ;!K*talis, 2012, p. 7-10. ;/Y<%Y$K% WYQK/%Y ' & : & % 0 : :)8:.0] 2012, p. 119-120. ;/Y<%Y$K% WYQK/%Y J @R) ]jjj % .& latina. Variazioni per Antonio MelisY]/ $/ =Y]: =#=?@k? 131-141. ;/Y<%Y$K% WYQK/%Y 2 :q@) 0@R & % Una bianca corteccia che si sfoglia. Incontri con la cultura russaY:/ /Y?@k?EDkkD ;/Y<%Y$K%WYQK/%Y&&'&)2&$@$D%Una bianca corteccia che si sfoglia. Incontri con la cultura russa. A cura di Barbara / /Y?@k?kEH?k@ 554 ;+Y;K%!%]*KCura 8R)%Z! [EJ?@@H\k 11-187. ;+Y;K% !%]*K Cura Yj j Solitudine. Capri e NapoliY=! !;Q " !;/! ?@k@%XCk ;+Y;K%!%]*KCura YW WYQYY*YK!!Y$/*Cura !;&&&:)2D #(&*lo%Z! [CJ?@k@?@kk\XXw ;+Y;K% !%]*K E$ J ) 7 155%Z! [CJ?@k@?@kk\XkEX?H ;+K/WKQQ%K]Y+KYJ!&&&%T@& 8D@R). H&%)YK:Y/ :]% Y! 2012, p. 19-34. ;+%$Y =/YWK!W* 0J ! j 8 #) 0$ $ &:&E:# Marsilio, 2008, p. XV-XVII. ;+%$Y=/YWK!W*(#J!& :>/%J13K 1Y _=å ! ;~ ! # #+= 2008, p. 201-216. ;+%$Y=/YWK!W*Cura +*,./ 0&01%)Y=;/Wci, 2008, 230 p. ;+%$Y=/YWK!W*% %K §Y ##JkHVC?@@C\Y= ;/W?@@Ckk?X ;+%$Y=/YWK!W*2D&*&:%Z/ * [??J?@@H\0:'D., p. 35-43. ;+%$Y=/YWK!W*&8:%Garibal$&YY ;_ Y]$;W$!?@@H?Ek?Ck ;+%$Y=/YWK!W*Balcani: il passato che non passa%2D#:!JD"7+/W ?@@H 64-71 (versione inglese alle p. 151-158). ;+%$Y=/YWK!W*Cura &)&7:1HH14HY=;/Wci, 2010, 453 p. ;+%$Y=/YWK!W*I Balcani al sorgere del XX secolo. Situazione interna e contesto internazionale%1).{. A cura di Y :Y $YQ : ?@k@kkkHkEEkCk II. Contributi personali 555 ;+%$Y=/YWK!W*0J/_W Bulgaria, crocevia di cultureQ : ?@k@?CX?H@J p. 300-301). ;+%$Y=/YWK!W*(!.@kD. PrefaW!.@kE&) Milano+]?@k@HkX ;+%$Y=/YWK!W*2D&@/*D:/&:%Y , 2D#&&&7:)#à ciation Pierre Belon, 2011, p. 111-120. ;+%$Y =/YWK!W* T$ D / % 1$ DK k =j" ] R T # Lang, 2011, p. 91-99. ;+%$Y=/YWK!W*QK/<+**K/%W667' @+:1#)]�:#>#+:Enal Space%"+!>&/::#K& continent. Des regards interdisciplinaires#~ ?@kkCXk@k ;+%$Y=/YWK!W*2D( &7 est europeo % E& D(* . A cura di Francesco ;: ~ ?@kkH?k ;+%$Y =/YWK!W* ( &: D+&: & &) T . ) % F# & = 4H4%) 7@&#E#J==,+&:$6$alsK >_>:h>h h % > ~ PAN, 2011, p. 425-457. ;+%$Y=/YWK!W*8::TD+:%&& &$ 3 # % $ ?@k? k?kkwD J Z: $#[\ ;+%$Y =/YWK!W* R 7&! R@ _@%R$R@KY #$!;tenberg, 2012, p. 45-58. ;+%$Y =/YWK!W* E& E& ! sintesi%.4D(*D)EE& culturaY=!+=?@k?k@HkXX ;+*QQYY$/KY.&:$:E^:&D%Z~[kwJ?@@H\XwHEk@w ;+*QQYY$/KYF#^DJ#7@0&:!.J .,%Z! !W [HJ?@k@\X?D ;+*QQYY$/KY2:&:%La :+:T!$&J&$0&$%$5Y]W KW ta.#:?@k@XXXXwE 556 ;+*QQYY$/KY 2 &: : &:* " D '_.@7W>%&&&:)7).7$4%J1. A # Q&K ?@k@HHkk? ;+*QQYY$/KYCura 7D)0 :&:. A cura di Andrea Gullotta e =:%K?@kkkDV ;+*QQYY$/KY$:J!& :DR77R|%7D)0 :&:. A cura di Andrea ; =:%K?@kkwDVD ;+*QQYY$/KY & & : ! *:&%Z! [CJ?@kk\ 239-246. ;+*QQY Y$/KY :& R ! <j æ doma '@RJ%(&$: ":&!JJT]. YY] $WWWQ + ! Q $ ! =?@kkXDDXE? ;+*QQYY$/KY.6<0:J827!F#8 0%Z! ! [CJ?@kk\HDkkk ;+*QQYY$/KYER%Z: h[kJ?@kk\ x {{ {{ h{ {h{X@@{@} ;+*QQYY$/KY2/)(:T#.R%Z~[kVJ?@kk\EC p. 105-116. ;+*QQYY$/KY F& 7J # 7 K! E&@ 8 =%ZY _" / " !"/W [kJ?@k?\EkCD ;+*QQY Y$/KY R/ T K <Y]_YQ% ] ?@@E % Z! [VJ?@@C\?Hk?HX ;+*QQYY$/KYR/T% &; ;]Y$$YKY#Q*!W*/ ! ]?@@E%Z! [EJ?@@H\XD@XDX ;+*QQYY$/KYR/T&; #Q*!W*/ !]?@kk% Z! ! [CJ?@kk\XEEXEH %YK*;%+!K##K^yD!&&& 0@ % . 0 .) [&#) 2D&$ $ D T$ : ) A cura di Yj#>h"]W ! + ?@@H p. 109-116. II. Contributi personali 557 %]#*!Q%;Y:/%KY2&&:)Saggio introduttivo al 2+)EJ&&Y;$; % = ##+!?@@CDkH %]#*!Q%;Y:/%KYm@`YD2&&rale russo-sovietica%{!:: &:Y& = $= ]Y/] ?@@CwDDV %]#*!Q%;Y:/%KYIl sosia. .8R@, ovvero 0&:troburghese=]$ j%&::&dernaY&/::+ >#?@@CHkk?k %]#*!Q%;Y:/%KY":>@&#W`.)#)@!R:@@m[@`%'@# 7)6__:&R@R@R@W@ E1%44$)#K$j!j&Yjj%!/Y?@@C?C??HV %]#*!Q% ;Y:/%KY ER ) Eq R! @ &>#@#:R:R&!0@R_R@R>. %Z<[EEJ?@@H\EkCEkH@ %]#*!Q%;Y:/%KYm8D0>`!0#7== =RD&%T&E:J=+:!F#J ====K >& = K Y h j/?@@H?wk?V@ %]#*!Q% ;Y:/%KY F FJ& 2> 8! ]& # 8&#EJy@@R%Z / [!kJ?@@H\?CXHC %]#*!Q%;Y:/%KY7&DR&R_F%TW>x:R@ :D@ _) ) '@) >:R) 7D. A cura di &%Q Q_#?@@HH@HV %]#*!Q%;Y:/%KY26.&!DJJ&J&&E:%2D&*D.&:: )':::&. A cura di G. Golinelli. Bo%K?@@HkXEkDw %]#*!Q%;Y:/%KY&0J#=]!.D :3%0@@!7@_>#R:&R @0_8DY<# = j ]jKY$J/Y\?@k@kw@kwH %]#*!Q%;Y:/%KYx>@!J&&&Dm[`)#@va%.:R#W:R. A cura di G.G. GliY Y j ?@k@HEk@k %]#*!Q%;Y:/%KYFR:@@:&RUFRR#@ R>@ >) 6@> &>qR. J&> @&&@> #@!&R::@>)&WR DR @JR) 4 &R ) Y !] ] K ?@k@VXVV 558 %]#*!Q%;Y:/%KY.:<#::D!E']).@%Z / [!?J?@k@\R?@k?T 2, p. 127-136. %]#*!Q% ;Y:/%KY ' &># @R! 'W:: TJ .@@)%"&+&>R@:R>#YK&j&/ =!# % /j: j?@k@ 198-209. %]#*!Q% ;Y:/%KY R :DR W m7@ .&@` _T>7JR&%@+_$R. %j% + j ?@kkkk@kkH %]#*!Q%;Y:/%KY(JJ&!..#&zione letteraria%F)]&2. A cura di Oriana #Q QK! ?@kkkwEkV@ %]#*!Q%;Y:/%KY0:@R>@)D)% F_@R:@R:@>::R@R>@F#_@& ([Y!:]];!+?@kkCVHV %]#*!Q%;Y:/%KY"_R@R>@@&(sitete R)%Z& j/+$[J?@kk\kk?@k?w %]#*!Q% ;Y:/%KY & D m:` y@@R+%2)F#]J#.$ \&$3YW!YKzioni dell’Orso, 2011, p. 203-224. %]#*!Q%;Y:/%KYxJ'@.@#J_@)%U@D&::#@)Y*=j&Yjj!*/;#Q::J!j* /jYjj\?@kkCDXCVV %]#*!Q* ;Y:/%KY 2 & '@R ^J D, % Così )':'@R &. A cura di France:W;#!]/ ?@k? p. 83-108. %]#*!Q%;Y:/%KYx_&&:R:D)0&> #@!J&D>:_@:&>)%&#@&R#W&@D)T>&W>##@@# _RY;;%Y Y j ?@k?DkDD %]#*!Q%;Y:/%KYFRYD`R%TW>x:R@:D@_))'@)>:R)7D. A cura di V.I. Q Q_#?@k?k@Ckk? %]#*!Q%;Y:/%KY7:.@#J_@%Multa et varia. Studi offerti a Maria Marcella Ferraccioli e Gianfranco 8$)Y=W W&Y#]:?@k?DDXDEE II. Contributi personali 559 %]#*!Q%;Y:/%KYCura 7 k<)Y$ ;;% /+ ?@k?XVC _Y!Q/<á:*!YKÛ:%KQYCura 0:&&)7;< =>:?@&&:) & D$ 1 & 5Y Y W K^ _ `hj]# Y ]/""/Y# !: W ! /?@@C?kDJW"k?w\ _Y*/!Y/!QYCura0:J)0 &:$]=Y?@@Cw@E _Y*/!Y/!QY* !:: :lacca. %0:J)0&:. A cura > >_hj] FrancoAngeli, 2008, p. 19-61. _Y*/!Y/!QYCura ':& ) 2 J& D.& : &: T # 111Y > > _hj = ! Y Q #WY !?@@CVw _Y*/!Y/!QY2T#D:0% ':&)2J&D.&:&: T#111Y> >_hj=! Y Q #WY !?@@CV?X _Y*/!Y/!QYk&>@:>;¨!:R;YY::@><>%Zj[J?@@H\kkH?X _Y*/!Y/!QYE&&:&&$D*&:11%:))E&:#$H!111! 0)/ ?@@HEVH@ _Y*/!Y/!QY7¨j$:&%F&)T&)'&Y&:!]/ tino, 2009, p.115-139. _Y*/!Y /!QY 0:@><> :@# <><< < E>& < 13% @%0<¨<&R: ;¨<&:@>>@ :@R#jÌ& >]hjKh>/hj:¥> j Q~?@@HD?DDw? _Y*/!Y/!QYF:::%0 &Y#;Q= ! + ! QQ?@@HkDHkVH _Y*/!Y/!QYE&>&:0<2:<>&%k>:@R#jÌ] ¥>¥]jËj ¥h<j¥h>*¦j>h h?@@HkHH?XD _Y*/!Y/!QY Sortilegio%7#)\':& &&:D(*F$4)YK*?@k@kEkkCC 560 _Y*/!Y/!QY '<¦<0@<<:;R<;@R# %=<$))#]¥:jhjQ;ÌhjYhj<#:! >h$;?@kk p. 79-91. _Y*/!Y /!QY 8; < >@R & <> 0< =<@&)! '<¦<0@<<:;R<;@R# % =<$))#]¥:jhjQ;ÌhjYhj<#:! >h$;?@kk p. 265-267. _Y*/!Y/!QY.**)2DTU:@)In2D nelle scritture degli altriY#;Q= ! + ! QQ?@kkCkHD _Y*/!Y/!QY2D&&*:lacca%\0&28::.$!2:caY!W]&K=?@kk 142-146. _Y*/!Y /!QY 6@$ 8>?@ F<?@ < .#<& >. #j¥_# jQ %Zj%/jQh> h jY]jh[wVJ?@kk\wX@kX?X _Y*/!Y/!QY2&)E{&#.&[R<@$[><k;< T;%":$)H):+&UJJ. A cura di #]W""# #W]W % /&% ?@kkkXkkkX?w _Y*/!Y/!QY)0 7:D&:%Z[J?@kk\?kD J {{hhh{h {{_hj| silenzio-OK.pdf) _Y*/!Y/!QY Cura77¨j)Fdacato libero polaccoY> >_hjW !] FrancoAngeli, 2011, 217 p. _Y*/!Y /!QY TR < <;@R 7;<@ >! > 7;<@ <; ¦ =;#&, % 8 7;<@. Pod jÌ$ >!hj] ><¦jh>h h%:#Y 2012, p. 339-345. _Y*/!Y/!QY Cura e traduzioneY<hjDalla vita degli oggetti]Y?@k??Xw _Y*/!Y/!QY La poesia tra incanto e ironia%Y<hjDalla vita degli oggetti]Y?@k??@H??E _Y*/!Y/!QY0R:&¦>¨&§Q¥>¥_ +hj%Z<> > j[X@J?@k?\wk@EkwC _Y*/!Y/!QY0*)0#E&to italianoQY K ?@k?wE II. Contributi personali 561 _Y*/!Y/!QY0::#D&. MoncaW % /&% ?@k?w?@ _Y*/!Y /!QY 0$ &) % Z [?HJ?@k?\wC _Y*/!Y /!QY T@<D & 7 > % T@< Y FRY+:)T@<YF@>Y.:/_# jQ h>] >Y]jhhh*> >hK ?@k??Xk?D@ _K/*& _Y_Y 7 8 & % Z/ ! [ Nuova Serie 6 (52) (2008), p. 89-118. _K/*&_Y_YSeobe. La diaspora delle Chiese ortodosse serba e bulgara nel XVIII secolo%Storia religiosa di Serbia e Bulgaria. A cura di Luciano Vaccaro. MilaW Y?@@C?HkXkV _K/*&_Y_Y(:J'&: 45%ZK* [?EJ?@@C\k?@kXD _K/*& _Y_Y Cura :! 'R "j 5H1)8m*:7! J:`YE&%))1%Z/! [!rie 7 (53) (2009). _K/*& _Y_Y £ : &$ : : D &ni. 'R"j:%Z/! [!E (53) (2009), p. 25-32 _K/*&_Y_Y7R:&&. \:!& && T ' % T ' &:) T 'Wj R R&) . E&$ H &)Y/ Q&]Q?@k@wEE@ _K/*&_Y_Y0D! Lolita 6@)0 de sexe dans une autre langue: le cas Lolita 6@%ZW' />>J \[?kJ?@k@\DXDHkXXkXH _K/*& _Y_Y) 7@ R$ @ R! @@ &WR #&,%Z!j[w?J?@k@\XwH?k _K/*&_Y_Y.R%~ K;%%_ jTU&#j j !mTW&&·· &$·)6&&%Z!j[w?J?@k@\ 3-4, p. 215-224. _K/*&_Y_YEssere D:)*#J&&. %*#J&&Y#$;]/ /W?@kkkDwk _K/*&_Y_Y@2@&14%)%Z/! [ Serie 9 (55) (2011), p. 27-30. 562 _K/*& _Y_Y Cura Nel laboratorio della bulgaristica italiana. Giornate in ) m7:`$ E&$ 5 & ) 6 0_0)7R@E&Y__j%Z/! [ Nuova Serie 9 (55) (2011). _K/*&_Y_Y“non per il vostro spirito di cooperazione né per il pop…”%Z/! [!HJDD\J?@kk\k@Xk?V _K/*&_Y_YCon occhio insanguinato e atterritoD: Geo Milev%ZK* [X@J?@kk\k@DkkD _K/*& _Y_Y m+ &&_$ @ R&`) [ :#_ :_ R'6_%Z!j[wXJ?@kk\?Vk?VC _K/*&_Y_Y)E0#%Z/! [!rie 10(56) (2012), p. 319-343. _K/*&_Y_Y!8&&Fso%Z/! [!k@JDV\J?@k?\wkEw?D _K/*&_Y_YR/T]/ :&:J)]& :'R"jK ?@kk%Z/! [!HJDD\J?@kk\XX@XXw _K/*&_Y_YR/T/_W Bulgaria. Crocevia di culture. Post"=;: Q ?@k@%Z/! [!k@ (56) (2012), p. 427-430. _K/*&_Y_YR/T'::)8KxD. 11)YY$YY# Y?@kk%Z/! [!k@JDV\J?@k?\wX@wXw Y+W~Q!W~%!W~%%%YET@R:0W)%ZK* [?EJ?@@C\kVDkEE Y+W~Q!W~%!W~%% %Y TJ & # D: '@R%'@R)Y]W : Stilo editrice, 2010, p. 19-44. Y+W~Q!W~%!W~%%%Y.R>R!& j%Il territorio della :)&&FR@)">)Y/ W+#]W# !&K?@kkHkD K_$Y&Y$%]%/Cura T#7&w)(:0sitanoY & % ]Q> YWW!Y?@kkw?w K_$Y&Y$%]%/>]@!7D@>q_ :#&)%0W:@#`)yD@# Italii XX @! >YY$/]j/j ?@kk 295-312. K%K/%WY2D::&/*!U&7&%T@&8D@R) Incontro di studio. H&%)YK:Y/ :]% Y! ?@k?DHE? II. Contributi personali 563 *+QW~K/Y :*!% %+$]%Y DR@R Y D>R R>@ ) "> R & DR@ R>@) % .@D> :&> DR@)!# %!# j ?@k@EkCw *+QW~K/Y:*!%%+$]%Y6__DDR@R]j%Ä!]* 2012, 381 p. *+QW~K/Y:*!%%+$]%YCollaborazione TR>_>RD &R J! E@R$ ]@R$ .R@R$ :@R$ 6&@R$ 2@R#$#]j= ?@k?wX? /Y%!:K/;Y%Y.::Dm:&`:#)%Le lin!&&&) $&$34&5)YYQ Z [?VJ?@@C\XkDD /K%!:K/;Y%Y2J *#)%6&7! #!8JJ$)) Y]$!;];!== University Press, 2008, p. 327-339. /K%!:K/;Y%Y Dei gatti e delle lettere persiane. Il precursore giapponese di Micio Nero. %Z:''[w@wkJ?@@C\wkDw?X /K%!:K/;Y%Y2:xR'W@%0E@ Itali. Biblioteca digitale italo-serba di rapporti culturali. (2008). x {{ j {{k??DH} /K%!:K/;Y%YDella negazione espletiva in polacco. %Z! % QY [XCJ?@@H\XwXDwDk /K%!:K/;Y%Y]Y/%%WY+$%Y7:*D m`)2D)%.&*D&:)F$::$::)A cura WW/:?@@HXDXXVw /K%!:K/;Y%Y 2D &: : & D)%:&D)7&).&82F$T34JYY:*%j ZY [J?@k@\kXEwV /K%!:K/;Y%Y&:,!&<@=;#<)h #h?@k@X@E /K%!:K/;Y%Y=;@@<RR&)h#hna, 2010, 196 p. /Y%!:K/;Y%Y',m`m`%Le !&J$&:&)A cura di France : ! !j = Z]Y[ 13 (2012). x {{hhh {{ {#$=|"{ "{ ?@k?{@C|j"} 564 /Y#*&Y%%YYW%+K;+;%K]*"#J<#:#&:<#J%]&':J72!F#]J# J$2:HK ><> h; =j" ] R T# ?@@CXkCXXV /Y#*&Y%%YY"q_@_RW@_" @@%&:&@)7@:& :J)7&!=?@@CkCkkHC /Y#*&Y%%YYW%+K;+;%K]*Clitic reduplication constructions in Bulgarian%'#@2K >$ QhjY :?@@C?DE?CE /Y#*&Y%%YY6RR#@_RR@. % deto. Y 7 .&) ]#J J E 6 &%4)8]* !?@@C?C??H@ /Y#*&Y %%YY W%+K ;+;%K]* " # < : constructions of Bulgarian % . 2D 2) 7 7# 7 kJ+)=><K >=j!W&_ : !?@@HkwHkVV /Y#*&Y%%YYJ<#&:&%Z[k?@J?@k@\Dk?w@k?E? /Y#*&Y%%YYW%+K;+;%K]*(&&conosciuta del bulgaro%Z/ [!HJDD\J?@kk\ 127-139. /Y#*&Y %%YY Cura 111) 2 &! :).7$5&1. A %==Y!:Ytipolibri, 2011, VIII-153 p. /Y#*&Y%%YY"#>KJ:#@%@&kY@&F>Y@&>7R)K > Q ]] ~ !] &?@k?kkX kXEJ: ! h" :jX\ /Y#*&Y%%YYCura e traduzione ¢j)7@ R&!%?@k?XXV /Y#*&Y%%YYR/TEJ0'0!.:&&count>~:çÅ%ZQ [XV J?@k@\?{X?@H??X èK!Ü*&Ü_êQY'0:# )% Z;[kHJ?@@C\kXDww èK!Ü*&Ü_êQY:m`\7: D+:)%2'&: \7)Y! ; /:?@@H p. 165-202. èK!Ü*&Ü_êQY7&&.@_nin%Z! ! [EJ?@k@\kHXkHD II. Contributi personali 565 èK!Ü*&Ü_êQY.@_! R:>#R#$W#$#W>#^&##@#5 15#£j¢/!j£j?@kkXXVRVvedenie, Dk@T èK!Ü*&Ü_êQY2 &)7@R R&)%:)&&FR@) ">)Y/W+#]W# !&K?@kkkEXkC@ èK!Ü*&Ü_êQY2:&T suo autore%":)+&UJJ$) )Y#]W""]W%/&%?@kkEHHCkX èK!Ü*&Ü_êQY[#@@x#(7#J x [ F@ J ]& #J ¶''EmU:&xJTq%Johannes Urzi1%15)+¶#m7#J<# #&6< @Å:Å?@k??wX?VE èK!Ü*&Ü_êQYR/T I serbo-lusaziani. Storia, letteratura, lingua. Giornata di studi Bergamo 9 maggio 2003, YQR]T] &?@@EkXV%ZY[C?J?@@C\XHDkHDX èK!Ü*&Ü_êQYR/TY'#' ' Siena, Introduzione, traduzione a cura /""W* J!\# ?@@E?kw%Z: W%/&%[kHJ?@@C\?JDC\XCw èK!Ü*&Ü_êQYR/T_+$k6)K _ & ! $ " Å K # ?@k@XVHRXTW$%Z! ! [CJ?@kk\XC?XCw èK!Ü*&Ü_êQYR/T_+$k6)K _ & ! $ " Å K # ?@k@XVHRXTW$%ZY[CDJ?@kk\XHCEHH@ èK!Ü*&Ü_êQYR/T2D+:'D%&)Y=!]JW<\/ ?@kk?@V%ZY[CVJ?@k?\Xw Y/*WWY;%+!K##%YIntroduzione j%j2J & J& D) % ZK >[ ? (2010), p. 92-100. Y/*WWY;%+!K##%YIntroduzione j%j2J & J& D) % ZK >[ D (2011), p. 48-51. Y/*WWY ;%+!K##%Y ;Y/<*%* !QK=Y* * :) % Z! ! [CJ?@kk\XkEX?D Y/*WWY ;%+!K##%Y Cura 2)) 0&:R@R Y ) 0:@ @RW2>R@@)#j;%)7)F)6>R&>)F&!)7)F&R) ]j!# YY?@kkXHkXHE 566 Y!*/!Y!%K$%YWY+$%Y6@RU@RDE#2#D.&7%Z!/ [ 17 (2008), n. 2, p. 3-7. Y!*/!Y!%K$%YWY+$%Y2 D(*! &)J=\%Z! ! [DJ?@@C\?V@?V? Y!*/!Y !%K$%Y WY+$Y R @DR _D @ R>@ R) % 7 &W@D& &W_& q_, TW>R&:&$4%&R1$=#$(7.$7@% YY "% K YWQ/{YWWK!J?@@H\ 5-8. Y!*/!Y !%K$%Y WY+$%Y &YWY!QK% ]Y/Q%Y InternacionalizaR@R>@&&:)In!T&>)x>@@D &J. 7@R@RR''_@@. ]jYjj?@@Hk?wk?C Y!*/!Y !%K$%Y WY+$%Y Cura E@R R>@ &R>_R +:)F$_WRRR&)T>&WR @J +(E(7) ]$ % Y 5 JR . A cura di S. ::jW!&# :W?@@HX?X Y!*/!Y!%K$%YWY+$%YE@RR>@@@>R+:_ @%E@RR>@&R>_R+:)F$_WRRR&)T>&WR@J+(E(7)]$ %Y5JRY!::jW!& # :W?@@Hk@EkkE Y!*/!Y!%K$%YWY+$%Y0>q)":#0q@DR@R R>@@%Z]jj#j [k?J?@@H\??C?DH Y!*/!Y !%K$%Y WY+$%Y 2Dm&&` D& gua russa nel XXI secolo. % Z/ % Y [ wk (2009), n. 1-2, p. 219-234. Y!*/!Y!%K$%YWY+$%YE@R:R_@&R>@)%V &&WR@)F>&>DR&WR _:@_@R @J mJ&> @&&@> #@)7&R::@`$4&RK ?@k@HkHX Y!*/!Y!%K$%YWY+$%YR$m&&@`@DR_D@R>@R%0&T.0E.2)5) 7@_>#)!j # ]%/!?@kkk@Hk?w Y!*/!Y !%K$%Y WY+$%Y F@ #WR > :: @R>@%Z/j>j[wDJ?@kk\wVEE@ Y!*/!Y !%K$%Y WY+$%Y E& E m2 E& E` + Marcelli%Z%HHV/ W ! ;;:[HJ?@kk\ n, 2, p. 13-51. II. Contributi personali 567 Y!*/!Y !%K$%Y WY+$%Y @R@R R :: @R>@@@%22)7@:&R2>8>7:R!j # % ?@kkXwCXV? Y!*/!Y !%K$%Y WY+$%Y ED @R@R && @&R>@).:@>&@::R)%&&>RD>RU:@&R>@@R@D`0/j>jD& @&&@&:`$3-5 @RR$2_@R @(2.$]$R)7@>_>#@K ?@k?X??XXw x {{ } Y!*/!Y!%K$%YWY+$%Ym6#DJ&DD@R`)0D&)%Z/j>j] j j[J?@k?\Xw Y!*/!Y!%K$%YWY+$%Y(@@R>@R>@R:@ER@R]%.m#0:J&:>E`$+ ! #Hk@ 2012. x {{hhh "{{{ } Y!*/!Y!%K$%YWY+$%Y2E)&:buti alla sua conoscenza%Z! ! [HJ?@k?\kHXkHC Y!*/!Y!%K$%YWY+$%YR/T$!yq_$_$ra. !j # # j?@@E%Z! ! [DJ?@@C\ p. 333-336. Y!*/!Y !%K$%Y WY+$%Y R/ T ! " W 0& E) Introduzione alla cultura russa ] ~ ?@@H % Z! ! [ V (2009), p. 441-443. Y<Y/K&%Ý$%;%YW*]*#K/!%$YCongruentiae EE!:q'qEjÇRER%'qEj R & :@ @RW) [@ Y Yj _$~:+ j"j ?@@Ck?kkXV Y<Y/K&%Ý$%;%YW*]*#K/!%$Y:&& #'&)2 U#% .&:)E:&&"6vecentoY! "Q=W]=Y 2008, p. 255-278. Y<Y/K&%Ý$%;%YW*]*#K/!%$YxR:@Savonaroli Jokj%Z [wJ?@@C\DDDH Y<Y/K&%Ý$%;%YW*]*#K/!%$YLa connessione intertestuale del terzo rac:0@j%]&7&k&. LinF2*YY"$# Z:''[ Nuova Serie 15 (2008), p. 61-76. 568 Y<Y/K&%Ý$%;%YW*]*#K/!%$YT@:|&2Rj [$H 5$78$3% 5%Z! ! [DJ?@@C\ p. 380-382. 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[XJ?@k@\EECE *]Y;%!Q/*:Y/:Y/YÊ@:&U@&%UT#RR@&@&)T&@@$@R)!URW. j] ="j"j + # ?@k@kEEkCC *]Y;%!Q/*:Y/:Y/YF:!2])T:canico%2&::!8. A ]Y Y:YW$$Y #Q""]] ]?@kkDHEk *]Y;%!Q/*:Y/:Y/Y7R@:@@RW@J TRR%6_@@, 3:]!W?@kk p. 37-46. *]Y;%!Q/*:Y/:Y/Y2D*J'&$ nella prospettiva storico-culturale. %I francescani nella storia dei popoli balcaDJD". A cura di Viviana Nosilia e ]!&Y ?@kkEkkkw x {{hhh {"|{ } *]Y;%!Q/*:Y/:Y/Y7&% 7$/&:)7.0 :1«&:, ))Y;#WW & ! ?@k?XDkXVV *]Y;%!Q/*:Y/:Y/Y2/J#&& slava%2: T!&:J).D. 0 ':&$]7H&1. A ;$;]; ; W ] $Y ! = W % ! sull’Alto Medioevo, 2012, p. 389-439. *]Y;%!Q/*:Y/:Y/YLe versioni paleo-ceche del Secretum secretorum pseudo!&""%Z* W #[ECJ?@k?\kkEH?@k II. Contributi personali 577 *#K< ]Y/%Y W/%!Q%Y ' .:! : && DD1)%E&&)]J"6)YQ =*j?@k?kVDkEV ]Y;Y/*QQ*+%;%7@.@ET5HQ]gnobari, 2008, 220 p. ]Y;Y/*QQ*+%;%':#'#W0q%K;j J~\''#W0q)]J+>Åmann, 2008, p. 39-64. ]Y;Y/*QQ*+%;%25HEU UDK%$.&$+E+, )) A ;";Y#! h?@@CXwH 359. RK x {{ {| | }T ]Y;Y/*QQ*+%;%F6'#8@DDFD. % ~W ; J~\ ' '# 8@DD FD ~& $?@@CkX?@ ]Y;Y/*QQ*+%;%!~+/;Y%Y;Y;Y2E$8)(: %Z! [k@wJ?@@C\DE?DEww ]Y;Y/*QQ* +%;% UW@ R W: 2 8q % Lado 8q)0W@>114YY#_$j!j # #K ?@@HEVCX ]Y;Y/*QQ*+%;%6:& Il cavaliere dalla pelle di leopardo |Estaveli%7Ë̸&DJ)&:#. Scritti 8&:)Y&W ]W ] Q=?@k@??H?XH ]Y;Y/*QQ*+%;%0: Boris Godunov .@ 0q@%J&J&. 7(:@R, v)) A cura di S. : /! ]$YK ?@k@Ewk ]Y;Y/*QQ*+%;%.*&:&#W.@ 0q@%(&$:":&!JJ a Marialuisa FerrazziYY] $WWWQ + ! Q $ ! = 2011, p. 465-484. ]Y;Y/*QQ* +%;% E8 8".@# k E % Languages and Cultures in the Caucasus J& ! Q ]QY jh * /\ ]: * Sagner, 2011, p. 49-68. ]Y;Y/*QQ*+%;%8@DD@DD@Dq%TK7q U7&:&T 0J#]J#7>&:&U7JK YQ \Q logi, 2011, p. 115-124. 578 ]Y;Y/*QQ*+%;%'&&& Viaggio ad Arzrum .@0q@%@)77J8K)knor of Stefano Garzonio K > ; W = : !Z! "!! [w@J?@k?\k@Dk?k ]YW*&YQ%=Y+!Q*CuraY ¢E>@ : Y = ] Q /"" & / ?@@HkkH ]YW*&YQ%=Y+!Q*\& %2D&D&) R8&&Y# Q! ]/ ?@kkHDkk? ]YW*&YQ% =Y+!Q* 6&_ D.&! / sciuta%:)&&FR@) ">)Y/W+#]W# !&K?@kkkCEkHw ]YW*&YQ%=Y+!Q*FDR027%0W:@# `)yD@# @! >YY$/ ]j/j ?@kk??V?wX ]YW*&YQ%=Y+!Q*8D@R)0&#Villeggianti. T@&8D@R) di studio. H&%)YK:Y/ :]% Y! ?@k?wDDE ]Y;Y%%K]%%Y2ED+:&m.U`%] /#$/#:£).$:${2FR. A cura %Y::* ?@kkkwHkVV ]Y;Y%%K]%%YR7:|>)%%">@Rsnosti#*:Q%#jQj% Qj Universiteta, 2011, p. 363-372. ]Y;Y%%K]%%Y(&m`0)%Multa et varia. Studi offerti TT]8J8$)Y=W W&Y#]:K?@k?XXE? ]Y%!WYW* :Y!%K ;%*&Y% W%WWY/%% ]Y/%Y . D:!6£D+:%6&7! #!8JJ$))A ] $ ! ; ] ; ! = = University Press, 2008, p. 95-110. ]Y%!WYW*:Y!%K;%*&Y%&$Y " Lists, Mysticism, and Magic$ # ) % Z! ! [ E J?@k@\ 187-191. ]Y<K%;%Y;+%$*]Y+/%WYQK/%YT::&# !D) %2!&&&)$&$34&5)YYQ Z [?VJ?@@C\EDk@X ]Y/W~K!Y%#%KQ/*Sante Graciotti polonista. %Z/! [ Serie 6 (52) (2008), p. 79-87. II. Contributi personali 579 ]Y/W~K!Y%#%KQ/*Cura ¥h!>jOpere. A cura di # ]]Y?@@C%kkX? R??@@HT ]Y/W~K!Y% #%KQ/* Cura ¥h !>j La gioia di scri! : 1341Y # ] ? ] Y?@@HEEw RX?@k@V?@k?T ]Y/W~K!Y%#%KQ/*Cura ¥h!>jSale. A cura di Pie ]?]!h?@@HkkD ]Y/W~K!Y%#%KQ/*Cura ¥h!>j2 D)A # ]?]!h?@@HHk ]Y/W~K!Y%#%KQ/*Cura ¥h!>jUno spasso. A cura # ]?]!h?@@Hk@E ]Y/W~K!Y%#%KQ/*Cura ¥h!>j.::. A # ]?]!h?@@HHH ]Y/W~K!Y%#%KQ/*Cura ¥h!>j'DJ &! : 1343Y # ] w ] Y?@k@kCH ]Y/W~K!Y%#%KQ/*Cura ¥h!>jVista con granello !:14511H)Y# ] k@]Y?@@C?wk ]Y/W~K!Y%#%KQ/*Cura ¥h!>j.&. A cura di # ]?]!h?@@HCD ]Y/W~K!Y%#%KQ/*Cura ¥h!>j8&. A # ]?]!h?@@HHE ]Y/W~K!Y%#%KQ/*Cura ¥h!>jGente sul ponte. A # ]?]!h?@@Hk@H ]Y/W~K!Y%#%KQ/*Cura ¥h!>jOgni caso. A cura # ]?]!h?@@HHH ]Y/W~K!Y%#%KQ/*Cura ¥h!>j':¿\)A # ]]!h?@k@k?H ]Y/W~K!Y%#%KQ/*Cura ¥h!>jElogio dei sogni. A # ]]W!?@kk?VX ]Y/W~K!%%%/%Y.RD7&!&6@Q/""! %Z% [k@J?@@H\?J?D\ x {{hhh {{ | ||{] } ]Y/W~K!%% %/%Y U@&) .& . D""& 2&!$0W|@&R%"&)\7>:$Y=W /]]lini, 2011, p. 184-195. 580 ]Y/W~K!%%%/%Y.##&#)#&:J %7 k<)A cura $ ;;% /+ ?@k??@D 231. ]Y/W~K!%%%/%YIl personaggio scontornato inj$j'& 7q7@&%Z: h[?J?@k?\w x {{ {{ h{ {h{VCH} ]Y/W~K!%%%/%Y6_@:R&:#!@$ :D%E@R)T>&WR _:@_@R@J)q$%RR:jlaev, 2012, p. 38-50. ]Y/W%Y%!%W*KQQYCura Contributi italiani al XIV Congresso in!"#$%&. A cura di Alberto Alberti, ! "; ]:!==+sity Press, 2008, 579 p. (Biblioteca di Studi Slavistici, 7). ]Y/W%Y%!%W*KQQYE&R$:J$R!::#:DR_@&@@R:&_@R@%Contributi ita!"#$%&. A cura di Alberto Alberti, Stefano Garzonio, Nicoletta Marcialis e Bianca Sulpas==+ >#?@@CkVEkEC ]Y/W%Y%!%W*KQQY2 D*!&. ]&]; ]% Z! ! [DJ?@@C\?wE?VV ]Y/W%Y%!%W*KQQY2RWR)0R8>:&E@R]j_>jjj >?@@HXEV ]Y/W%Y%! %W*KQQY T 8 0! & &:#) % ] :$ 0 &) 7 JJ ] BeggiatoY!] ##?@@HkwEkVk ]Y/W%Y%!%W*KQQY0_@$2&::&%(&$:":& slavo: scritti offerti a Marialuisa FerrazziYY] $WW WQ + ! Q $ ! 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Letteratura polaccaY!W]&K Fiorini, 2011. ]Y/%K%+%;%0!D+: della periferia%\0&28::.$!2tura polaccaY!W]&K= 2011, p. 40-45. ]Y/%K%+%;%;<T;+::&¦>7R&@§7])%Z# >[ (2011), n. 1 (7), p. 15-28. ]Y/%K%+%;%+:!&:%ZW [ kwJ?@kk\X'$)6&Y/Y YY Punzi, p. 253-292. 582 ]Y/%K%+%;%F#0#=J#E)&JE: 110#><%#>D@!=#k&E .&F)))!7kJx>.K$)U>T@$m.2`$h?@kk?@E??@ ]Y/%K%+%;%\&·% ) 0& e studi letterariY*$<== == Univrsity Press, 2012, p. 237-244. x {{hhh"{Y{"{wECH"} ]Y/%K%+%;%Nota introduttiva:^""T$0. A cura di Laura ]/ ?@kkEHJK* { w\ ]Y/%K%+%;%]7&)E%TE&&)E ]7&Y]:!#/&?@kk?X?D ]Y/%K%+%;%U>@>)"@¶:R@&`#)¶ &R>#` :>@; > :@R % +:R@ @ @) '>&><@YK^ hjh+?@k? 90-106. ]Y/%K% +%;% 0@ >& &¦> :@§ >@§ % Z/j ~ >[V@J?@k?\kk?EkVX ]Y/%K%+%;%0:m&0#`!/# e un ricordo. %Z/! [!k@JDV\J?@k?\?XX?wD ]Y/%K%+%;%7&:&*. Nota introduttivaY$WÊj j Il libro degli eventi. Calendario di storia e cultura polacca / ?@k?Hk?JK* { E\ ]Y/%K%+%;%2:*%0]")F&Y$/#KQ!?@k?kDDkDC ]Y/%% WY+%Y /K%!:K/;Y%Y 7 :* D m`)2D)%.&*D&:)F$::$::)A cura WW/:?@@HXDXXVw ]Y/*K&%QQ*/%*2/*D)2E:::: 13411&&& &:!::$::ne e tecniche di sopravvivenza:Y ?@k@X@k ]Y!*K;%+%Y:::DTF Medioevo. %Z/! [!HJDD\J?@kk\kDDkV? ]Y+/%WYQK/%Y]Y<K%;%Y;+%$*T::&# !D) %2!&&&)$&$34&5)YYQ Z [?VJ?@@C\EDk@X ]Y+/%<%*]Y!!%]*Cura 2&). :&:W Massimo Maurizio. Mi]~?@k?XXV II. Contributi personali 583 ]Y<<%QK% ;Y:/%KK Cura della H 5)%7"#$ %&. A cura di Alberto Alberti, Stefano Garzonio, Nicoletta Mar:!==+ >#?@@Cw@DDEH ]Y<<%QK% ;Y:/%KK . :& cirillici%Z: Y%:[wCJ?@@C\wXwXXDC ]Y<<%QK%;Y:/%KK7&:%ZW [J?@@H\?CHXkk@R!%=T ]Y<<%QK%;Y:/%KK\#D8D8D113 %.*6))8DE&&1$ )YQ #/ ?@k@XHDk ]Y<<%QK%;Y:/%KK+28E:&://%Z!/ [kHJ?@k@\wE@CX ]Y<<%QK%;Y:/%KK@&)6))8RE&Q28D E&) % m)))7@R :D) >R E&! E@R 113)U>@ T@$1@RRY1RRQ m))).:::)+E&)2&*: D113)&T$1Y1& )! ! ";Y $Y:!Y ! " ;Y $Y : ! Q !K* ?@kkwEDXJWZK * [kD\ ]Y<<%QK%;Y:/%KKJ6E&! &&%Z!/ [?@J?@kk\w p. 84-91. ]Y<<%QK%;Y:/%KKUna lettera inedita di Ettore Lo Gatto a Carlo Muscetta. %Z!/ [?kJ?@k?\kXkk ]Y<<%QK%;Y:/%KKBiblioteche virtuali e basi di dati di interesse slavistico. % Una bianca corteccia che si sfoglia. Incontri con la cultura russa. A cura di Barba/ /Y?@k?XDHXC@ ]Y<<%QK% ;Y:/%KK E{ D 7 0 &3)%Z//[kHJ?@k?\kwDkDH ]Y<<%QK%;Y:/%KKR/TKjIvan Fedorov e ego epoha@:R)]jKj?@@E ?@k@Hk?%Z: Y%:[DkJ?@kk\wwk?wkX ]Y<<%QK%;Y:/%KKR/TKj 6_@:_R E)":R@D>]j#j?@k@Xwk %ZY%:! [D?J?@k?\kHkH? ]Y<<%QK% ;Y:/%KK R/ T ER@R 8R @ 6" @#@TR@) @!R@_@W#:&R@) >:@)]j#j?@kk?wE%ZY%:! [D?J?@k?\? 240-241. 584 ]Y<<%QK%%$%Y=K$K/%WYJ&D presenza di negazione in bielorusso%2!&& &). 2 ) 0 34 &Y/:/ #+ 2010, p. 139-148. ]Y<<%QK%%$%Y=K$K/%WY0$&>>!F#J&D &%8&&72!]&.F>:0:)E++K >] j!~jj+ >!/W ?@kkkEH ?@?J!K! ?X\ x {{j{?k{{?X|{@w?|] "} ]Y<<%QK%%$%Y=K$K/%WY2&DÅJ)&ÅJ)&:%&J lingue slave. Y=:! !j:: University Press, 2012, p. 265-284. RZ]Y[kXJ?@k?\ {{hhh {{ {#$=|"{ "{ ?@k?{kk| "}T ]Y<<%QK%%$%Y=K$K/%WYF#]7&&7#2#7dies JK : ! j\ # k&( $)3)7:&$%ZY [kwJ?@k?\ 441-443. ]K/*!%]*YE8!$&#&:*11)#"#;];?@k@%&X@V ]K!!%Y/*:K/Q*0q@$&&JD&&)!6scita del libretto%Z!/ [kEJ?@@C\wXXC ]K!!%Y/*:K/Q*]&)2D.UD%ZK* [?CJ?@@H\??E?VH ]K!!%Y/*:K/Q*0q@$&&JD&&)! DJ!.@T'W@R%Z!/ [kCJ?@@H\?XXV ]K!!%Y/*:K/Q*0q@$&&JD&&)! Le fonti carnevalesche%Z!/ [kCJ?@@H\ 3, p. 99-180. ]K!!%Y/*:K/Q*0q@$&&JD&&)! 2J&0q@$)%Z!/ [kH (2010), n. 1, p. 15-53. ]K!!%Y/*:K/Q*0q@$&&JD&&)! 2J&0q@$)%Z!/ [kH (2010), n. 2, p. 10-34. ]K!!%Y/*:K/Q*0q@$&&JD&&)! 2J#$2D"&&%Z!/ [kHJ?@k@\w?DVw II. Contributi personali 585 ]K!!%Y/*:K/Q*:&K*%ZK* [ 30 (2011), p. 297-330. ]K!!%Y/*:K/Q*&:::!0q@$U>$ 2&$6@/ RT?@kk??X ]K!!%Y/*:K/Q*Il lubo@)%:)&& FR@)">)Y/W+#] W# !&K?@kk?HX?HC ]%Y*Y:K/Q* #K!KQ% ]Y/%Y W~%Y/Y @) 7&: "6Q&&!@RR@@) ]] ?@kkkCw ]%Y*Y:K/Q*&&:+: {&:%:)&&FR@)">)Y/W+#]W # !&K?@kk?VE?C@ ]%Y*Y:K/Q*Collaborazione #K!KQ%]Y/%YW~%Y/YLa col)@W Y ]]] ?@k? ]%;YQ%Y$Y;%!Y+/~Y*&Y/%]]Ym|D`8RR>_R!::D@:>)%E@R&&@D&D&:!j # ]%/!?@@CX@?X@H ]%;YQ% Y$Y;%!Y 7@R :D & _ ) ]) "@! :_@_>&_@::>%Contributi italiani al XIV Congresso !"#$%&. A cura di Alberto Al ! "; ]:!== University Press, 2008, 579 p. 287-309. ]%;YQ%Y$Y;%!Y(:::&"@R). indizi nelle opere giovanili%Z! ! [DJ?@@C\k?HkwD ]%;YQ%Y$Y;%!Y&"@R@R:D!:&*Q + Q $ ?@k@kEDJ kX?\ ]%;YQ%Y$Y;%!YCura (&$:": &!JJT]YY] $WWWQ + ! Q $ ! Letterari, Linguistici e Filologici, 2011, 622 p. (Labirinti, 137). ]%;YQ%Y$Y;%!Y] 3%)])"@R& ::&&*D"%(&$: ":&!JJT]. A cura Y] $WWWQ + ! Q $ ! =?@kkD@kD?w ]%;YQ% Y$Y;%!Y 7&@ J@DD :WRDR : ) ]) "@ % F> &WR _R @J m' @D! ^DR@R@D@R^@R@DDR@R`T@$ 1RR))]j% j Yjj?@kkwXwD 586 ]%;YQ%Y$Y;%!YR/T&*jU#R)2@:0J$@@:#@@#&@%Z//[kD (2008), p. 154-155. MINISSI NULLO. Oriente e Occidente.%Z: h[kJ?@kk\?x {{ {{ h{ {h{XXk{Xk?} ]%Q/*&%Ý]Y/%_Y.jR%Z!j<%Y[?EJ?@@C\ n. 25, p. 235-243. ]%Q/*&%Ý]Y/%_Y"J&%Da Ulisse a... Il viag & && *Y ; / #KQ!R?@@CT?XE?wV ]%Q/*&%Ý ]Y/%_Y F 'R % ' 'R "j 5 5 Y $ % & _ : < $ *?@@CXVkXE@ ]%Q/*&%Ý ]Y/%_Y Cura FY ] ] Y?@@H?EE ]%Q/*&%Ý ]Y/%_Y 2 & % FY ] ] Y?@@HkXCD ]%Q/*&%Ý]Y/%_Y2:'R"j%Cultura FY]] Y?@@HCEkk@ ]%Q/*&%Ý]Y/%_Y/K%Ý&Y$YLe buone e le cattive stelle dei Gopchevich. %FY]] Y?@@HkVk 186. ]%Q/*&%Ý]Y/%_YF&&&&%F. A ]] Y?@@HkCEkHX ]%Q/*&%Ý]Y/%_Y':)0$&$ &:&F%CulFY]] Y?@@H?wH?EE ]%Q/*&%Ý]Y/%_Y'RF!:%Z/ ! [!EJ?@@H\E?HX ]%Q/*&%Ý]Y/%_Y'.j%Z!j<%Y[?CJ?@@H\ n. 26, p. 73-106. ]%Q/*&%Ý ]Y/%_Y 7@ '&jR : % 8qj '&j! 1Y! &_j:!jjj i umetnosti, 2009, p. 451-462. ]%Q/*&%Ý]Y/%_Y0:2_&@@&R@R@%6Rq $ & _ @:$ R$ 51) R Y Q : j="j"j ?@@Hk@Xkk@ ]%Q/*&%Ý ]Y/%_Y J < : _ $ \ R @RW!Rq@:<j?@k@kV? ]%Q/*&%Ý ]Y/%_Y J < : _ $ \ R @RW!Rq@:<j?@k@?@? II. Contributi personali 587 ]%Q/*&%Ý]Y/%_Y::.j%.j$:&:. .$8$Q Wcarte, 2010, p. 31-40. ]%Q/*&%Ý]Y/%_Y2D&&D.8Tq%2D ).R2@H1)A / /==W ?@k@?kXw ]%Q/*&%Ý]Y/%_Y2&&&&#%Letteratura adriatica. Le donne e la scrittura di viaggioYKW R!TK W%!&Y?@k@kCCkHw ]%Q/*&%Ý]Y/%_Y2&&T)UW$T)j )"Rj%Z#/ ! W ! W [kwJ?@k@\kkkk?@ ]%Q/*&%Ý]Y/%_YT:@R:)@%6_@ @H1 !URW@Y$]/ :]!W{¢?@k@wCHwHH ]%Q/*&%Ý]Y/%_Y7m]&` Tq%Z/ [ 28 (2010), n. 2, p. 81-96. ]%Q/*&%Ý ]Y/%_Y 8 R ::R! TR :_ :&R. % 7& TR! &) [@ T @: URW7&TR1)H)&RY$%$&j:=j"j ?@kkkXkkwE ]%Q/*&%Ý ]Y/%_Y `x &R R :@$ R& j @`! E) Uj$'@&)%Z! [kXJ?@kk\kw?kVw ]%Q/*&%Ý]Y/%_Y2D:!D:Dso politico dei cliché epici%+:T).7& F$&1Y]# /YK*?@kkkX?D ]%Q/*&%Ý]Y/%_Y0RFR&:&E%'q0R$@@)[@::@&:R1) R'q0R$2RR$1)H)&. A cura di ! < ="j"j ?@kk?DE?V? ]%Q/*&%Ý]Y/%_Y7@$@%&(&&8##&! U ]# 8## 8< @##2UY;/! /=j" ]R T# ?@kkHDk@CJQY! jk@\ ]%Q/*&%Ý]Y/%_YF.j%'U))U)0&2 7#JJ.j11Q.@:WR .j 11Y :j Q % " ! j =+ ::jj?@kk?Ek?Ck ]%Q/*&%Ý]Y/%_Y[_R::T&%[@!6_ @:'R:@q@Y$%:<$ *?@kkkCkkHk 588 ]%Q/*&%Ý ]Y/%_Y J < : _ $ \ R @RW!Rq@:<j?@k?kV? ]%Q/*&%Ý]Y/%_Y'&RRj:&R@:@&R&F1)@%..J#0# 6:_& :@ R! 7 R @: 7 T@R 7R@:7T@R. A cura di ;%]jY ]*jj=j" ]R T # ?@k??HHXkCJ#!&k\ ]%Q/*&%Ý]Y/%_YR@R@:_@@&.j. %Z!j<%Y[?HJ?@k?\?k@?X@ ]%Q/*&%Ý ]Y/%_Y 6 @ @RW % 0;<;<?@ §<)7<>@@&:>>@RY:¥h<¦jKh !j #¦ >h h jh +Y] ?@k? kHkkHC J= !¥h¦jX@\ ]%Q/*&%Ý]Y/%_Y0)ER)0R%@1H1) 135)[@&@:'_Y$ /j%W_<#?@k?kXDkwX ]%Q/*&%Ý]Y/%_YSceneggiaturaYjQ _YQ D /Q!?F Y@qj$R@@Y%J?@k?\ ]%Q/*&%Ý]Y/%_YR/TStoria religiosa di Croazia e Slovenia, a cura di Lu&]W YwCV%Zj[ (2009), n. 1-2-3, p. 293-300. ]%Q/*&%Ý]Y/%_YR/TStoria religiosa di Serbia e Bulgaria, a cura di Luciano &]W YR?@@CTww@%Z/ [ 12 (2009), p. 159-164. ]*$%WYK/K!Q*0 0.)[&#)%Atti del convegno 0.)[&#)2D&$$DT$ : Y Yj #>h " ] W Studi Umanistici, 2009, p. 151-156. ]*/Y:%Q*/*!YY"J& &x &R%7"#KL7E&)+>0E0#>#7#"J#+###>K >~; ;$Y ! ;<""h~W W "% Y! ?@@C?kk?wE ]*/Y:%Q*/*!YY+:&/'R"j. %Z/! [, Nuova Serie 7 (53) (2009), p. 93-118. ]*/Y:%Q*/*!YYE&_@:&J&@q@#:R$::+ &R)%Z! j [wkw?J?@@H\ 304-315. ]*/Y:%Q*/*!YYCura ]$/2D.Q!;/] % /] Y?@@Hkk@ II. Contributi personali 589 ]*/Y:%Q*/*!YYYT'E%]$/guseo. 2D.Q!;/] % /] Y?@@HEwk ]*/Y:%Q*/*!YYJ&)E{D nel teatro di Marino Darsa%Z;j=j"j : jj jj ##! [DJ?@k@\wHEX ]*/Y:%Q*/*!YY7WTqR@%Studi in onore di Adolfo F&, )3)Y=]#W %Q?@k@ 1735-1749. ]*/Y:%Q* /*!YY Antologia di critiche darsiane % ] '@ D:T'44%5).$]$H 1Y##==+ >#?@k@ DECER CHHVT ]*/Y:%Q*/*!YY'm&`m`!D.T'T'Wj%]'@D:T '44%5).$]$H1. A cura ##==+ >#?@k@XXw? ]*/Y:%Q*/*!YYT'T'Wj)( %Firenze e '@D:T'44%5).$]$H1Y##==+ ># 2010, p. 51-56. ]*/Y:%Q*/*!YY2&&m2D.`T'%Marino Dar&:)T'WjRR&) Atti del convegno internazionale E&$H&)Y/ Q&] Q?@k@HHkkk ]*/Y:%Q*/*!YY]::JD]:8$7&%R@@RW)[@dova#$Y#$¡j:!!?@kk p. 165-198. ]*/Y:%Q*/*!YYE0#7%Z/! [!k@JDV\?@k??wE?DE ]*/Y:%Q*/*!YYR/T¡:j!j~jY :!Y+?@@CwXk %Z/! [, Nuova Serie 7 (53) (2009), p. 291-296. ]*/Y:%Q*/*!YYR/TWj! ;jW j %&?@@w@C%Z! ! [CJ?@kk\XDEXVk ]*/Y:%Q*/*!YYR/T*#&&. A cura #$;]/ J] X\WK /W?@kkkVHkVH%Z/! [!HJDD\J?@kk\X?VXX@ 590 ]*/YWW%;%*&YY0E!&D&%Il ritorno di +.0L)11YY;Y]W] ?@kkkwHkDD ]*/YWW% ;%*&YY 0J ; $ / 2 &* ": TDq&)(J&J)/Y?@kk%%% ]*/YWW%;%*&YYDR@&R@&R>@%.@D> :&>@R>@&@::R!)7@ R R@R _:@_@R @J &># _># &W>&_&#&]j]j/î ?@k?kE?@ ]*/YWW%;%*&YY2#D)%Una bianca corteccia che si sfoglia. Incontri con la cultura russaY:/ / Aracne, 2012, p. 17-53. ]*/YWW%;%*&YY&&)%Una bianca corteccia che si sfoglia. Incontri con la cultura russaY:/ /Yne, 2012, p. 55-71. ]*/KQQ*;%*&Y%q_141)&:#=) %Z! ! [HJ?@k?\kkkkX? ]+%_Y !YKY & E@ 0j ) % ZK * [ ?C (2009), p. 327-341. ]+%_Y !YKY 'R "j J& : % Z/ ! [!EJDX\J?@@H\kkHkXV ]+!!% &K/*%WY & :_@& & 7_@) % "> @R # * : Q % #j Qj% Qj+ ?@kkDXkDXH Y#*%WY+$%*Le cronache uralo-siberiane del XVII secolo: per una rassegna &:5)%ZK* [?wJ?@k@\X@D 313. Y#*%WY+$%*2RDTE%">@R slovesnosti#*&Q%#jQj% Qjgo Universiteta, 2011, p. 415-430. Y#*%WY+$%*7D@DRW&@R>T>) [&@&@&:@)%ZQ ! >[XHJ?@k?\ p. 254-273. x {{hhh { {XH{ XH|"} Y#*%WY+$%*2@## :&&*!:giche/%;"K ?@k?VX@ Y#*%WY+$%*2#)E: %Z/! [!k@JDV\J?@k?\wDEX Y#*%QY*#%YT!#E@>)%J&J&. Studi (:@R$)Y!: / ! ]$YK ?@k@VHCw II. Contributi personali 591 Y#*%QY*/*!Y/%*]&&&::)%Z/! [!HJDD\J?@kk\kVXkVC Y+]* YK!Y$K/ " <§@# ¨<¦ 7J '?@ ¨<) T@;R&)%Z%j j[?kJ?@@C\kDDkVH Y+]*YK!Y$K/"§@;<?@Y>R@,%]:hj;!h ;>>h>RY>R)U¦>@<0J<U>J<=;<@&Y]:hj; !h ;>>hh+h> hj?@@C?VD?Ek Y+]*YK!Y$K/(@¨<¦@¨<)U>>>]J @@<;@#%Ej¦<)U¦:&§@<>@<U¦0J<2<87'@R3:>@<>@>R0¦21%Y!#hhj!YW j+h> j?@@CX@EXkw Y+]*YK!Y$K/=:@<R&¨Y<&¦> >41H%ER&@;@<Y]j]jj;WK;?@@CwXDw Y+]*YK!Y$K/=:;#>&J@&¦>>R§<><&¨<%6&7!#! 8JJ$)Y]$!;] ;!==+ >#?@@CXHkw@X Y+]*YK!Y$K/Z<¦>U&E>&@<<>&:<;<;<?@&%=:)U¦:&§@<>@<x+&R 0J< 7< k>@<$ 0<;<& T: =<@&;R0@Y~>j#j :> j>h h+h> h:> j?@@CwkCwX@ Y+]*YK!Y$K/'D&&E!Tsca%Storia religiosa di Serbia e BulgariaY&] W Y?@@C?VH?H@ Y+]*YK!Y$K/7)7R@RW:#7. W j ?@@H?@? Y+]* YK!Y$K/ ]@ 7@> 0;@ R@ % Z] j! [kCJ?@@H\7@ ) 7@_76@, p. 166-173. Y+]*YK!Y$K/T@@¦#<@R@<<>ER. % 7 ¨<;) E@ &< @< Y Yj ;j jÁhWW?@@HwHHD@E Y+]*YK!Y$K/0.#xR@<;¨%Z<¦8.#< @+:>$+:<@.#Y]>j;WK;?@@H?kX@ Y+]*YK!Y$K/ " & W R : @W 0@@ W % Z;j !j ï *jW jï% $[HVJkD\J?@@H\HXHC 592 Y+]* YK!Y$K/ +: +: & % 2D* T! & 0) . 3) $ 8$3&5)YWY ];! Q;%W]?@@HwXXwwk Y+]* YK!Y$K/ & : & % 7&# D&:).]*227$ ]5$34T)A cura di A. Ferrari, F. Fiorani, F. Passi, B. / ! h?@@H Y+]*YK!Y$K/.:@J>@W'REYq_:WR% 7&.:>:#&)6&F&&Y;]h] !jhj%# ÊÁË#j ?@@HXkXXkE Y+]* YK!Y$K/ J ! Q\ U@<@<?@<>%U@<@<?@<>$3W+ _! ?@@H?C@ Y+]* YK!Y$K/ 2 ) 0 D.# % ZWj! [EJ?@k@\kHk?@@ Y+]*YK!Y$K/ +"!% +:! ::Y#Y ;W &WK ]?@k@?VC?Ck Y+]*YK!Y$K/!QYQW~K&/Y!!%]%/2:D.&brogio nella tradizione slava ortodossa%7D.&T)2*. Atti del primo dies acade&?D?V?@@HY]W# ! /:?@k@XkE Y+]*YK!Y$K/ *!%%Y&%&%YY Lingua, confessione, cultura: il caso ruteno del Seicento%0&. A cura di Fedo=# Q K% !?@k@?kXk Y+]*YK!Y$K/Lingua, confessione, cultura: il caso ruteno del Seicento. %[&j7;<?>¦)0:¨<:JT<@R <<¦j§§¦W>h h+h> _j?@k@XEwD Y+]*YK!Y$K/ 7RD 6@R RR 7J '_@R % '>R @&_R)0_RR6@R#@&&YYj &:j]!j?@k@kCCkHk Y+]*YK!Y$K/ #@@R &: 6@& @ W) 0@&R&@R@_%0 &8R)7@_%4q:J)J80:. A cura _]$%QYQK!!j :j"j {% :#?@k@?EE?Cw Y+]*YK!Y$K/x¨j:#>@># ;<?@# % [&# k) ] :<> <>@. A : _j #jYj * +h> *j ?@k@ 133-145. II. Contributi personali 593 Y+]*YK!Y$K/ Cura j (< .:;<7;<Y7&¨<¦>#&¦<*]!jhj;]hjhWW?@k@ Y+]*YK!Y$K/ Cura !Q R :@&@:@%U@<@<?@<>Y_!QjÁh+ _! ?@k@ Y+]*YK!Y$K/ 7 & % Z! ! [CJ?@kk\X@DXkV Y+]* YK!Y$K/ 7;<?@ @< < < m;<>& &¨<@&`%Z#` j!¥h¦j[VkJ?@kk\X?X Y+]* YK!Y$K/ !Q/Y$*]!% _ U&@ @R@@:0q >T#F## 7T:0%Z] j! [?@J?@kk\ 150-165. Y+]*YK!Y$K/(<>:;<;<?@<@<;<?@& :¨&<<E>::R%Z >Yj!j[?J?@kk\ U¨;:<;<>;@#<0Y<R&R<: >R, p. 27-34. Y+]*YK!Y$K/7RD:#00%E@R R)R)T>)0@$)YQ//!Y!j !j # % j > /Y% #jj 2011, p. 603-610. Y+]*YK!Y$K/J!D%I francesca::DJD"dineY&]!&Y ?@kk x {{hhh {"|{h } Y+]*YK!Y$K/@R@RW:D&6& "#@&!K#>&&%76&"#@@#$ @:&RY&% !j+ ! ] ?@kkHXk@w Y+]*YK!Y$K/x¦>@&<>R@@R,%Z >Yj !j[XJ?@k?x¦>@R&<>Y<R¨, p. 105-110. Y+]*YK!Y$K/&D& % $ &$ $)Y;";Y#*K ]W?@k?kXXkwEK ?@@ER ?@@CT x {{ {| | } Y+]*YK!Y$K/0#:<>@:@)%Z/! [!k@JDV\J?@k?\?DH?EX Y+]*YK!Y$K/ 7 & E& D ED % Multa et varia. Studi offerti a Maria Marcella Ferraccioli e Gianfranco Giraudo, )Y=WW&Y#]:K?@k?CDHV 594 Y+]*YK!Y$K/UJJ¨jR@&#&><:;>#¨R%#¨R?@=#Y[#!J&>$<>@>$@> :&¦Y_ÁËhj%#¦+h> Y]jh 2012, p. 87-97. Y+]*YK!Y$K/T;)%=RT/j= =jÁh: Y ?@k?DEVV Y+]*YK!Y$K/"T:><@<>#@#¦<>#% [ UR< E>&) [ R< @< E>::R (@§ 7§ .:@§Y]/$hjjh j:> j+h> :¥ j?@k?VwkVDV Y+]*YK!Y$K/ 0<;< > < <>) % R& > >& E hhY W?@k?DXDH Y+]*YK!Y$K/6_@R@_)&_)2R&%70_R)x@_:J)R@: _R54q)YY]Q /&/j !+ !?@k?CVH? Y+]* YK!Y$K/ 0> ]@ 7@> @@ @R@ : % Q Q ! * &%Q&?@k?k@?DJ!! D\ Y+]*YK!Y$K/0]!80&7) ]:?@k?Hk@ Y+]*YK!Y$K/Le traduzioni della Bibbia presso gli slavi ortodossi dei Balcani. %La parola di Dio nella vita spiritualeY!W WY ]]K?@k??kX?w@ %W*Y%;%*/;%*]Y/%Y7!D(7ca. /:?@@HwDC %W*Y% ;%*/;%* ]Y/%Y 0> _ 8R) % ZQ ! >[X@J?@@H\ x {{hhh { {X@{jX@ } %W*K!W+QYQ_YYm0>&@`.R%Il territorio della pa)&&FR@)">)Y/W+#]W# !&K?@kkkHD?@w %W*[email protected]>R)%T@&8D@R)dio. H & %) Y K : Y / : ]% Y! ?@k?kXXkXC %K/*YK!!Y$/*2D:)J@R:\&$ $ 8$ ]$ ' 2 7 & K W"?@@C?Vk %K/*YK!!Y$/*Cura e postfazioneK/“Balcone” e altre poesie#"%":jYY/K $?@@CkV@ II. Contributi personali 595 %K/*YK!!Y$/*Cura !! jBuio diurno. A cura di YQK?@@H?kC %K/*YK!!Y$/*6&&!^D< J@R%Z! [CJ?@k@?@kk\Hkk@w %K/*YK!!Y$/*7D²&7D)%UD)²:#$ stili, idei.]j/;;+?@kkkDVkVwJ#> jw\ NOSILIA VIVIANA. T :! : $ <@ :@. :<?@@CVw@ NOSILIA VIVIANA. 2D((&&%H4 ( k@R %4 # jÌ Q> W>hj~ # ]¥hjh$;?@@C??X?Vk NOSILIA VIVIANA. 7@:@/h>] #jäÌ %U@<@=?@77<>$3jÁh>h h! Q!j?@@HEXk@C NOSILIA VIVIANA.2DJ %&&&:)7 SlavisticaY# Q&K ?@k@kDDkVC *!%%Y&%&%YY Y+]*YK!Y$K/ Lingua, confessione, cultura: il caso ruteno del Seicento%0&. A cura di Fedo=# Q K% !?@k@?kXk NOSILIA VIVIANA. Cura I francescani nella storia dei popoli balcanici DJD". A cura di Viviana Nosilia e Mar!&Y ?@kkVC NOSILIA VIVIANA.2 ::q@R% "UR<E>&)[R<@<E>::R7§.:@§ (@§ # jÌ ] / $hjj h j :¥> j % > :¦ $ h h> ?@k? 1069-1090. NOSILIA VIVIANA. Cura Multa et varia. Studi offerti a Maria Marcella Ferraccioli e Gianfranco GiraudoY=WW& Y#]:K?@k??JVX?E@C\JWj% k\ NOSILIA VIVIANA. [#RU:>@RD%Multa et varia, Studi JJTT]8J8$)) A cura di FloWW&Y#]:K?@k? p. 149-196. NOSILIA VIVIANA. 0T0T$0T#>$0T#>;$J&&%$&$ $). A cura di Gianfranco Giraudo e Adriano Pavan. *K ]W?@k?Kzione del 2007. x {{ {"{%YK/K|?@@E|Ô?@?"} *!%%Y&%&%YYR/T;=j& La Griselda polacca fra letteratura e cultura popolarejÁh+?@@V%:))E&:#$H!111!0)/ ?@@HE@wE@E 596 *!%%Y&%&%YY R/ T E& Y ) ' ## @## &8:## (W>_, & #& :#&0K$:~ &* !]?@@DJ!! !?H\%%?CE$ :'##7#J:#(W>_@# 2K@ 8:## /{:¨$ & = #&##@##8&<@, & * ! ] ?@@V J ! : wwE\ DH? % Z! ! [VJ?@@H\w@Hwkk *!%%Y&%&%YYR/T;WjE>&>::>>&0>T>RRh>h/]jhK:hh ?@@H J~ j % k\ ?VH % ZK* [?CJ?@@H\w?kw?X *!%%Y&%&%YYR/Tk&&:@Y';<YF>RY=:;¨j7&;>Yhj_^h]W¦j> hÁ¥>Y#hjh>h h ?@@C?@@H%Z! ! [EJ?@k@\w@Dw@C *&YQ%Y+/YCura 0T#:) A cura di ]Y?@k?kDD *%&%K/% WY+$%Y T@@R @& _@R @D : _R @&R>@@@&)%Z! ! [DJ?@@C\kEHkCH *!QY~*&YQYQ%YYYLa beffa letteraria de ]%Atti del conve0.)[&#)2D&$$DT$ :YYj#>h"]W Studi Umanistici, 2009, p. 117-127. #YW~*&!Y*YY.$+:>ð#>?@@CVDw #YW~*&!Y*YYm`##.>_%Nel &7!#!8JJ$))Y]$!;];! ==+ >#?@@Cw?DwXD #YW~*&!Y *YY 0Dq_Y(@RYER! &D@>R >@>@) 7DRD@>:q@#:WD¯D@q_>>)%Z! [J?@@C\ n. 3-4, p. 60-80. #YW~*&!Y *YY m7:> :> &>#`! k& J&R >_¯ :&DR @¯D@R$ :DD@R RD@R @D# % 0&¦j &R)'<:;¨:)T¦><@JR @<$#;&$%5&R)$#;&@F<><6@<$> 6@ k&>># K $ ! >j Y !>¦j W¥ #¦ hh >^!j¥<hhhW¥?@@CkXwH J/ $J?@@C\?@CJkDkk\ x {{hhh>j{j{ {>{ "> >> } J?@@C\?k@JkHkk\ x {{hhh>j{j{ {{ } J?@@C\?k?J?kkk\ x {{hhh>j{j{ { >>{ } II. Contributi personali 597 #YW~*&!Y*YYm:&W`!'E&_D.sandro Manzoni#"Y][_)Wj Folio, 2008, r. 5-31. #YW~*&!Y*YY78D:%Z/! [!VJD?\J?@@C\Giornata di studio in onore di Sante Graciotti, Uni*E&m27:`$'&Y]W 119-136. #YW~*&!Y*YY2D0J&D*: D())%=;&<+:Z@<R =#R <) Q & +: ))/j >:/j! "/h!per, 2008, p. 75-120. #YW~*&!Y *YY 6 &:&) D" : ) % 2D+: *!#D+:tale. Y! "/h!?@@Hk@kkXC #YW~*&!Y*YYTF:D+:. %Z][J?@@H\XkXkkXH #YW~*&!Y*YY]+:!&:>(@D{#<#k&m=`#>m+`JYQ >\% &:>(@+:>K<*>j> ] ; /hjh hjQ !j ! ! > ] K !?@@Hw@VC #YW~*&!Y*YY$:&$W WÆx@W$q_RR+£#D&T > 2009. #YW~*&!Y*YY0RYm:>#&`%WWbrò. x@W$q_R)Y*#j > 2009, p. 15-34. #YW~*&!Y*YY'ED %Z/ [!J?@k@\EC?XD?wE #YW~*&!Y*YYCura m&.`)E#>Y= Y*j*#j/&?@kkkDV #YW~*&!Y *YY Cura j E_@ k@) >ð Lybid’, 2011. R#6>>&:>_>T #YW~*&!Y*YYLe ceneri di una distopia%m&.`)E#>Y= Y*j *#j/&?@kkXEwDJ j 0CDk@H jVeglia funebreR! Tkkk 121). 598 #YW~*&!Y*YY8D&D:DR%T#R@D)T#Rk#R. T> TW¯ @&>D@¯ @J¯. A cura di L. Ka>$$j>!>j>>ð] j >+jð> 2011, p. 47-72. #YW~*&!Y *YY 6&$ @ @R _ (@. D :R) % Z=*/+] j j > { = " %< [J?@kk\&Ck.:> _@ _R :@R E # _@) U 5R _ @&@RR>, p. 49-86. x {{hhhkj {<%]*!{"{{"kD{X#j"} #YW~*&!Y*YY6&$@@R_(@. DR%Z=*/+] j j >{=" %< [J?@kk\&C?E@R@D :&, p. 127-156. x {{hhhkj {<%]*!{"{{"kV{V#j"} #YW~*&!Y*YYF#2J#(@':!0$.#tics and Language%F<#>(@2)+># J'&>7##>)K_/>>>]>Y>#~?@kkEEHH #YW~*&!Y *YY Cura j F> :R) >. >ðY?@k?J+jðj > \ #YW~*&!Y*YYE0#7()0&:tivi%Z/! [!k@JDV\J?@k?\X@DXkC #YW~*&!Y*YYR/T;2\(JDD1, ]W+K]?@@D;(114%]W+K]?@@C% Z/ [!J?@@H\ED??@??E #Y;Y%]Y/%Y#%Y+280+!&: teatrali. %ZK* [?CJ?@@H\?HHXk? #Y;Y%]Y/%Y#%YCura 0!#$&$::).78 E88$34)Y]##W:!?@k?kkHJ*"& ?\ #Y*%%!Y/Y2J&JD:])T)'@R)%Spiega D:! { JY ] W ; &=?@@CkwDkVH #Y*%%!Y/Y&:'])T)'@R$ &&%&&&:)7).7$4%J1Y# Q &K ?@k@kVHkEC #Y/!<%K%W<Y<Y=Y]KYK!Y$/YCura Atti del conve0.)[&#)2D&$$DT$ :YYj#>h"]W Studi Umanistici, 2009, 180 p. II. Contributi personali 599 #Y!+%K%YY!QY!%Y8D@R"!m`1 1H)%T@&8D@R). H&%)YK:Y/ :]% Y Scienze e lettere, 2012, p. 167-179. #Y&Y!QK=Y%YCura ! ";2EF&)]1H143. A cura di Stefania Pavan e Stefano ;=K#Y#?@@Hk?E RAvvertenzeHk@Introduzionekkkw01H143, p. kDVV7# #VEHV;7R0@JDF & FirenzeHEk?@T #Y&Y!QK=Y%YCura 872)2& ¾:/Y! "#==+ ># 2009, 158 p. (Biblioteca di Studi di Filologia Moderna, 7). x {{hhh"{Y{"ÔDWXV@X"} #Y&Y!QK=Y%YDi;;je della=:Ã%Gli 72)2&¾:/. A cura di Stefania #==+ >#?@@HkkH?T #Y&Y!QK=Y%Y20)J@R!&$ $ = = + > Press, 2009, 326 p. (Biblioteca di Studi di Filologia Moderna, 1). #Y&Y!QK=Y%YGazdanov e% /%(|_@4$@: )72) A cura di Valentina Benigni e Alessandro !W{/W% ?@kkC@CV #Y&Y!QK=Y%YT>q@!&%Malattia versus religione &Y!% :K$?@kk p. 199-206. #Y&Y!QK=Y%YRE:) su &K %E&&)]J" e Novecento. YQ=*j?@k?DkVV #Y&*K!Y:%Y)()2&:8¬E55 :?@@CwE@ #K#K]Y/%*Dizionario delle avanguardie artistiche russe. %Z!/ [?kJ?@k?\XXXw #K#K ]Y/%* ' # ) :) % Z! / [?kJ?@k?\wkDEkEV #K/%*=/YWK!W*!Y&K/%*WY/YQ*<<**]Y/W*!K%¢K&YK& ;K_YLingua russa. Corso teorico-pratico:W?@k@w?k #K/%*=/YWK!W*!Y&K/%*J&!logie lessicali tra russo e italiano. :W?@kkD?E 600 #K/%!!+QQ%YY]Y/%Y2D&!::cio costruzionista. %2!&&&)$&$34&5) A cura di YQ Z [?VJ?@@C\ p. 141-167. #K/*QQ*]*%WYx>@:@RDR.)%Z& jK[w?J?@@C\wE@Rx>@:@&:E#:$ p. 49-64. #K/*QQ* ]*%WY :& D* $ D postsovietica%Constructing identities: translations, cultures, nationsK > /"":# j::+ >#?@@C p. 123-139. #K/*QQ*]*%WY2*D&&J Liguori, 2009, 178 p. #K/*QQ*]*%WYY]:/*!%WY/*+&&)E*fone a confronto%Z! ! [VJ?@@H\kEkkHD #K/*QQ*]*%WY.@_@&R>@&>! :>>%E@RR>@&R>_R+:)F$_R R R &! &> &R @J +(E(7 ]$%5JR* >j >!::jW !&# :W+K:?@@HkXHkwC #K/*QQ* ]*%WY . @ R_@ @ @# &> @ % x>@$ 2$ TDD! @D>#:@@)U@3%&R1$F&)j?@@HXk@XkD x {{hhhjj {j"? } #K/*QQ* ]*%WY "_ R_@ @ ) % 2@_@R:&&:@&R>@@@&)²&>RD)0>R @>RD)]j/+$?@k@??Xk #K/*QQ* ]*%WY T> :@# % Z$>[ kk (2010), n. 1, p. 83-100. #K/*QQ*]*%WY'R>_&@R>_>#q_R#%x>@ q_&E##!TWR@JR$T@$3RR)'@>q_R$&. Otv. red. V.A. Vino&_]j]jQ?@k@kHXkHH #K/*QQ*]*%WY'R! russa%(|_@4$@:)72) A cura & :Y!W{/W% ?@kk 86-93. #K/*QQ*]*%WY*D&&J! una proposta di analisi integrata%2!&J$&:&)Y=:! !j= Z]Y[kXJ?@k?\ x {{hhh {{kX?@k? } II. Contributi personali 601 #K/!% +;* 0$ * && % Z / [k?J?@@C\?Ek?EH #K/!% +;* F :@ ! ER 777E : U 2$ .D T$'W8@%Z& jK[XHJ?@@C\kXkDk #K/!%+;*F:@#:@E%y@ &$)::j > ?@@C p. 317-326. #K/!%+;*Un ::&:!&2 EqR%Z$ / + ! :[DJ?@@C\HDk@w #K/!%+;*.WTE:!:)#@%F_& #@ @R @! :@$ @R$ . Mate>TW>##@@#_R).#D$H%)1). Astra% jY j ?@@C??@??D #K/!%+;*mx__@_>>`)T@&q.R'@%2@_R!._D@R@D7R @. T$4))5]j&#?@@Ck?kk?H #K/!%+;*+@D>::>@:R@:&&# )8_m"&`.)7JmD`%ER!W: :WR]jY;/Y=?@@HkkHk?H #K/!%+;*0&>#&R:@&%F@ :)0@/+ /?@@HkkXkkC #K/!%+;*ER@D:&DR@#&!:>@D_@&R%E@RR>@&&&::# ra, 2009, p. 453-458. #K/!%+;*2.&8%7$H/;K ?@k@k@DkkH #K/!%+;*]'@RJU&%Do@R)Y]W :! ?@k@ p. 131-149. #K/!%+;*Cura /&)TW>R@_>#R. #+#Y#j::# ?@k@?ED #K/!% +;* " U&! 2 mR @ R` % /&) TW>R@_>#R#+#Y#j: :# ?@k@kVDkE@ #K/!% +;* @ +J ! DR@R :> % /&) TW>R@_>#R#+#Y#j: :# ?@k@kDwkVw #K/!%+;*ym6R0Dq`!@%0&:@gii:# ?@k@wHDE 602 #K/!%+;*Cura :)&&FR @)">)Y/W+#]W# !&K?@kkX@XJWZK* [kE\ #K/!%+;*WY!Y/%/*!YY#K!KQ%]Y/%YW~%Y/Y0&&D(*&)%Il territorio della parola )&&FR@)">)Y/W +#]W# !&K?@kkHkk #K/!%+;*:T@&q:% :)&&FR@)">)A /W+#]W# !&K 2011, p. 205-213. #K/!% +;* '_ @@ m_@ `! @ q# R % "&$R>R)!Q ?@kkkCkkCE #K/!% +;* ' # FK E& @ U&&@) .&:#]# &'@RmU&`%@7&:#7:#U&$ )5:h]?@kk?kH??w #K/!%+;*:@@#E!U)2.)T%SMI v ontologiche@&@D&:R@&QQj; >+ ?@kkCHk@@ #K/!% +;* .@D> # T@& q % 2 $ &>K;!Á$ =K+ de Granada, 2011, p. 547-553. #K/!%+;*U>$:>&!:D#W@U27@& 7R) % "> @R # * : Q % #jQj% Qj+ ?@kkD@kDk@ #K/!%+;*2EqRD.!m2T>`m20le”%0!#$&$::) .78E88$ 34)Y]##W:!?@k? #K/!%+;*E@RR>@%E@RR>@!#q_,":>Tgolii. ($3)1)$))+: + tecnologia, 2012, p. 19-27. #K/!%+;*"7@:!RR:RRm:` DR@R@D%:D@@D&!:>>#:# @D!j # % ?@k?kEEH@ #K!KQ% ]Y/%Y W~%Y/Y U&R D W & @& RD@&@!j # : j>?@@C?E? #K!KQ%]Y/%YW~%Y/Y0JD>W@:##_R$:$@R>@$ _@& J@D) % E@R R>@ &R>_R +:) F$ _R R R &! &> &R @J +(E(7 ]$%5JR* >j >!::jW !&# :W+K:?@@H?@D?k@ II. Contributi personali 603 #K!KQ%]Y/%YW~%Y/YDR@R@K@@R@K @%%">@R)7@R. #*:K]QjQj; >+versitet, 2009, p. 283-293. #K!KQ%]Y/%YW~%Y/YCuraLes liaisons fructueses. Culture a conJD:8&\#Y]W# #YK;]]< :*" Y ! K?@@Hw@@ #K!KQ%]Y/%YW~%Y/Y0: &* 7 % 2 J) J D: 8& \#Y ] W # #Y K;]]< :*"Y ! K?@@HEXH? #K!KQ%]Y/%YW~%Y/YCura 7D.&T)2*. 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R/ TY ]jh '>) = &:&%:))E&:#$! 0 1H111!/:/ ?@@CC@CCkw #%YWKQ%%]Y/WK*. R/T<¦j2&&%pl.it. E&:#$! 01H111!/:zione/ ?@@CCkwCkV #%WW~%* /%WWY/$* 0& ) % Z/! [!k@JDV\J?@k?\kwXkwH #%WW~%* /%WWY/$* \ : Vite slave di Costantino-Cirillo e Metodio. %Z/! [!rie 10 (56) (2012), p. 151-158. #%WW%]YQQK*]*E&*D&:,2/E 0H%H)%Z! ! [EJ?@k@\ 67-84. #%WW**Y+/YEdi numerose voci presenti nel sito Exhhh }J?@@C\ #%WW**Y+/Y6*:`!&&% E@DR@R#!E@Q.#!E Italia. YY $YW $!K* 2009, p. 219-236. #%WW*Y Y+/Y & % ZK * [?CJ?@@H\?Ek?HE #%WW**Y+/Y2JJ!#&/Y?@@H??k #%WW**Y+/Yyy)))J%(|_@4$@:) Scritti in onore di Claudia Lasorsa. A cura di Valentina Benigni e Alessandro SalaW/W% ?@kkHwk@? II. Contributi personali 605 #%WW**Y+/Y]&7>0>!F#0&Jk>]# &:> E 0J& .. In k> ]# E!6<0:K>#~ ! : J%\ !#?@kkXEXXCH #%WW**Y+/Y("RER%m:@R>T>`!U@Y DR@#qR)Qm2T/`!: ::$), p. 253-279. #%WW**Y+/YE@R&@R1#%m0W :@#`)yD@#@]j/j# ?@kk 186-202. #%WW** Y+/Y 6Rq_ >&q> @ DR@R % m0W:@#`)yD@#)]j/j# ?@kk p. 213-225. #%WW**Y+/Y!+#Y!!*:%YWY0%)2D. :&# :&?@kkX?wXwDJX?wX?D :!XX@XXwXXEXXH XwkXw?XwD\ #%WW**Y+/YSchede di catalogo%m)))7@R:D)_>RE&!E@R q_113)U>@ T@$1@RRY1 RRQm))).:::)+E&)2&* :D113)&T$1Y1 &)! ! ";Y $Y:!Y! ";Y $Y:!Q !K* ?@kk J ?Vk?Vw ?EC?EH ?Cw?CD X??X?X XXVXXE XVVXVH XE@XEk XEwXED XCCXH@\ #%WW** Y+/Y <%==K/ ;%*/;%* E E& 113)%Z//[kCJ?@kk\kXDkVV #%WW**Y+/YE:!D::& @&&DR @ % 2 ).$ &$ . Y== W! ] ?@k? 187-200. #%WW** Y+/Y R/ T ] ! m\ # & &`! e poesia underground a Leningrado!K* ?@@C%Z! [EJ?@@H\kXwHXD@ #%K/Y%WY+$%Y6)6)+Y@@&0W!@R_@ :_R@R@* jj 1H1H5. %2F)7@_>#RY%&!j;Q K=j!?@@CwXD? #%K/Y%WY+$%YR&_@#R#7)T@@ #># >@R! @ :@ &> % 2 @) 0&> :@Y Q= ! & &> ¢j ?@@H 209-220. #%K/Y%WY+$%Y2: 6)+ D&! approcci analitici al trattato * jj &J&%Z! ! [VJ?@@H\CDk@w 606 #%K/Y% WY+$%Y E@R _ @ ! @ : :R _ 6) + 1311 ) % E@R :R@& @_@&:RYQ&]j]j/j# ?@k@ 270-294. #%K/Y%WY+$%YU@R_@_@R_@@R&@R@_@R :&)F&_@W>))U)T@@R!)FR&J #\%&Y]j=;j]Y&+W@'&E@[WDR&).)7W>) ]j/j# ?@kkDkEDXC #%K/Y%WY+$%Y#/D! >/J&8(2.81H4%Ecrire ailleurs J&&&$7J&&. A KK#~ ?@k??w??DH #%K/Y% WY+$%Y Cura, redazione e introduzione K "@@)# j j #!j # ]%/?@k?EH@ #%K% #Y*Y Cura ] '@ D: T '44%5).$]$H1. A cura di ##==+ >#?@k@HVJ: ! Slavistici, 15). #%/KQQ*;%Y#%K/*&)::J&:la cultura staliniana%0:&:$)Y=W ]] >]?@@CDXHDV?J/?E\ #%/KQQ*;%Y#%K/*(:J*)2D(7!$& %2D&& ripresa in parolaY] W! "K /] 2008, p. 39-53. #%/KQQ*;%Y#%K/*Introduzione&YjIl biglietto stellato. A cura di $! ]]?@@H&&%%% #%/KQQ*;%Y#%K/*.$&&:7:guerra ai giorni nostri%'):&:*. A &]%! ?@@HDXE@ #%/KQQ* ;%Y #%K/* F e cura ! K Le cin/ :# :: & La linea generale e Naum 6m2/:#`%2J&&&)T&$$&D:7R+RqR. A cura di Francesco Pitassio. +=?@@HkHX?wk #%/KQQ*;%Y#%K/*7!/:%6:* JñW$\Y!]]!?@@HDkDV #%/KQQ*;%Y#%K/*F>k#>!7k::"@%0 (:)k::77>K >]:K>$j hj$Y #?@@HEHHV?EX?ED II. Contributi personali 607 #%/KQQ*;%Y#%K/*7@*%7)\7>:) .7+:7&:)$%H&5. A /W =]?@@Hw@D? #%/KQQ* ;%Y #%K/* F& ::&>@! > :@R E DR@R&R@D%0&R@@R@$)]j Izdatel’stvo, 2009, p. 250-270. #%/KQQ*;%Y#%K/*8#7)2Dniana]/""W ?@k@?wE #%/KQQ*;%Y#%K/*Vedere, sentire e vivere il discorso%ET&& &&Y;:!:W= K&???D?@k@W ] Q=K?@k@EkEH #%/KQQ*;%Y#%K/*E!/:#:$:&. %Macchine e carneY=W!]; & YY W ?@k@kk?k?X #%/KQQ*;%Y#%K/*Sguardi e passi real-socialisti%E&)8 :115Y]:h]";] !j?@kkkHE?@? #%/KQQ*;%Y#%K/*&J::6.:#U###<%:)&&FR@) ">)Y/W+#]W# !&K?@kkXHww #%/KQQ*;%Y#%K/*Ew@!8:%ZY ] / [EJ?@k?\?kk??w x {{ {{Y]{ {h{?kVH} #%/KQQ*;%Y#%K/*$:qRR!qRD&R 0W$ 0$ T@ % Z *[ J?@k?\ kkE 204-220. x {{Ck{{?@k?{kkE{?k } #%/KQQ*;%Y#%K/*2:)/ &]!?@k??@D #%/KQQ*;%Y#%K/*0J%KLe straordinarie avventure di Julio Jurenito:]<?@k?EH #%QY!!%*Y/]Y$*Cura E*$E&*) Il Sud-est europeo tra il XVIII e il XX secoloYKW Y# #]?@@C?wk #%QY!!%*Y/]Y$*2D&&7 *&:zionale % E *$ E &*) 7 : XVIII e il XX secoloYKW Y# # ]?@@Ck@EkX@ #%QY!!%* Y/]Y$* W*!QYQ%% K]Y+KY 2D D* &&:!&%E*$E &*)7:YKW Y# #]?@@CkDDkCV 608 #%QY!!%*Y/]Y$*Cura*$*D+:)7 ::::&Y]$Y # Y?@@CXXk #%QY!!%*Y/]Y$* $*;* ]Y/W* Introduzione * $ * D+:)7::::&. A cura di Mar$Y# Y?@@CH?? #%QY!!%*Y/]Y$* 7 : # % * $ * D+:)7::::&. A cura di Mar$Y# Y?@@CkCk?k? #%QY!!%*Y/]Y$*8!**dino%8::8)(::D". A cura di Andrea /]:/# ?@@HDHEV #%QY!!%*Y/]Y$*Il futuro nel passato. Architetti e ingegneri bulgari alla vigilia delle guerre balcaniche%Z/* [??J?@@H\0: 'D.) #%QY!!%*Y/]Y$*D+:")# ]?@kkwVw #%QY!!%*Y/]Y$*Cura Dopo la pioggia. Stati successori della Ju.11YY $YY# Y?@kkDw@ #%QY!!%*Y/]Y$*IntroduzioneDopo la pioggia: gli stati della ex Jugoslavia e D.11YY $YY# Argo, 2011, pp. 9-14. #%QY!!%*Y/]Y$*K& Slovenia. %'::)7x.11 YY $YY# Y?@kk 187-203. #%QY!!%*Y/]Y$*2&:#QKY ?@k??D@ #%QY!!%*Y/]Y$*2D*[@>%Z& !/ ! Q[kkJ?@k?\?HkVHkCk #%QY!!%*=/YWK!W*2&)2& : &)%ZK* [?CJ?@@H\wHEC #%QY!!%*=/YWK!W*Cura La caccia alle farfalle”. Crisi e rinasci& :111)YW $ =# !K* ?@k@kH?JWZK * [k@\ #YQ*K/*!!YYTR@@RD:)%Una bianca corteccia che si sfoglia. Incontri con la cultura russaY:/ / Aracne, 2012, p. 235-261. II. Contributi personali 609 #_+W~Y*&Y]Y/%_Y:Y;*&!K&**$.@6@_@R. % @ $ > @. ER@R .@&R @) " @ _@#@$]j!?@@CwkXw?H #_+W~Y*&Y ]Y/%_Y "> &_@ :&q_R @ Italii E @ % Wj :j ]jj jj >]j]jj?@@CXEEXHX #_+W~Y*&Y]Y/%_Y2E tra XV e XVI sec. %8&*&. A cura di Giorgio Bona ;W/:]?@@C?@H?X?JY% Q ED\ #_+W~Y*&Y]Y/%_Y:@#_@_@7W0@% 6&7!#!8 JJ$))Y]$!;];!==+ >#?@@CwXEwwE #_+W~Y*&Y]Y/%_Y6>R&R@R:>!@R:&>2%6>&>):R@ R @D>#:#Y]j%j?@@HwkHwww #_+W~Y*&Y ]Y/%_Y 7$ #Rq_ R! "> & @#DR@#_@#@@#@%ZY J] \ ]> j >[ kD (2009), p. 99-127. #_+W~Y*&Y ]Y/%_Y 7 @> & &@R! _@ _@ @ >R :@ % ZY J] \ ]> j >[kVJ?@k@\k?EkDH #_+W~Y*&Y]Y/%_Y:@:RW>#:%"@ )7@@%Rx)8)DR]j*?@k@?V@?E? #_+W~Y*&Y]Y/%_YCura 0:@))0R#)2)0@& "))@R#j]:#%&)]qJ_D2)6) URY/Y* ]j*;%?@k@D@wDkC #_+W~Y*&Y]Y/%_Y0(::#W&@@R &:@R)%F>"@R>$F)%. Otv. red. N. &#>j!#j?@k@wD?wCC #_+W~Y*&Y]Y/%_Y0:DFW0R _"#@!@:@@_@##_RFD&E&. %E@R R!R)T>)0@)F)* Q/ /!Y!j!##jj$?@kkDwHDVw #_+W~Y*&Y ]Y/%_Y @ & &@R :># #>#@#%T@@RU&^R)F)]Y j?@kk?C@?HD #_+W~Y*&Y ]Y/%_Y :Y;* &!K&**$ .)6) @R! @D> :@>R%.@@R).@D>:@>R! R&>* &K:!#j?@kkXkV 610 #_+W~Y*&Y ]Y/%_Y 2D E D:&%Z! / Y JY%!!WY\[CHJ?@kk?@k?\kHk?@X #_+W~Y*&Y]Y/%_Y"W@&@D.UR%@)77J8K)kJ7J8. K >;W=:!Z! "! ! [w@J?@k?\kCEkHE #**QYQ%YYCura .*6))8DE& &1$)YQ #/tros, 2010, 167 p. #*#*&$%]%Qó/U&JY&&RR@%Z/! [!HJDD\J?@kk\kVHkEH POSSAMAI DONATELLA.m(*·`) j%6&7!#! 8JJ$))Y]$!;] ;!==+ >#?@@CwDHwVC POSSAMAI DONATELLA. 0&& J % Z! ! [ D (2008), p. 293-297. POSSAMAI DONATELLA. Redazione David Michelis, 6 TR e k@7 per il 'D& / in Italia. (2008). x {{hhh {} POSSAMAI DONATELLA. .#D(*0 e Elenco dei D(* 0 in E x {{hhh {} (2008). POSSAMAI DONATELLA – BROGI BERCOFF GIOVANNA. Note conclusive al Forum .:&111%Z! ! [VJ?@@H\XHEXHH POSSAMAI DONATELLA. +2)":>:@RDR&Fstogo % TW> R:R@ :D@ _) ) '@) >:R)7D)Q %$_#?@@HkCwkCC POSSAMAI DONATELLA. U:m&R`:@RE. % UD>! J& &R > &R E T> TWR_R@JH4:R)Y%!j]¢j!# %!< ?@@H 198-204. POSSAMAI DONATELLA. Cura &]jD::. &] YK?@k@DD POSSAMAI DONATELLA. Cura ]; K;sparini. &!:0. A cura di Mar; $ #.#"/= ==ze University Press, 2010. 3 v., 846 p. (Biblioteca di Studi Slavistici, 12). II. Contributi personali 611 #*!!Y]Y%$*YQKY;Y/<Y%Q%]Y/WK*0&K;ni. &!:0. A cura di Marcel; $ #.#"/= == University Press, 2010, p. VII-IX. POSSAMAI DONATELLA. 0 +8:%K;ni. &!:0. A cura di Marcel; $ #.#"/= == University Press, 2010, p. XXIX-XXXVII. POSSAMAI DONATELLA. :%111) 2&!:).7$ 5&1. A cura di Iliana Krapova, Francesca Fornari, Ales!:Y ?@kkCDCE #/*Y$Y/%*"&{*)D&& ::11. %:))E&:#$H! 111!0/ ?@@HXVDk #+::%W% */K<* Cura 6 "@ &) ' 0 ] Y # / / = *j?@@CkwX #+::%W% */K<* 2 : & & J *).::&)). Associazione di ! YWJ?@@C\$ x {{ h{?@kk{kk{"} #+::%W% */K<* 7R 7R @! :D" D"%Z!/ [kCJ?@@H\kk@?kH #+::%W%*/K<*J&D:&! *@#T@$441%Z:/ ' Y'[kVCJ?@k@\XwDXXD@ #+::%W% */K<* ( : D: D"D"J!D&F: TH44%:&Y%]& ! ?@kk?kD@ #+::%W%*/K<*]*::)J0/ D"D"%(&$:)7& : 8 #$ ) Y $ : Y : = =#;#Y<!! :"?@k? p. 711-724. #+::%W%*/K<* %Z!/ [?kJ?@k?\kkVEkVH R% "/ / jT #+WW%%*&$#_)%ZK* [?CJ?@@H\XCXXCE 612 +K/W%*%]%WK/Y+/Y@:#)2D: 0&:%0J:J)0 &:Y> >_hj]=Y 2008, p. 201-230. +K/W%*%]%WK/Y+/Ym(2$x&`) &::%:))E&:#$! 01H111!/:. / ?@@CHHkkX +K/W%*%]%WK/Y+/YCura \::£).80 E&Y]!= /Y#!?@@Ckw? +K/W%*% ]%WK/ Y+/Y E:* : : + di x;<T@E>&@<D.&+0:)%\::£ in sinagoga. Atti del Convegno in occasione del ventennale della visita di Giovanni 0E&Y]!=/Y#!?@@CkkXk?@ +K/W%*%]%WK/Y+/YCura (&:) D&&&:. A cura di Laura ]Y: Y ?@@CkCER!?@@HT +K/W%*% ]%WK/ Y+/Y Introduzione (p. 9-14) e J@& polacca%(&:)D&&&:Y]Y: Y ?@@CkkEkE@ +K/W%*%]%WK/Y+/Y7:@k>@&8>&%Z][ 11(139) (2008), p. 8-12. +K/W%*% ]%WK/ Y+/Y #&$ # &* % E&&Y;=&?+&. A cura $:QK?@@CEDk@@ +K/W%*%]%WK/Y+/Y"R>>>#)0<R><@ < 0 < =;# W + ] W !j¥hjJ+]W!\?@@H?X? +K/W%*%]%WK/Y+/YCura '@)]&)W: QY : :?@@H&%kCw +K/W%*%]%WK/Y+/YNota sul traduttore e la traduzione (p. 25-30), Glossario JkDkkDX\%'@)]&)W: QY : :?@@HkDDkCw +K/W%*%]%WK/Y+/YNote sul contributo della slavistica italiana agli studi ebraici%Z! ! [VJ?@@H\?VHX@E +K/W%*%]%WK/Y+/Y“Me la spasso, sono un orfano”% ~>j ;>%:))E&:#$H!111!0)/ ?@@HX@?Xk? II. Contributi personali 613 +K/W%*%]%WK/Y+/YFe introduzione _h]\ collegiale, racconto profetico%:))E&:#$H! 111!0)/ ?@@HkD@kVw +K/W%*%]%WK/Y+/Y2R>><@:@%k>:@RY]¥h*?@@HwXXwVk +K/W%*%]%WK/Y+/Y7@>&R)0>:@(@6#@7> 6&0>>@%Z>¨Y!¥h:>Y]j jÁh+ ?@k@EkCw +K/W%*%]%WK/Y+/Y[ 6;@<@m:&`%0 ).. A cura di Marta Alessi, Irene Baccarini, Alessandro W"/+ Q& W ?@k@HDk@k +K/W%*%]%WK/Y+/Y0:)2:0/ ?@k@XkC +K/W%*%]%WK/Y+/Y7(@6#@$>#*. %* Y%/ ?@k@?Vk?E? +K/W%*%]%WK/Y+/YCura +&J&D. A cura =;]/~?@k@kw@ +K/W%*% ]%WK/ Y+/Y '@$ m&&` D& % +&J&DY=;] /~?@k@?HDw +K/W%*%]%WK/Y+/YF, postfazione e cura]#jhj DDD/ ?@k@ R0JVDEwT +K/W%*%]%WK/Y+/YCura ¥>¥h! Cosa legge&)0:#WJY\! 2010, 90 p. R6 e GlossariokXkVEXECT +K/W%*%]%WK/Y+/Y7>)x&k&K># =@Jx7>R@<@1411%81%%E:Jx<#+:0:Y]j<"=K+ >% ?@k@kwEkDw +K/W%*% ]%WK/ Y+/Y F, postfazione e cura _h ] )E:=; ?@kk R0J?@D?kXT +K/W%*%]%WK/Y+/Y]%WK/YK!Y$K/Cura del catalogo Var!:&:J]W ] /K?@kkEk +K/W%*%]%WK/Y+/YF, postfazione e cura:^""Madre, 0)W ] > :/ ?@kk R0&&>*: e Notek@XkkXT 614 +K/W%*%]%WK/Y+/Y2D&$:$ &%] %\0&28::.$!2:Y!W]& K=?@kkkX?kXD +K/W%*%]%WK/Y+/Y2RD+::78&%+:)D#Y]]¥hj$=" # ;#% à !:]>j+ ?@kk p. 485-514. +K/W%*%]%WK/Y+/Y<K&%Q*:%YIntroduzione Gli &JJ)2/##*)%Z/] %[EHJ?@k?\k?kE +K/W%*%]%WK/Y+/Y&7#* :]@%Z/]%[EVJ?@k?\ n. 1-2, p. 115-138. +K/W%*%]%WK/Y+/Y2D:0%) &&%Z! ! [HJ?@k?\kVEkH? +K/W%*%]%WK/Y+/Y60)J&&RJ0D:%Minorités litté$0YYj;¦j! jhj W #% ' ?@k?kDCkVw +K/W%*% ]%WK/ Y+/Y R/ T _ *j/j x U@) 0 (xU@)( \h?@kk% 78&7]!#Y ]%Z/%[EEJ?@k@\XX@kX@w +K/W%*%]%WK/Y+/YR/TY]j!/0#k<26>)hK?@k@%Z~ /h ~ !![_?@kk x {{hhh {h{h§XX@DH} +K/W%*% ]%WK/ Y+/Y R/ T 0@><@ @>R % Z][J?@kk\XJkVk\ +K/W%*%]%WK/Y+/YR/T#& (Martin Buber, Storie e leggende chassidiche\%Z%[J?@@H\ 12, p. 23. /Y$Y*&YK%7!&: Sole%Z/! [!HJDD\J?@kk\kCkkHw /Y==* YQ* ]Y/%Y Cura 0 : &&) 7;< =>:?@&&:) & D$1 & 5)Y Y WK^ _ `hj]# Y ]/""/Y#!: W ! /?@@C?kDJW" 124). II. Contributi personali 615 /Y==*YQ*]Y/%YCura _hj]Qfuori0Q2YY ]/"":%" 2011, 277 p. /Y*WW~% K]%%Y* Considerazioni sulla traduzione nella letteratura polacca :&)J&U#<@)%ZYW]KY= =+ ! ][VkJ?@@C\k 351-362. /Y*WW~%K]%%Y*T;¨j&>).>&&>><:@&&&) %Z! ! [CJ?@kk\kXEkV@ /Y!%Y/Y%!!Y8E%0&$%. /?@@HwwXwwH /Y!%Y/Y%!!Y:!:.8_T##tin%Z/! [!EJDX\J?@@H\kDEkE? /Y!%Y /Y%!!Y 0 ) F % Z/ ! [ Nuova Serie 7 (53) (2009) p. 281-285. /Y!%Y/Y%!!YD::%Z&][J?@k@\ 34, p. 62. /Y!%Y /Y%!!Y TR#D ' '::) 2 7 2D&&#"= ] /: 2010, 399 p. /Y!%Y/Y%!!YE)'@R&. %2JJ!&"") .2(*2(70" D:D.JD"$E&$H&Y] #Y%= editrice, 2012. /Y!%Y/Y%!!YU::TDq&)%Z/! [k@JDV\J?@k?\k?EkXC /Y!%Y/Y%!!YR/T;$E>&%Z/! [!EJDX\X@@X@w /K:KWW~%%$Y]%Y*':DOnegin di Lo Gatto%Yj#j Eugenio OneghinQK; ] ?@@C?EE 281. /K:KWW~%%$Y]%Y*Nelle stanze di Nicola I. Il gusto dello zar e la pittura russa :&"%6&7!#!8JJ$))Y]$!; ];!==+ >#?@@CD@XDk? /K:KWW~%% $Y]%Y* +_@ @> &: 6@R ! DR@R &@RW:’. ">@R)7@R. #*:K]QjQj; >+versitet, 2009, p. 325-355. 616 /K:KWW~%%$Y]%Y*W*YQ*%%Y7&@@)RT%Zj>[J?@@H\XJVD\kDkkDC /K:KWW~%%$Y]%Y*Cura&j jj7&)7$censioni, essaiY$/Q QK Q 2009, 296 p. /K:KWW~%%$Y]%Y*2@|@@R&%&j jj7&)7$$s. A cura di $/Q QK Q?@@HE?kJ%!:HEC 88-89706-66-4) /K:KWW~%% $Y]%Y* . { $ F 6# J E % Z_" ~ >"W [??J?@k@\kwDVE /K:KWW~%%$Y]%Y*J&,`2FR).& un successo%ZK >[?J?@k@\?HwXkH /K:KWW~%%$Y]%Y*.K0&).2>=##"J &:>.%.K0&]hQ ?@k@ 184-192. /K:KWW~%%$Y]%Y*7"$T&@):&&&&'@R%Una bianca corteccia che si sfoglia. Incontri con la cultura russaY:/ / Aracne, 2012, p. 155-175. /K:KWW~%%$Y]%Y*Cura 7*FR)7D: J&Y$// ]W?@k??Ek /K:KWW~%% $Y]%Y* ( # FR #) ]&*:: "%7* FR)7D:J&Y$ //]W?@k?k@Dk?w /K:KWW~%%$Y]%Y*R/T0/* Figes. 7:):E7%Z% [?EJ?@k@\D?C /K:KWW~%%$Y]%Y*R/T%#Stories of the Soviet Experience. Me&$'$'&%Z//[kVJ?@@H\k?Ek?C /K]*YQ*%Y/%Y2 &:: secolo%7:D:!{J. A cura di ]W; &=?@@Ck?kkwX /K]*YQ*%Y/%Y':!:&: E:%&&&:)7). 7$4%J1Y# Q&K ?@k@kEHkHX /K]*YQ*%Y/%YF&&!:&T@0q@ @+J$ x {{j h {§C?Xw@w} II. Contributi personali 617 /%W~QK/*&Ü!&%K+&:^&D#)%Z! [CJ?@k@?@kk\kwDkVX /%!Y%Q%/KYQ*Cura 6"@&)'0troburgo a FirenzeY#/ / =*j 2008, 143 p. /%!Y%Q%/KYQ*:D&:!E$2$0nia. =?@@HkDH /%!Y%Q%/KYQ*.0q@)%Z!/ [kEJ?@@C\?EHC? /%!Y%Q%/KYQ*0UE8)%Z!/ [kEJ?@@C\XkV@kV? /%!Y%Q%/KYQ*Droga e letteratura%Z!/ [ 17 (2008), n. 4, p. 209-217. /%!Y%Q%/KYQ*2J&E)%Z!/ [kCJ?@@H\kkwkkwX /%!Y%Q%/KYQ*2:]DD D)%Z!/ [kCJ?@@H\wkXHkE@ /%!Y%Q%/KYQ*2::!&)MonW%/&%?@k@kDH?D /%!Y%Q% /KYQ* E ] W%/&% ?@k@?@XXX /%!Y%Q% /KYQ* : 0 D"%Z!/ [kHJ?@k@\? p. 43-50. /%!Y%Q%/KYQ*2:&:|>)%Z!/ [kHJ?@k@\wkkVk?D /%!Y%Q%/KYQ*7::2::x#&2<)%Z! / [?@J?@kk\kkwXkD? /%!Y%Q% /KYQ* Cura ]j 7D &. ]W%/&%?@kkC? /%!Y%Q%/KYQ*Cura ] j""T& russo e altri testiQ/ / #"]>j &/ / ]W%/&%?@kk XCVX? /%!Y%Q%/KYQ*'&:$EE)%Z!/ [?@J?@kk\Xk@@k@X /%!Y%Q%/KYQ*!.J&&::7# E)%Z!/ [?kJ?@k?\?k?@k?V /%!Y%Q%/KYQ*E@RF@)]jY ?@k?kH? 618 /%#K%*Y;K*]Y/%Y2D0)7:#D+:D+1%H153. A cura di Antonio Pane. = ?@@C%X?D /%<<%$Y%KY7&E&@&6D+>0>)%Literature and >)]#JJ=&8)=R#"J#%4##>$ )K >K$~~_! Y # 2008, p. 665-688. /%<<%$Y%KYF.:!&:* :&6%2&)A cura di Marinella WW/:kXDkDV /%<<%$Y%KYm2D&:`)2.J " Signorelli%E@DR@R#!E@Q.#!E)YY $YW $! K* ?@@HXwEw@? /%<<% $Y%KY F m* D` m* D`! :& & nella cultura russa del XIX secolo % :& : D"Y#Q /:?@@H?wk?VC /%<<% $Y%KY. Cura K ; E@ DR@R#!"D7D@D&Q.#!"7&:YK; $/ !+ !?@k@?JXCCwXC\JWZK * [kk{kkk{?\ /%<<%$Y%KY;Y/KQQ*K$Y0&¿+:¿ %E@DR@R#!"D7D@D&Q.#!"7 &:$))YK; $/. !+ !no, 2010, p. 9-94. /%<<% $Y%KY 2 && " 7 % E@DR@R # ! "D7D@D&Q.#!"7 &:$))YK; $/. !+ di Salerno, 2010, p. 145-293. /%<<%$Y%KYIntroduzione 2&&"7)%E@DR@R #!"D7D@D&Q.#!" 7&:$))YK; $/! + !?@k@kXEkww /%<<%$Y%KY"7:&&* Novecento%E@DR@R#!"D7D@D& Q.#!"7&:$))YK ; $/!+ !?@k@Hkk@ /%<<%$Y%KY7.&:mE@R&>D`%7Ë̸ &DJ)&:#. 78&piero Bellingeri. Y&W ]W ] Q Ferma, 2010, p. 327-336. II. Contributi personali 619 /%<<%$Y%KY8D@R&&!.R)%"> @R#*:Q%#jQj% Qj+ ?@kk?wk?VC /%<<% $Y%KY 6W |#@R Y R [ @@R, % "> @R#*:Q%#jQj% Qj+ ?@kkwD?wDC /%<<%$Y%KYCura m0W:@#`)yD@# @! >YY$/]j/j 2011, 320 p. /%<<%$Y%KYE@#W@:DR#:&R#. 7J _%m0W:@#`)yD@# @. Sost. i >YY$/]j/j ?@kkHHkkD /%<<%$Y%KY7.&Y@:WmE@RT>D`%Do&#&)7@RD5R6))U. Sostaviteli :Y;* ]j*;%?@kkXkwX?V /%<<% $Y%KY Cura "& 7R 'R) E 1111D:Y$/# &!K* ?@k?R ?@kkT?HwJWZK* [kV\ /%<<%$Y%KY'R$D)%"&7R'R) E1111D:Y$/# &!K* ?@k?R ?@kkTDDEV /%<<%$Y%KYCura e traduzione*] &&po e altri scritti]Y?@k??k@ /%<<%$Y%KY2Dm(:`&$E%@)77J8K)kJ7J8. K >;W=:!Z! "! ! [w@J?@k?\?D??Vw /%<<%$Y%KY.@@)[&@:R0@E. %.@#+)~!Å ÅÅj?@k?kwEkV@ /%<<%$Y%KYCuraE@DR@R#$Q.# $!"DE_7D&!:. A K; Y Y$/!K* ?@k??JDkVwHk\JWZK* [ kH{kkH{?\ /%<<% $Y%KY $Y]K%YYQ*KY +]#Y !K_Y FRR ::@! R_ "D | ::@ "DR E#7D 1413)U&&%E@DR@R#$Q.#$!"DE_7D&!:$) YK; Y Y$/ !K* ?@k??Dkw?D /*WW+WW%Y$/%Y*2E!*% Z[kVJ?@@C\k?CD?Hw 620 /*WW+WW%Y$/%Y*7 %Z[kVJ?@@C\XEDHk /*WW+WW%Y$/%Y*E&T%Le Chiese e gli altri. Culture, religioni, ideologie e Chiese cristiane nel NovecentoY Y / ] Guerini e Associati, 2008, p. 131-154. /*WW+WW%Y$/%Y*&E%Z[kVJ?@@C\w 293-302. /*WW+WW%Y$/%Y*(EJ:"J%E .&)0:& Z[kVJ?@@C\wXXwX /*WW+WW% Y$/%Y* :& &: D % ZW[wwJ?@@H\?DDVH /*WW+WW%Y$/%Y*+E%Z[kEJ?@@H\X?XXX /*WW+WW%Y$/%Y*2:/7)0/¾#K13H*134%ZW][D@ J?@@H\wJ* '?@@H ?@k@\VEkVHC /*WW+WW%Y$/%Y*U=R>xJE)D+:E e Occidente%Z~ [VDJ?@k@\kEHk@@ /*WW+WW%Y$/%Y*T:::)(#@:%7#@ =R>;)2D: Y]%W: K!#?@k@kCE??D /*WW+WW%Y$/%Y*T&%Z[kCJ?@k@\X 9-17. /*WW+WW%Y$/%Y*2&*D%2&*&Y/ ]/: Mulino, 2010, p. 193-218. /*WW+WW%Y$/%Y*2DD*&:!&*%2D)2 controY;: :K$?@kkkXHkVH /*WW+WW%Y$/%Y*&:D* :7R7_.%(|_@4@:)7 in onore di Claudia Lasorsa. A cura di Valentina Benigni e Alessandro Salacone. W{/W% ?@kkk@Xkk? /*WW+WW%Y$/%Y*Stalin e il patriarca. Chiesa ortodossa e potere sovieticoQK?@kk%D?w /*WW+WW%Y$/%Y* " E &, % Z[ ?@ J?@k?\ ? 167-182. /*%Ý!Y_YSaba letto e tradotto in Croazia%Z/ [?V (2008), n. 1, p. 249-255. /*%Ý!Y_YF&]&)"E&& &%)7¶taY&_&/Y?@@CkXX? II. Contributi personali 621 /*%Ý!Y_YF&&D)%6£F&& e storiaY=!Q ~?@@Ck@Xkk@ /*%Ý !Y_Y 8 ) T UW Tq R@ 8 guerra%Scrittori in trincea. La letteratura e la Grande guerra. A cura di Fulvio !/W?@@Ck@@k@E /*%Ý !Y_Y $K:%YW* &YKY 0& :R @ $]R@&%T'WjR@_@. A !Yëj#Q<$ ?@@HkEDkHV /*%Ý!Y_YF&&/&%2D+:*Y ottocentesche in Italia e D+:Y! "/h! 2009, p. 140-148. /*%Ý!Y_YJ&)%Z#/ W ! [kwJ?@@H\kEHCC /*%Ý!Y_YVladan Desnica and Italian Culture%Z/ >][ 7 (2009), n. 3-4, p. 163-171. /*%Ý!Y_Y6)F&&$7$]$8$]&$0&%ZW [XEJ?@@H\?XHHw@X /*%Ý!Y_Y(D*&)* Croazia%2:D.. A cura di Francesco Botta e Giovanna Sciana ]=Y?@k@EkCk /*%Ý!Y_Y':RR@R!7$~{% (_0x@Y$Y#¡j :!!?@k@XHEw@V /*%Ý!Y_YCuraStil i izvornostY!~!/ <==?@k@ /*%Ý!Y_Y]:7%Stil i izvornost. A cura di !~!/<==?@k@X?kXXk /*%Ý!Y_Y$K:%YW*&YKY0@U.:@:@)6 ::RTUWR@&R@%ER_@ q@ [@ Y $ :j :Y W] % ! ! & /j ="j "j 2010, p. 33-47. /*%Ý!Y_Y2D&J&D%7#J]& ]&&Y# =% ?@kk 167-187. /*%Ý!Y_Y0 0!*J*,%*#&& transizioneY#$;]/ /W?@kkwXV@ /*%Ý!Y_Y@:&@&R@R@RW%UR :qRj$@R&:qY$$j] <] j?@kkHEk@w 622 /*%Ý!Y_Y':&@@!'7%'_1) [@Y$/j]Y% W_<==?@kkk@kkk@ /*%Ý!Y_Y6/%Z [?CJ?@kk\XXDXV /*%Ý !Y_Y ¶7m$ &$ Y & : D. % "& . A cura di Gabriele Proglio. YY ?@k??k@??k /*%Ý!Y_YVinte e vincitrici: le letterature dei Balcani occidentali oggi. %Z[kVJHX\J?@k?\VXVD /*]Y*YK!!Y$/* 6)))8D )) (! 7&D q_R R)%ZQ ! >[X@J?@@H\ x {{hhh { {X@{X@ } /*]Y* YK!!Y$/* Note & $ _j R 35 ) 0D& $ E& 6:R) "_@ qq @ R. Sost. Y > # $ $ $ $ Y >Y/!# ;?@k? /*]*%=/YWK!WY2D.T0+tore Lo Gatto e la loro collaborazione con la casa editrice Sansoni%Z [EJ?@@C\?wkk@D R;; (D J&)T 0$+28Antologia delle letterature T /*]*%=/YWK!WYLa vicenda logattiana nel ventennio fascista: alcune piste di ricerca%Z[EJ?@@C\?k@EkX@ R;; (D J&)T 0$+28Antologia delle letterature T /*]*%=/YWK!WY0))E &==+ >#?@@HXCDJ:teca di Studi Slavistici, 9). /*]*%=/YWK!WY2D+:::TR7&&T&8J: &%Z! ! [EJ?@k@\XVDXCX /*]*%=/YWK!WY;Y/<Y%Q%]Y/WK*Cura del ]&!T& 8$]D&&. A cura di Marcello Garzaniti, Francesca /%Z! ! [EJ?@k@\?XHXHw /*]*%=/[email protected]&R)::: ,%Z! ! [CJ?@kk\?Dw@ /*]*% =/YWK!WY 2 x 6! K J #:#/%Z/' [C?J?@kk\??@k?kV II. Contributi personali 623 /*]*%=/YWK!WY'E%2'.#)&:).D(*($%5 & Y / +" jj ] $ ] ] Meidenbauer, 2011, p. 243-252. /*]*%=/YWK!WYU&UD&@:)2F: !:&%2<#J# x##$4H:$j~ ?@k?HEE /*]*%=/YWK!WYLo Y/ j)7: *: :& ) % Z! ! [ H (2012), p. 7-27. /*W~KQQ% :Y/:Y/Y ( :& J &) E{ traduzione%ZW [kXJ?@k@\??@k@?EXX@@ /*W~KQQ%:Y/:Y/YDragotreno. Una fuga. %ZW [kXJ?@k@\ 2, 2010, p. 301-308. /*W~KQQ%:Y/:Y/YR/T;]Sovietlandia. Viaggiatori italiani D(7/:K ?@@H%Z; [kXJ?@k@\k?Vw?VV /*W~KQQ%:Y/:Y/YVisioni in volo nel Novecento russo%ZK* [X@J?@kk\D?w /*W~KQQ% :Y/:Y/Y " : :_@& & & #@ "::_@&&&#@)%; >[J?@kk\XJXH\kC?kH@ /*W~KQQ%:Y/:Y/Y0$:# &,)2:&&:!J"J"&&:%Z: h[J?@kk\? x {{ {{ h{ {h{X@w{?Cw} /*W~KQQ%:Y/:Y/Y+)&#@$[&R:% F)7:YW ;$W/Y ?@kkXDDX /*W~KQQ%:Y/:Y/Y1$D)0J& &. In2D1EY$WW ; !K* ?@k??EDX@@ /*W~KQQ%:Y/:Y/YCura Una bianca corteccia che si sfoglia. Incontri con la cultura russaY:/ /Y?@k?XHH /*W~KQQ%:Y/:Y/YIntroduzione con betulle%Una bianca corteccia che si sfoglia. Incontri con la cultura russaY:/ /Y 2012, p. 13-24. /*W~KQQ%:Y/:Y/Y( &:. % Una bianca corteccia che si sfoglia. Incontri con la cultura russa. A cura di :/ /Y?@k??CkX?w 624 /*!!%Y+/Y68&&@R@D@_@. %2>R@<)':>@Y*;¥hj ÊÁË>h h+ ÊÁj?@@CEECD /*!!% Y+/Y m7 &` , 2 51H:7#:&^D%6&7)#)7 8JJ$)Y]$!;] ;!==+ >#?@@CD?kD?C /*!!%Y+/YDR@Rm0&R@`$!0q@$0@H%)% T&!7@:&R2)6)RYY Kj /* !j # j?@@Hk@Dk?k /*!!%Y+/Y0q@/:%Z//[kVJ?@@H\ p. 37-53. /*!!%Y+/YCura ]$!$E&)7 )YY Y ]W :; ::""/==+ >#?@kk%%%??k (Biblioteca di Studi Slavistici, 17). /*!!% Y+/Y mJ`) ]@R : :&> 0)y) 0)x) ! :&>W:%2&])7@R_D7R _6@Y_Yj $ j !j# YY?@k?k?Xkwk /*!!%Y+/YCura 7*FR)7D:J &Y$//]W?@k??DVJZY[kX?\ /*!!%Y+/Y7*J]FR%7*FR) 7D:J&Y$//]W?@k?kEX?JZY[kX?\ /*!!%Y+/YR/T/""= .E(:+## >E)F#TJ6))6@$ !?@@D X@@%Z/[kVJ?@@C\kV@kV? /*!!% Y+/Y R/ T ; W 7 ) ' 0 8D"/W ?@k@EXC%Z/[kCJ?@kk\k@Ekk@ /*!!%Y+/YR/TArchivio russo-italiano VI. Olga Signorelli e la cultura del &:)E@DR@R@#)"7D@Dw&)A K; $/$ ! + !?@k@k?XCCwXCJWZK* [ kk\%Z!K K/h[H@J?@k?\XD@VD@H /*QQ%**/K<*+:::& bulgaro. %Z/! [!HJDD\J?@kk\kHD?@w /+&*KQQ*+%!Y; +!,%Scrive)2&D+:&:. A cura di ]:=:/]#]##] 2008, p. 19-34. II. Contributi personali 625 /+&*KQQ*+%!YF&:::!j$j %2!&&&)$&$34&5)YYQ Z [?VJ?@@C\kCE?@D /+&*KQQ*+%!YCura 2!&& &. .2$034&)A /:/ #+?@k@kH? /+&*KQQ*+%!YLe funzioni del preverbo po- nella # > % 2!&&&. Atti del II Incontro di 2$034&)Y/: / #+?@k@kVkkEE /+&*KQQ* +%!Y Funzioni lessicali e aspettuali del preverbo za- nella Povest’ > %Z! ! [CJ?@kk\E?X /+&*KQQ*+%!Y0 $*:!&:# > %2!&J$&:&)Y=:! !j = Z]Y[kXJ?@k?\ x {{ } !Y::YQ%%]Y/W*m\#&&`): a Leningrado!K* ?@@CwVVJWK*talis, 8). !Y::YQ%%]Y/W*7)7@R)7#:>%La poesia russa 0q@@R)+,.7) A cura di W!/KW ?@k?k@Ek?@ !Y::YQ%%]Y/W*F#0#Jk>]##2(. % k> ]# / h # K > #~ ! : ! # % + > ?@kk 337-352. !Y::YQ%%]Y/W*+R.D0D8!:D&E1314 ). m:@R>T>`!U@YDR@#qR) Qm2T/`!::: $)YY Y!K* 2011, p. 343-359. !Y::YQ%%]Y/W*#@kE{0 Language%2#)0:J&#J^.7DT$x> H$ ) K > & ! Q ] QY jhh "*/]: Sagner, 2011, p. 169-174. !Y::YQ%%]Y/W*7#)UJ&D¿11${@R @ DR@D>%11R!:>_RR!@ R&$))#Y$ ]]"%j*Q"Y/ ]j *?@kkC@?C@H 626 !Y::YQ%%]Y/W* Il caso"1)%Z! [CJ?@k@?@kk\Il sa&&&:)2D#( &*)YYW !ne Guagnelli, p. 201-208. !Y::YQ%%]Y/W*mE`8R@:)TR#DR)nova%${ ! # #kkk??@k@ p. 98-99. !Y::YQ%%]Y/W*0JR@&::D%ZQ ! >[?CJ?@@H\ x {{hhh { {?C{ ?C } !Y::YQ%%]Y/W*0R):&&{ &:%2D&&{)TJ@))T$(*7$3%& 5$)YK*?@@HXVkXHV !Y::YQ%%]Y/W*2D::)U7)7@R. %!"#$% &. A cura di Alberto Alberti, Stefano Garzonio, Nicoletta Marcialis e :!==+ >#?@@CX?XXXC !Y::YQ%%]Y/W* R/TK/: " %":jY$/K?@@CXDC %Z#/ [?wDJ?@k@\EXEw !Y::YQ%%]Y/W* R/TY2D:)J@R :\&$$8$]$'27W"&?@@C%Z! [EJ?@@H\kXDDXDE !Y]* Y+/Y T#&> R&) " _ 7R ' ]j #Q?@@C?DD !Y]*Y+/Y]Y/%Y%]Y+KY&!linguistica alla didattica delle lingue. Milano, FrancoAngeli, 2008, 190 p. !Y]*Y+/Y.&)%F#+>:Jx<++:, vol. I.K";$~ h~+ >#?@@C p. 147-148. !Y]* Y+/Y " @: @R# :D! : :DR@RÄjj@+J%Nel &7!#!8 JJ$))Y]$!;];! ==+ >#?@@CDwkDDk !Y]* Y+/Y "* &: & J0FF)%Incroci interlinguistici. Mondi della traduzione a confronto. A ==/ ]=Y?@@C?CHX@@ !Y]*Y+/Y7&&J! :&%2&&).7&8%5&) Y: ]Y!Y/?@@C?Vk?Cw II. Contributi personali 627 !Y]*Y+/Y:#D# "!$ Il giornale invisibileY!#!?@@HkwDkVH !Y]* Y+/Y F_@R &D : : 0F0 :& @& _ : @ R>@ % E@R R>@ &R>_R+:)F$_WRRR&) T>&WR@J+(E(7)]$%Y5JR. Y!::jW!&# :W 2009, p. 69-84. !Y]*Y+/Y)[@@@&W&@R@&R! &>qR:R:%E@&)T> &WR _:@_@R @J !j # ]%K# 2009, p. 3-19. !Y]* Y+/Y) 2 &:*! : scienze%0+8)7D"6. Y=W ;%!!&% ?@@H p. 371-389. !Y]*Y+/Y2!& %Z/% Y [wkJ?@@H\k?kXDkV@ !Y]* Y+/Y F& &# ) 7D 87R'%7&JJ''&)Y];Y$::# #/=!K ?@k@?Dk?V? !Y]*Y+/Y* D&&%Studi di Letteratura e Linguistica dedicati a Anna Lucia Giavotto. A cura di Serena Spaz ; + ! ?@k@ ?VD?H? J # Serra, 18). !Y]* Y+/Y Ancora tu # " ! $ 2 . A cura di !#!?@k@kCE?@E !Y]* Y+/Y 7: ! && D&& ebraico orientale % * Y % / 2010, p. 233-256. !Y]*Y+/Y7R'!%Z:h:>][J?E@??@kk\ x {{h>h{?@kk{@?{?E{ {} !Y]*Y+/Y/*!!%]%WYKYLe cas du verlan: stratégies et outils pour la traduction%&&)7&#. A W :=]+ ?@kkDkVE !Y]*Y+/Y. _@@W@@&_@R>!:@7R'%7R'!$D$:#. A cura di Y_Y!j # <?@k?kXkkD@ !Y]*Y+/Y7D&D/::27&:J!:&D::scenti non slavi%Z]Y[kXJ?@k?\ x {{ {{ {#$=|"{ "{ ?@k?{kV|"} 628 !Y]* Y+/Y ]Y/%Y% ]Y+KY & ! rolinguistica alla didattica delle lingue. 2a edizione, riveduta e ampliata. Milano, FrancoAngeli, 2012, 190 p. !Y]*Y+/YR/TF0W & E ?@@H%ZK* [?HJ?@k@\XkDXkC !Y]*Y+/YR/T&jY ]Deistvuiushchee )0:#&:0#@! # Y ?@@H DV%!:HECDHkwkH?XEH%Z#j/h[kwJ?@kk\kVH !Y&K!Q/*%!%]*KQQY2D&0@)%Z/! [!k@JDV\J?@k?\HHk@C !Y&K!Q/*% !%]*KQQY 2 # &# # & '@R))%Z/! [!k@JDV\J?@k?\?ED?CC !:/%<%**%QYY#%Y2::ED)Na]$Y?@@HkCV !:/%<%**%QY%Y#%YGli anni del terrore tataro a Mosca]$Y 2012, 232 p. !WY$+/YWY+$%YF e cura QLatrine. Firen ?@@Ck?X !WY$+/YWY+$%Y2:!:&m2`F&U) %QLatrine= ?@@CDXH !WY$+/YWY+$%Y24!%Z/! [VJD?\?@@CXkHXXX !WY$+/YWY+$%YF e cura&Il Grande GiocoW_JW!\]?@@Ckkk !WY$+/YWY+$%YR&U)%& Kaverin. Il Grande GiocoW_JW!\]?@@CEw@ !WY$+/YWY+$%YE&:R&>#@#:F&UT#.R)%'@D!:@D@) T> &WR @J) 8.R@$ 1)% Y 3)5)) ;Y j /%*?@@HkwCkDD !WY$+/YWY+$%Y/:@U7) %:2:1;!;K ?@@HE@Cw !WY$+/YWY+$%YU&R@R)&H$@H1%Avangard i ide! @ :&>) : % =j =j ?@@H 587-599. !WY$+/Y WY+$%Y [D _ DR@:J 6) ) 8^ x@Rm) [&@:R#&)U¶7@_D@& . . %ZQ ! >[X@J?@@H\ x {{hhh { {X@{jX@ } II. Contributi personali 629 !WY$+/Y WY+$%Y Cura, saggio introduttivo e note ¶E& : :& E&·m R @ : ] :&R xJ @x:#@>T&]<#:]]jvoe Literaturnoe Obozrenie, 2010, 384 p. !WY$+/Y WY+$%Y " E@R .@& E&) % ¶E& : :D& E&·m R @ : ] :&R J @x:#@>T&]<#:]\]jvoe Literaturnoe Obozrenie, p. 14-51. !WY$+/YWY+$%Y0@&@!E@R@&E&)%Josif @R@)T>&WR_D@R@Jcii.!#=j"j ?@k@Dk@ !WY$+/YWY+$%Y)Ee cura:WjFoglio di &&*/RQT?@kkkkk !WY$+/YWY+$%Y. Nessun giorno senza una riga.%:WjFoglio &&*/RQT?@kkXkk !WY$+/YWY+$%YFï& %:WjFoglio &&*/RQT?@kkkwDD !WY$+/YWY+$%YE&WE)7&>@:>E&. %">@R#*:Q%#j Qj% È Qj+ ?@kkD?@DX@ !WY$+/YWY+$%YE&%U8. Festschrift für Christa +&%4)8).:j{_h{]!>{/<> >J~\:=jQ?@k?X?EXww !WY$+/YWY+$%YF0%Z#[J?@k?\?E@DDV@ !WY$+/YWY+$%YTR")%Z*j [J?@k?\DkXHkwk !WY$+/YWY+$%YCura 2:0q@@R)+ ,.7)YW!/ KW ?@k?XH@ !WY$+/YWY+$%Y:E:¬:,%La poesia russa da 0q@ @R) + , . 7) A cura di W!/KW ?@k?XXDXDC !WY/W%Y ;%Y/*:K/Q* Cura j & ;È ') 2D donna. ]:?@kkkkH. !WY/#Y]Y/W*(_+#R#RR8R0&>% Z:j >, 42 (2008), p. 137-145. !WY/#Y]Y/W*(@_R@R@:R7(: & 8R 0&>, E@:D 7@ 0 E6 U) ) H 1%Z#[X?J?@@C\X?XXD !WY/#Y]Y/W*J&DFR%Z! ! [D (2008), p. 89-99. !WY/#Y]Y/W*7&6F). :#,%Z];[CJ?@@C\?CXX@k 630 !WY/#Y]Y/W*T&8 0&$:Y]>¦j%Z<¦8.#< @+:>$+:<@.#;+h> Y]jhh#?@@HCCk@C !WY/#Y]Y/W*Cura I francescani nella storia dei popoli balcanici DJD". A cura di Viviana Nosilia e Mar!&Y ?@kkVC !WY/#Y]Y/W*T0,%Z/ [!H (55) (2011), p. 205-213. !WY/#Y]Y/W*80&]:?@k? !WY/#Y]Y/W*Tq@:#+&R&UJrevo%Z! j [wDwVJ?@k?\?EX?C? !WY/#Y]Y/W*.@@&q@@)!WR%Z#[XVJ?@k?\?wDD? !WY/#Y]Y/W*.@_@_::8R7:R R yD # ] ! j j 2012, p. 370-377. x {{hhh {{"{"j kk"} !WY/#Y ]Y/W* R@ @> & 6 _ (: :_>R >_> qR > 0> T R 8R 0&>, $j %%% :j j" ZÄj j j ! #[ kV@@ % < ]jj j ! # ?HX@ ?@@E Äj j J j j\ "> j]$YJhhh\J?@k?\ x {{hhh{j{"{j|"} !WY/#Y ]Y/W* 0> :& "> )7) F) 8&_@ ::W % Multa et varia. Studi offerti a Maria Marcella Ferraccioli e 8J8$)Y=WW&Y #]:K?@k?wHXD@w !WY/#Y]Y/W*2D:87%SaggiY/]<&W"?@k?k@Xk@H !W~%Y==%* ;Y:/%KY 8D@R&!D&:)% T@&8D@R). H&%)YK:Y/ :]% Y! e lettere, 2012, p. 97-117. !W*W*<<Y WY/]K .@ k E& ) Prefazione di =;]+]?@k@?@E !K&K%;%+!Q%Y2J&!/&,%Z/! [!HJDD\J?@kk\?kD??k II. Contributi personali 631 !%K$%Y ;%*&YY 2 mU>>@`! { :&#D(:%Lo sviluppo della slavistica &::QERR:R@#&:R#. Atti &&:77DTU7QT>TWR@JU&:7@: TU7%Y55)Yj! "Y]QW"" ?@@CkEEkCC !%K$%Y;%*&YYCura 6&7!# tra culture: studi in onore di Giovanna Brogi Bercoff. Y]$! ;];!==+ >#?@@C? v. (Biblioteca di Studi Slavistici, 8). !%K$%Y;%*&YY: le celebrazione di Ivan Mazepa nelle poetiche @)7:{%6&7!# !8JJ$))Y]$! ;];!==+ >#?@@C 571-581. !%K$%Y;%*&YY2D(&:ED@% Giallo rosa slavoY!$jW]!j;KQ!;?@k@k?DkXV !%K$%Y ;%*&YY F# 0 2> J # U>T#> 0) 7& 0%Z! ! [CJ?@kk\wkV@ !%K$%Y ;%*&YY 6>D@ q :>R> :&> U>R T#>RD@>K:>@%77:#$2U7) 8@#JJ8)7#.)8) FY $>j !&jj J~\ ]: * ! 2012, p. 341-370. !%K$%Y ;%*&YYm0&` = ]>ô x>J FRD@# % F#&k&)7R:q6x@@Q7#&6x@@)>?@k?wXDwV@ !%K$%Y;%*&YYxJU@D@>R:&:ranei:%K?@k???w !%K$%Y;%*&YY2D*{::* 080:2 ) 2@ R _R &R# 0D@R@>@URW2@)%Z! ! [HJ?@k?\kHH?@X R% = T !%K$%Y;%*&YYIl concetto di virtù nella celebrazione epico-panegirica nella %Z! ! [HJ?@k?\?wX?Ek !%K$%Y;%*&YYR/T&W2@#+"#KU$%H5] + >#] hj?@@V%Z! ! [DJ?@@C\X?VX?C 632 !%K$%Y;%*&YYR/TK]:hj6@8!<(@ E6&~+ >#WJ]\?@@E wV@%Z! ! [EJ?@k@\wkCw?X !%%!QK=Y%YE:D:#7)7).T)T) Bachtin%Z!>/ W % ! ![!wJ?@@C\kkXHkwV !%%!QK=Y%YQYYY_]%W~Y%8R8! J&#)%Z/%[?HJ?@@C\ 6, p. 27-33. !%%!QK=Y%Y'J&&)²R#& storico della letteratura. %Z [XJ?@@H\kXXD !%% !QK=Y%Y :# ! T# # &:)%Z:''/ [!kVJ?@k@\wXHwk@w !%%!QK=Y%Y2D/)7:D: :&6%ZK >[J?@k@\kkH@??C !%%!QK=Y%Y²R#&%FR&R@D)_#]+Q ?@k@k?@kXD !%%!QK=Y%Y²R#&2FR%ZK >[J?@k@\ n. 2, p. 345-358. !%% !QK=Y%Y $ & ! J E % 0 $ contributo per un dibattitoY;:% ?@k@ p. 71-78. !%%!QK=Y%Y7 :T##%Z: h[k J?@kk\k]$ $2&Y WY! Q! W + ! WkVkC ?@@HY];]# x {{ {{ h{{h{E{hQ} !%%!QK=Y%YMichail Bachtin. Una critica del pensiero dialogico/W 2011, 190 p. !%%!QK=Y%YIntroduzione e traduzione ]: 7])0 &%ZK >[J?@kk\DkkV !%%!QK=Y%Y!D:8R@%Z [DJ?@kk\EDHV !%%!QK=Y%Y8$$@>2DF:T##)% 2FR&R2)T>TWR_R@J)xR0R4);&Q ;Yj /!_#]+Q ?@k? 321-332. !%% !QK=Y%Y U 7$ 0 : ):%ZK >[EJ?@k?\kD?D II. Contributi personali 633 %%Y$/K_ZW`.)@::&>)m@`)%AnR>R&RRq_&R&!@4RRWR]jj 2008, p. 514-527. %%Y$/K_ZEm¶(U#mÃJ&) Solovevs und V. Ivanovs%'#':+:&)x##! E @ 2$ ) 3) =j" ] R T # 2008, p. 137-150. %%Y$/K_7:D!>@)_>j%7@)7E++:2$7>) kJF)=j" ]R T# ?@@CX?wH %%Y$/K_+!#K!%_:*/%!F@@R>%@F@@]j%j?@@CXkHwDV %%Y$/K_+!#K!%_:*/%!m'@RD`053 >%@F@@]j%j?@@CDXwDwD %%Y$/K_#R!mE&@>`)%2@WDR$113>!@)T>TWR _:@_@R@J$3%@5!#j?@@C 123-133. %%Y$/K_R_)R::@]@$7:$|%Z![DXDwJ?@@C\wXCwDHw@Xw?@w?CwXw %%Y$/K_2)')[.)@131%%6W #R!@_D%R.))2]j ?@@HECVEHw %%Y$/K_!+#Y!!*:%YWY0:@R_+2 Gatto%R_)R&>)>:@!##jj dom, 2010, p. 759-777. %%Y$/K_T>@&_):q@%R_)R&>)>:@!##jj?@k@EC@C@E %%Y$/K_@@R:D7))F@@)13)% %'&#&)7@RD5R6))U. So :Y;* ]j*;%?@kkw@Hwkw %%Y$/K_0&Rq_:)@RR R W>) % Dante: pro et contra !j # % j jj?@kkVwVVVw %%Y$/K_Cura E@DR@R#$Q.# italiano, VII. ! $YjYW $ Y !j ! K * ?@kk X?H JW ZK * [k?\ %% Y$/K_ +#¢K* &Y$%]%/ 0:@ T) .) q +) x) 8_%E@DR@R#$Q.#$)Sost. $YjYW $Y!j!K* ?@kkkCH?@V 634 %%Y$/K_Cura E@DR@R#$Q.# italiano, VIII. ! $YjYW $ Y !j ! K * ?@kk Xww JW ZK * [kX\ %%Y$/K_7>R8 >&>)%"U0q@!@ _D 6).) & ]j ?@kk 687-701. %%Y$/K_ ;%+%Y* ;%+!K##%Y @ _ ) ) va % 2 2) 7@ :&R 2> 8> 7:R ]j % ?@kkXHVw@C %% Y$/K_ m2 @& @` @ ) % UD>R:&:!j # j?@kkDXwDwX %% Y$/K_ V. Ivanov % 2 @ WDR !j # !j j >+ ?@kkwkXw?C %%Y$/K_$Y&%K!/%W~Y/$+:R)).)1H5 goda%Z/j [J?@kk\wkXXkXE %%Y$/K_ Edizione critica & % . E&) E&@ >. !j # ?@kkk?E %%Y$/K_6>R:)@RR>@%Ve@)77J8K)kJ7J8zonioK >;W=:!Z! " !! [w@J?@k?\?H@?Hw %% Y$/K_ 2 E& R_ % 2 : 0q@ @R)+,.7)YW!/KW ?@k?EXHk %%Y$/K_ .@ @ R_ ) ( &&)%Una bianca corteccia che si sfoglia. Incontri con la cultura russaY:/ /Y?@k??kk?X? %%Y$/K_0:@6).)R"DR7D%E@DR@R #$Q.#$!"DE_7D& !:$).YK; Y Y $/!K* ?@k?kXHkD@ !*]*/*W~*&Y&KQ+/%%%%Y8&&)W !%W]#KQ!?@@C?D@ !*]*/*W~*&Y&KQ+/%%%%YE/m0:&)T&)"/`)%Z!/ [kEJ?@@C\ 2, p. 204-209. !Y&*&Y!&KQYYTJR@W>W*:@D. %Z:j/ j[J?@@H\XwkC?V x {{hhh {{{{ {h{?kE{XED} !Y&*&Y!&KQYY2D:&J! :&&%Z//[kVJ?@k@\VDCV II. Contributi personali 635 !Y&*&Y!&KQYY:%Y;%%=/YWK!WYCura Contributi ita&J::+sity Press, 2012, 408 p. !Y&*&Y !&KQYY ] :&# &: : :J&)%&Jsintassi delle lingue slave::+ >#?@k?XDXXE? !Y&*&Y!&KQYY:%Y;%%=/YWK!WY2!&J$&:&)Y=:! !j= Z]Y[kXJ?@k?\ x {{hhh {{kX?@k? } !*%&KQQ%WY/YF__Dm&:&R`%.R>R &RRq_&R&!@4RRWR]jj?@@C 213-216. !*%&KQQ%WY/Y:.&T8D%Z $ W [DJ?@@H\?Ek?H? x {{ X { { {{?@@H{! {! "} !*%&KQQ%WY/Y7$T&$"$E@)'&D&poranea. %D+:)Y== ] ?@@HkCE?kE !*%&KQQ% WY/Y 7:R @@ D_@R @@R & >& mT>#q#`)%ZQ ! >[X@J?@@H\ x {{hhh { {X@{ X@ } !*%&KQQ% WY/Y 0 : $ % / KD&&)4. A cura Y]&] ?@@HkCE??w !*%&KQQ%WY/Y:&0&&)%Figure e J&&&Y== ] bet, 2010, p. 163-192. !*%&KQQ%WY/YLa vita da cani di uno schizofrenico: il diario di un pazzo di GoD%.*6))8DE&&1$ YQ #/ ?@k@VHk@V !*%&KQQ%WY/Y]Y/¢K*Y/QK]U@:&mT> q`8R!:>&_@R:&)%8D@) T> &WR @J$ R @@R :&&R +2F+ mE@R @D &W @& [:&` : KQK:Q?@k@kHH?@H !*%&KQQ%WY/Y#@$&&D+:)%La Venere e lo scia&) 2D{ && 6) . ) 6:$ H3 & . A & # + * $ K ?@k@kHX?kV 636 !*%&KQQ%WY/Y7:RD!@@T>#'q#8R) %F:@_R]j#?@@@?@k@?kD??V !*%&KQQ%WY/Y)[D@@W!T R$ $ &J) % m:@R> T>`! U @YDR@# qR )Qm2T/`!::: $))YY Y!K Orientalis, 2011, p. 59-90. !*%&KQQ%WY/Y7:RD!@@T>#'q#8R) % ( |_@ 4$ @: ) 7 2) A cura di & : Y ! W/ W % ?@kk 208-219. !*%&KQQ% WY/Y '&@ _D @& @ T># q) % %]&8R!T>xRR&WR_R@J$ :Rq_RRRWR6))8R#]& YY!j ## ?@kkwVHwC? !*%&KQQ%WY/YCura2 ).$&$. Y== W! ] ?@k??w@ !*/%Y]Y/%Y2J>!Q" / nello spazio postsovietico%7:D:!{J. A cura ]W; &=?@@CXwkXDD !*/%Y]Y/%Y2D!:% &&&:)7).7$4%J1Y# Q&K ?@k@ 209-219. !#K$K ;%*&YY + @R 6& F) % NoirGialF#).#Y&;QQ! tori, 2008, p. 204-217. !#K$K;%*&YYE>T>R%7>)7@_># R :Rq_>R %4 R R WR :J 8R.) Fq@. Y /! ; ! # % j j darstvennogo universiteta, 2008, p. 460-467. !#K$K;%*&YYCura, prefazione e traduzione # (&&JJ)(&&&)A cura di Giovan!]# ?@@CkCV R0J$EXCT !#K$K ;%*&YY !KK<K& Y TR@@R DR@ J>! DR :) #j Y ! $> ! % F_TR@@_@)6>_:R. ]j%]%/Y]j?@@CDCwV@@ !#K$K;%*&YYR)Eq@@R@@%Na )) E &D! &> TWR _R @J$T@$1H&R%)]j/î?@@HXww@ II. Contributi personali 637 !#K$K;%*&YYU0!:J/sca%7#)\':&&&:D(*F$3)YK dell’Orso, 2009, p. 283-300. !#K$K ;%*&YY Cura, edizione critica, pubblicazione di fonti inedite Adriana Lyanova)2&)(T)A cura di Giovanna Spen]W%/&%?@@HkVE?H R0JC?kT !#K$K;%*&YYT.+J!:¬J&. Pre"]YT !Drora boreale/%?@@HHkE !#K$K;%*&YY2R&.!%68F#) "&#Y&;QQ! patori, 2010, p. 243-248. !#K$K;%*&YY2!¿*%2*QQ+ ! Q 2010, p. 177-187. !#K$K;%*&YYT>R_>"R%7< <# &R) 2 @ R¦>@Y : ]; *+h> *j?@k@?DE?VD !#K$K;%*&YY.@:)%7)0&Y&;QQ! ?@k@ 157-163. !#K$K;%*&YYU0&&W@R&@R@D&) %0@J@)@@R@)>:@)T>&WR @J ^0> @@ _R. T@@R >R :_$T@JRY;&&j]j];+# 2010, p. 240-249. !#K$K;%*&YY[8::F&%Odeporica e dintorni, )H. Y#]W""# #W]W%/&%?@kkk@kEk@?C !#K$K ;%*&YY T< T>! & D 2:E&%2Dre degli altriY#;Q= ! + ! QQ?@kkHEk@C !#K$K;%*&YY2D&*::&8&%2D&D&)R8&&. A # Q!]/ ?@kkXCXXHD !#K$K ;%*&YY . .#& T % 0&> :@ # RY!<#Y >j>#j + Y?@k??CD?H@ 638 !#K$K;%*&YYm2&`T@&8D@R#! :&:%T@&8D@R)) H & %Y K : Y / : ]% Y! ?@k?kwEkDC !QYQW~K& /Y!!%]%/ Cura 7 "#K L 7 E&)+>0E0#>#7#"J# +###>K >~; ;$Y ! ;<"" h ~ W W " % Y ! ?@@C XV-378 p. !QYQW~K&/Y!!%]%/8&7&!m\`m\DJ`)%Slavia OrthoKL7E&)+>0E0#>#7 #"J#+###>K >~; ;$Y ! ;<""h~W W "% Area Studies, 2008, p. 289-300. !QYQW~K&/Y!!%]%/2:mUW@`|&UWj ER@4HmT@`45)%Z![DCJ?@@C\kkH !QYQW~K&/Y!!%]%/E Bul##>)+>:J@/ Y] !#"]$Y# ~?@@C !QYQW~K&/Y!!%]%/0::@ @)%ER&@;@<Y]j]jj; WK;?@@CDDVk !QYQW~K&/Y!!%]%/":_@RRDUUTJR:#R#:>#WR)%Contributi ita!"#$%&. A cura di Alberto Alberti, Stefano Garzonio, Nicoletta Marcialis e Bianca Sulpas==+ >#?@@CCXk@@ !QYQW~K&/Y!!%]%/]7&j!:: D*)%6&7!# !8JJ$))Y]$ ! ; ] ; ! = = + > # 2008, p. 601-613. !QYQW~K& /Y!!%]%/ >&# % Z! j [XHw@J?@@C\kV?H !QYQW~K&/Y!!%]%/Dieci anni del Circolo slavistico%Z$ W [wJ?@@C\wH@D@ !QYQW~K&/Y!!%]%/Le Vite paleoslave dei santi Cirillo e Metodio nella tradu0:&D:)%2D* T!&0).3)$8$3 &5)YWY ];!Q; %W]?@@HCDH? II. Contributi personali 639 !QYQW~K&/Y!!%]%/Ivan il liberatore nella tradizione balcanica. Il caso bulgaro. % D+:) Y = = ] ?@@HkXEkV? !QYQW~K&/Y!!%]%/+q#@Í&:R_% Z] j [kCJ?@@H\VXE@ !QYQW~K&/Y!!%]%/q&qR.R WR@R@q)%Z<¦8.#<@+:>$+:<@.#Y]>j;WK;?@@HwDDk !QYQW~K&/Y!!%]%/x@:_@ 0J).@ 6&%)%Z#[XXJ?@@H\?EHCw !QYQW~K&/Y!!%]%/7R@:@J>!&R$:R$W>) %7&.:>:#&)6&F&&Y;]h ]!jhj%# ÊÁË#j ?@@H?HD?HHX@VX@HXk?XkX !QYQW~K&/Y!!%]%/Cura 7D.&T)2*. Atti del primo dies acade&?D?V?@@HY]W# ! /:?@k@?H?J!Yk\ !QYQW~K&/Y!!%]%/Y+]*YK!Y$K/2:D.&brogio nella tradizione slava ortodossa%7D.&T)2*).:&&$4%&1Y]W# ! /:?@k@XkE !QYQW~K&/Y!!%]%/$+/*&YY%%YCatalogo dei paleotipi slavi nella .&%7D.&T)2 *).:&&$4% &1Y]W# ! /:zoni, 2010, p. 197-258. !QYQW~K& /Y!!%]%/ $+/*&Y Y%%Y 6 @&:R #@_@R.&T%Z![ 60 (2010), p. 235-253. !QYQW~K& /Y!!%]%/ ]_@ 7&_ _ @ R % 8q@ 7 R@R m7) U& "#@`) RR@:_R¶'R_m.D(7 m7)U&"#@m)##>¶ 'R_$ HDJkw\?@@V& :> !!{ !?@k@XEHXH@ !QYQW~K& /Y!!%]%/ Z &` % 7:& & 0 '@)W&Y!: !#" ]$Y#~?@k@kDXkVk !QYQW~K&/Y!!%]%/08)0:@ R@ :R % 0x6+ T.2" 8+"E8x) 7@ _ %4q :J) J 8 0:) ] _ J \ ! % ï:#?@k@?k?H 640 !QYQW~K&/Y!!%]%/Cura ]j]jjhZ= K[DJ?@k@\ !QYQW~K&/Y!!%]%/;%*&Y*%&YKQ%Y7:&&!F:#)6)F:)%Figure e for&&&Y== ] 2011, p. 193-222. !QYQW~K&/Y!!%]%/J& XIX. %J::D JD"Y&]!&YtipoLibri, 2011. x {{hhh {"|{ } !QYQW~K&/Y!!%]%/E0#1H)%Z! ! [C (2011), p. 185-194. !QYQW~K& /Y!!%]%/ Otiva si edna epocha. &&& E 0# 1H)%Z! j [wXwwJ?@kk\?XV?wk !QYQW~K& /Y!!%]%/ 2 @! & @$:J[:$@qR&@. %T QT> JY/ !W :#?@kkkH??@E !QYQW~K& /Y!!%]%/ R @R > :RjÁh! ?@k?X?DJjhj¦j h >E\ !QYQW~K&/Y!!%]%/.&/& &):&&:)% $&$$). A cura di Gian";Y#*K ]W?@k? K?@@ER ?@@CT x {{ {| | } !QYQW~K&/Y!!%]%/8::&:7todossi. %Multa et varia. Studi offerti a Maria Marcella Ferraccioli e Gianfran8$)Y=WW&Y# ]:K?@k?DwEDDE !QYQW~K&/Y!!%]%/R/TU&$k:# Balcano-Slavica.%Z! j [XHw@J?@@C\?XD?XC !QKK%_~Y:KYWW~%*/*!YY'& m & $ $ ` F#[%+*D.Y!W;= /&?@@C?wH?DE !QKK%_~YCura /:&& &$$D&D&:$TE7'8 F#)+) (2008). x {{ } II. Contributi personali 641 !Q/Y$Y WY/Y U& E F&& 2D @@ :_@ |) %]&8R!T>xRR&WR_R@J$ :Rq_RRRWR6))8R#]& YY!j ## ?@kkCwDCD? !Q/Y$Y&%QQ*/%*Introduzione &/La leggenda del Grande /sitoreQW% & ! ? ;] kC?@?@@C !Q/Y$Y&%QQ*/%*+!]'@RF#&T)/ Liberal, 2008, 182 p. !Q/Y$Y&%QQ*/%*E{)%Atti del convegno 0.)[&#)2D&$$DT$ : Y Yj #>h " ] W Studi Umanistici, 2009, p. 129-135. !Q/Y$Y &%QQ*/%* D :) % & &:) A cura di ;! &]?@k@kX?k !Q/Y$Y&%QQ*/%*7&8:,E{sioni alla luce di& %2D&D&)R8&&Y# Q!]/ 2011, p. 25-36. !Q/Y$Y&%QQ*/%*2$7$0!&&:&&)So]/ ?@kkw@H !Q/Y$Y&%QQ*/%*Cura '20$)2E:sato e presenteY& ! :=] ]_:j?@kk?@E !Q/Y$Y&%QQ*/%*8D:@:qR%]&8R!T> xRR &WR _R @J$ :Rq_R R RWR6))8R#]&YY!j ## ?@kkwDEwVC !Q/Y$Y&%QQ*/%* ' ! D& lettuale%Z& / ! Q[kkJ?@k?\ n. 29. !Q/Y$Y&%QQ*/%*(&&&&&) “caso Nechaev”. !K?@k?DV !Q/Y* ;%YW*]Y Cura * !jj & &+)$J&. Prefazione, traduzione e ;! %2D+ da 7 A.S. !Y ?@@C&%E@ !Q/Y* ;%YW*]Y) 8R R$ & & : : > T># q) % ]& 8R! T> xRR &WR _R@J$:Rq_RRRWR6))8R. Pod ]&YY!j ## ?@kkD?@ 531. 642 !+#Y!!* :%YWY Cura Contributi italiani al XIV Congresso inter!"#$%&. A cura di Alberto Alberti, :!! "; ]==+sity Press, 2008, 579 p. (Biblioteca di Studi slavistici, 7). !+#Y!!*:%YWY2:#J):60@R. /Y?@@C?@E !+#Y!!*:%YWY':R_% ZK* [?EJ?@@C\?HkXkD !+#Y!!* :%YWY 2D& .@ R@R +@ R@R%E@DR@R#!E@Q.#!EYY $YW $! K* ?@@H?XE?Vw !+#Y!!*:%YWY%%Y$/K_0:@R_+2 Gatto%R_)R&>)>:@!##jj dom, 2010, p. 759-777. !+#Y!!*:%YWY;Y/<*%*!QK=Y*"@@@R)R &>)U]j/j# ?@kkwVw !+#Y!!* :%YWY Cura m)))7@R :D) _>R E&! E@R q_113)U>@ T@$1@RRY1 RRQm))).:::)+E&)2&* :D113)&T$1Y1 &)! ! ";Y $Y:!Y! ";Y $Y:!Q !K* ?@kkXHVJWZK * [kD\ !+#Y!!*Y+/Y#%WW**Y+/Y0%)2D. :&# :&?@kkX?wXwD !+#Y!!* :%YWY 0D& .)) "JD @ x) x) | U: % Z&%%%j[?VJ?@kk\XDXXVE !+#Y!!* :%YWY ;Y/<*%* !QK=Y* "q_R @DR #@@E&!151%m:@R>T>`!U@Y DR@#qR)Qm2T/`!: :: $ ) . A cura di Antonella Y!K* ?@kk?@D??V !+#Y!!* :%YWY ;Y/<*%* !QK=Y* 0_@R @DR WD @R@E&)0&&#@&8R)%Ot 0@)E@RW&:R)#Q ]j]j/j ?@kkXCXwk@ !+#Y!!*:%YWY0:@R_207R%Z/j [DwJ?@kk\wkkEkX? II. Contributi personali 643 !+#Y!!* :%YWY ;Y/<*%* !QK=Y* m & + * J`) 2 8 # R_ [ % E@ DR@R#$Q.#$)! $YjYW $Y!j!K*talis, 2011, p. 141-184. !+#Y!!* :%YWY F_ 7 0q>q@ @@ _@ :_R @># @:R.R 6> 0@R % T>.R:]=j=j j ; >]Y!#j?@kkwkEwXX !+#Y!!*:%YWYm& `)6>&>@&m'D. ER`%m0W:@#`)yD@# @. Sost. i >YY$/]j/j ?@kkkkVkXD !+#Y!!*:%YWY6:D&6>0@R@::@% 0>) 7 E T 2 =j" ]?@kkkCE?@k !+#Y!!*:%YWYCura @)77J8K)kJ7J8K >;W=:!Z! "!! [w@wkJ?@k?\XD?XHV !+#Y!!*:%YWYF#7J#"#>J'#) ]&#FK%@)77J8K )kJ7J8K >;W= :!Z! "!! [w@J?@k?\?DwV !<%Y/$KY])7&&E_@@&@ F&R >) % 6 W # R) 7@ _D %R A.V.Lavrova.]j*?@@HV@EV?w !<%Y/$ KY 0# D ]& J& J& J&! .R@').)0%6@_@R@@!'&R.@_ 0]j*?@k@X@DX?E !<%Y/$KY6R&&@ R&&@R &Rq_Rq!:@>&@&@%Z/ [E@J?@kk\k?kXEkDE !<%Y/$KYUD_@R@:R.R@R R &Rq_R q) % T>.R :]j = "j :j ; Y! #j ] j Y:?@kkDHwV@H !<%Y/$KY.#:&&*R*#.)0)#6>)>R. %õ 'j õ 'jY #W$$j adò, 2011, p. 17-26. !<%Y/$KYUD_@R@:R.R@R R&Rq_Rq)%"&R>R)7@ _D5R:J+W]>!+h> > >>h!?@kkXDHXE@ 644 !<%Y/$ KY [@ ) 0@) % Z! /[ R: T ?w J?@kk\Y>W?wE?DC !<%Y/$KY7&&.RY:R&>%2D1 EY$WW ;!K* lis, 2012, p. 331-350. !<%Y/$KY!J@)%2 ).$&delli, letture.] ?@k??@k?kD !<%Y/$ KY 0 ').) 0 :R@& @@! E '@ 0&>W&@@>@)%@)77J8K)kJ7J8K >;W =:!Z! "!! [wkJ?@k?\ 335-363. QYYY_]%W~Y%Cura $&*")#RE&# >]j#j?@@C??w QYYY_ ]%W~Y% Cura ' F &.& ) :.$0&#&!&$#::&&DFE/ :)Y]QYW W ! Y ?@@CD?C QYYY_ ]%W~Y% T_> &q_ ) 6@R R> R@R@:!jj j ?@@CX? QYYY_]%W~Y%::&)% 7E&)/K /YkHC@?@@CVVEVEV QYYY_]%W~Y%E@T%$>:)1!j # /j ?@@CCwHV QYYY_]%W~Y%E@#W@x%#WR@D @WDR)151H1]j%j?@@CkVCkEk QYYY_]%W~Y%Il caso Gnesin, spia italiana%7&. A ]W /*j?@@CEkEC QYYY_]%W~Y%!%%!QK=Y%Y8R8! J&#)%Z/%[?HJ?@@C\ 6, p. 27-33. QYYY_]%W~Y%R6_R))2>&R>. Publ., vstuplenie. %Z/Qjj[J?@@C\CJCE@\XkwX?V QYYY_ ]%W~Y% 2W F@R) :&R 0 F@&) #j%6@R#$1!#j/?@@CkDDkCw QYYY_]%W~Y%:*/$YQ*K%*0_W>&&)!#Y 2009, 147 p. QYYY_]%W~Y%DR@xR0R>!>&>)%2FR &R_#?@@H II. Contributi personali 645 QYYY_]%W~Y%'#D&^&D6@R8D. In: StrenE&/K /YkHC@?@@H QYYY_]%W~Y%7>#W>!.@'R"JD>&) %$>:))!j # /j?@@H QYYY_ ]%W~Y% ; / ' "JDR! R R%ZQ ! >[J?@@H\X@ x {{hhh { {X@{ X@ } QYYY_]%W~Y%2&!:&%Yðj28+KEY+:)151H1#]WY#/K!!, 2009, p. 664-665. QYYY_]%W~Y%m.$#&:¬0$&#`!D&D"%YE)JD5D1YY]% % ?@@H??E?w@ QYYY_]%W~Y% Madlen Bellandi. :&RW)#]Q% 0&>E@WDR)T>R)>:)]j j?@@HXEVXCw QYYY_ ]%W~Y% T@& 8D@R &W 7 T@R % 6@ _R$H!#%!>?@@H QYYY_]%W~Y%0&!%06&)7!/$$ )7D")FJ&0YWW K!%?@@HwEHwCw QYYY_]%W~Y%E/7::E '& .& % Z/ W Y [ (2009), n. 29, p. 41-50. QYYY_]%W~Y%.&)% YjjSolitudine. Capri e Napoli. A cura di Felice Senatore e Simone Guagnelli. Q "!;/! ?@k@ XI-XIX. QYYY_ ]%W~Y% :: 7&w .&@2! ^&D D.&E)%! / /K /YkHC@?@k@VHDE@? QYYY_ ]%W~Y% Cura ] Q $ ) DR@ :>777E)13143!#Y ?@k@?CC QYYY_]%W~Y%0RR7')URRTR0.&@ 2$WR'&)! jj ]j % j Z ][?@k@kH? QYYY_]%W~Y%7&>R@R&_@!F)7)qD TR@%T>Rq_&>R@&!0TR@. Pod red. ]_!j]j/j ?@k@?k@??w 646 QYYY_]%W~Y%:D^8FDE!J'&>+:535%%Z: W%/&%[XkJ?@k@\Vk 121-129. QYYY_]%W~Y%&&70%& 1)'*Y]Q /WW !?@k@kXwkw@ QYYY_]%W~Y%E@RR!0&Rqq#+).)$)2)[@R$ 6)T) U#_q % $ >:) H !j # /j 2010, c. 32-40. QYYY_ ]%W~Y% 'RR 8q @>! _@R D :@ :R 8># % ZjY[ J?@k@\ 9, c. 251-260. QYYY_]%W~Y%J !=j>\]J/:! &$:7^.'#D%Conosce: 1)7&::)W*Y W ?@kkCHk@w QYYY_]%W~Y%.R0>RY:R[:@)7@$ :Rq_>R R :R &q_R .&D R) ! j%_>j]j::%?@kk?w? QYYY_ ]%W~Y% E@R @R WD #&D ) !# Kolo. 2011, 400 p. QYYY_ ]%W~Y% E@R & T) 0@ : _@& & !# LIK, 2011, 256 p. QYYY_ ]%W~Y% ER Y R! @@D> ) 7@ &@JW j ]j%&%/Y?@kk 232 p. QYYY_ ]%W~Y% E&>qR >q J@! 7)) 7D@ % 2R D> E@ [WDR ]j #> ! Qj > ?@kk?k@??@ QYYY_ ]%W~Y% E@R @:D ] % E@DR@R #$ Q.#$)! $YjY W $Y!j!K* ?@kk?HEX?w QYYY_ ]%W~Y% .&D @R R>R & ER@ J@ @@_@@D:.R%.R0>RY:R [:@)7@$:Rq_>RR:R&q_R.&D R]j::%?@kkkwkkD@?@w?@C QYYY_]%W~Y%R$@:&RR&$&W_W&&) % 6 :@@ _) T & :&@ ]j Äj _ Press, Lepta Kniga, 2011, c. 152-172. QYYY_]%W~Y%Introduzione e redazioneT#7&w)(:0. A cura di Vladimir Keidan. Introduzione e redazione di ]Q>YWW!Y?@kkw?w RIntroduzionekk?@T II. Contributi personali 647 QYYY_ ]%W~Y% [>>R DR@R :&R@ R@R : 6:&!@TT%ERYR!q_)T> @D@R_R@J!#!>j?@kkDkwD?k QYYY_]%W~Y%&'&::%I &&'&E! . NapoK!%?@k?HDHC QYYY_]%W~Y%7D@$_>&@DYmq&`)0&q_D D@R @ @& && ) R : @ % Z% j[J?@k?\kk@?kkw QYYY_ ]%W~Y% "@ D! :& : @D@# &. % R@R _:@_@R @JR FJ@ "D>_R`!5@RR! %! j# ;]j]*%#/*?@k?EDEC QYYY_ ]%W~Y% U&& @ )6) |R % : 6&R&:!j!#j!j > j >?@k?wVHwEV QYYY_ ]%W~Y% (& 'DR@ Y DR@R @ 6 J #\%Z:[kDJ?@k?\VEE@ QYYY_ ]%W~Y% 'W:: 2 Y &@R '@R R# &! D 2R ]> '@R 7R> T # #D _ &@& _># :q@%.&@_R)T>@JR) ~?@k?HHk@wX@@X@wwXkwXw QYYY_ ]%W~Y% 0_> F 7JDR 0@_ >&DR@&_@&%2FR&R)T> TWR_R@J)Q]Q Z_ #[?@k?XXXXww QYYY_]%W~Y%':@R_WR&R)ER@R@:DxW& F]j! :?@k?kww QYYY_ ]%W~Y% Costavlenie, @R, perevod / / ) E@R F@) 7D ># @# F@ @# E !# Y ?@k??@w QYYY_]%W~Y%]Y/Y:%%<*K;;KK/:%YWY~+$*Y<Y/*& $Y&YQ8J@RY'=&0&'&Y8J @R)'R:D0&'&)&&0& '&):/ ?@k?kww QYYY_]%W~Y%/%WWY/$%]Y!!%]*:^+&DR6RYWW!Y?@k?C@ QYYY_]%W~Y%R/T;## La vita privata degli oggetti sovieti)4&]!?@k?%ZK >[EJ?@k?\ p. 257-265. Q**]K*/%QYChiave di volta e porta di Bosnia: La fortezza di Clissa. %ZY ]! $ ! # [Xw%%%!J?@k?\kXkE? 648 Q*]Y!!+WW% ;%*&YY Cura 8 J&) ]& &&DE$0$#$E&) .$0$41)Y;Q]Q#?@k@kVV Q*]KK/%&%QQ*/%*!#/%;=%K$2mJ&`#% Le lingue extraeuropee: Asia e AfricaYK:; /W?@@CkwXkE? Q*]KK/% &%QQ*/%* !#/%;=%K$ 2D: J : diacronia%Contributi italiani al XIV Congresso internazionale degli slavisti: "#$%&. A cura di Alberto Alberti, Stefano Garzonio, Nicolet ]:!==+ >#?@@CkkVk Q*]KK/%&%QQ*/%*!#/%;=%K$U###.Qj Psaltir’ Brunona 4H4. %Z! ! [DJ?@@C\XkwC Q*]KK/%&%QQ*/%* !#/%;=%K$ " ># :# : F@R 0%ZQ> j >[DHJ?@@C\kwwkDX Q*]KK/%&%QQ*/%*!#/%;=%K$8&&JT] J8k#J7)%37#k#T& T@8T$FH!)1)]: j $ W Q WKj !>j& !Q$W ~/ #]< &=!Å?@@HJ?CHXwD\7::0>@pi J DEkVkE\ Sancti Basilii confessoris JY " Yj" k?@# !kE\ Q*]KK/%&%QQ*/%*!#/%;=%K$J*j ]j\&8 nei secoli XVII e XVIII%2&. A cura di Nicola Gasbarro. /:?@@H?VkXkH Q*]KK/%&%QQ*/%*!#/%;=%K$F#>J.:8$"E)7&.F>:"%Z= W/ [kJ?@@H\?wD?E? Q*]KK/%&%QQ*/%*!#/%;=%K$Cura F T:)[=<T6)%Bi$2] &&@7>)]JkE# &)8~$W $! &!Q ]: ! ?@@H %DD@ J! W W K KX\ Q*]KK/%&%QQ*/%*!#/%;=%K$FT:)[=<T6%Bibel, Liturgie und ] &&@7>)]JkE#&. Geburts $W $! &!Q]: Sagner, 2009, p. 94-117. Q*]KK/% &%QQ*/%* !#/%;=%K$ #*$QK/;K/Y %/%Y Catholicus: DDD>R@J_@R:D>R&)D)%Z/j>j [kEkJ?@@H\wwk@C II. Contributi personali 649 Q*]KK/%&%QQ*/%*!#/%;=%K$":R:RRT@@RED)0R::>@R@_@R&%FKY7:#Y8&&@)7#7#J&&) ]#JJ+@#=#~_: $Y/]:!?@@Hw@kwkVJ$ !! !jXH\ Q*]KK/%&%QQ*/%*!#/%;=%K$"D:8giano%Z/ % $ [kkJ?@@H\XXHw Q*]KK/%&%QQ*/%*!#/%;=%K$/7E% J&J&. 7(:@R$). A cura di Sergio Bertolissi e / ! ]$YK ?@k@kHH?kE Q*]KK/%&%QQ*/%*!#/%;=%K$':@0:![<@##U@F@R0>D 4H4) % 7:# 2 J#&# 7) ]#JJEU_j&)8)T7# 7:### F <.J ~ K! j~;~=j" ]R T# ?@k@ kwDkV@J!" !Q k@\ Q*]KK/% &%QQ*/%* !#/%;=%K$ 77> : # % Z! j[VHJ?@k@\kVDHE Q*]KK/%&%QQ*/%*!#/%;=%K$8&&JT.: J8k#J7)%47#k#T&T@8T$k#@#+. F!)1).:. Besorgt j $W Q W%# $> />jKj !>j& !Q$ W ~/ #]<&= !Å?@k@JXVHwVX\7+>#0#:>0#:#T#JY " Yj" k?w# !kH\ Q*]KK/%&%QQ*/%*!#/%;=%K$'.@' E%ZQ> j >[VkJ?@k@\?VD?EE Q*]KK/%&%QQ*/%*!#/%;=%K$(&: ,:%Z! ! [EJ?@k@\?@X?kk R!]! (:.:).>J:$<#:+#]#*"R T # ?@@CT Q*]KK/%&%QQ*/%*!#/%;=%K$2@RR_>#R @> &@ % .@D> :&> ! _R @D R@R &) 7@ _># R ]j /jj % &> j>?@kk?kw??k Q*]KK/% &%QQ*/%* !#/%;=%K$ [ .:@ .:@@) [<# '#$ 7:#@@ U:@ % ]& #&.K_@).&&&Y K£ ] jJ\: j'>j Ó>=j "j >+ >j': ?@kkCkHH 650 Q*]KK/%&%QQ*/%*!#/%;=%K$.D: "%ZY !; ][!DJ?@k@\ R?@kkT?@X??H Q*]KK/%&%QQ*/%*!#/%;=%K$7D:"seto%.$:&&&JJ "J115&&:$&] Y!Y/?@kkVEkkkJY Y; Y ! WJYY;Y!W\k\ Q*]KK/%&%QQ*/%*!#/%;=%K$8&&JT.: J8k#J7)%47#k#T&T@8T$F!)1).:~$W ~/ #=!Å?@kkYSancti . 7 7>& 0 wVkDwDY Sancti Joannis ':7&&>&x.DwEVXHJY " Yj" k?E Patristica Slavica, 21). Q*]KK/% &%QQ*/%* !#/%;=%K$ Cura Languages and Cultures in the )0:J&#J^.7DT$x>H$)K >& ! Q ] QY jh h " * /]:!?@kkVVwJ! W W K KkV\ Q*]KK/% &%QQ*/%* !#/%;=%K$ !Y&YQ*/% ]%W~KK Alfabeti per D")%ZY !; ][! 6 (2011), p. 138-146. Q*]KK/%&%QQ*/%*!#/%;=%K$Ã&6k&&%7#:@7@)"=&<#J#')]Jk&U:&5)8$F!+{J#. Irina Pod J~\;Å &/:+ >#?@k?XCXw@w Q*]KK/%&%QQ*/%*!#/%;=%K$.:.@).ni su sincronia e diacronia%Z]Y[kXJ?@k?\k??J! 2!&J$&:&. A cura di Fran:! !j\ Q*]KK/%&%QQ*/%*!#/%;=%K$R/T=jQ"8&&7&Ç Yj" ?@@H%Z/ [kXJ?@kk\?@H??X Q*]KK/%&%QQ*/%*!#/%;=%K$R/T:~ Ossetian] K?@k@J" {] wED\%Z/ [kXJ?@kk\??w?XD Q*]KK/%&%QQ*/%*!#/%;=%K$R/T6<.::#7J Motion >& ~j/# Y # _:?@k@R! W!&kkDT% Z! ! [CJ?@kk\w@?w@C II. Contributi personali 651 Q*]KK/%&%QQ*/%*!#/%;=%K$R/T!#Una strana alle)2&:8¬E55:?@@C %ZY ! %[CkJ?@k?\kVkXEkXEE Q*%%+W%Y(&:'&JJ0%0)(& porte di Firenze&]?@@CkCX?@D Q*%%+W%Y]R@R@%DR@R@$)4)!j # # j j > /j j 208-221. Q*%%+W%YCura &E0D( ).$6:3J%)YQY #W>?@@H?DD Q*%%+W%Y6'&JJ]Dcolo%&E0D().$6:3J%)YQY #W>?@@HVECC Q*%%+W%YE@R@@)6)'&]J_ @%Z$:[J?@k@\w0@D>, p. 94-112. Q*%%+W%Y&&D+:":])%Lorenzo Bartolini scultore del bello naturale=; ?@kkk?kk?D Q*%% +W%Y E@R]RY2]EW Q]Q]j% j?@kkVk Q*%%+W%YCura E&&)]tura russa fra Otto e Novecento. YQ=*j?@k? XIV-233 p. Q*%%+W%Y^]D^JDD::&E&E! la Porta del Paradiso di Lorenzo Ghiberti % E& &) Firenze nella cultura russa fra Otto e NovecentoYQ= *j?@k?k?DkXE Q*%% +W%Y E@R @@R _ @! RD @@ 6)6) '& % 2@ _R) @ $'RE$[:R+:>)T>_R@J)]j MGU, 2012. Q*!WY*!%&%Y^&DSecretum Secretorum antico-russo. %J&J&. 7(:@R$)Y!: / ! ]$YK ?@k@?Xk?w? Q*!WY* !%&%Y U§¦ >YT# 415 &¦> U>:& E>&&)Z<<&<)%Z= K[DJ?@k@\XDwV Q*!WY*!%&%Y.0E&%Z/! [ Nuova Serie 10 (56) (2012), p. 289-303. Q*!W*#%KQ/*Il destino di Stalingrado%ZK[J?@k@\X 96-101. 652 Q*!W* #%KQ/* Cura && &:) 7 ) . 7$4%J1. A cura di Pietro Q&K ?@k@?E@ Q*!W*#%KQ/*2DD!&:Vita e destino R8&. %&&&:)7).7$4%J1Y# Q&K ?@k@ p. 221-238. Q*!W*#%KQ/*Cura 2D&D&)R8& &Y# Q!]/ ?@kkwVD Q*!W*#%KQ/*&m&D&&`!Vita %2D&D&)R8&&neY# Q!]/ ?@kkXXXXV@ Q*!W* #%KQ/* 0& 2 '_! & . % Z: h[ k J?@kk\ ? x {{ {{ h{ { h{X@H{?CC} Q*!W* #%KQ/* Cura R 8& . Un dibattito # Q%j]= Q#"" _/ %ZW / C@@H@@[kD (2012),n. 4, p. 725-756. Q*!W*#%KQ/*R8&**!$ concezione della storia%ZW / C@@H@@[ 15 (2012),n. 4, p. 725-733. Q*!W*#%KQ/*R/T&;Vita e destino, nuova traduzione italiana di W< Y]?@@C%Z! [EJ?@@H\k?HHX@k x {{hhh { {?@@H{k{{ k } Q*!W*#%KQ/*R/T=K+&:)2:triottica nella letteratura russa sovietica e postsovietica, saggio introduttivo di V. ! ]W/=Q] kC?@;]?@k@ %Z! ! [CJ?@kk\XCwXCC Q/K+KKY=K//Y/%:/Y&*$*YQKYLa parola nella cultura russa tra DD1)T:#Q pisana, 2010, 513 p. Q/%Y]Y!!%]*I 12T#@)8::D*:% ZW[J?@@C\kDEkDCkXXkwD Q/%Y]Y!!%]*8$¬)^0:7D.@R 8&R)%ZW[J?@@H\kV@CEHE Q/%Y]Y!!%]*Cura8J&)]&&&DE$0$#$E&. Atti del Conve$0$41)Y;Q]Q##+!?@k@kVV II. Contributi personali 653 Q/%Y]Y!!%]*T0&:0!JDdia cecoslovacca fra le due guerre%8J&)]&&& DE$0$#$E&). $0$41Y;Q ]Q##+!?@k@XEDw Q/%Y ]Y!!%]* Cura 0& 0$ :. A cura =W#~]Q==+ > Press, 2011, 189 p. (Biblioteca di Studi Slavistici, 16). Q/%Y ]Y!!%]* 2D $ J :: ` &D:%0&0$glio europeoY=W#~]Q= Firenze University Press, 2011, p. 97-126. Q/%Y]Y!!%]*+&)x>7@&<@D0% ZW! [J?@kk\kVEEkCH Q/%Y]Y!!%]*Il Faust7@!0ZW! [J?@k?\kEkEDkkk Q/%Y]Y!!%]*UFJ#$(E77+:).$pia e lotta politica.==+ >#?@k??HwJ: Studi Slavistici, 18). Q/%Y]Y!!%]*2@.q@>!D:. Postfazione al jYj> Studi infantiliQK/# & #?@k?k?kkwV Q/*&K!%Y$/KY.&J)&^&&D D+:)%Z! [VJ?@@C\?X 197-204. Q/*&K!%Y$/KYCura Le lingue slave tra innovazione e conservazio!&&&)$&$34& 5)YYQ Z [?VJ?@@C\?CX Q/*&K!%Y$/KY)(/%Le lin!&&&) $&$34&5)YYQ Z [?VJ?@@C\?@E?Xw Q/*&K!%Y$/KY)'&# \D7%2'&:\7Y! ; / Bardi, 2009, p. 203-233. Q/*&K!%Y$/KY2 &)2D. %Z! ! [VJ?@@H\kHE??X Q/*&K%Y$/KY)*J lingue slave. Casi di convergenza funzionale tra vocativo e vezzeggiativi%Lin!&&&. Atti del II Incontro di 2$034&)Y/: / #+?@k@kEHkH@ 654 Q/*&K!%Y$/KY&&&K%&]&Tting XXIX edizione.:?@kkDVVk Q/*&K!%Y$/KYUn assaggio di Europa%&]&T XXX edizione.:?@k?wVDX Q/*&K!%Y$/KY)'&J&:&)&::&#%2!&J$&:&)Y=:! !j = Z]Y[kXJ?@k?\ Q/*&K!%Y$/KY0&:#& bosgnacco%Z! ! [HJ?@k?\CDkk@ Q/*&K!%Y$/KY R/ T K =å &J _@# . #'>{ö ¢j'£j?@@E%Z! ! [DJ?@@C\XVHXEk Q/*&K!%Y$/KYR/T:Q7##8&&@ F###) #&# U@@ ] K?@@C%Z! [J?@@H\kXCDXCV Q/*&K!% Y$/KY R/ T + £ ~ 2W@@ ! RR R : & ¢:@& & # + { ?@@H%Z! ! [EJ?@k@\wXHwwk Q/*&K!%Y$/KYR/T!j:Å[$'>&@0>&8)]#JJ= &%)8:+ $:j>?@@H% Z! ! 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R : &@, >:)#:Y+j=:+j]j %/j ?@k@Ewk÷! =:+jø +!#K!%_:*/%!0D>RW>%]@>@!R: &@, >:)#:Y+j=:+j]j % /j ?@k@ k?XkXX ÷! =:+jø +!#K!%_ :*/%! 0 R T@@R E % E@ E@ E$@)!x>@ R UD)]j%/j gumanitarnogo un-ta, 2010, c. 194-286. +!#K!%_:*/%!.7&&#%7&E) Organizador B. !?!ù## ?@k@kDHkV? +!#K!%_ :*/%! +& & * J J& ) 0:¼Ï&:%7& E)*:!?!ù## ?@k@k?X 142. +!#K!%_:*/%!F&:68D26.7": J)%.*6))8DE&& 1$)YQ #/ ?@k@ 163-218. +!#K!%_ :*/%! : @ :@! :&R 6) T) T>qR R)%Z& jK>[?C?HJ?@k@\?kV?kC +!#K!%_:*/%!0@R!:&R6)T)T>qRR) %Z& jK>[?C?HJ?@k@\?kC?XC +!#K!%_ :*/%! 0 % ] = Lo straniero di Ivan 7_|&w]$Y?@k@EH +!#K!%_:*/%[email protected]@%Z% jj [J?@k@\ECHE +!#K!%_:*/%!'R@_>R&R>@%Z&>>j[ (2011), n. 2, c. 3-30. +!#K!%_:*/%!E@R#D@:_%7RRED)U >@8)FDR@@R]j; >/j 2011, c. 30-41. +!#K!%_ :*/%! R U& T_ % Z!Ò % >j [J?@kk\?k@@k@E +!#K!%_:*/%!UJ&q_RDR@&R>@. Laurea Lorae. 7@:&R2>8>7:R/j >! "; j; !# % ?@kk?k??kE II. Contributi personali 657 +!#K!%_:*/%!_%0R@:R, )5!@7 Y_@@]jWj Z#j[ ?@kk?kV?kHR!Q=&>jT +!#K!%_:*/%!7&@@>%@E@&&>q)!7@ ) ! K : £j ] £j£ ] è *¨Î j ]è ¢Î #] ?@kk?VEXD@ +!#K!%_:*/%!0&%Y;x#2>":)+&:)(: /K ?@kk&%%JZY [?\ +!#K!%_:*/%!+/!x>@@&&@:. 2-e izd., ]j%/j ?@k?XwC +!#K!%_:*/%!+/!x@@&@:!Yjj j?@k?X?X +!#K!%_:*/%!%&*&&%Q*/F8`"#+>E 7&K>]W : Y! #?@k? 272 p. +!#K!%_:*/%!&RR@RU:RR@# @@#'RE)%Z&>>j[J?@k?\VHXk?? +!#K!%_ :*/%! &R_R! [: : & : &@%&!RR>@$R@D> Otv. red. F. :+j]j+ $ #j?@k??VXXJQ> W jR% /YT?\ +!#K!%_:*/%!"&#TDq&!'R+:]sua Villon.%Z$ ![DEJ?@k?\??@k?k?R! =:+jT +!#K!%_ :*/%! F# &: J # 8# .: ' k& 0:)%LT!<.7x +>@DF&)K>]$]>]#_] W! :jj&Y:æ#?@k?kCX?@H +!#K!%_ :*/%! U@R 0#R &@R 6R _@R:D@0#D&@RR&)%Schnitt:@7@!"=&<#J#')]Jk& U:&58$!+{J#. ~%# ;Å &/:+ >#?@k?kXHkww +!#K!%_:*/%!"@__:%(&!'&R @@ &_@R &) .D&# * $% Y *: W " ]j % /j ?@k? 17-65. +!#K!%_:*/%!+&DR0_::&@R%@)77J8K)kJ7J8K >; W = : ! Z! " ! ! [ w@ (2012), p. 67-74. 658 +!#K!%_:*/%!k0@!@::#&#>%Y]#j$T&J>@@>)7@R*¨Î j ]è ¢Î #] ?@k??XH?VCR! Y]#jT &YWWY/* +W%Y* Cura 7 D& ) A &]W Y?@@CDXV &YWWY/* +W%Y* Cura Storia religiosa di Croazia e Slovenia. A &]W Y?@@CwCV &YWWY/*+W%Y*Cura Storia religiosa di Serbia e Bulgaria. A cura &]W Y?@@Cww@ &Y;%*+WY.&! yxRU_. %Z/! [!VJD?\J?@@C\kHE?D@ &Y;%*+WY )" # Ivana Galeba di Vladan Desnica%ZK* [?EJ?@@C\kEH?@C &Y;%*+WYCura &/E&& T)0)2:#. K &/%W?@@H&%%?CXJ#! $ ! # !%%! kX\ RIntroduzione&%%%&T &Y;%*+WY"&&&T') ! %T'&:)T'WjRR&) .E&$H&) A cura di / Q&]Q?@k@ &Y;%*+WY7D 'R"j)%Z/! [ Nuova Serie 8 (54 (2010), p. 57-80. &Y;%*+WYR/TURW')[@:& qRR_/$%:: j;:?@@E?Hw%Z/! [!EJDX\ (2009), p. 304-315. &Y!!KY /Y==YKY E Dizionario D+&Exhhh }J?@@C\ &Y!!KY /Y==YKY T D % E@DR@R #$ Q Archivio russo-italiano, V. ! Y $YW $Y Y $YW $!K* ?@@Hk?X 150. &Y!!KY /Y==YKY Introduzione e note 2D: 8 0: Olga Signorelli % E@DR@R # ! "D 7D @D &Q.#!"7&:$). A cura K; $/!+ !?@k@k?HX@@ &Y!!KY/Y==YKY@&W>D·)R>R@#@@:R6@%m:@R> T>`!U@YDR@#qR)Qm2T/`!:::$). A Y Y!K* ?@kk?Ck?HV II. Contributi personali 659 &Y!!KY/Y==YKYT@@!114>)%m0W :@#`)yD@# @! >YY $/]j/j ?@kkE?HV &Y!!KY /Y==YKY DJ $j di F. M. Dosto@R!&&&&)%ZY _" / " !"/W [ 1 (2012), p. 211-222. &Y!!KY/Y==YKY80:2FR%7*FR)7 D:J&Y$/ /]W?@k?kCE?@X &Y!!KY/Y==YKY0D&])8)8115%E@DR@R #$Q.#$!"DE_7D& russa: corrispondenze, ))YK; Y Y $/!K* ?@k?kDkkV? &Y!!KY/Y==YKY0D&)7W@1415%E@DR@R #$Q.#$!"DE_7D& !:$))YK; Y Y $/!K* ?@k?X@kXk? &Y!!KY/Y==YKY;Y/KQQ*K$Y0D&+)])|&151)% E@DR@R#$Q.#$!"DE_7D&!:$)YK; Y Y$/!K* ?@k? p. 359-364. &Y!!KY/Y==YKYCura Arte e cultura russa a Milano nel Novecento#"K; Y/""&# $ W:!K ?@k?VD &Y!!KY/Y==YKY.&!: di un gusto%Arte e cultura russa a Milano nel Novecento#"K ; Y/""&# $ W:! K ?@k?H?E &Y!!KY /Y==YKY & 6@ % Arte e cultura russa a Milano nel Novecento#"K; Y /""&# $ W:!K ?@k? p. 29-37. &K$%QQ%]%W~KY@&+@@@!D:# #@ U& R# ] ] Wj 0_:>R &>+@@T%Z&%%%j[?DJ?@@C\kX@kDE &K$%QQ%]%W~KY0#@&'W!@DD&_D%Z! >;K W >/h [XVJ?@@C\ 27-46. · &K$%QQ%]%W~KY2J&)#:.)T>%Z!* [?VJ?@@C\kCkkH@=]$ 8#:#K&&/) 660 &K$%QQ%]%W~KY0@_@8)|:")TDq&:# R>@%8)8)|: &:#)0R>q:@_RQj?@@H 24-35. &K$%QQ%]%W~KYRRJ&8)|:.)T%Gustav |: J@)(@&@@&]j?@k@ p. 266-273. &K$%QQ% ]%W~KY ( @ &@! RR J& @: G.G.Shpeta%Z&>[J?@k@\E= Gustav Špet &R R&R)UHR8)8)|:)_ R)T@). J {{{§ | jhkVk% D?\ &K$%QQ% ]%W~KY T) U R & .) T>13%Z[J?@k@\?JED\kD@kVk &K$%QQ%]%W~KY/jj'W!:R@##%Z/j >jj[J?@k@\k@wCD? &K$%QQ%]%W~KY:DJJ)8E&#'W)2 spirituali$Y?@k@??w &K$%QQ%]%W~KY]Y=/K$!W~/+:Y7:qRD! ))[D@@R$ 7)6)@7)2)]@m7&>:@`%@@ #m7&>#[:@`0W$113. Pod red. O. Korosteleva, M. >]j*?@k@?Dw?VX &K$%QQ%]%W~KY)DR@R@&@%.@D DR@ @ R>@ @D. T> TWR _:@_@R @J @@ 3 RR ) %j j %;+ 2011, p. 141-149. &K$%QQ% ]%W~KY ]Y=/K$ !W~/+:Y F:D @ &$ _ @D_qD@@&@)m7&>:@` & R R DR`! )) >q) % m7&> :@`0W$113)#@)F)H)]j obozrenie, 2012, p. 37-48. &K$%QQ%]%W~KY]Y=/K$!W~/+:Y+&W@DRRW :#Rq_&::D&#@!7)6)@. In m7&> :@`0W$113)#@)F)]j obozrenie, 2012, p. 687-696. &K$%QQ%]%W~KY+_&DRRR&@R>$&:#`!8))8%m7&>:@` 0W$113)#@)F)H)]j nie, 2012, p. 49-94. &K$%QQ%]%W~KYF$e postfazione &=*jIl co&&/Y?@k?Hw &K$%QQ%]%W~KYUR&R))x#8)8)|:%Z#[HJ?@k?\?k{?X II. Contributi personali 661 &K$%QQ%]%W~KYR/T%;$%Y#j2@@JRm+R"`!8&_@_@]j_>jj ?@@C%ZK* [?EJ?@@C\wXVww@ &K$%QQ%]%W~KYR/TLettere al boia. Scrivere a Stalin]W _]Y ?@kkkDC%Z! [HJ?@k?\ 312-314. &K$%QQ%]%W~KYR/TQ![&R@)'W] ?@kkV@C%Z! [HJ?@k?\X@@X@? &K/¢%&YEssere e sloveno%2D&F) 7$$&nianze, poesieQ ]j?@@CwC@wCw &K/¢%&YmRR`])T)'R@:qR&%Z [?@X?@wJ?@@C\kw@kDw &K/¢%&Y!J&$*D&%&:&:)&:)0 di insegnanti ad uso di studentiK! % ?@@C 203-219. &K/¢%&Y#m@@_`%Z;j [DDJ?@k@\w 5- 12. &K/¢%&YE&RR@@RW<</W?@k@kC@ (Studia litteraria). &K/¢%&Y"@:@_.)7)0q@%0q@&RQj % Qj+ ?@k@kkkk?? &K/¢%&Y&&]77)T&>J]7niero Sergio%ZQ% h [kVJ?@kk\&%% &K/¢%&YUna nota su e dintorni%:)&&giniFR@)">)Y/W+# ]W# !&K?@kk?kD??@JWZK* [kE\ &K/¢%&Y !$&%]) )2&. A ];]#/YK ?@kkkHk?@H %!:HECCCV@CkHCCC &K/¢%&Y !$&%Z: h[kJ?@kk\k x {{ {{ h{ {h{H@{V@} &K/¢%&YE&@@_R%m"&RR`)7@ _D 5R 0J +W ]> ! % > = #j h j ! h +h> #>~ > h !?@kk?@k?@H &K/¢%&Y)'@@R%m"&RR`)7@_D5R0J+W]>!% > =#jh j! h+h> #>~ >h!?@kkVXD 636. 662 &%!W*Y;*!Q%*":!#D ItaliaY_"]/>: ~ ?@@C? &%!W*Y;*!Q%*2D0U:&:%)%Z! / [kEJ?@@C\kkXCkw? &%!W*Y;*!Q%* 2 : D(* F E&%Z!/ [kHJ?@k@\w 188-193. &%QYK!K/KYCura :YLo giuro. Antologia poetica. Y!& W ! ;;# % ?@@CHw &%QYK!K/KY.T.T]]?@k@?XC &%QYK!K/KYViaggi, saggi. YY ] !]% # ; W !{Y ?@k@?HV RZ%;[CJ?@k@\kDkVT &%QYK!K/KY6:q&R&D@>)%ER[:)7@R_^5RU)T).@)]j * 2011, p. 111-118. &%QYK!K/KYCura ]%W 2 )A cura di !& /&?@kkCD RIntroduzionekXw?T &%QYK!K/KY7#@@>!=+)Q >_/ W%$j>Y#?@k???w &YK&!YYYFortuna di un racconto: la conversione di Boris, re dei Bulgari. %Z/! [!HJDD\J?@kk\??X?XE &*%QK*YKY$/Y[&#!:D: 0%.0.)[&#)2D&$$DT$:YYj#>h "]W ! + ?@@HkXEkwD <YY]:Y%]Y/%YLa nascita della critica letteraria sovietica. %ZK* [?EJ?@@C\kkHkD@ <YY]:Y%]Y/%Y7(E77%ZK * [?CJ?@@H\XwXXC? <YY]:Y%]Y/%Y$:(E771%314. ==+ >#?@@H?CwJ: ! ! k@\ <YY]:Y% ]Y/%Y m7 &` ]) @ @@ mRq_R` >)%Z>j j[J?@k@\kJk?\VDCk <YY]:Y%]Y/%Y2D&&Y%ZK * [?HJ?@k@\Eww II. Contributi personali 663 <YY]:Y% ]Y/%Y 2> 0 % F# & &:F<#>E2)K >K$j]:WW+ >#?@kk?Dk?VC <YY]:Y%]Y/%Y@&m.U`%Z [J?@kk\kk?kDEkEE <YY]:Y%]Y/%Y;Y/<*%*!QK=Y*2>&##<$151%.k>JE2>F#> &!F#7.>K >K>$j;Q# + >"# #?@kkkkV <YY]:Y%]Y/%Y;Y/<*%*!QK=Y*2R@@:_@R JJR:#RW@RR>!151%R@R R@@!@R:@R:#W K$j; Q]j ?@kkXEwV <YY]:Y%]Y/%YR/T#Y#Y<%YKYTJF#)F#'&>T&+>7 %+ >#?@@H %Z![kDJ?@@H\?kE@kEk <YY]:Y%]Y/%YR/T$Y]K%YY0 )2 E&/W?@@H%Z![kVJ?@k@\ 1, p. 47-48. <YY]:Y% ]Y/%Y R/ T W Y/ ]# =) &: #: #E0$31%)Q :""+ >"Q #?@@H\%!:HECkww?Vk@?wCX?E%Z/_"W [XJ?@k@\k{?kDDkDV ZANI SOFIA. 00j6Rq)%(&$:":&!JJT]. A cura di A. Minga $WWWQ + ! Q $ di Studi Letterari, Linguistici e Filologici, 2011, p. 581-608. <%==K/;%*/;%*Cura 7"#KL7E&)+>0E0#>#7#"J#+###>K >~; ;$Y ! ;<""h~ W W "% Y! ?@@C&XEC <%==K/;%*/;%*0:%Slavia Orthodoxa & Slavia E&)+>0E0#>#7#" J#+###>K >~; ;$Y ! ; <""h~W W "% Y! 2008, p. 337-346. <%==K/;%*/;%*2DKW&". %· &)7T.&'D.$))Y!!+=?@@CX@kX@D <%==K/;%*/;%*0KW%Contribu!"#$%& . A cura di Alberto Alberti, Stefano Garzonio, Nicoletta Marcialis e Bianca !==+ >#?@@Ck@kk@H 664 <%==K/;%*/;%*(D::Vangelo di Nicodemo paleoslavo. %Z![DVDEJ?@@C\VwDVD? <%==K/;%*/;%*7Dsloveno ^D%Die slavischen Grenzen Mitteleuropas. Festschrift für Sergio Bonazza~!Y]!?@@CkHH?@?JZ$ !! [:Xw\ <%==K/;%*/;%*Q;".6<7J#k>J8&72#k#T.,%kT) 2 +# > < +: # @ K > W# _~jK! : &?@@H 253-258. <%==K/;%*/;%*;~K/:K<<YKQQ*/KEJ)2 U%Z//[kVJ?@@H\HDkkk <%==K/ ;%*/;%* # T * % 7D.&T)2*toria slava. Atti del primo &, 25-26 maggio 2009. A cura di Maria W# ! /:?@k@EECV <%==K/ ;%*/;%* Appunti sul Vangelo di Nicodemo paleoslavo % Z![ V@ (2010), p. 867-875. <%==K/;%*/;%*{% 2 & 7. Atti del secondo &, 26-27 ?@k@Y=:]$!/:?@kk p. 89-99. <%==K/;%*/;%*.ÐÐ@Ñ@Ñ%Z! ! [EJ?@k@\ 173-186. <%==K/;%*/;%*!j &W@R@@R@% ZQ>* j >[DVJ?@k@\?k??kC <%==K/;%*/;%*F#7#<#F#!"#FKFJ#Sermon h ;. T: k % Z~ +j ! [?HJ?@@E\R?@kkTkHX@ <%==K/ ;%*/;%* 2 * ) ( & K&&Vita di Costantino% Z= [CJ?@kk\HkV <%==K/;%*/;%*E8&k7##)%E 8&1H41).8$($1&. A &*#/!?@kk?k?XJ! kD\ <%==K/;%*/;%*EE0#%Z//[kCJ?@kk\ p. 7-11. <%==K/;%*/;%*E0#%Z [D@J?@kk\?EH?Cw <%==K/;%*/;%*«::& W . Considerazioni :&%Z//[kCJ?@kk\HHk@X II. Contributi personali 665 <%==K/ ;%*/;%* #%WW** Y+/Y E E& 113)%Z//[kCJ?@kk\kXDkVV <%==K/;%*/;%*&UD& W %7#:@7@) "=&<#J#')]Jk&U:&5) 8$ +{J# ~ % # ;Å &/ :+ >#?@k?kwDkDD <%==K/;%*/;%*0&@*j % @)77J8K)kJ7J GarzonioK >;W=:!Z! "!! [w@J?@k?\kC?w <%==K/;%*/;%*(:,%Z! ! [HJ?@k?\ 149-156. <%==K/;%*/;%*(D:&«::la Vita W %Z//[kHJ?@k?\kEHkC? <%==K/;%*/;%*CuraT&!mF&`#+ ")2&&:D& slavoY/] ;<""/:?@k?%?C? (Slavica Ambrosiana, 3). <%==K/;%*/;%*R/T]:>7:#@@##)+@J&:"6#$U#@#=j" ]?@@V%Z% [XkJ?@@C\??w??D <%==K/;%*/;%*R/TMarginal Linguistic Identities. Studies in Slavic Contact and Borderland Varieties>$! W&?@@V%Z% [XkJ?@@C\??D??V <%==K/;%*/;%*R/T/#(#& @ @:#?@@V%Z% [ 31 (2008), p. 226-227. <%==K/ ;%*/;%* R/ T ! $Å Die Vagheit der Sprache. Begriffsge##]@#####=#J:che?@@D%Z% [XkJ?@@C\??E??C <%==K/;%*/;%*R/T]Fra Oriente europeo e Occidente slavo. E0/?@@C%:))E&:#$H! 111!0)/ ?@@HEwHEDX <%==K/;%*/;%*R/T]WF'TR@@R)7 &:& / ;/?@@E%Z/ /[kEJ?@k@\?wE?D@ <+%*WY+$%Y“Due osservatori aristocratici e disincantati”: Joseph de Maistre 2FR)%Z!/ [kCJ?@@H\kHXH III. Addenda Y*K!QK=Y*0D@@D>R&J@R@D%Z j [?kJ?@@E\kD?@J&II TW>R&:&E@R D && @D& @@! > @> >, pod %&]j?@@C?H@?Hk\ Y*K!QK=Y*(:&&J!'@R@R& @@ >R &J _ # U ² 7 % F.M. '@> # K J ') ])T) '@R @@ _@&RR@D)YW "Y : # # kX !> " % $ j> ! > J: ?@@E\ K > Á Q !Á : + > KQK?@@EkD?V :Y_Y% _%_YY Tq R@ % 7 E#) \':&7&&:D(*F$YK*?@@Ek?? :Ã;~%Y+/KQFD.KE&*$ E[%Z!;, 34 (2007), p. 43-51. :%Y;%%=/YWK!WY.J@R>@>R$Wq_# i $_::&q_6UEx%7@>>&>>R>@@&&@. #%Y]j?@@EwC-57. :%Y;%%=/YWK!WY7:WR:m_&`m:_&` R::&q_6UEx%6$D>R@:@ R>@ :&> & R) E@ D 6) E) 'q]j% Q?@@Ek@k-108. :%Y;%% =/YWK!WY # i && @& R>@! :_$ &D, in E@R R))7@_>#&># , Q + >#Q ?@@EkEkkEV :%Y;%%=/YWK!WY# e !$& %Giornata dei gio5%YK:==YK dell’Orso, 2006, p. 23-37. :%Y;%%=/YWK!WY. &mTR&@`) T)+R#&%Z//[kXJ?@@V\kkD-130. :%Y;%%=/YWK!WY&:::!J&J& &%Z! [?EJ?@@D\?XkH-333. Contributi italiani al XV Congresso Internazionale degli Slavisti, a cura di M. Garzaniti et al., ISBN 978-88-6655-404-2 (online), ISBN 978-88-6655-403-5 (print), © 2013 Firenze University Press 668 :%Y;%%=/YWK!WYE@DR@R:&!q_:>. %Z] >j[J?@@w\XXD-37. :*Y$%]Y]Y/<%Y'&#&Anime morte8D% Z [XkJ?@@V\kHX@ :*!W~%K/* ]Y+K Cura in collaborazione con M. Prandoni, M. Piva del vo2D+:)7& :&:Y]:]#]# #W?@@E?k? :*!W~%K/* ]Y+K ' J, @ 0 'W@%2D+:)7&:&:Y]:]# ]##W?@@ECDk@@ :*!W~%K/*]Y+KF&#/ di Lev Lunc%Nei 7)0)7:'. A cura W$ Y] #+?@@VwXV? :+*W/%!Q%Y*#Y*YFe cura&Wj0¬ %ZY[XwJ?@@E\D?Ek :+*W/%!Q%Y* #Y*Y @R : x) F>R$ @@ @D ER @@&> % E@R ]R ) 7@ _># &># Q Q + >#?@@EHXHE :+*W/%!Q%Y*#Y*Y#@:%ZY[Xw (2007), p. 48-51. :+*W/%!Q%Y*#Y*Y(&:8!F&&2 % 8DD).6@RD_8D)(E$E&H&)A cura ] &j" / ; # : ] W%/&% 2006, p. 267-281. :+*W/%!Q%Y*#Y*Y&#@)6>&>. %F_)#@@RY % j ZY j [?@@D?@w?@E :+*W/%!Q%Y*#Y*YE@y8RF&&2D %8D R /$]&j"]j/;;+?@@w?DC?VD :+*W/%!Q%Y*#Y*YFD>::@Z>#_R[ F. M. '@%"0&R@D!j # j?@@XD@ED?V :+*W/%!Q%Y*#Y*YR/T.k>J=&D=E, ed. by Y]:j_]; W?@@?%Z//[kXJ?@@V\ 193-194. :+*W/%!Q%Y*#Y*YR/T:!&*D+: centrale e orientaleY]:Å?@@D%Z//[ 12 (2005), p. 151-153. III. Addenda 669 WY+!%*]Y+/%<%Y2&:&%*)E&&]?@@EkkXk?X WY+!%*]Y+/%<%YCura e traduzione:Antologia per)01341HY]WY #K 2006, 136 p. WY+!%*]Y+/%<%Y2D&]! rassegna. ':E])]%!++ W ?@@D 225-240. WY+!%*]Y+/%<%Y\#D&]11H. ':E])]%!++ W 2005, p. 33-70. WY+!%*]Y+/%<%YIntroduzioneYY Distrugga, per fa$&)21%1%%]Y ?@@D&%% WY+!%*]Y+/%<%Y2&J%:Antologia persona)011HHY]WY #K ?@@w p. 7-22. WY+!%*]Y+/%<%Y2D.#DE[.!: D&0%Z [kkJ?@@k\ p. 133-183. $Y]K%YYQ*KY Cristo della luce e Cristo della tenebra: il dibattito sul &:E%6)0 intersezioni. Scritti per Danilo CavaionYW$ Y] #+?@@VEkHk $Y]K%YYQ*KYCura 2::D+:le e orientale: centri politici e laboratori culturali. Y]:Y Y$Y?@@ED@V $Y]K%Y YQ*KY 0$ : :&"%2::D+:! politici e laboratori culturali. Y]:YY$Yria, 2007, p. 345-367. $Y]K%YYQ*KY Cura 7 D&&. A cura di A. Y=;#W?@@Ew@H $Y]K%YYQ*KY&&&'@R%7D&&YYY=;#Wguori, 2007, p. 147-162. $Y]K%YYQ*KY'@RDR@@%R@Rterature. 7@R]Kjj; >#j+ ?@@EHVk@E $Y]K%YYQ*KYF@>:@:&>@R@D_ @%+R@R&W@D>R!WD&&@D>QjQj; >+ ?@@E?@???? 670 $K *QQ* W%<%Y D&>$ q$ > DR@& @ % Z *[?@@XVkkEH?@X $K*QQ*W%<%Y8D!W&%8D@@R&R>. ]j%]%/Y?@@XEHCV $K*QQ*W%<%YMotivi del #j# jD:6@R8D. % $ 7 JJ + T & &:)&=?@@wkEEkCC $K*QQ*W%<%Y+&#]).&%.& ed Eros nella letteratura russa del Novecento:W?@@wk@?kk? $K*QQ*W%<%Y8DDR@R@& %6))8D)FD @_R)]j>Z+ [?@@wX@VXkC $K*QQ*W%<%Y.&&:)% Z%"[J?@@D\w p. 281-319. $K*QQ*W%<%Y&&DDqR·TR>_>@ RR#_6))8R%0@@R>. 7@ R@54R:Jx))T)]j/;;+?@@VkVCkC@ $K*QQ*W%<%Yô&una cosa·J RE%]&$J&&$!:&/'$(*. A cura ! "; &=?@@VkEXkHw $K*QQ*W%<%Y2&:)E{&:&goliano%6)0)7:' CavaionYW$ Y] #+?@@V p. 93-110. $K*QQ*W%<%Y2:6))8D&:)0& traduzione%Da poeta a poeta. Del tradurre la poesiaYY/;# # ?@@Ek?XkwD $K*QQ*W%<%YUn E)I dodici .@@%:&)(&::. A cura di ]W; WW+KW?@@EVDCk $K*QQ*W%<%Y'@R)2J%2:!7ture dal carcere. ./$$4&4. A Y]:Q<&=?@@E?DE?H@ $K *QQ* W%<%Y ²W T _ 8R, in |> @ _R. 6)) 8D &R @D) T> @ q_R TWR_R@J)T@$H&YH:R%. Pod j &# &j ]j > Z+ [ ?@@E 175-183. $%K/Y;%+!K##K% .7)F&J# :&%Z/! [ Serie 5 (51) (2007), p. 5-23. III. Addenda 671 $%K*$*YQYm]8`$&& )%ZY = ! + :[kCJ?@@V{?@@E\ p. 425-442. K/%KQQ%]Y/%*0:&& protoslavo % ZY ! ; ][ wk{w? J?@@@{?@@k\ R ?@@wT?XV?XC =Y;;%*YQ* /Y==YKY T&$ $ ! ] +RqR % Z/[kwJ?@@E\VEC@ =Y;;%*YQ*/Y==YKYR/T#@@R J/j ] >>DY!j ]/!j # % %j?@@Dw@@\% Z/[kXJ?@@V\kHwkHE =%W%=/YWK!WY:D6UEx_J&&@#:_R DR@R%6D>R:@R>@:&>&RY$]jQK%!?@@EEXCX =%W%=/YWK!WY:J^:#D del russo%x>@RDD)7@_>#:&R)8)8@. Y!Q]Kj&Q]j?@@E p. 265-272. _K/*& _Y_Y E :# & 0 bulgari del XVIII secolo. Seconda parte.K__j%Z/! [!DJDk\J?@@E\wDkH@ *+QW~K/Y:*!%%+$]%Y&::&E$' & un dizionario. ]$&?@@EXHC *+QW~K/Y :*!% %+$]%Y DR@ @>$ > @&> :& @&&R&) (_ : ]j % Y!Q & j Zapad, 2007, 400 p. Y<Y/K&%Ý $% ;%YW*]* #K/!%$Ym'&` ]_@ 'D" % 7:@ @RW & &! @&: :@. A :_:% j ?@@E??X?w? Y<Y/K&%Ý$%;%YW*]*#K/!%$Y@URj$R@_ RW:'&R8)[j$U)R@j$7).@Rj%6_@@, H% :]ë j =j"j ?@@EkCXkHV Y<Y/K&%Ý$%;%YW*]*#K/!%$Y2&*m#`8 F7"!*&{m@`RR@&Fqj@&R&))Rj!@ @:W&R. Atti del III Congresso Internazionale della Cultura Adriatica Nuova Serie%ZY {_[XJ?@@V\?wE?Vw Y<Y/K&%Ý$%;%YW*]*#K/!%$YR/T&E&& T)2:]'D" 028:K; ; ?@@XkXw%Z / ! [ ?@@w (2007), p. 146-149. 672 K*W%%=/YWK!W*F)'#&: J. %ZQ&[kwJ?@@E\CE?CXk K*W%%=/YWK!W*2/7/U){ etnici e strategie internazionali.%Z![kVJ?@@E\Xkkwk?V K*W%%=/YWK!W* 2:/F)8)T>@:1lité. %F&q8)T>@)(::/41H5)# Institut d’Études Slaves, 2007, p. 157-166. K*W%%=/YWK!W* ]&+:!00$Cen+:k>#+:(: j+#]millan 2007, pp. 23-31. K*W%%=/YWK!W*TF&q8)T>@:D europea. %Dalla Giovine Europa alla Grande Europa. /W?@@E 225-233. K*W%%=/YWK!W*F::)2E&D+:) %E&$F#:)#KW! ?@@E p. 13-24. ]Y/W~K!%%%/%Y(0&!27 U#&6@%Zû/ W ][VJ?@@E\kVEC? x {{hhh {{ {@E@k]"} NOSILIA VIVIANA. ":R¦@R<:&#<=?@%F#"#K ## # @ 0) && F, >Y ]h+#hjj:¥> j>h h+h> h:¥> j?@@E?wk?Dk NOSILIA VIVIANA. 0&:)':$:co!&:^ ¥:<?@@EVE? NOSILIA VIVIANA. 7&!/h ] #jäÌ. %85%. YK:==YK*?@@V p. 115-130. NOSILIA VIVIANA. .D( 4%ZYW=[wDJ?@@V\kJ!* \k@Ek?H NOSILIA VIVIANA. 8<k*!:J:re, farsi ricordare per vivere%T&$$Y!/#WK+#?@@DkVkkEVJ$ ! % YK* k\ NOSILIA VIVIANA. 7:::8<k 8?@%0xZ@) Magiaristi, polonisti, slavisti italiani festeggiano il 7&&: YW #+?@@DX@EX?V III. Addenda 673 NOSILIA VIVIANA. R/T%Z<¦<@#<R7;< :<;<># < ¨< <) jÁh ?@@w % Z! [ w (2007), p. 344-347. NOSILIA VIVIANA. R/T] 0>:><:<@R>¨<) x>>J& :!; #\*?@@D k@w%Z# [k?kJ?@@V\wEwC NOSILIA VIVIANA. R/T#hjhjW]0&>@<&¦><><R:&:(@R41%5>h hjh#jYjQjÁh?@@wX@w % Z! ! [?J?@@D\X??X?w NOSILIA VIVIANA. R/T<j"q_RR@R>RR>@!:R_@R{@]j%j?@@X%Z! [X (2005), n. 1, p. 302-304. NOSILIA VIVIANA. R/TYW"77@)7&:<<m±><#¨<¦>#`%?@@X%Z! [?J?@@D\?Vw?VE NOSILIA VIVIANA. R/TY Y ! "#J\Firenze e 70)'J).]$1H=?@@X?w@%Z! ! [k (2004), p. 305-307. #Y*%%!Y/Y2D& $ di F.M. Dosto@R%ZK [?XJ?@@w\?kEXkHE #Y*%% !Y/Y '@R >&! : $ %ZW/%K/[kJ?@@w\kDDkEV #Y*%%!Y/Y/D::$ ])T)'@R! :J&&:%]& $J&&$!:&/' $(*. A cura di Stefano Genetti. & Fiorini, 2006, p. 135-152. #K/*QQ* ]*%WY J @R! : % Arguta )78T@)?@@V?DH?E? J$]$ + ;$YW #\ #K/*QQ*]*%WY0: :#:tiche: il caso georgiano. ..:+:!7>guage planning. "3))Y& $Y; %] ! ýQ /Y Q Y Y % W ]=W K Krope, 2006, p. 203-227. #K/*QQ* ]*%WY 0&> R>@ _ @R>_>#$ Wq_# Italii%2D&+:)6 :: (* $ 3 & 4) &QW""~Y Y?@@Vk??k?E 674 #K/*QQ*]*%WY+K&&&J@R%Z:''/ ! W Y[!kXJXX\ (2005), 116 p. #K/*QQ*]*%WY*&Y_*&YYQY%Y&)/ Aracne, 2005, 232 p. #K/*QQ* ]*%WY :& D* $ D postsovietica%Z![kwJ?@@D\kXDD@ #K/*QQ* ]*%WY 0&> R>@ _ @R>_>#$ Wq_# Italii%#"! >Q / % % W"]h]>?@@w]h];+?@@w 331-341. #K/*QQ*]*%WY&:&&sofoni in Italia%Z! [X?J?@@w\ 2, p. 247-261. #K/*QQ*]*%WY@RR@R:R!&q_R%0@ @) 7@ _# Q ; > + ?@@X p. 366-377. #K/*QQ*]*%WY7:@R_R&qR@R_@#$ Wq_#)%TR@DW@)@ @$@_># trudov#!j j]j/Y 2003, p. 276-291. #K/*QQ*]*%WY2E!:&#% Z![k?J?@@X\wkkwX #K!WYQ*/%!K/;%**$*$*D+ropa Centro-Orientale % 0 &. A cura di Gabriel Maria Sala. &+ ! &?@@Xkkkk?k #K!WYQ*/%!K/;%*2)2D&D(+: D+%2:&D::&D(+: *) .mF:`)&K Universitaria, 2003, p. 59-74. #K!WYQ*/%!K/;%*ED&m:&>#`R>_& &@DR@R>@%E@&R@D) E@R@@R@R)!j # # jj?@@XVXw 640. #K!WYQ*/%!K/;%*0q@0::!m2 :`%Z [?HJ?@@w\k@Ek?w #K!WYQ*/%!K/;%*7:&m]:`0q@%Nei ter)0)7:'. A cura di W$ Y] #+?@@V?CX?HV #K!WYQ*/%!K/;%*0@#:@R>_>#R#% 'E#<:#=#=j" ]R T# Lang, 2006, p. 225-236. III. Addenda 675 #K!WYQ*/%!K/;%*E@RR>@!W::@>)%E@RR>@ +:!&@$:>::R$::@>, a cura di S. Pescatori, S. Aloe, _&j] W""~ ?@@VXCww #K!WYQ*/%!K/;%*Gli stereotipi linguistici nel testo poetico e nella traduzione% Da poeta a poeta. Del tradurre la poesia. Y ] W?@?? ?@@D YY/;# Pensa multimedia, 2007, p. 61-85. #%K/Y%WY+$%YFDD@@:&)+RR::D:@& @ "@ @ 1H3H5 6)6) + % '& F) 7@) _>#) $ %)Y % %j= K; ]Q?@@ED@Vk /K]*YQ*%Y/%Y7D!T@0q@)+J%ZK* [?XJ?@@w\??@H??H /K]*YQ* %Y/%Y %Z/ [VJ?@@w\ 209-225. /K]*YQ*%Y/%YConsiderazioni introduttive a una caratterizzazione delle particelle enfatiche in russo%Z! [XJ?@@D\kk@EkkD /K]*YQ*%Y/%Y0#&R@D_@:@R>DR@RR>@%x>@@D)TW>R @ _># : @D¿ 2T>) J2>)!% !j jW ]>!?@@DkCVkH? /K]*YQ*%Y/%YmE#`%Z![kDJ?@@V\ 1, p. 96-107. /K]*YQ*%Y/%YE@DR@R DR@@RR>_>RD&R@@ !D>R:#R%'E# <:# = #! ]#, Magdeburg, 18.??D?@@DY/ : jh=j" ]R T# ?@@VkCk?@?J&! ! turen, 13). /K]*YQ*%Y/%Y2J&&@+J%For&$J&&$!:&/' $(*Y! "; & Fiorini, 2006, p. 319-336. /K]*YQ*%Y/%Yk<E&:>2,7&: JJJ+#%U:J'@U&, TW>R@_># :@!% !j jW ]>!?@@VkXwkwX /K]*YQ*%Y/%Y'Dj j: gli echi di Alice nel paese delle meraviglie@+J)%Z! [D (2007), n. 3, p. 157-169. 676 /K]*YQ*%Y/%YR/T&j K"FT0q@0&, tra]W /=?@@XT0q@ e altre opere, cura e traduzione di Gario Zappi, Milano, Feltrinelli, 2004, Universi ! &%Z [?HJ?@@w\ p. 159-164. /K]*YQ*%Y/%YR/T*=26q)7$ ]] KQ ?@@w%Z! [J?@@D\k?CX?CD /K]*YQ* %Y/%Y R/ T j Il diario di Nina K $ "K j =]?@@w% Z! [J?@@D\?XDkwDkD /K]*YQ*%Y/%YR/TY/0T, tradu:!&/?@@V%Z! [wJ?@@V\DwDD /K]*YQ* %Y/%Y R/ T Y 0 >&> @& & @R > :qR) 513, traduzione dall’inglese di $ !þYjj j !j # ?@@w % Z! [ w (2006), p.87-89. /K]*YQ*%Y/%YR/T!&j7|@_)2::J&, traduzione dall’inglese e dal russo :*; ]?@@V%Z! [DJ?@@E\XVCXE@ /+&*KQQ*+%!YE$j: un contributo alla caratterizzazione del protagonista. %6)0)7: Danilo CavaionYW$ Y] #+ 2006, p. 329-348. !WY$+/YWY+$%Y2D.&E&!D&xJ@R. %Z/! [!DJDk\J?@@E\?DwX <%==K/ ;%*/;%* R/ T = # : ; Lettere al padre Q ?@@D % Z//[kwJ?@@E\kDEkDC <%==K/;%*/;%*R/T#+8@U).## Literatur$! h <?@@V%Z//[kwJ?@@E\kDEkDC
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