Untitled - filmforum festival 2016

Transcript

filmforum/2009
Udine/Gorizia/Gradisca
24 marzo-2 aprile
XVI convegno internazionale
di studi sul cinema
XVI international film studies conference
permanent seminar on history of film theories
dall’inizio, alla fine
in the very beginning, at the very end
Palazzo Antonini, via T. Petracco 8, Udine
Palazzo Caiselli, vicolo Florio 2, Udine
Palazzo Florio, via Palladio 8, Udine
Visionario, via Asquini 33, Udine
24-26 marzo 2009/March 24-26, 2009
progetto/project
Permanent Seminar on History of Film Theories
Coordinators: Francesco Casetti (Università Cattolica del Sacro Cuore, Milano),
Jane Gaines (Columbia University-Duke University)
Dudley Andrew (Yale University), Chris Berry (Goldsmiths-University of London),
Natasha Ďurovičová (University of Iowa), André Gaudreault (Université de Montréal), Vinzenz
Hediger (Ruhr-Universität Bochum), John McKay (Yale University),
Markus Nornes (University of Michigan), David Rodowick (Harvard University),
Philip Rosen (Brown University)
con/with
Alice Autelitano, Enrico Biasin, Giulio Bursi, Mariapia Comand, Sara Martin, Roy Menarini,
Francesco Pitassio, Leonardo Quaresima, Valentina Re, Cosetta Saba, Simone Venturini (Università
di Udine)
organizzazione/organisation
Franca Caufin, Centro Convegni e Accoglienza, Università degli Studi di Udine
Alice Autelitano, Pietro Bianchi, Enrico Biasin, Elena Biserna, Alessandro Bordina,
Alberto Brodesco, Giulio Bursi, Alessandro Coco, Marco Comar, Francesca Esposito,
Livio Gervasio, Federico Giordano, Stefania Giovenco, Andrea Lissoni, Sara Martin,
Enrico Maso, Martina Pizzamiglio, Valentina Re, Marcella Rosi, Laura Ester Sangalli,
Mirco Santi, Gianandrea Sasso, Simone Venturini, Federico Zecca
Tuesday, March 24, 9.30-13.00
Plenary Session
Università degli Studi di Udine, Sala Convegni, Palazzo Antonini
Interventi di saluto/Greetings
Cristiana Compagno, Magnifico Rettore dell’Università degli Studi di Udine
Andrea Tabarroni, Preside della Facoltà di Lettere e Filosofia
Antonella Riem Natale, Preside della Facoltà di Lingue e Letterature Straniere
Neil Harris, Direttore del Dipartimento di Storia e Tutela dei Beni Culturali
Roberto Molinaro, Assessore regionale all’Istruzione, Formazione e Cultura
Luigi Reitani, Assessore al Turismo e alla Cultura del Comune di Udine
Leonardo Quaresima, Presidente del Corso di Laurea DAMS, Università di Udine
Jane Gaines, Francesco Casetti, Coordinators
of the Permanent Seminar on History of Film Theories Scientific Board
Presentazione/Introduction
Maria Tortajada (Université de Lausanne)
Le Statut du photogramme et l’instant prégnant au moment de l’émergence du cinéma
ufficio stampa/press
Volpe & Sain Comunicazione
André Gaudreault, Philippe Marion (Université de Montréal/Université de Louvain)
Le Cinéma est mort encore... Généalogie des crises identitaires du septième art
sito internet/website
Marco Comar
Discussione/Discussion
Pausa/Break
assistenza tecnica/technical assistants
Gianandrea Sasso, CREA, Centro Ricerca Elaborazione Audiovisivi, Gorizia
Simone Venturini, LA CAMERA OTTICA, Film and Video Restoration, Gorizia
Marco Comar, CINEMANTICA, Udine
CLAV, Udine
Università degli Studi di Udine
Inaugurazione della mostra realizzata nell’ambito del corso di
“Fumetto e Grafica Contemporanea” tenuto da Stefano Ricci – DAMS Gorizia
Opening of the exhibition organized within the class
of “Comics and Contemporary Graphics” taught by Stefano Ricci – DAMS Gorizia
traduzioni/translation
WS Traduzioni, Udine
Frank Kessler (Universiteit van Utrecht)
Méliès/Metz: comment penser le trucage?
disegni e progetto grafico/graphics
Stefano Ricci
Vinzenz Hediger (Ruhr-Universität, Bochum)
Benjamin’s Challenge: If Art Is Not the Same after Cinema, then What about History
impaginazione/layout
Marco De Anna
Masha Salazkina (Colgate University)
International Avant-Gardes of the 1920s and Radical Film Theory: New Intersections
I lavori del XVI Convegno Internazionale di Studi sul Cinema e della VII MAGIS – International
Film Studies Spring School si avvalgono inoltre dell’apporto di studiosi, esperti e dottorandi
(in particolare del Dottorato Internazionale in Studi Audiovisivi: Cinema, Arti Visive,
Musica, Comunicazione) invitati a partecipare alla manifestazione.
Presiede/Chair: Jane Gaines
15.00-19.00
Parallel Session A – Cinema’s Boundaries: Beginning/Ending
Sala Tiepolo, Palazzo Caiselli
Leslie DeBauche, Sally Key DeBauche (University of Wisconsin-Stevens Point/University of
Wisconsin-Madison)
Memory Books and Facebook: Movies and American Girls
Evelyn Echle (Universität Zürich)
Apotheoses and Artists: Human Ornaments in Early Cinema and in the Digital Era of Movies
Andrea Fornasiero (Università Cattolica del Sacro Cuore, Milano)
Toward a New Dimension. From the Illusion to the Perception of Depth with the New Rise of 3D Cinema
Pausa/Break
Pausa/Break
Santiago Hidalgo (Université de Montréal)
The Construction of Cinema as an Ideological Text in Early American Film Criticism
Annie van den Oever (Rijksuniversiteit Groningen)
The Grotesque as a Leading Format at the Very Beginning and at the Very End
Naoki Yamamoto (Yale University)
Experiencing the World through Cinema: Nagae Michitaro- and the Phenomenological Approach
to Film in Wartime Japan
Abraham Geil (Duke University)
“A Foothold for Pain”: The Moving Close-up in Epstein, Eisenstein, and Viola
Kristina Köhler (Universität Zürich)
Between the Old and the New “Art of Movement”:
Dance at the Intersections of Cinema’s Past, Present and Future
Presiede/Chair: Charles Musser
Ryan Cook (Yale University)
Modernity and Mortality: The Cinematic Eschatology of Inagaki Taruho
Presiede/Chair: Philip Rosen
Wednesday, March 25, 9.30-13.00
Parallel Session A – Visual Culture
15.00-19.00
Parallel Session B – Early Cinema: Sense and Sensation
Sala Riunioni, Palazzo Caiselli
Trond Lundemo (Stockholms Universitet)
“Flashes of Light” and “the Rhythm of Life”: Spectres of Film in the Digital Archive
Jörg Schweinitz (Universität Zürich)
Ostentation vs. Immersion: Effects in the Early Cinema and the Case of Representing Hypnosis
Augusto Sainati (Università degli Studi Suor Orsola Benincasa, Napoli)
Entre l’œuvre et l’œil
Ansje Van Beusekom (Universiteit van Utrecht)
Notes for a Contextual Historiography of Cinema Without Beginning or End
Jennifer Wild (University of Chicago)
Picasso and Braque: Cinema as Instrument
Luca Mazzei (Università di Roma 2)
The Released Shadow. The Redefinition of the Body in the Italian Novel about Cinema of Early 20th
Century
Pausa/Break
Pausa/Break
Tom Paulus (Universiteit Antwerpen)
The Open-Air Effect: Pictorial Lighting in Early Film
Oksana Chefranova (Tisch School of the Arts, New York University)
Evgenii Bauer’s Transitional Spaces: Designing Russian Silent Melodrama
Annemone Ligensa (Universität zu Köln)
Early Cinema and Sensationalism: A Cross-Cultural Media Commodity
Presiede/Chair: André Gaudreault
15.00-19.00
Parallel Session C – Film Discourses in Context
Sala Florio, Palazzo Florio
Nevena Dakovic´ (Universitet umetnosti u Beogradu)
For the 7th Art. First Notes about Cinema in Serbia
Irini Stathi (University of the Aegean)
Critical Theory and Aesthetics in Greek Cinema between 1960s and 1980s
Ranita Chatterjee (School of Media, Arts and Design, University of Westminster)
The Lament of the Elite: In Search of “Good” Bengali Cinema
Luca Caminati (Colgate University)
“Il cinema come happening”: Pasolini’s Primitivism and the Arte Povera Movement
Giusy Pisano, Maxime Cazin (ARIAS-Université Paris 3-Université de Lille 3/Université Paris 3)
Les Théories mises en crise par l’intensité du regard antonionien
Alessandra Raengo (Georgia State University)
Life in Those Shadows! Kara Walker’s Post-Cinematic Silhouettes
Presiede/Chairman: Frank Kessler
9.30-13.00
Parallel Session B – Images’ Episteme
Brian Price (Oklahoma State University)
Being-With-Images
Michael Lawrence (University of Sussex, Brighton)
Early Cinema, Animal Death, and Virtual Presence: Measuring the “Ethical Charge” of Thomas
Edison’s Electrocuting an Elephant (1903)
Ivelise Perniola (Università Roma 3)
From the Origins to the End: The Return of the “Real” as an Absolute Category
Pausa/Break
Kris Trujillo (University of California, Berkeley)
Touchy Terrain: Psychoanalysis, Lacanian Topology, and Networks of Affect
Pepita Hesselberth (Copenhagen Doctoral School-Amsterdam School for Cultural Analysis ASCA)
Navigating Through Time: The Case of Handheld Aesthetics
Jennifer M. Barker (Georgia State University)
Blurring the Lines: Synaesthesia and Fleshy Vision
Presiede/Chair: Roger Odin
Marco Grosoli (Università di Bologna)
Hou Hsiao-Hsien’s Le Voyage du ballon rouge. “Montage interdit” Revisited
Presiede/Chair: Vinzenz Hediger
9.30-13.00
Parallel Session C – New Landscapes, New Texts
15.00-19.00
Parallel Session B – Retracing Film Theory
Marion Froger (Université de Montréal)
Le Tiers Spectateur en sujet sociable imaginaire
Emiliano Morreale (Università di Teramo)
Georg Simmel’s Influence on Film Theory
Jan Holmberg (Stockholms Universitet)
Prognosis Negative. Notes on the Death of Cinema and the Promise of Resurrection
Massimo Locatelli (Università Cattolica del Sacro Cuore, Milano)
Perception, Projection, Participation: Film and the Invention of the Modern Mind
Nico Baumbach (Duke University/Columbia University)
Godard’s History of the Future of Cinema
Pausa/Break
Gabriele Biotti (Université de Lille 3)
L’Archive des images et la mémoire problématique. A partir de Level Five de Chris Marker
Philippe Gauthier (Université de Lausanne-Université de Montréal)
Les Relations écran-spectateur-lieu selon la Filmologie
Pausa/Break
Adriano D’Aloia (Università Cattolica del Sacro Cuore, Milano)
Edith Stein to the Movies. Empathies in Film Theory
Laura Rascaroli (University College Cork)
The Essay Film as Sublime Theoretical Paradox: Birth and Evolution of an Idea
Presiede/Chair: Trond Lundemo
Massimiliano Gaudiosi (Università degli Studi Suor Orsola Benincasa, Napoli)
Performative Memory: The Representation of the Past in Contemporary Cinema
Denis Brotto (Università di Padova)
L’Esthétique du journal intime numérique: Rousseau, Desplechin, Varda
15.00-19.00
Parallel Session C – Afterimage. The Contemporary Landscape
Presiede/Chair: Amy Sargeant
Karen Pinkus (University of Southern California)
At the End: Cinema After Climate Change
15.00-19.00
Parallel Session A – New Formats, Old Cinema?
Charles Musser (Yale University)
The Elections of 1896, 1948, 2004 and 2008: From Cinema to Youtube and My Computer
Emile Poppe (Rijksuniversiteit Groningen)
Le Cinéma différé selon Laura Mulvey. Ou: qui gagne, perd (I)
Eric De Kuyper (Cinémathèque Royale de Belgique)
L’Autre Histoire du cinéma, ou la perte du spectacle. Qui gagne, perd (II)
Pausa/Break
Laurent Le Forestier (Université de Haute-Bretagne Rennes 2)
Le DVD: un nouveau jouet d’optique?
Arild Fetveit (Købenahvns Universitet)
Photographic Migrations: Reinventing Medial Materialities
Megan Sutherland (Oklahoma State University)
Monstration, Monstrosity, and Spectacle
Angelo Restivo (Georgia State University)
Gravity as Index
Pausa/Break
Johanne Sloan (Concordia University, Montreal)
Roni Horn’s Portraiture: Revisiting “The Art of Reading Faces”
Viva Paci (McGill University)
Avant le début et après la fin: Attractions, expositions, cinéma, nouvelles technologies
Elena Marcheschi (Università di Pisa)
Video Mobile Phone: A New caméra stylo?
Presiede/Chair: Chris Berry
Thursday, March 26, 9.30-13.00
Plenary Session
Sala Convegni, Palazzo Antonini
Proiezioni/Screenings
Cinema Visionario, via Asquini 33, Udine
Chris Berry, Kay Dickinson, Janet Harbord, Rachel Moore (Goldsmiths, University of London)
Archive, Surveillance, Attention: Tracking the Screen in Public Spaces
Tuesday, March 24, 21.00
Gli uomini con la macchina da presa. I registi-teorici del muto/
Men with a Movie Camera. Directors-Theorists of Silent Cinema
Marc Vernet (Université de Paris Diderot - Paris 7)
Terminologie et fonctions dans la chaîne de travail à la Triangle entre le 1915 et 1917
Margrit Tröhler (Universität Zürich)
Realism: The Imaginary of Mediated Materiality
La Folie du Docteur Tube (La follia del Dottor Tube, Abel Gance, 1915, 16’)
Entuziazm – Simfonija Donbasa (Entusiasmo – Sinfonia del Donbass, Dziga Vertov, 1930,
67’)
Accompagnamento al pianoforte di/Piano accompaniment by Carlo Moser
Presiede/Chair: Francesco Casetti
Wednesday, March 25, 21.00
Il cinema è il cinema. I registi-teorici della modernità/
Cinema is Cinema. Directors-Theorists of Modernity
Assegnazione del VII Premio “Limina” per libri di cinema italiani
e internazionali pubblicati nel 2008
Awarding assignment of the VII “Limina” Award for Italian
and international film studies books published in 2008
Yucatan (Id., Edgar Reitz, 1959-1960, 11’)
Geschwindigkeit Kino Eins (Velocità, Edgar Reitz, 1963, 13’)
Presenta il regista Edgar Reitz/Introduced by the film director Edgar Reitz
Pausa/Break
Le Coup du Berger (Il colpo del pastore, Jacques Rivette, 1956, 29’)
Noviciat (Noviziato, Noël Burch, 1960, 19’)
Une visite au Louvre (Una visita al Louvre, Jean-Marie Straub/Danièle Huillet, 2003, 50’)
Tavola Rotonda/Round Table: Restarting from Recovered Texts: From the Case of Eisenstein’s
Method to the History of Film Theory
Thurday, March 26, 21.00
Nostos. I registi-teorici contemporanei/Nostos. Contemporary Directors-Theorists
Introduzione/Introduction: Philip Rosen (Brown University)
Partecipanti/Speakers:
Antonio Somaini (Università di Genova-Politecnico di Milano)
Dunja Dogo (Università di Siena)
Luka Arsenjuk (Duke University)
Conclusioni/Closing remarks: David Rodowick (Harvard University)
Presentazione del volume La forma della memoria. Memorialistica,
estetica, cinema nell’opera di Sergej Ejzenštejn
Presentation of the book The Form of Memory. Memorials,
Aesthetics, Cinema in the Work of Sergei Eisenstein
15.00-19.00
Plenary Session
Sala Convegni, Palazzo Antonini
Laurent Jullier (Université de Nancy 2/IRCAV Paris 3)
Les Fan-films Star Wars: redéfinir les frontières autour du cinéma
Amy Sargeant (University of Warwick)
Combustible Materials, General Anxiety Disorder and Too Much Information
Pausa/Break
Presentazione del n. 17 della rivista “Cinergie. Il cinema e le altre arti”.
Presentation of the issue no. 17 of the film journal “Cinergie. Il cinema e le altre arti”
Roger Odin (Université Paris 3)
Questions posées à la théorie du cinéma par les films tournés sur téléphone
Jane Gaines, Francesco Casetti
Conclusioni/Closing remarks
Presiede/Chair: Leonardo Quaresima
Echolalia (Id., Thierry Kuntzel, 1980, 32’)
Memories (Memorie, Eugene Green, Pedro Costa, Harun Farocki, 2007, 102’)
Mostra/Exhibition
Palazzo Antonini, via Petracco 8, Udine
Palladipelledime
Disegni degli studenti del corso “Fumetto e grafica contemporanea”
tenuto da Stefano Ricci (DAMS Gorizia)
Students’ drawings from the class “Comics and Contemporary Graphics”
held by Stefano Ricci (DAMS Gorizia)
VII magis/international
film studies spring school
(A)LIVE! performance, re-enactment,
animation, simulation
Cinema and Contemporary Visual Arts/4
Cinema/Comics/Animation
Filming the Game/Playing the Film
Re-animated Cinema. Found Films
DAMS Cinema, Palazzo del Cinema/Hiša Filma, piazza Vittoria 41, Gorizia
Kinemax Gorizia, Palazzo del Cinema/Hiša Filma, piazza Vittoria 41, Gorizia
Fondazione Cassa di Risparmio di Gorizia, via Carducci 2, Gorizia
Kulturni center Lojze Bratuž, v.le XX Settembre 85, Gorizia
Kulturni center Mostovna, Cesta IX korpusa 99 A, Solkan
27 marzo-2 aprile 2009/March 27-April 2, 2009
progetto/project
Alice Autelitano, Alessandro Bordina, Giulio Bursi, Alessandro Coco, Mariapia Comand, Sergio Fant,
Federico Giordano, Andrea Lissoni, Sara Martin, Roy Menarini, Francesco Pitassio,
Leonardo Quaresima, Valentina Re, Marcella Rosi, Cosetta Saba, Mirco Santi, Simone Venturini,
Federico Zecca (Università degli studi di Udine)
Philippe Dubois (Université de Paris III)
Cinema/Comics/Animation: Pierre Chemartin, Nicolas Dulac, André Gaudreault, Philippe Marion,
Bernard Perron (GRAFICS, Université de Montréal)
Filming the Game/Playing the Film: Roberto Braga (Università di Bologna)
Found Films: Hans-Michael Bock (CineGraph, Hamburg), Jürgen Keiper (Deutsche Kinemathek,
Berlin)
MAGIS - Gradisca International Film Studies Spring School is promoted by the Università degli Studi
di Udine and the University of Paris III-Sorbonne Nouvelle, in collaboration with: Universiteit van
Amsterdam, Ruhr-Universität Bochum, Università Cattolica del Sacro Cuore di Milano, Università degli
Studi di Pisa, Univerzita Karlova Prague, Universitat de Valencia, CineGraph Hamburg, Cineteca del
Friuli, Cineteca del Comune di Bologna. MAGIS is focused on the development of the themes investigated at the Udine International Film Studies Conference, as well as an occasion to develop a didactic
activity directed to PhD candidates, advanced graduate students, and young researchers in general.
MAGIS is part of the activity of the International Ph.D. Program in Audiovisual Studies: Cinema,
Visual Arts, Music and Communication (Dottorato internazionale di studi audiovisivi: cinema, arti visive,
musica, comunicazione), established by the Université Sorbonne Nouvelle – Paris III in cooperation
with Università di Udine, Università Cattolica del Sacro Cuore di Milano and Università degli Studi di
Pisa; of the the European Project “IPPCVA” (Ideation, Presentation, Preservation of Contemporary
Visual Arts)in collaboration with MACRO (Media Art Centre of Research and Observatory)
organizzazione/organisation
Alice Autelitano, Pietro Bianchi, Enrico Biasin, Elena Biserna, Alessandro Bordina, Alberto Brodesco,
Giulio Bursi, Alessandro Coco, Marco Comar, Francesca Esposito, Livio Gervasio, Federico Giordano,
Stefania Giovenco, Sara Martin, Enrico Maso, Martina Pizzamiglio, Valentina Re, Marcella Rosi,
Laura Ester Sangalli, Mirco Santi, Gianandrea Sasso, Federico Zecca
Friday, March 27, 9.30-13.00
Sala della Torre, Fondazione Cassa di Risparmio di Gorizia
Greetings
Cristiana Compagno, Magnifico Rettore dell’Università degli Studi di Udine
Antonio Devetag, Assessore al Parco Culturale, Comune di Gorizia
Roberta Demartin, Vicepresidente della Provincia di Gorizia
Mauro Pascolini, Direttore Centro Polifunzionale di Gorizia
Nicolò Fornasir, Presidente Consorzio Universitario di Gorizia
Franco Obizzi, Presidente Fondazione Cassa di Risparmio di Gorizia
Leonardo Quaresima, Presidente del Corso di Laurea DAMS, Università di Udine
Introduction
Philippe Dubois, Christine Hamon-Sirejols (Université Paris III)
Dispositifs d’images
Jean-Pierre Rehm (FIDMarseille)
Curator Talk
Discussion
Break
Paul Willemsen (ARGOS vzw Centre for Art and Media, Brussels)
Actors & Extras: On the Figure of the Film Extra in Classical Cinema, Modern Cinema and Contemporary Visual
Art
Discussion
15.00-18.00
programma proiezioni e performance/screenings and performances programme
Sergio Fant e Andrea Lissoni
Hans-Michael Bock (CineGraph, Hamburg), Simone Venturini (Università di Udine)
Introduction
ufficio stampa/press
Volpe & Sain Comunicazione
Vanessa Toulmin (National Fairground Archive/University of Sheffield)
From the Basement to the BBC: Rescuing, Recovering and Re-animating the Mitchell & Kenyon Collection
sito internet/website
Marco Comar
Jan Distelmeyer (Universität Potsdam)
Film, Space and Interactive Entertainment. Towards the Aesthetic of the DVD
assistenza tecnica/technical assistants
Gianandrea Sasso, CREA, Centro Ricerca Elaborazione Audiovisivi, Gorizia
Simone Venturini, LA CAMERA OTTICA, Film and Video Restoration, Gorizia
Transmedia Spa
Discussion
Break
disegni e progetto grafico/graphics
Stefano Ricci
impaginazione/layout
Marco De Anna
I lavori del XVI Convegno Internazionale di Studi sul Cinema e della VII MAGIS – International Film
Studies Spring School si avvalgono inoltre dell’apporto di studiosi, esperti e dottorandi
(in particolare del Dottorato Internazionale in Studi Audiovisivi: Cinema, Arti Visive,
Musica, Comunicazione) invitati a partecipare alla manifestazione.
André Gaudreault (Université de Montréal), Philippe Marion (Université Catholique de Louvain)
Introduction
Lance Rickman (University of Essex/The Open University)
Gutter and Cut: Comics, Animation and the Imaginative Eye
Pascal Lefèvre (Katholieke Universiteit Leuven/Hogeschool Sint-Lukas, Brussel)
Incompatible Visual Ontologies? The Problematic Adaptation of Drawn Sequences
Martin Barnier (Université de Lyon II)
Let’s Sing in Front of the Cartoons. Experience of Live Music by the Audience, Thanks to Animation
Lawrence Thomas Martinelli (Università di Pisa)
The Drawing of Reality, Truth and Artifice of Comics and Animated Cinema
Discussion
Saturday, March 28, 9.30-13.00
Sunday, March 29, 9.30-13.00
Eric De Kuyper (Cinémathèque Royale de Belgique), Emile Poppe (Rijksuniversiteit Groningen)
A la recherche du spectateur
Vinicius Navarro (Georgia Institute of Technology, Atlanta)
Being There: Self-Display in Experimental and Contemporary Media
Discussion
Discussion
Guy Sherwin
Artist Talk
Franz Winzentsen
Artist Talk
Discussion
Break
Discussion
Break
Giusy Pisano (ARIAS/Universités Paris 3/Lille 3)
Eppur si muove! Le mouvement dessiné et photographié
Roland Cosandey (Ecole cantonale d’art de Lausanne)
Emile Cohl polyédrique
Discussion
Discussion
15.00-18.00
DAMS Cinema, Palazzo del Cinema
15.00-18.00
Workshops
Workshops
Cinema and Contemporary Visual Arts
Coordinated by Philippe Dubois
Coordinated by Philippe Dubois
Xavier Garcia Bardon (Centre for Fine Arts, Brussels)
Sur Man with Mirror de Guy Sherwin
Senta Siewert (Universiteit van Amsterdam/ASCA)
Re-enactment of Music-video Clips in Feature Films
Valentina Re (Università di Udine)
“No Where, Now Here”. The Place of Film in Gordon Matta-Clark’s Work
Roberto Braga (Università di Bologna)
Mashup Culture. From Solid Media to Liquid Experiences
Giulia Cantelli (Università di Siena)
“Interruptions”: Gordon Matta-Clark et le parcours du regard
Coordinated by André Gaudreault and Philippe Marion, assisted by Pierre Chemartin
Coordinated by André Gaudreault and Philippe Marion, assisted by Pierre Chemartin
Irini Stathi (University of the Aegean)
Framing Virtuality. Virtual Aesthetics and Digital Cinema
Philippe Marion (Université Catholique de Louvain), Pierre Chemartin (Université de Montréal)
La Poétique du gag dans les arts graphiques (bande dessinée, caricature, dessin de presse)
Amir Vodka (Universiteit van Amsterdam)
New Digital Animations of the Virtual
Pierre Chemartin, Bernard Perron (Université de Montréal)
L’Agencement visuel en bande dessiné: tabularité, montage spatial et édition
Simone Spoladori (Università dell’Insurbia, Varese)
Night, Clouds, Obsessions: Batman’s Mitopoiesis, Between Pop Art Symbols and Intermediatic
Expressions in Tim Burton’s and Christopher Nolan’s Movies
Found Films
Coordinated by Hans-Michael Bock and Jürgen Keiper
Discovery and Investigation: The Research Process
Found Films
Re-animation of the Archive
Monday, March 30, 9.30-13.00
Tuesday, March 31, 9.30-13.00
Bregt Lameris (Universiteit van Amsterdam)
Editing Film History
Qi Wang (Georgia Institute of Technology, Atlanta)
Body Cuts – Physicality, Performance, and Dance Film
Discussion
Discussion
Bruce McClure
Artist Talk
Discussion
Break
Gabriele Jutz (Universität für Angewandte Kunst, Wien)
Austrian Expanded Cinema Performances of the 1960s
Discussion
15.00-18.00
Phill Niblock
Artist Talk
Discussion
Break
Benoît Turquety (Université de Lausanne)
Cinéma, poésie, géologie et reprise: Danièle Huillet et Jean-Marie Straub, objectivistes
Paolo Caneppele (Österreichisches Filmmuseum, Wien)
Found Film. Testing the Definition I.
15.00-18.00
Workshops
Workshops
Coordinated by Roy Menarini
Giovanna Maina (Università di Pisa)
Re-enacting Porn Film in the Landscapes of Contemporary Pornography
Emmanuel Plasseraud (Université Lille 3)
Les Formes du désir
Enrico Biasin, Federico Zecca (Università di Udine)
Contemporary Audiovisual Pornography: Branding Strategy and Gonzo Film Style
Coordinated by André Gaudreault and Philippe Marion,
assisted by Pierre Chemartin
Nicolas Dulac (Université de Montréal)
Le Comic book à la rescousse d’Hollywood: sérialité, transmédiation et la rhétorique du crossover
Coordinated by Bregt Lameris and Simona Monizza
Bregt Lameris (Universiteit van Amsterdam), Simona Monizza (Nederlands Filmmuseum)
Re-exposing Restoration (1)
Coordinated by Bernard Perron
Bernard Perron (Université de Montréal)
Filming the Game
Alessandro Catania (University of Nottingham)
Watch, Play, Experience: The Immersive Media Spaces of Transmedia Storytelling and ARGs
Found Films
Michael Kuball (La Camera Stylo)
Found Films
Paolo Simoni (Home Movies/Università di Modena e Reggio Emilia),
Gianmarco Torri (Home Movies)
Memories Can’t Wait. Collecting, Presenting and Re-using Amateur Films
Workshop curated by
Associazione Home Movies – Archivio Nazionale del Film di Famiglia (Bologna)
Wednesday, April 1, 9.30-13.00
Thursday, April 2, 9.30-13.00
Paolo Cherchi Usai (Haghefilm Foundation, Amsterdam)
Found Film Footage and the Ideology of Authenticity
Angela Mengoni (Università di Siena)
La Production de l’indistinct: Cremaster Cycle de Matthew Barney
Discussion
Slobodan Valentincic (OM production Museum)
Curator Talk
Benjamin Weil (Freelance curator, artistic director of H BOX,
commissioning program of video of Hermès Foundation)
Curator Talk
Discussion
Break
Discussion
Break
André Habib (Université de Montréal)
Performing Ruins: Avant-garde Cinema and Performance (Remarks on the Work of Karl Lemieux)
Discussion
Andrea Babich (Nuova Accademia di Belle Arti, Milano)
The Evolution of Videogames Authorship Between Text and Context
Patrick J. Coppock (Università di Modena e Reggio Emilia)
“If it moves: shoot it!!” Comparing Enactive Immersion in Fruition of Computer Games, Simulations and
Cinematographic Possible Worlds
Discussion
15.00-18.00
Workshops
Coordinated by Patrick Coppock
Stefano Baschiera (University College Cork)
Videoplayers and Tv Series: a Case of Hyperidentities
Dario Compagno (Università di Siena)
Representing and Playing Fate: Steps towards a Rhetoric of Interaction
Andrea Dresseno (Cineteca del Comune di Bologna)
Cineteca di Bologna’s Videogame Archive: Preserving and Disseminating Videogame Heritage
Found Films
Jan Šikl (Praga Film)
Found Footage Film – Searching for the Human
15.00-18.00
Workshops
Coordinated by Andrea Babich
Marco Benoît Carbone (Scuola Superiore di Studi Umanistici, Università di Bologna)
Authors of Worlds. The Evolution of Authorship in Videogames in Comparison with the History of
Cinema
Giovanni Caruso, Alessandro Cavaleri, Mauro Salvador (Università di Bologna)
The Dilated Fruition: In Search of a Link Between Video-Gamers and Movie-Goers
Found Films
Annalisa Vio (Università di Modena e Reggio Emilia)
Web Archive ARAIE: a Dialogue Between Cinema and Education
Will Straw (McGill University)
Abject Colour and the Budget DVD Corpus
Workshops
Screenings
Coordinators:
Philippe Dubois (Université Paris III), March 28-29
Roy Menarini (Università di Udine), March 30
Bregt Lameris (Universiteit van Amsterdam), Simona Monizza (Nederlands Filmmuseum),
March 31-April 2
Friday, March 27, 21.00
Kinemax Gorizia, piazza Vittoria 41, Gorizia
Coordinators:
André Gaudreault (Université de Montréal), Philippe Marion (Université Catholique de
Louvain), assisted by Pierre Chemartin (Université de Montréal), March 28-30
Coordinators:
Bernard Perron (Université de Montréal), March 31
Patrick J. Coppock (Università di Modena e Reggio Emilia), April 1
Andrea Babich (Nuova Accademia di Belle Arti, Milano), April 2
Found Films
Coordinators:
Hans-Michael Bock (CineGraph, Hamburg), Jürgen Keiper (Deutsche Kinemathek, Berlin),
March 28-April 2
Animati
Anke Feuchtenberger, Somnambule, 24’
Gianluigi Toccafondo, La Piccola Russia, 16’
Cristiano Carloni, Stefano Franceschetti, Socìetas Raffaello Sanzio. “Tragedia Endogonidia” di Romeo
Castellucci, C.#01 Cesena, 20’
Curated by Stefano Ricci
Presented by Anke Feuchtenberger and Stefano Ricci
Guy Sherwin/Experimental Films
Short Film Series, 1975-1998, 18’ (titles include Metronome, Bicycle, Tap, Eye, Portrait with Parents)
Canon, 1977-2000, 4’
Animal Studies, 1998-2003, 16’ (titles include Cat, Gnats, Coots, Tree Reflection)
Flight, 1998, 4’
Man With Mirror, 1976 (2006), 10’
Film performance with mirrored screen
Presented by Guy Sherwin
Saturday, March 28, 21.00
Incontri/Meetings
Palazzo del Cinema/Hiša Filma, Piazza Vittoria 41, Gorizia, 18.00
Saturday, March 28
Anke Feuchtenberger
Sunday, March 29
Michelangelo Setola
Monday, March 30
Cristiano Carloni/Stefano Franceschetti
Tuesday, March 31
Stefano Ricci
Wednesday, April 1
Sara Colaone
Thursday, April 2
Davide Toffolo
Franz Winzentsen/Animation Films
Staub (Dust),1967, 5’
Flamingo, 1982, 19’
Die Anprobe (1938) (Trying It On (1938)), 1985, 14’
Die Königin des schwarzen Marktes (The Queen of the Black Market), 1988, 9’
Der Besenbinder, der Fotograf und der Koch (The Broom Maker, the Photographer and the Cook), 1997,
10’
Der Porzellanladen (Teil 1 und 2) (The China Shop (Part 1 and 2)), 1995, 22’
Presented by Franz Winzentsen
Apichatpong Weerasetakhul, Emerald, 2008, 11’
Philip Warnell, The Girl with the X-Ray Eyes, Phillip Warnell, 2008, 23’
Roee Rosen, The Confessions of Roee Rosen, 2008, 57’
Curated and presented by Jean-Pierre Rehm (FIDMarseille)
Sunday, March 29, 21.00
Mitchell & Canyon archive screening
Electric Edwardians
Piano accompaniment by Stephen Horne
Presented by Vanessa Toulmin
Bruce McClure, My Little Pugnacious Dog, Zipper!
Expanded cinema performance
Presented by Bruce McClure
Monday, March 30, 21.00
Thursday, April 2, 22.00
Kulturni center Mostovna, Cesta IX korpusa 99 A, Solkan
Phill Niblock/Experimental films
The Movement of People Working (China, Japan, Brasil), 1983-1988
Live sound performance
Davide Toffolo, Pasolini project 3.0, live drawing performance
Presented by Phill Niblock
Tonylight, 8bit live
Tuesday, March 31, 21.00
Carlos Casas/End Fieldworks
Siberian Fieldworks (Fieldworks #10), 2006-2008
Aral Fieldworks (Fieldworks #05), 2005
Patagonian Filedworks (Fieldworks #01), 2002-2008
Idiocracy, live media
Dj set
Dj Fake & Secret Guest
Visual: Scimmielucide
Soirée right to party in collaboration with Associazione Culturale Lucide
Whale Hunt (part of Siberian Fieldworks), 2008-2009, 40’
Live sound performance: Phill Niblock, One Large Rose
(Special Edit, World Premiere)
Presented by Carlos Casas
Naoyuki Tsuji/Animation Films
Wake up, 1992, 4’
The Rules of Dreams, 1995, 6’
A Feather Stare at the Dark, 2003, 17’
Trilogy About Clouds, 2005, 13’
Children of the Shadows, 2006, 18’
The Place, Where We Were, 2008, 6’
Curated and presented by Sergio Fant
In collaboration with BilBolBul – International Comic Festival, Bologna (Italy)
Courtesy Corvi-Mora Gallery, London
Wednesday, April 1, 21.00
Henk Kabos, Das musikalische Auto, 1942-1944, 8’
Frans Zwartjes, The Toilet, 1970, 3’
Matthijn Seip, Salad, 1972, 5’
Curated and presented by Simona Monizza (Nederlands Filmmuseum)
OM production movies/Mammoth Hunting
Marta Žnidaršič, Galactic Supermarket Presents Cosmic Rainbows, 1977, 15’
Emannuel Gott-Art, Aura/In Aurovision/, 1978, 9’
Ismailhači Cankar, Yin-Yang, 1977-1978, 6’ (3D performance)
Zend Kommandoh, Gate Gate Paramgate/Velika pot nima vrat (The Great Path
Has No Gates), 1977-1978, 5’ (3D performance)
Veronique Gartenzwergel, Mangiafuoco, 1979, 5’ (performance)
Amanda Fior Daliso, Tetraplan, 1981-1985, 29’
Frančiška Knoblehar, Dislocated Third Eye Series: Next Movie – High Noon
(Hommage To Fred Zinnemann’s High Noon), 1983-1984, 15’ (performance)
Curated by Sergio Fant and Alojz Sever (OM production)
Presented by Slobodan Valentincic (Curator of OM production Museum)
Installation
March 28- April 2
Socìetas Raffaello Sanzio. Tragedia Endogonidia by Romeo Castellucci
video memories by Cristiano Carloni, Stefano Franceschetti
11 episodes: C.#01 Cesena, A.#02 Avignon, B.#03 Berlin,
BR.#04 Bruxelles/Brussel, BN.#05 Bergen, P.#06 Paris, R.#07 Roma, S.#08 Strasbourg,
L.#09 London, M.#10 Marseille, C.#11 Cesena, 341’
FILM FORUM 2009
Udine/Gorizia/Gradisca
XVI International Film Studies Conference
Permanent Seminar on History of Film Theories
VII MAGIS – International Film Studies Spring School
Università degli Studi di Udine
Facoltà di Lettere e Filosofia
Facoltà di Lingue e Letterature Straniere
Université de Paris III, UFR Cinéma
GRAFICS, Groupe de recherche sur l’avènement et la formation
des institutions cinématographique et scénique, Université de Montréal
CineGraph, Hamburg
Dipartimento di Scienze della comunicazione e dello spettacolo, Università Cattolica del Sacro Cuore, Milano
IPPCVA (Ideation, Preservation, Presentation of Contemporary Visual Arts)
Dottorato Internazionale in Studi Audiovisivi: Cinema, Arti Visive, Musica, Comunicazione
Laurea Specialistica Congiunta in Discipline del Cinema/Etudes Cinématographiques
MACRO (Media Art Centre of Research and Observatory)
Dipartimento di Storia e Tutela dei Beni Culturali
Dipartimento di Lingue e Civiltà dell’Europa Centro-orientale
Corso di Laurea DAMS, Gorizia
Centro Polifunzionale di Gorizia
Scuola di Specializzazione in Storia dell’Arte, Udine
Corso di Laurea in Mediazione culturale – Lingue dell’Europa centrale e orientale
Corso di Laurea in Relazioni Pubbliche, Gorizia
Corso di Laurea in Scienze e Tecnologie Multimediali, Pordenone
Corso di Laurea Magistrale in Comunicazione Multimediale, Pordenone
Centro Studi Amidei, Gorizia
CINEMANTICA, Laboratorio Cinema e Multimedia, Udine
LA CAMERA OTTICA, Film and Video Restoration, Gorizia
CREA, Centro Ricerca Elaborazione Audiovisivi, Gorizia
Direzione Generale per il Cinema – Ministero per i Beni e le Attività Culturali
Provincia di Gorizia
Consorzio per lo Sviluppo del Polo Universitario di Gorizia
Comune di Udine
Provincia di Udine
Comune di Gorizia
Comune di Gradisca d’Isonzo
Cineteca del Comune di Bologna/Laboratorio “L’immagine ritrovata”, Bologna/CEC, Centro Espressioni
Cinematografiche, Udine/La Cineteca del Friuli, Gemona/Transmedia, Gorizia/Premio “Sergio Amidei”,
Gorizia/Mediateca.GO “Ugo Casiraghi” Mediateca Provinciale di Gorizia – Goriška pokrajinska
mediateka/Le Giornate del Cinema Muto, Pordenone/Cinemazero, Pordenone/Associazione Home Movies –
Archivio Nazionale del Film di Famiglia/Associazione culturale Lucide
British Film Institute/Cinémathèque Française/Deutsche Kinemathek/Edgar Reitz Filmproduktion/Jeonju
International Film Festival/Les Films du jeudi/Lightcone/Nederlands Filmmuseum/Österreichisches Filmmuseum
In collaborazione con le riviste:
“CINEMA & Cie” e “Cinergie. Il cinema e le altre arti”
http://udineconference.uniud.it

Untitled - filmforum festival 2016

Transcript

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