gianluca concialdi
Transcript
gianluca concialdi
GIANLUCA CONCIALDI PARO PA RO, 2013, paglia, corda d’agave, vinavil, pigmenti, 227x140 PARO PA RO, 2013, paglia, corda d’agave, vinavil, pigmenti, 227x140 PARO PA RO, 2013, paglia, corda d’agave, vinavil, pigmenti, 227x140 (dettaglio) Cara Cassano, 2013, pittura segnaletica orizzontale, tela, dimensione ambiente Cara Cassano, 2013, pittura segnaletica orizzontale, tela, dimensione ambiente (dettaglio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¿WWRSROLVWLUROR[[FP "A7,>.-%4.7,8-5665%?:G:4.%H,G,%-95-3:%:3./,&%'()'&%98>:45-6.I,8-5%95/%H87G?J82%65-:68%.%K.6J.75&%L.,78;,&%M5-@. "-,4./,%9,%;7898%35??8%2.3/,.JHVVRSDJOLDFHUD¿QLWXUDSHUVWXFFRDQWLFR6,..(16UHWHGDSHVFDUHWHHOHWWURVDOGDWDFDWHQHOODGRUDWD[FP ! Untitled (Studio Milano), 2012, tempera, pigmenti, polline di pino, inchiostro di penna bic rossa, cera veneziana, solfato di rame, coca-cola, plastica adesiva, blue back collage, pittura aerosol, resina acrilica, colla vinilica, su sette carte, 200x300 cm, dimensione ambientale. ! ! !!!!!!! Untitled (Studio Sulcis), 2012, pigmenti, juta grezza, 160x1000 cm, veduta dell’installazione. ! Untitled (Studio Milano)IXVDJLQHSLWWXUDDHURVROWHPSHUDFROODYLQLOLFDVXWUHFDUWHUHFXSHUDWHHVRYUDSSRVWH[FP Untitled (Studio Milano)QHURGLVHSSLDQDWXUDOHJRPPDDUDELFDWHPSHUDDFULOLFRFROODYLQLOLFDVXGXHFDUWHVRYUDSSRVWH[FP Untitled (Studio Palermo)SLWWXUDDHURVROWHPSHUDDFULOLFRFROODYLQLOLFDSODVWLFDDGHVLYDVXFDUWD[FP Untitled (Studio Palermo)SLWWXUDDHURVROWHPSHUDFROODYLQLOLFDVXFDUWD[FP Untitled (Studio Palermo)SLWWXUDDHURVROWHPSHUDDFULOLFRFROODYLQLOLFD[FP Untitled (Studio Palermo)QHURGLVHSSLDQDWXUDOHFROODYLQLOLFDIXVDJLQH¿VVDWLYRDFULOLFRVXFDUWD[FP Untitled (Studio Palermo)SLWWXUDDHURVROWHPSHUDFROODYLQLOLFDVXFDUWD[FP FIUUUEDQQHUSXEEOLFLWDULRUHFXSHUDWRWHPSHUDFROODYLQLOLFDGLPHQVLRQHDPELHQWDOH Tre seppie, due coca cola e una temperaQHURGLVHSSLDQDWXUDOHWHPSHUDFRFDFRODFROODYLQLOLFDVXWUHFDUWHVRYUDSSRVWH SLWWXUDDHURVROVXSROLVWLURORGLPHQVLRQHDPELHQWDOH Colonna (Studio Milano)WHPSHUDFROODYLQLOLFDDFULOLFRVXFDUWD[FP Untitled (Studio Palermo)WHPSHUDFROODYLQLOLFDVXFDUWD[FP Untitled (Studio Palermo)WHPSHUDFROODYLQLOLFDVXFDUWD[FP Untitled (Studio Palermo)WHPSHUDSLWWXUDDHURVROFROODYLQLOLFDVXFDUWD[FP Untitled (Studio Palermo)WHPSHUDFROODYLQLOLFDVXFDUWD[FP Untitled (Studio Palermo)WHPSHUDFROODYLQLOLFDVXFDUWD[FP Untitled (Studio Palermo)WHPSHUDFROODYLQLOLFDVXFDUWD[FP Untitled (Studio Palermo)WHPSHUDFROODYLQLOLFDVXFDUWD[FP Untitled (Studio Palermo)WHPSHUDFROODYLQLOLFDVXFDUWD[FP