l veFlorence
Transcript
l veFlorence
l i v i n g & s t u d y i n g i n f l o r e n c e - m a y / j u n e 2 0 1 2 l veFlorence pitti immagine amerigo vespucci boboli gardens Events & exhibitions Restaurants, Nightlife & Wellness may/ june 2012 Welcome Amerigo Vespucci events Pitti Immagine Firenze Gelato Festival Fabbrica Europa Classical Music Pop Music Exhibitions LoveFlorence Year #10 – Issue #3 May/June 2012 Free magazine for international students also published online at www.loveflorence.it Editorial office: [email protected] Advertising inquiries: [email protected] Tel. +39.055.412199 Japan Land of Enchantment The Tapestry Gallery American Dreamers American in Florence From Fattori to ‘900 Art returns to Art Fabulae Pictae The Gleam of Gold Folklore Calcio Storico Fiorentino The Feast of St. John 4 10 28 30 32 34 16 20 22 23 24 25 26 27 36 40 The Publisher is pleased to acknowledge the authorship and author’s rights of any photos whose source it has not been possible to trace. While every care has been taken to ensure accuracy, the publisher cannot be held responsible for any errors or changes in the information provided. itinerary Published by MEGA REVIEW Tel +39.055.412199 Nightlife Reviews 58 CIty MAP 62 2 Boboli Gardens A day of exploration Wellness Wellness Reviews gourmet Gourmet Reviews nightlife 42 48 52 56 welcome Amerigo Vespucci A man of science and adventure I f the arrival of Columbus in the Bahamas (October 12th 1492) was the first significant episode in the discovery of the New World, without doubt Amerigo Vespucci was the first to realize that these new lands were not parts of the Asian continent, but instead part of a completely new one; in spite of this, it was not until the twentieth century that his role in the history of the discovery of America was finally recognized. Amerigo Vespucci was one of the earliest and most important transoceanic navigators and explorers of the new world. Born in Florence on March 9th 1451, 4 the third son of Ser Nastagio, a Florentine notary, he first studied literature and philosophy and only later devoted himself to the study of physics, geometry, astronomy and cosmography, making rapid progress in these sciences. After his father’s death in 1483, Amerigo became the supervisor for the commercial interests of the Lorenzo di Pierfrancesco de’ Medici bankers, best known for having commissioned the Birth of Venus and the Spring by Botticelli. Backed by the Medici, he moved to Seville to deal with the family’s financial affairs in 1492. The successful voyages of Christopher Columbus increased Vespucci’s desire to take a part in the general European above: Universalis Cosmographia, Waldseemüller’s 1507 world map which was the first to show the Americas separate from Asia 5 movement to seek a western passage to the Indies. The discovery of America was due to the failure of the crusade against the Turks attempted by Pius II. At that point Europe felt the necessity of reaching the East by another route, in other words, by travelling westwards, an idea that became the guiding star for navigators in that period. Spain and Portugal realised that the time had come to take Italy’s place as the commercial intermediary between Europe and Asia and this was the starting-point for many navigators and adventurers, seduced by the desire of being the executors of this great enterprise. Columbus was the first to reach land to the west, though he was convinced that he had reached one of the islands of eastern Asia. He was followed by Vespucci, Cabot, and many others, each hoping to be the one to reach the land of spices, in other words, India. Amerigo Vespucci’s transoceanic journeys proved the existence of the new American continent. The first journey was perhaps really a trading trip that came to land on the Guajira peninsula in Colombia and later reached the lagoon of Maracaibo, which Vespucci describes as follows: “We entered a bay and found a city-like village built on the water like Venice; it was composed of twenty large houses, fairly close together, that were built and founded on strong stilts. Each house had a drawbridge in front of the entrance, which could be used to pass from one house to 6 the next, as if they were joined together.” This description may have given rise to the name - Venezuela - that was later given to this country. The 1499 expedition was the first real exploratory journey. Vespucci left Cadiz on May 16th 1499 and reached the coast of what is now Guyana. Turning south, he is believed to have discovered the mouth of the Amazon River and to have gone as far as Cape St. Augustine. On the way back he reached Trinidad, sighted the mouth of the Orinoco River, and then made for Haiti. He landed again in Cadiz on October 15th 1498. Vespucci thought he had sailed along the coast of the far eastern peninsula of Asia. As soon as he was back in Spain, he equipped a fresh expedition with the aim of reaching the Indian Ocean, the Gulf of the Ganges and the island of Ceylon. But the Spanish government did not welcome his proposals and, at the end of 1500, Vespucci offered his services to Portugal. Backed by Portugal, Vespucci completed a second expedition, which set off from Lisbon on May 13th 1501. After a halt at the Cape Verde Islands, the expedition travelled southwestward and reached the coast of Brazil near Cape St. Augustine. The remainder of the voyage is disputed, but Vespucci claimed to have continued southward, and he may have sighted Guanabara Bay (the bay of Rio de Janeiro) and sailed as far as the Rio de la Plata, making him the first European to discover that estuary. Vespucci’s ships anchored in Lisbon on July 22nd 1502. As he continued to travel further and further south alongside the American continent, he was able to observe the enormous size of the South American coast and thus deduce the vast land mass: a “New World”, unknown to the geographers of antiquity and above: Portrait of Amerigo Vespucci previous page: Statue of Amerigo Vespucci in the Uffici Arcade 7 below: Waldesmüller was the first cartographer to identify America as a separate continent, and named it after Amerigo Vespucci. 8 the Middle Ages and, up until then, identified as the far limb of Asia. It is uncertain whether Vespucci took part in any more expeditions for the Portuguese government (though it is said that he may have accompanied Gonzalo Coelho). In any case, that particular expedition contributed no fresh knowledge. Although Vespucci subsequently helped to prepare other expeditions, he never again joined one in person. The accounts of his travels, published in the first decade of the 16th century, satisfied a desire for knowledge that was stimulated by the geographical explorations of time and provided an initial response to the key questions posed by the Columbian discovery. The first account, “Mundus Novus” in Latin, describes Vespucci’s voyage of 1501 and emphasised the physical or anthropic geography of the New World, with a description of the American natives that also repeats and unifies the impressions of other travellers. When it was printed the little booklet was such a success that it became one of the first real best-sellers in history; we only need remember that twelve editions in Latin and thirteen in other languages were carried out in only four years. When Martin Waldseemüller reprinted the “Quattuor Americi navigationes” (Four Voyages of Amerigo) in 1507, he gave the the New World the name of America, saying that, as the three continents then known, Europe, Asia, and Africa, bore the names of women, it was only right to give the newly-discovered continent the name of a woman too, and took it from Vespucci, the baptismal name of the discoverer of the new world. Vespucci was certainly held in high esteem in Spain, where he settled after his voyages in the service of Portugal. A royal decree of April 14th 1505 gave him Spanish naturalization and later, in a decree of August 6th 1508, he was nominated “Piloto mayor de castilla”, a title corresponding to our modern Lord of the Admiralty, that made him responsable for organising expeditions and training mapmakers and pilots, which included teaching them how to use the sextant and the astrolabe. Vespucci’s third voyage to the New World was his last because he contracted malaria and died in 1512 in Spain at the age of 58, far from his native Tuscany, Amerigo, a tertiary Franciscan without descendants, left all his worldly goods to his Andalusian wife, Maria Cerezo. below: Map of the New World by Sebastian Münster, 1561, showing the name “Atlantic Island” 9 EVENTS PItti uomo Pitti Immagine: Fashion in Florence P itti Uomo once again confirms the level of its proposals, thanks to the presence of over 950 brand names, plus another 70 collections for women presented at the Customs House by Pitti W. The greatest fashion houses choose Pitti Uomo and Florence to present their collections and special projects in order to consolidate worldwide strategies at the beginning of the season. Patricia Urquiola’s arrangement for this edition of Pitti Uomo contains an increasing number of transversal proposals and the birth of new Pop Up Stores, with a focus on specific products that, yet again, offer buyers new display models. On the one hand we can find the Lower Floor, with collections that express a refined fusion between classical research and deluxe sportswear and, on the other, the Penthouse Floor, whose protagonists are the leading names in the new classic styles, like Kiton, Herno, PT01 and Sartorio, who stand out for their exclusive materials and workmanship. Then there is the Ground Floor, which offers a route through the various collections that partly interacts with the world of sportswear (Cavaniglia Pavilion), and partly with research into fashion district collections (in the Futuro Maschile, Touch!, L’Altro Uomo sections). 10 11 These range from accessories, like footwear, handbags, jewellery and eyeglasses, to perfumes and beauty, without however forgetting pocket technology, now an integral part of the wardrobe of the contemporary male. The Pop Up Stores respond to the needs of discerning buyers looking for personal combinations of products and styles and aim to facilitate the dialogue and interaction of products with the fashion collections. The Touch! monogram is a combination of research and internationalisation: from the first this sector has concentrated on the more eclectic proposals for the contemporary man’s wardrobe and on more visionary styles, capable of mixing materials in demand from the past, plus traditional contents with a touch of eccentricity. Touch! proposes the best avant-garde elegance for men today and presents itself as a meeting point for research fashion stores. Pitti W More at: < www.pittimmagine.it > P pitti W 10° DOgana Via Valfonda itti W10, the fair-event devoted to special projects for women’s fashion will be held in Florence concomitantly with Pitti Uomo 82. An exclusive selection of around 70 international brands will present absolute premieres of their 2013 spring-summer collections and capsule collections in the Dogana on Via Valfonda, next to the Fortezza da Basso. Pitti W continues to keep ahead of the game by strategically launching previews, specific projects and capsule collections for women’s fashion at the beginning of the season when the buyers’ budgets have not yet been allocated. Pitti W aims to consistently offer proposals that are directed towards a high level target group of boutiques and stores with a high stylistic content from the world of fragrances to vintage, to contemporary jewelry. June19th-22nd June19th-22nd Pitti uomo 82° Fortezza da BAsso Viale Strozzi, 1 12 12 13 Pitti Bimbo Pitti Filati & Vintage Collection More at: < www.pittimmagine.it > More at: < www.pittimmagine.it > P itti Bimbo rules as the only trade fair in the world that presents a complete overview of children’s fashions combining it with an extraordinary platform for presenting the new lifestyle trends for kids. From the classic-elegant look of the big names at Pitti Bimbo, to the sportswear at Sport Generation, from the creativity of the brands in the New View and EcoEthic sections to urban couture at Super Street, plus design items and textiles for the young set, up to the avant-garde collections at Apartment – it’s all here at Pitti Bimbo and shown via the myriad links connecting contemporary art, food & design and fashion. The core offering of Pitti Bimbois enriched with items that are part of the young set’s lifestyle: jewelry, fragrances, eyewear, furnishing items, bags and travel accessories. June 28th-30th PITTI BIMBO 75° Fortezza da BAsso Viale Strozzi, 1 14 P itti Immagine Filati is the main international event for the knitting yarn industry. A research lab and an observatory on global lifestyle trends, Pitti Filati presents world scale excellence in yarns to an audience of buyers and designers and for the major fashion brands who come to Florence looking for new creative inputs. This edition of Pitti Filati will be featuring previews of knitting yarn collections for the 2013/2014 Fall Winter season. The experimental lab this year will explore the relationship between people and the rural environment through FUTURURAL, the theme-title for this edition. Pitti Filati will also host Vintage Selection inside the Stazione Leopolda, Vintage Selection is a research lab that looks to the past, a huge archive that designers dip into to find inspiration for their new collections. July 4th-6th PITTI FILATI 71° Fortezza da BAsso Viale Strozzi, 1 VINTAGE COLLECTION 20° STAZIONE LEOPOLDA Porta a Prato 15 Exhibitions JApan land of enchantment A grand event dedicated to the arts and culture of the Far Eastern archipelago more at: < www.palazzostrozzi.org > P alazzo Pitti will celebrate Japan, her art, her culture, and her traditions, in the most representative rooms of its museums with three exhibitions grouped under the title, Japan Land of Enchantment. The event will be articulated in three distinct shows, each hosted in the different museums of the Palazzo. The Museo degli Argenti will host the exhibition, About Line and Colour. The show will trace the evolution of threehundred years of Japanese art through works of exquisite quality. Painting, calligraphy, sculpture, lacquer ware, ceramics, metals and fabrics, in a refined kaleidoscope of “lines and colours”. Japanese artists have indeed seduced the Line, making it their own, as it dances in empty spaces and fills with joy in full spaces, though without renouncing 16 17 the cultivation of colour, which captures space and imposes its rhythm. Among the most important works on loan from Japan are two splendid folding screens and scrolls by Sakai Hitsu, Suzuki Kiitsu, Ike no Taiga, and It Jakuch, a vase by potter Nonomura Ninsei and costumes for Noh Theatre, the famous “Murakumo” tea bowl by Hon’ami Koetsu, and the series of twelve plates by Ogata Kenzan. In the large cities of Japan (Tokyo, Osaka and Kyoto), the peaceful Edo Period (1615-1868) witnessed the contemporary development of another culture, it too, very refined and tied to the merchant class. This was the Ukiyo culture, the “Floating World”. A section of the exhibition is dedicated precisely to the artistic forms preferred by this category of citizens who were assiduous patrons of the Pleasure Districts and loved beauty and elegance above all things. The Sala Bianca in the Galleria Palatina will host the excellence of modern and contemporary Japanese art in the exhibition entitled, The Elegance of Memory. Decorative Arts in Modern Japan, this exhibition purposes to illustrate how the legacy of the Japanese artistic tradition has evolved until today, giving rise to a new form of aesthetic expression. Almost all of the artists represented in the show have been designated “National Living Treasures” by the Japanese government, a recognition that the government has assigned since 1950 in order to safeguard the artistic techniques and abilities whose survival is at risk, through special forms of protection and support. This practise shows just how much the Japanese value preserving their origins and artistic traditions. The Sala del Fiorino in the Galleria d’arte moderna will host the exhibition section dedicated to Japonism entitled, Japonism. Suggestions of the Orient between the Macchiaioli and the 1930s. A group of works executed between the 1870s and the 1940s by absolute protagonists of Italian art, such as Giovanni Fattori, Telemaco Signorini, Giuseppe De Nittis and Mariano Fortuny, in which we perceive the clear influence of Japanese art. April 3rd - July 1st JAPAN: land of charms palazzo pitti - Piazza Pitti, 1 - 055.23885 18 19 the tapestry gallery More at: < www.unannoadarte.it > T his tapestry exhibition is designed to introduce the general public to a valuable sector of the gallery whose ancient and noble reputation has suffered somewhat from having been closed to visitors in recent decades. Several superb series of tapestries were removed from the Gallery’s corridors for those very reasons in 1987, after adorning them with their magnificent elegance for decades. They were placed in storage rooms specially equipped for their conservation, and they are to remain there until the rooms on the ground floor designed for them to be displayed in rotation are ready. For this exhibition we have picked seventeen tapestries from some of the most impressive series in the grand-ducal collections, which point up the quality of the manufactories and illustrate festivities at the French court, mythological scenes, the seasons and the Passion of Christ, almost like sacred and profane staging posts in a sequence of interwoven scenes and borders. Examples of the celebrated Flemish 16th century tradition sit side by side with local Florentine work, introduced by Cosimo I de’ Medici in 1545 in a move to establish an independent manufactory, which was subsequently closed down by the House of Lorraine in 1738. The distinctive feature of these tapestries lies in the richness of their weave and of the materials used to produce them, as a comparison between those already restored and those still awaiting restoration clearly demonstrates. Last but not least, the panels explaining both how tapestries are made and how they are restored will allow you to appreciate the complexity of each single operation and the outstanding skill of the Florentine school of restoration, which is quite simply one of the best in the world. March20th - June 3rd LA GALLERIA DEGLI ARAZZI EPIFANIE DI TESSUTI PREZIOSI Uffizi Gallery - Piazza degli Uffizi 055.2645155 20 21 american dreamers Americans in Florence More at: < www.strozzina.org > More at: < www.palazzostrozzi.org > D T oes the “American dream” still exist? Since 11 September 2011 the United States of America has witnessed the collapse of its sense of invulnerability and security, but the ability to dream and the will to believe in the future have maintained their central place in the idea of “being American”. The exhibition comprises a reflection on the work of artists who use fantasy, imagination and dreams to build alternative worlds to the increasingly complex reality of life today. Some condense the essence of reality into miniaturised systems while others expand outwards into space, and yet others feed on fantastic, dreamlike images or reflect on such symbolic themes as the home and the family, or the mass media imagery, which play even today a central role in the construction of the myth of the American way of life. he exhibition explores the American impressionists’ relationship with Italy, and with Florence in particular, in the decades spanning the close of the 19th and dawn of the 20th centuries. There was a marked upswing in the number of American artists travelling to Europe after the Civil War ended. Italy was an inescapable pole of attraction for most of them. Florence, Venice and Rome had been at the heart of the Grand tour for centuries and had become legendary for all those eager to study the art of the past. The exhibition will contain works by painters who were crucial masters for the younger generations: men such as Winslow Homer, William Morris Hunt, John La Farge and Thomas Eakins.These will be followed by the great forerunners, artists who could boast of strong cosmopolitan leanings. March 3rd - July 15th March 3rd - July 15th americans in florence Palazzo Strozzi Piazza Strozzi 055.2645155 american dreamers CCCS Strozzina Piazza Strozzi 055.2645155 22 23 from Fattori to ‘900 art returns to art More at: < www.bardinipeyron.it > More at: < www.unannoadarte.it > A A large and valuable collection is on display at Villa Bardini with over 100 paintings by famous authors including Fattori, Signorini, Giuseppe Abbati, Eugenio Cecconi, Vito D’Ancona, Oscar Ghiglia, Ulvi Liege, Llewelyn Lloyd. From the first painting of the Macchiaioli group up to the late from the first half of the twentieth century. The collection, begun Giovanni del Greco, and increased significantly by Alexander Olschki Roster at the turn of the century, today boasts beautiful works through which you can recall a fascinating journey through the Tuscan of the nineteenth and twentieth centuries. A fascinating journey tracing the fervor of the battles of the Risorgimento, and walking the landscape and streets of a distant Florence, as well as capturing beautiful scenes of family intimacy. rt returns to Art is an expression Luciano Fabro coined for a series of lectures he held between 1981 and 1997 at universities, academies and museums all over the world. A discourse on the origins and the persistence of models in the History of Art. The Academy Gallery will host this imaginary route juxtaposing its important collection of fourteenth-century Florentine painting next to contemporary art masterpieces. The shortlist of the artists who will be showing include names of the highest level, such as: Francis Bacon, Marcel Duchamp, Luciano Fabro, Hans Peter Feldmann, Gilbert and George, Antony Gormley, Yves Klein, Sol Le Witt, Piet Mondrian, Giulio Paolini, Claudio Parmiggiani, Giuseppe Penone, Pablo Picasso, Michelangelo Pistoletto, Robert Rauschenberg, Gerhard Richter, Alberto Savinio, Thomas Struth, Bill Viola, and Andy Warhol. April 1st - November 4th May 4th - November 4th. da fattori al novecento villa bardini - Costa San Giorgio, 2 055.22638599 24 art return to art academy gallery Via Ricasoli, 58-60 - 055.2388612 25 Fabulae Pictae More at: < www.unannoadarte.it > M useo Nazionale del Bargello proposes an exhibition dedicated to Renaissance “istoriata” maiolica, the tin-glazed earthenware featuring narrative scenes and/ or figurative subjects, which dates from this period, and its direct dependency on literary, historical and figurative sources. The first section is dedicated to themes from classical mythology, and the other to several episodes from ancient history. The exhibition will offer visitors the possibility to perceive the far-reaching and multiform dependency of historiated maiolica on great Renaissance models, especially those borrowed from painting. his year, the rooms on the main floor of the Galleria degli Uffizi will host an important exhibition that intends to reconstruct the panorama of Florentine art in the wonderful and crucial period that extended roughly from 1375 to 1440. The exhibition itinerary will follow a chronological order and begin from works by the greatest interpreters of the final phase of the fourteenth-century tradition. These artists include Agnolo Gaddi, Spinello Aretino, Antonio Veneziano, Gherardo Starnina and Lorenzo Monaco. Following the death of Starnina, Monaco was left the greatest Florentine painter to propose his own very personal version of the late gothic style. May16th - September 16th June 19th - November 4th Fabulae Pictae Renaissance Maiolica Museo Nazionale del Bargello Via del Proconsolo, 4 - 055.2388606 26 THE GLEAM OF GOLD More at: < www.palazzostrozzi.org > T THE GLEAM OF GOLD - THE INTERNATIONAL GOTHIC STYLE IN FLORENCE. 1375-1440 Uffizi gallery - Piazzale degli Uffizi 055.2388606 27 firenze gelato festival more at: < www.firenzegelatofestival.it > F irenze Gelato Festival will be opening once again to the delight of all the visitors to the city as it means they can enjoy an unforgettable multi-sensory experience in the world of taste. The varied programme of events and initiatives include the chance to taste many innovative experimental flavours by young master icecream makers, lessons in the Carpigiani Icecream University laboratories or in more spectacular show cooking, and exhibitions dedicated to the history of icecream. Apart from this there will be entertainment, music and plenty of surprises for all ages. The route follows all the most important squares in Florence: the Village of the Master Icecream Makers can be found in Piazza Santa Maria Novella and offers a selection of the best master icecream makers from Italy and abroad who will prepare their special icecream flavours in front of the public; Piazza Strozzi will host the Fior Fiore Coop Village with a choice of icecreams prepared with selectioned ingredients and following the traditional preparation techniques; while the Sammontana Village in Piazza della Repubblica offers you the chance to taste real Italian-made industrial icecream. The festival will also evolve in the many participant icecream parlours scattered through the city where you can taste their own exclusive and “specially invented” flavours for the Festival. Icecream, Food, Culture. You can taste icecream in all its forms at Firenze Gelato Festival 2012: from icecream cocktails to cool you off on the warmest evenings, prepared with taste and originality by the best barmen, to gastronomic routes. Some of the most famous names in cooking in fact will be giving demonstrations at the Carpigiani Icecream University laboratory every afternoon in Piazza Santa Maria Novella on how it is possible to move on from the traditional conception of the ice cream in the cone and in the cup, to “cooking icecream”, by integrating it in recipes and with various matches. Real connoisseurs also have the option of buying the best Italian products used as ingredients in the flavours proposed at the Icecream Shop on the Festival route. This year festival’s main sponsor Sammontana will contribute to the recovery of one of the landmarks of Florence’s artistic heritage: the artistic lighting restoration of the Great Buontalenti Grotto in the Boboli Gardens, which will be inaugurated during the final days of the Festival. March 23th - 27th. firenze gelato festival Piazza Santa Maria Novella - Piazza Strozzi - Piazza della Repubblica 055.47891225 28 29 fabbrica europa 2012 more at: < www.ffeac.org > F fabbrica europa STAZIONE LEOPOLDA Viale F.lli Rosselli Porta Al Prato 055.2638480 30 or the XIX edition the International Festival of contemporary stage arts Fabbrica Europa presents a particularly varied and complex programme with many national premières and original creations. From its catalyzing historical centre, the Stazione Leopolda, it will stretch out across the city of Florence with events in other spaces and performing actions. The objective is to bring alive a real map of the contemporary scenario in order to involve and spread cultural action not only to the wide public of the Festival, but also to the still wider “man-in-the-street” population. Thus, at Stazione Leopolda the public will have the possibility to discover the most recent and interesting contemporary expressions of dance, music, theatre. The project POST ELETTRONICA investigates territories of “postelectronic” experimentation presenting performances by artists who share a dramatic and gestural use of new technologies. May 3rd - 13th 31 Classical Music DER ROSENKAVALIER Music Richard Strauss, Conductor Zubin Mehta, Director Eike Gramss. Zubin Mehta inaugurates the 75th edition of the Maggio Musicale Fiorentino staging one of the masterpieces of the musical culture of Central Europe, the Rosenkavalier by Richard Strauss and Hugo von Hofmannsthal. 4 May - 18.00 - 6 May - 15.30 - 8, 11 May - 19.00 - Teatro Comunale - Corso Italia, 16 - Firenze Radu Lupu Radu Lupu Pianoforte in collaboratioon with Teatro del Maggio Musicale Fiorentino. F. Schubert: Quattro Improvvisi op.142 D935. C. Franck: Preludio, Corale e Fuga. C. Debussy: Préludes, Libro II. 5 May - 20.30 - Teatro Comunale Corso Italia, 16 - Firenzee Zubin Mehta Conductor Zubin Mehta, Orchestra e Coro del Maggio Musicale Fiorentino celebrates the memory of Amerigo Vespucci. 32 Heitor Villa-Lobos: Bachianas Brasileiras n. 9 for coro solo. Alberto Ginastera: Variaciones Concertantes op. 23. Antonín Dvořák: Sinfonia n. 9 in E minor op. 95 From the New World. 10 May - 20.30 - Nuovo Teatro dell’Opera di Firenze - Viale Fratelli Rosselli 1 - Firenze FOUR | A NIGHT WITH JOHN CAGE Maggio Musicale Fiorentino celebrates the centennial of the birth of John Cage. CAGE & DUCHAMP: Antoine Alerini piano; CAGE & VOICES: Monica Benvenuti voice, Tempo Reale Electroacoustic Ensemble directed by Fabio Lombardo with live electronics by Francesco Ca -sciaro; CAGE & NAM JUNE PAIK: Carlo Failli clarinet, Duccio Ceccanti violin, Vittorio Ceccanti cello; Sergio De Simone fender piano and Contempoartensemble directed by Mauro Ceccanti; CAGE & NUMBERS: Jonathan Faralli percussions, Live electronics Francesco Giomi. 13 May - 20.00 - Stazione Leopolda Viale Fratelli Rosselli, 5 - Firenze THE FOUR TEMPERAMENTS VERKLÄRTE NACHT Two masterpieces of the twentieth century for MaggioDanza: Verklarte nacht op. 4 one of the early composition by Arnold Schoenberg with the new coreography by Susanne Linke. The Four Temperaments ballet in 4 variations by Paul Hindemith, in the classic coreography by George Balanchine. 17, 18, 19 May - 21.00; 20 May 15.30 - Teatro della Pergola - Via della Pergola, 18 - Firenze Tuscan Sun Festival 2012: on Tuesday, 12 June, Eugene Kohn on the podium of the Orchestra of the Maggio Musicale Fiorentino will conduct a concert that will have the soprano Angela Gheorghiu and the tenor Saimir Pirgu. Director Eugene Kohn, Orchestra del Maggio Musicale Fiorentino, In collaboration with The Tuscan Sun Festival 2012 12 June - 20.30 - Nuovo Teatro dell’Opera di Firenze - Viale Fratelli Rosselli 1 - Firenze LA METAMORFOSI Premiere of the new contemporary opera composed by the young italian composer Silvia Colasanti based loosely on Kafkaesque Metamorphosis. Booklet Pier’Alli, Music Silvia Colasanti. 22, 24, 25 May - 20.30 - Teatro Goldoni- Via Santa Maria, 15 - Firenze LA TRAVIATA The highly anticipated debut on the Florentine stages of director Andrea Battistoni is certainly another reason for the revived interest in this Traviata. Not appreciated on its debut on March 6, 1853, at La Fenice in Venice, La traviata by Giuseppe Verdi resourced quickly, gaining a huge success making it perhaps the most beloved Opera of all time. 20, 21, 25, 26 June - 20.30; 23 June 15.30 - Teatro Comunale - Corso Italia, 16 - Firenze Angela Gheorghiu An event outside the Festival will create a liaison between the 75th Festival of the Maggio Musicale Fiorentino and The 33 Pop Music Steven Stapleton Nurse With Wound International Feel Festival closes with an Italian premiere, the performance of Nurse With Wound’s Steven Stapleton, by 1978 the project of experimental music who in recent years has made over 100 albums and put togehter an impressive list of collaborations including Coil, Current 93, Whitehouse, Jim Thirlwell (aka Foetus), Faust, Larsen, Stereolab, Jim O ‘Rourke, Christoph Heemann, Cyclobe. May18th - 21.30 - Museo Marino Marini - Piazza San Pancrazio - Firenze CURSIVE Between the more influential and longest standing american indierock band, one of the real pillars of nowadays stars and stripes indie rock, will return to italy for an unmissable date, the band from Omaha, Nebraska will stage its new (seventh) album (I am Gemini) out for the cult label Saddle Creek. May18th - 21.20 - Viper Theatre - Via Pistoiese/Via Lombardia - Firenze 34 bruce springsteen Bruce Springsteen confirms the tour in Italy for the summer of 2012 scoring 3 different events in Milan, Florence and Trieste. The Boss will run the peninsula with his famous E-Street band with his adrenalinebased show playing both the evergreen from his repertoir and the new songs June 10th - 21.00 - Stadio Artemio Franchi - Viale Paoli - Firenze madonna During her phenomenal career, Madonna has racked up a record 37 top ten singles in the Billboard Hot 100 Singles Chart, and 40 number one on the Billboard Dance / Club Play Song Charts. No other artist goes beyond these figures. Madonna has sold over 300 million albums and has the record for most successful tour by a solo artist. This singer, songwriter and producer, has won seven Grammys and became part of the Rock & Roll Hall of Fame. June16th - 21.00- Stadio Artemio Franchi - Viale Paoli - Firenze Chris Cornell All European fans will have the chance to see the famous grunge icon in a definitely intimate atmosphere playing unplugged. The much anticipated acoustic Songbook Tour will be based on the format of “storyteller”, in which Cornell will interact with the public by sharing emotions in music. Considered “one of the best voices in music history”, Cornell managed to maintain his unique identity over more than two decades, winning several Grammys and receiving several nominations at the Golden Globe. June 29th - 21.30 - Cavea del Nuovo Teatro dell’Opera di Firenze - Viale Fratelli Rosselli - Firenze radiohead Along 8 albums and a nearly 20 years career Radiohead have fused alternative rock to art rock, electronic to punk, pop to psychedelia, becoming one of the most influential bands - for critics, musicians and audience - in recent decades. Through electronic rhythms, an alienating voice and visionary lyrics, the Oxford band has created a soundtrack for the current century. After 4 years the Italy will be the first stop of their new european tour. July 1st - 21.00 - Parco delle Cascine - Firenze morrissey Morrissey, the British indie pop king will be in concert July 11th at the Cavea of the new Opera House in Florence, an event that is part of the Live On Festival. Morrissey returns to Italy after a long absence, the iconic British pop Oscar Wilde that, thanks to his poetry and his musical genius started the indie scene as we know it today. The British artist will perform the hits of his solo career began in 1988 with the album “Viva Hate”, which still represents a milestone indie pop made in UK. An event that all lovers of good music can not miss! July 11th - 21.30 - Cavea del Nuovo Teatro dell’Opera di Firenze - Viale Fratelli Rosselli - Firenze 35 folklore calcio storico fiorentino When real men play T he folklore and the history of Florence is most represented with the celebration of St. John the Baptist which occurs every year in June. It is during this time that the annual tournament of “Calcio Storico“ occurs. Calcio Storico is a traditional game that many Florentines hold true to their heart. The game dates back to the Reniassance times in Italy and was used as a method to train troops by testing their strength and endurance. The tournament is now an all out battle between four different squads that represent different areas of the city. The sport is a mixture of soccer and rugby and the style of play attracts both Florentines and visiting tourists who admire the “anything goes” stategy of play. There are in fact, no rules for this game which allows the players to do what ever they feel nececssary to win for their neighborhood. The main goal of the match is to score a “caccia“ or a goal, however there are fights during the game where the ball is no where in sight. Games are typically about 50 minutes long and there are 27 players on each team. For the matches, Piazza Santa Croce is filled with sand and transformed into the site of play for the tournament. There are two preliminary matches that are played and the championship 36 37 torneo del calcio storico 2012 piazza santa croce 16th June: Bianchi -Verdi 17th June: Azzurri - Rossi 24th June: Final Match 38 takes place on June 24th concluding the festival. The matches commence after a parade through the city. Viewing the parade you will see each of the four squads donning Reniassance style clothing for their uniforms. The teams each represent four different quadrants in the city where the calcio players reside. The white team is from Santo Spirito, blue is from Santa Croce, red is Santa Maria Novella, and green is San Giovanni. There are many differing opinions about Calcio Storico in Florence. Many believe that the fighting style of play represents the city of Florence in a negative manner as many Florentines feel that it represents the history and cultural roots of the city. If you are in the city for the celebration, head over to Piazza Santa Croce for the championship game. It is a sport unlike any other and is something you will not want to miss! the feast of St. John the Baptist J oin the locals for Florence’s most important feast day on June 24th. St. John was chosen as the city’s Patron Saint in Lombard times, replacing its former protector Mars. The day opens with the solemn procession of the Cathedral clergy, followed by the offering of a candle for the feast of St. John, a tradition that has survived to this day. Other events include the rowing regattas along the Arno and the San Giovanni Nocturnal Race, a marathon on Saturday June 23rd at 9pm. The traditional fireworks over the Arno date from the 17th century, they are always very popular among the Florentines, who crowd the bridges and the banks of the Arno to enjoy their own special event, though afterwards they are quite capable of saying that the fireworks were nothing like as spectacular as the year before! st. John the baptist JUNE 24th 40 41 itinerary boboli gardens Enchanted Gardens more at: < www.uffizi.firenze.it > W e enter the magnificent boboli gardens from the great square dominated by the Pitti Palace, royal palace and home of all the reigning dynasties. The Medicis resided here, followed by the Lorraines and lastly the Savoy family, who lived in the palace when Florence was temporarily the Capital of Italy.It not only contains the Monumental Apartments but also boasts six other museum collections. The magnificent Boboli Gardens lie behind the Palace, with Fort Belvedere, dedicated to St. George, at the top of the hill. A stroll around the Boboli Gardens, especially on a sunny day, make a very pleasant change between museums. The name 42 of the Boboli hill probably derives from the “Borgoli” or “Borgolini” family, who owned houses and land in this part of the Oltrarno beside the Church of Santa Felicita. Luca di Bonaccorso Pitti however bought the area and the farm that stood here in 1418 from the De’ Rossi family in 1418 and then commissioned Filippo Brunelleschi to build the palace. The spectacular gardens cover 320.000 square metres of land and are full of rare plants, grottos, fountains and statues laid out along the slopes of the hill. The design of the gardens, carried out by architect and sculptor Niccolò Pericoli, known as Il Tribolo, was used as a basis for all the royal gardens in Europe, including Versailles. This artist had already shown his worth by carrying out the gardens of the Medici Villas of Castello and La Petraia, where he also proved to be a master of hydraulics, creating magical fountains 43 above: Portrait of Amerigo Vespucci View of Palazzo Pitti from the Boboli Gardens next page: The 18th century Kaffeehaus center: and plays of water. Il Tribolo created his masterpiece of “landscape gardening” at Boboli between 1550 and 1558, the year in which he died. The garden of the late Renaissance transformed the small and intimate garden of the Middle Ages into a symbol of princely power. It became a theatre for festivities and performances, somewhere for the Court to relax, while providing an allegorical itinerary through woods populated with statues, grottoes and fountains, many of them Mannerist inventions by Buontalenti. Typical examples are the Grotta Grande or Large Grotto, the splendid fountains and statues, among them the Fountain of Neptune or The Abundance (Joan of Austria, Cosimo I’s first wife was the original subject for this statue), by Ammannati, Giambologna and Tacca, and the recently restored Gladiator, a 17th century restoration of a Roman copy of Aristogitone, which was brought to 44 Florence from Villa Medici in 1616. The authors of the restoration of Aristogitone have been identified as being two brothers Domenico (1600-1656) and Giovan Battista Pieratti (1599-1662), Florentine sculptors, who worked in the Boboli Gardens for the Medici Court during the first half of the 17th century. The two architects Giulio and Alfonso Parigi, father and son, carried out the stone Amphitheatre in the 17th century, the unique setting for many celebrated theatrical performances, the cypress alley known as the “Viottolone” and the square and the large square containing the pond of Isolotto, with Giambologna’s Fountain of the Ocean. The last additions, built in 18th century, like the Coffee house (1774-76, today restored and functioning as a bar for visi- 45 boboli gardens palazzo pitti Piazza Pitti, 1 055.2388786 May 8,15-18.30 June 8,15-19.30 Entry is permitted up to 1hr before closing time. Closed 1st & last Monday of each month. left: Igor Mitoraj, Tindaro Crushed Boboli Gardens tors to the gardens, who can admire a unique view of the city from its tables), the Lawn of Columns (1776) and the Lemon House (1785), were installed by the Lorriane family who, in the 19th century, transformed some areas in the grounds into an ‘English garden’, according to the latest romantic trends then in vogue. Pietro Leopoldo decided to open the garden to the public in 1776. The Giardino del Cavaliere, or Garden of the Knight, a solitary and private area in the grounds, can be found at the top of the hill, close to Fort Belvedere, hiding the small palace that today houses the Porcelain Museum. 46 INTERNATIONAL & NATIONAL delivery free pick-up at your school or home PACKING SERVICE & packing supplies easy shipping of food, WINE, clothes, contemporary art & extra-shopping ANYWHERE IN THE WORLD MAIL BOXES ETC. 345 Corso Tintori 39/r (near Piazza Santa Croce) - 50122 Firenze Tel. 055.2466660 - Fax 055.2466654 - Email: [email protected] Open Monday-Friday 9,30-13,00 & 15,00-18,00 itinerary A Day of Exploration Siena & San Gimignano W ith views of rolling hills and beautifully colored country homes, the ride from Florence to Siena (only an hour by bus) gives you a look into the picturesque landscape of Tuscany. Upon arrival in the city of Siena, head towards the Duomo, Baptistry, and museums, but don’t hesitate to walk down a smaller curved side street and explore what lies ahead. Just around the corner from these magnifcent buildings following the crowd you will find Piazza del Campo, the famous shell-shaped piazza. With its inlaid brick forming a semi-circle facing inward towards the bell tower, this is a perfect location to relax and enjoy, grab a bite to eat, or simply sit out in the sunshine on a beautiful day. Though these are the main attractions, there are a number of other sights to see on your way into the valleyed center of the city.For those looking for a more quaint town, San Gimignano, just outside Siena and Florence, is the right stop. One of the last medieval towns in Tuscany, it is hard to miss this little fortress with its towers and stone walls. Walking through the Porta San Gimignano, the entrance arch opens into a slightly upward cobbled street lined with ceramic stores and butcher shops with wild boar heads emerging from the entrances, quickly transporting you into another lifestyle: a lifestyle 48 previous page: Siena, Piazza del Campo right: San Gimignano full of quietness and relaxation, with no cars and frequented often by cyclists. In this town, you can climb to the top of the bell tower which gives you an overarching look of the inside and outside of the city, overlooking all of Tuscany. You can also weave your way through the streets to the top of an old walled courtyard filled with artists and musicians, and climb the wall to overlook the city and countryside. Though this town does have a museum and a church, the church itself has enough artwork adorning the walls to quench your art thirst. With beautiful frescoes on both sides, the left side depicts the Old Testament whereas the right side is the New Testament. Hop on the train, bus, or even moped and take a day trip to explore more of the beautiful towns of Tuscany. 50 A Wellness (1) palestra ricciardi (1) Gymnasium Fitness Center Founded 50 years ago, Palestra Ricciardi is the biggest gym in the Florence downtown, known as the coolest gym in town, Palestra Ricciardi combines experienced staff with the most modern equipment to offer the best fitness options. You can improve your physique in a pleasant and dynamic environment spread over a surface of 1600 sqm surrounding a lovely internal garden. The space devoted to your training is composed of several areas which include: the cardio fitness area, the free weights area, rooms for isotonic equipment, two rooms for classes and the spinning room. After a hard training session you can choose to relax in a sauna or with a massage session. The gym offers 81 hours of classes weekly: Total Body Workout, Step, Spinning, Easy Dance, Corpo Libero, Yoga, Hip Hop, Power Pump, Body Sculpt, Pilates, Fit Box, Stretching, Gag, Soft Gymnastic, Capoeira. Palestra Ricciardi also provides personalised fitness programmes under the supervision of a fully qualified instructor. There are special membership fees for students. Gymnasium Fitness Center means fitness and relaxation in the heart of the city, close by Santa Maria Novella. Highly convenient for people who study in the city centre, Gymnasium Fitness Center expresses a clear vocation for Wellness. The beauty structure offers sauna, solarium, massage and treatments. Gymnasium Fitness Center not only proposes courses but also programs personalized trainings, events, stages and lessons carried out by experts in various types of sport. Many are disciplines carried out in the Gymnasium Fitness Center from Pilates to Yoga Stretch tone to TBW, Aero Box to Capoeira and for those who love dancing HipHop, Salsa and even belly dancing. Gymnasium applies a special discount for students with a first day free and no sign up fee added. Borgo Pinti, 75 - 055.2478444 www.palestraricciardi.it Via del Palazzuolo, 49r 320.1748812 (2) re you a step machine addict or dreaming of perfect muscles? Or have you just arrived in town and need to find a gym (possibly within walking distance) in the city centre? There are an infinite number of gymnasiums. It is worth hunting up one with the facilities you require nearest to your digs. Many also do courses in yoga or the martial arts pilates to FIt box or Capoeria (a brazilian way between a martial art and a dancing) or have a gymnasium attached. And obviously most of these gyms offer special relaxing areas with sauna, massages or spa. Florence also boasts many dance and ballet schools, though of course you have to select the type of dance course you prefer. Start looking for your ideal gym from our tips. (2) 52 53 Wellness gabrio staff olimpo (1) The very first HAIR SPA in Florence. A project based on women’s typical need for complicated charm and on the desire not only to offer beauty services, but also sensorial experiences. Today clients at the GabrioStaff Olimpo are wrapped up in a soft bathrobe and offered a comfortable chaise longue to stretch out on, while expert hands give them a relaxing head, neck, shoulders and arms massage. Here, specialised treatment, is blended with well-being, “People always say that women go to the hairdresser not only do they go to improve their looks, but also to relax” Gabrio Giunti explains. Four private VIP booths designed in different styles: in Florentine style, in walnut, and in art deco. Gabrio Staff conceived the interior design and furnishing according to the specific requirements of the stylist: open-view arches with elements of minimal style furnishingy. The salon offers complete hairstyle services and includes a wellness with Ayurveda and Indian massages. (1) 54 Via Tornabuoni, 5 - 055.214668 www.gabriostaff.it Hours: Tue-Sat 9.30am-9pm Mon 1pm-8pm P Pizza Pizza Pizza! (1) (2) 56 Fratelli la bufala (1) Mr. Pizza Restaurant and Pizzeria Fratelli La Bufala can be found in characteristic Via de’ Neri in the vicinity of Piazza della Signoria; it offers typical Italian products that allow you to rediscover all the flavours and sensations contained in organically-farmed Dop and Doc products, like the meat and buffalo mozzarella from Campania to the traditional Neapolitan pizzas and other gratifying dishes. The authenticity and quality of the Fratelli la Bufala products are guaranteed by a strict control of all the raw materials. The restaurant is based on the original idea of offering suggestions, flavours and sensations related to buffalo pastures, nature and rediscovered wellbeing. You must try the pizza, made with 100% buffalo mozzarella, or the nourishing platters of buffalo meat, cheese, dressed meats, fresh pasta and desserts based on buffalo ricotta. Baked in a wood oven, the pizza menu includes the classic traditional Italian-style pizzas, all made with naturally leavened pastry and topped with Neapolitan buffalo mozzarella, as well as a selection of wines and delicious homemade desserts. MR. PIZZA in Florence is a universe of delicious appetizers and offers its customers a wide choice of pizza cut, takeaway or home delivery. It ‘s open from morning until late at night to enjoy at any time of day the taste of true Neapolitan tradition. In the true Neapolitan pizza the cheese is soft and pan is thin but high-sided. The peculiarities of Neapolitan pizza is due largely to its pulp to be produced with a bread dough - that is completely devoid of fat - soft and elastic, stretched by hand in the form of a disc without touching the edges that will form in a typical kitchen “ledge “of 1 or 2 cm while the dough at the center will be high about 3 mm. A fast passage in a very hot oven must leave the pizza moist and soft, not overcooked. But at MR PIZZA, not only you can eat pizza awaits but also a large variety of salads, turnovers, croquettes, pretzels, washed down with a good selection of craft beers and more. EVERYTHING TO GO & DELIVERY (2) Via Pietrapiana 82r - 055.3860311 www.pizzerianapoletanamrpizza-firenze.com izzas come in thousands of variations and are certainly not just round pieces of flat dough with a little tomato and cheese slapped on top! If you prefer your pizza simple make sure that the ingredients are really fresh and that the mozzarella cheese is of the buffalo variety, by far the best! A good pizza should also be baked in a proper wood burning oven to acquire just that perfect aroma and flavour desired by the true connoisseur! Pizzas can come thick and puffy, or thin and crunchy, and should overflow with flavoursome toppings. Easily digested, they are a complete meal and a popular excuse for a gettogether among friends and, eaten in pleasant surroundings they taste even better. Via de’Neri, 76r - 055.9063912 www.fratellilabufala.com 57 A Nightlife salamanca (1) (1) 58 (1) With an entrance sunken in slightly from the street-front windows and doors, Salamanca draws you in almost seductively with its muted and rustic reds, cursive lettering above the door and calm dim lighting. Upon entering, a beautiful and engaging staff allows you to be guided wherever you choose to enjoy this intriguing bar and restaurant. You may enjoy a meal in one of the three dining rooms, including a more intimately themed one in the back. Or for a more casual evening, quaint two seater tables off to the right, a variety of tables in the front room to the left, a tapas bar in the back, or a traditional bar in the very front. With a full menu from tapas to meat meals, wonderful fish dishes to salads, amazingly decadent desserts and delicious drinks, the food alone entices any restaurant goer. With its atmosphere, its upbeat American and Spanish mix of music, wonderful staff, entrancing ambience, leaving Salamanca seems like not an option. Via Ghibellina, 80r 055.2345452 Open Daily 17.30 - 2.30 colle bereto cafè (2) Wide big windows that overlook one of the most seductive squares of Florence, elegant and shiny bright furniture; at Colle Bereto Cafè each single moment of the day is linked to a perfect emotion: from the bright freshness of breakfast, to the sophisticated and lively welcome at lunchtime, from the exiting atmosphere of happy hour to the exclusive allure of a renowned Privé. Colle Bereto Cafè is the privileged access to an extravagant, fantastic and luxurious Florence, where you just need to open your eyes and start dreaming.Happy Hour which goes from 07.00 pm to 09.30 pm, offers delicious taste of italian and ethnic cuisin, like finger food or buffet. The after dinner is a continuous sparkling tinkling of cocktail, to be chosen from a menu’s innumerable suggestion, in a perfect sync with the vibrant energy of music, enriched by dj set and dj live. For Private parties, business presentations or show room, Colle Bereto Cafè offers its rooms or the whole place as an exceptional scenary, to set up on the basis of costumer’s particular desires. Piazza Strozzi 5r - 055.283156 Always Open www.colleberetocafe.it peritif comes from the Latin word “aperire”, to open. You should remember that traditionally, Italians do not drink in order to get drunk: rather, alcohol fulfils a complementary role in the dining process. An aperitif is meant to cleanse your palate and whet your appetite for the upcoming meal. The typically French and Italian rite of aperitif offers a taste of la bonne vie for those who enjoy nothing more than raising a glass in the company of friends. Many bars in Florence now offer a sophisticated choice of finger foods and snacks to accompany your aperitif. Arrive between 7pm and 9pm, buy yourself a drink and you can expect to stock up for free on a good spread of complimentary nibbles. Even the music mix is also specially chosen with smooth, soothing sounds providing a suitable backdrop for a relaxed chat among friends. 59 portfolio 60 portfolio 61 oli i v. d e gli Gourmet & Nightlife i Colle Bereto Cafè Fratelli La Bufala Mr Pizza Salamanca Pin ti us t v. L a c as v. R i p.zza Brunelleschi io v. d e v. G i ura lla C A lf a go r vou v. C a or i v. G in Palazzo Medici Riccardi p.zza S. Lorenzo Basilica di S. Lorenzo er v p.zza Madonna Aldobrandini lio Museo Gig el di Casa Martelli Spedale degli Innocenti delle Pietre Dure Cimitero degli Inglesi Fondazione Scienza e Tecnica 7 o lo b or G v. S . a zi Cappelle Medicee B at t is t Basilica i Galleria della SS. Annunziata dell’Accademia Museo p.zza Archeologico SS. Annunziata Nazionale e’ S er o L a No ce v. dell a Stufa r ic e iO Or t gli v. d e . v. S p.zza dell’Unità d’Italia v. d. Melarancio elf a nna 1 2 3 4 ci cia borgo llar i c el lai v. R u ald i arib v. G a da o PIAZZALE DONATELLO v. C . e v. d erin nin A nto Botanica ms Gra v. P a C at Sien largo Alinari p.zza a della Stazione p.zza S. Marco v.le SITA . v. S to er i no ie n CAP TRAMVIA dde a p.zza del Mercato Centrale ll’Ar Stazione SANTA MARIA NOVELLA v. G u le ica v. T an a e v. d ol f ATRO UNALE e nz a v. S v. P ATAF r ato llo v. Fa la me v. Fiu ca LAZZI P v. Il be o del Fuligno Adua to v. N aS ell cce i v. d Dia v. d a Ma t t on aia c ci v. de ll r du v. C a i Mac c v. Bu o nc e ci e Co Mac v. de ’ o All eg r i v. de ll v. S. alia echi ine It Giov ella v.le d G io o rgi v. Lupo S. agli b or g Cris tofa no P e pi v. de ’ Verr a v. da gliab ’ Be nci v. M a v. d e a v. M osc lla ne sca ta v.le Petrarca S er r v. de ’ ti narro rdi o v. d ell rdi cos lla v. de ’ v. d e rini na sola v. Fie inti go P b or ri lmi e v. P a v. V e z z an g gio v. Ma v. T o laio Teg o go b or v. d e he i S. od v. P r est agli S er r v. Ram Ba aie e’ ald v. d i et t a agnoli it t az z v. Giano della Be eC ’P v. M de’ M o e r.d sd stin costa A go v. de ’ aglianti o r tin Ma on e digli ll’Ar ne . v. S v. de lle B r ac ve r e v. Co on e l Le v. d e v. F a ella v. d v. del Proconsolo ’ Le lli li v. P o v. d e r S. v. del D Ma oni ria rago d’O ro iovan v. S. G ma l do ’ Ca v. d e lla M P er at to g ol a nai a lli Marte v. de’ Cerchi v. d. Calzaiuoli v. d. Medici v. Roma v. Calimala v. Pellicceria v. Tornabuoni v. de’ Loren zo borgo S. v. d. Conti v. de’ Pescioni de rig hi v. Tornabuoni or o el M v. d i os s e’ F or o el M v. d e’ Fe v. d v. d. Vecchietti llan a rce Po elle v. d v. d v. de’ Sassetti na c ’ Ca v. d e rra igu e Fin nofrio v. S. O ni pr o a ni llo S aol nzo osto EVENT a v. M r ta e v. d ni di P services tr i o v. T v.le Ari as Pil ura Wellness ei v. dello Studio Donne o le .S o le M ac c astell v. d v. d. Belle v. d v. lung t ti v. M la nn e ca nti as o sa a v. Z ni s aS ell Og v. d r go v. P Basilica di Santa Maria Novella ci ll’Al b lo v. d e o s tr al e alia z uo bo o It laz v. S . Lu ni v. G io r d ani p.zza Museo Biblioteca C l D’Azeglio v. de de . v di S. Maria Novella Medicea-Laurenziana e ’ P uc c n Gabrio Staff Olimpo 5 o v d t . i v . a de . nu ’P v v. B urt ova del Perugino an Gymnasium 6 PIAZZA ufa v. P v. C de ’ z an a SANTA MARIA l 6 C ac v. M ini laz i 9 z uo Palestra Ricciardi 7 cin NOVELLA on l v. i o de ’ p.zza Baiancnonhii teb TEATRO V an ell lli v. de’ Cerretani p.zza Z Cattedrale S. Maria Nuova Museo e o n DELLA PERGOLA lung di Santa Maria di Nazionale Alinari Museo dell’Opera dell’Olio ar n o v. N on v. Trebb del Fiore Sinagoga Chiesa S. Salvatore p.zza S. Giovanni Fium del Duomo Ves ic c io v. R e Museo Ebraico p uc d. Ognissanti olin e Ar PIAZZA DUOMO v. de’ Pecori Museo ci i no Mail Boxes etc. 345 8v. Leopardi del Bigallo di Preistoria Museo di Preistoria Cenacolo v. d v e della Misericordia ll’Oriu OBLATE . S del Ghirlandaio p.zza . o lo E gi v. di M v. d v. del Campidoglio ponte A. Vespucci Ognissanti v. Tosinghi v. d. Oche d . Sp ezzo io ada Museo di Antropologia p.zza p.zza Museo e Etnologia S. Ambrogio Gelato Festival p.zza della Firenze 9 Marino Marini v. 3 degli Strozzi borgo degli Albizi Salvemini Repubblica v. del Corso v. Pietrapiana 1 p.zza v. Ma va Palazzo uo N a p.zza de’ Ciompi b rt gn o Museo 9 Museo iri de rgo la p.zza Strozzi 9 Strozzi v. della Vi l P op Croce p.zza Goldoni olo di Orsammichele v. Alighieri Casa di Dante p.zza v. dell’Ulivo Ghiberti p.z Annigoni v. Ba v. de Becc r tolin Badia Fiorentina l p.zza Pario i ne lun Mercato del Cestello lu p.zza porta Chiesa di Orsammichele Museo Nazionale v. g Ghi 5 bell arn ng a ina S. Ambrogio del Tiratoio Frediano oC del Bargello r no ponte alla Carraia Palazzo Chiesa or s S od Museo4di Casa v. Porta Rossa v. della Condotta v. Vigna Vecchia Chiesa v. Pao ini v. dell’A erin TEATRO S. Frediano p.zza Davanzati Buonarroti i lieri p.zza VERDI gnolo di S. Trinita p.zza v. in Cestello d. Bure lla S. Trinita v. Calimaruzza p.zza PIAZZA v. d S. Simone S. Firenze p.zza elle de’ Nerli DELLA SIGNORIA borgo v Museo S. Ferragamo p.zza Ter . de v. Ghib N. Sauro b or g v. Vac S. Fre m l ellina l’An Madonna e o SS lung chere diano borgo d guil Palazzo lung . Ap ccia ar n o della neve LE MURATE lara e’ Greci o s to ar n o Vecchio Guic li Acc v. d. ciar v. Ghib Trinita S. ponte ia PIAZZA Collezione v. dell v . C d p.zza v ioli d. o ini . La ellina ’Orto S. CROCE v. V rno mb Contini Bonacossi Ninna dei Peruzzi PIAZZA borg ineg er te v. S. p.zza o dell v.le Duca e ia S DEL CARMINE s n Museo di S. Stefano 2 i p c p.zza Basilica degli A a Ste irito Piattellina a as v. d Chiesa v C . p.zza lla al Ponte de’ d. Grano di Santa Croce . S. lle Gius Ne d. S. Remigio Frescobaldi v. Th . de Galleria Cappella v r lu e i p o ua ng a v. S. ce pe ro Brancacci C r . r M on S n PONTE VECCHIO b or g o Ar ac a borgo Chiesa o S. chib J ac o p.zza usie S. Maria po Basilica ri d. Giudici del Carmine v. de’ Vagellai v. de di S. Spirito p.zza ’ Ma Fondazione p.zza v. de Museo Galileo lungarn lcon BIBLIOTECA Horne corso o Gen Mentana v. de tent Tasso Fondazione Istituto di Storia de ’ T v. d ’ Vellutin erale ’ Bard i NAZIONALE intori Diaz i e’ V i Salvatore Romano i della Scienza n i d v e . Sg llut 8 ar v. d i p.zza c Chiesa lungarno delle Grazie uaz i v. Tripoli ic ella u PIAZZA G Cavalleggeri z di S. Felicita Chi a lung v. esa S. SPIRITO arno Torr lungarno della Zecca igia Vecchia ponte alle Grazie ni lungarno Pecori Giraldi v. M v. d Fiume Arno el C ar s PIAZZA PITTI cos ili am ta S p.zza p uc Museo car p.zza TOURIST INFORMATION cio de’ Mozzi puc . Casa Guidi lungarno Se Demidoff cia Arti rristori PALAZZO PITTI p.zza v. de’ Renai HOSPITAL Museo eri S. Felice v. S Casa Siviero Galleria Palatina ponte Museo p.zza . lungarno Ce Ma CAR PARK Galleria d’Arte Moderna Stefano Bardini llini ria Poggi GIARDINO v. di S. 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