Crossroads Catalogue 2005

he Crossroads Co-production Forum is one of the innovations of this year’s Thessaloniki International Film Festival. Of course, it does not
constitute an innovation in the field of international film festivals where such events have long since proved their merit and usefulness
vis-à-vis filmmakers as well as the film industry in general.
Especially in today’s conditions of fierce competitiveness, instability and upheaval in the area of film, it is my belief that a film festival
has to broaden its presence and activity to cover the earlier stages of a film’s creation and reliably shape the procedures that will bring artistic projects in contact with the people who will make them a reality.
This is even more so the case when we refer to national cinemas of limited dynamics, such as the cinemas of the Mediterranean countries, or those that are in a transitional phase, such as the cinemas of the Balkans and South-Eastern Europe. The response our initiative has
met with from its very first steps proves that it effectively meets existing needs on the part of the region’s filmmakers and producers, as
well as an equally lively interest on the part of film professionals internationally. And so, for three days, twenty-seven producers from
Mediterranean and Balkan countries, as well as producers from other countries who are involved in films from our region or that refer to our
region, will meet with financial backers, co-producers and film professionals from all over the world.
We did not randomly select the title Crossroads to describe these new activities. Our Festival, which already maintains an active Fund for
the support of Balkan cinema, is now creating the promotion infrastructure for international collaborations and co-productions, while also
setting the foundation –beginning this year—for the shaping of an attractive, parallel regional market. It is, on the whole, the beginning of
a new relationship between the countries of our region and the international film community which has as its epicenter Thessaloniki, a centuries-old “crossroads” of peoples and cultures. A relationship which will lead to the close interrelation between Thessaloniki, cinema, the
economic activity surrounding cinema, official organizations –and principally the Ministry of Culture, which received and is promoting the
Festival’s new initiative, and the Ministry of Macedonia-Thrace which, grasping the spirit of this effort, has warmly embraced Crossroads and
included it in the rationale and the activity of its own pioneering «Space to Think».
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This region has fascinating stories to tell. It is important that we all help its filmmakers to tell them and the audiences of the world to hear
them.
Despina Mouzaki
2
Ô ºfiÚÔ˘Ì ™˘Ì·Ú·ÁˆÁ‹˜ Crossroads Â›Ó·È ÌÈ· ·fi ÙȘ ηÈÓÔÙƠ̂˜ Ù˘ ÊÂÙÈÓ‹˜ ‰ÈÔÚÁ¿ÓˆÛ˘ ÙÔ˘ ¢ÈÂıÓÔ‡˜ ºÂÛÙÈ‚¿Ï ∫ÈÓËÌ·ÙÔÁÚ¿ÊÔ˘
£ÂÛÛ·ÏÔӛ΢. ¢ÂÓ ·ÔÙÂÏ›, ‚‚·›ˆ˜, ηÈÓÔÙÔÌ›· ÛÙÔÓ ‰ÈÂıÓ‹ ¯ÒÚÔ ÙˆÓ ÊÂÛÙÈ‚¿Ï, fiÔ˘ Ù¤ÙÔȘ ‰Ú¿ÛÂȘ ¤¯Ô˘Ó ·fi ¯ÚfiÓÈ· ·ԉ›ÍÂÈ ÙËÓ ·Í›·
Î·È ÙË ¯ÚËÛÈÌfiÙËÙ¿ ÙÔ˘˜, ÙfiÛÔ ÁÈ· ÙÔ˘˜ ‰ËÌÈÔ˘ÚÁÔ‡˜ ÙÔ˘ ÛÈÓÂÌ¿ fiÛÔ Î·È ÁÈ· ÙËÓ ÎÈÓËÌ·ÙÔÁÚ·ÊÈ΋ ‚ÈÔÌ˯·Ó›· ÁÂÓÈÎfiÙÂÚ·.
π‰È·›ÙÂÚ· ÛÙȘ ÛËÌÂÚÈÓ¤˜ Û˘Óı‹Î˜ ÙÔ˘ ¤ÓÙÔÓÔ˘ ·ÓÙ·ÁˆÓÈÛÌÔ‡, Ù˘ Ú¢ÛÙfiÙËÙ·˜ Î·È ÙˆÓ ·Ó·Î·Ù·Ù¿ÍÂˆÓ ÛÙÔÓ ¯ÒÚÔ ÙÔ˘ ÎÈÓËÌ·ÙÔÁÚ¿ÊÔ˘,
Â›Ó·È ÂÔ›ıËÛ‹ ÌÔ˘ fiÙÈ ¤Ó· ÊÂÛÙÈ‚¿Ï ÔÊ›ÏÂÈ Ó· ‰È¢ڇÓÂÈ ÙËÓ ·ÚÔ˘Û›· Î·È ÙË ‰Ú·ÛÙËÚÈfiÙËÙ¿ ÙÔ˘ Î·È ÛÙ· ÚÔÁÂÓ¤ÛÙÂÚ· ÛÙ¿‰È· Ù˘
‰ËÌÈÔ˘ÚÁ›·˜ ÙÔ˘ ÎÈÓËÌ·ÙÔÁÚ·ÊÈÎÔ‡ ¤ÚÁÔ˘. ¡· ‰È·ÌÔÚÊÒÛÂÈ ·ÍÈfiÈÛÙ· ÂΛӘ ÙȘ ‰È·‰Èηۛ˜, Ô˘ ı· ʤÚÓÔ˘Ó Û Â·Ê‹ ÙÔ Î·ÏÏÈÙ¯ÓÈÎfi Û¯¤‰ÈÔ
Ì ÙÔ˘˜ Û˘ÓÙÂÏÂÛÙ¤˜ Ù˘ ˘ÏÔÔ›ËÛ‹˜ ÙÔ˘.
∞˘Ùfi ÈÛ¯‡ÂÈ ·ÎfiÌË ÂÚÈÛÛfiÙÂÚÔ fiÙ·Ó ·Ó·ÊÂÚfiÌ·ÛÙ Û ÎÈÓËÌ·ÙÔÁڷʛ˜ Ì ÌÈÎÚfi ‰˘Ó·ÌÈÎfi, fiˆ˜ ·˘Ù¤˜ ÙˆÓ ¯ˆÚÒÓ Ù˘ ªÂÛÔÁ›Ԣ, ‹ Ô˘
‚Ú›ÛÎÔÓÙ·È Û ʿÛË ÌÂÙ¿‚·Û˘, fiˆ˜ ÂΛӘ ÙˆÓ ¯ˆÚÒÓ Ù˘ µ·ÏηÓÈ΋˜ Î·È Ù˘ ÓÔÙÈÔ·Ó·ÙÔÏÈ΋˜ ∂˘ÚÒ˘. ∏ ·ÓÙ·fiÎÚÈÛË Ô˘ ÁÓÒÚÈÛ Ë
ÚˆÙÔ‚Ô˘Ï›· Ì·˜, ‹‰Ë ·fi Ù· ÚÒÙ· ‚‹Ì·Ù¿ Ù˘, ·Ô‰ÂÈÎÓ‡ÂÈ fiÙÈ ··ÓÙ¿ Ô˘ÛÈ·ÛÙÈο Û ˘·ÚÎÙ¤˜ ·Ó¿ÁΘ ÙˆÓ ÎÈÓËÌ·ÙÔÁÚ·ÊÈÛÙÒÓ Î·È ÙˆÓ
·Ú·ÁˆÁÒÓ Ù˘ ÂÚÈÔ¯‹˜, ·ÏÏ¿ Î·È Û’ ¤Ó· ÂÍ›ÛÔ˘ ¤ÓÙÔÓÔ ÂӉȷʤÚÔÓ ÙˆÓ Â·ÁÁÂÏÌ·ÙÈÒÓ Ù˘ ‰ÈÂıÓÔ‡˜ ·ÁÔÚ¿˜. ŒÙÛÈ, ÁÈ· ÙÚÂȘ Ë̤Ú˜, ›ÎÔÛÈ
ÂÙ¿ ·Ú·ÁˆÁÔ› ·fi ÌÂÛÔÁÂȷΤ˜ Î·È ‚·ÏηÓÈΤ˜ ¯ÒÚ˜, ηıÒ˜ Î·È ·Ú·ÁˆÁÔ› ·fi ¿ÏϘ ¯ÒÚ˜ Ô˘ Û˘ÓÂÚÁ¿˙ÔÓÙ·È Û ٷÈӛ˜ ·fi ÙËÓ ÂÚÈÔ¯‹
Ì·˜ ‹ Û ٷÈӛ˜ Ô˘ ÂÚȤ¯Ô˘Ó ÛÙÔȯ›· ÁÈ· ÙËÓ ÂÚÈÔ¯‹ Ì·˜, ı· Û˘Ó·ÓÙËıÔ‡Ó Ì ¯ÚËÌ·ÙÔ‰fiÙ˜, Û˘Ì·Ú·ÁˆÁÔ‡˜ Î·È Â·ÁÁÂÏ̷ٛ˜ ·’ fiÏÔ
ÙÔÓ ÎfiÛÌÔ.
¢ÂÓ ÂÈϤͷÌÂ Ù˘¯·›· ÙÔÓ Ù›ÙÏÔ Crossroads ÁÈ· Ó· ÂÚÈÁÚ¿„Ô˘Ì ÙȘ Ӥ˜ ·˘Ù¤˜ ‰Ú·ÛÙËÚÈfiÙËÙ˜. ∆Ô ºÂÛÙÈ‚¿Ï Ì·˜, Ô˘ ‰È·ÙËÚ› ‹‰Ë ¤Ó·
‰Ú·ÛÙ‹ÚÈÔ ∆·ÌÂ›Ô ÛÙ‹ÚÈ͢ ÙÔ˘ ‚·ÏηÓÈÎÔ‡ ÎÈÓËÌ·ÙÔÁÚ¿ÊÔ˘, ‰ËÌÈÔ˘ÚÁ› ÙÒÚ· ÙȘ ‰È·‰Èηۛ˜ ÚÔÒıËÛ˘ ‰ÈÂıÓÒÓ Û˘ÓÂÚÁ·ÛÈÒÓ Î·È
Û˘Ì·Ú·ÁˆÁÒÓ, ı¤ÙÂÈ -Â›Û˘ ·fi ʤÙÔ˜- ÙȘ ‚¿ÛÂȘ ÁÈ· ÙË ‰È·ÌfiÚʈÛË ÌÈ·˜ ÂÏ΢ÛÙÈ΋˜, ·Ú¿ÏÏËÏ˘ ÂÚÈÊÂÚÂȷ΋˜ ·ÁÔÚ¿˜. ¶ÚfiÎÂÈÙ·È,
Û˘ÓÔÏÈο, ÁÈ· ÙËÓ ·Ú¯‹ ÌÈ·˜ ηÈÓÔ‡ÚÁÈ·˜ Û¯¤Û˘ ÙˆÓ ¯ˆÚÒÓ Ù˘ ÂÚÈÔ¯‹˜ Ì·˜ Ì ÙË ‰ÈÂıÓ‹ ÎÈÓËÌ·ÙÔÁÚ·ÊÈ΋ ÎÔÈÓfiÙËÙ·, Ì Â›ÎÂÓÙÚÔ ÙË
£ÂÛÛ·ÏÔÓ›ÎË Ô˘ ˘‹ÚÍ ¿ÓÙ· ¤Ó· «ÛÙ·˘ÚÔ‰ÚfiÌÈ» Ï·ÒÓ Î·È ÔÏÈÙÈÛÌÒÓ. ª›· Û¯¤ÛË Ô˘ ʤÚÓÂÈ Û ÛÙÂÓ‹ Û˘Ó¿ÊÂÈ· ÙË £ÂÛÛ·ÏÔÓ›ÎË, ÙÔÓ
ÎÈÓËÌ·ÙÔÁÚ¿ÊÔ, ÙËÓ ÔÈÎÔÓÔÌÈ΋ ‰Ú·ÛÙËÚÈfiÙËÙ· Á‡Úˆ ·fi ·˘ÙfiÓ, ÙÔ˘˜ Â›ÛËÌÔ˘˜ ÊÔÚ›˜ - ηٿ ·ÚÈÔ ÏfiÁÔ ÙÔ ÀÔ˘ÚÁÂ›Ô ¶ÔÏÈÙÈÛÌÔ‡ Ô˘
˘Ô‰¤¯ıËÎÂ Î·È ÚÔˆı› ÙË Ó¤· ‰Ú¿ÛË ÙÔ˘ ºÂÛÙÈ‚¿Ï Î·È ÙÔ ÀÔ˘ÚÁÂ›Ô ª·Î‰ÔÓ›·˜-£Ú¿Î˘ Ô˘, Û˘ÏÏ·Ì‚¿ÓÔÓÙ·˜ ÙÔ Ó‡̷ ·˘Ù‹˜ Ù˘
ÚÔÛ¿ıÂÈ·˜, ·ÁοÏÈ·Û Ì ı¤ÚÌË ÙË ‰Ú¿ÛË Crossroads ̤۷ ÛÙÔ ÛÎÂÙÈÎfi Î·È ÙË ‰Ú·ÛÙËÚÈfiÙËÙ· ÙÔ˘ ‰ÈÎÔ‡ ÙÔ˘ ÚˆÙÔÔÚÈ·ÎÔ‡ «Space to Think».
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∏ ÂÚÈÔ¯‹ ·˘Ù‹ ¤¯ÂÈ Û˘Ó·Ú·ÛÙÈΤ˜ ÈÛÙÔڛ˜ Ó· ÂÈ. ∂›Ó·È ÛËÌ·ÓÙÈÎfi ÁÈ· fiÏÔ˘˜ Ó· ‚ÔËı‹ÛÔ˘Ì ÙÔ˘˜ ‰ËÌÈÔ˘ÚÁÔ‡˜ Ù˘ Ó· ÙȘ ·ÊËÁËıÔ‡Ó Î·È ÙÔ
ÎÔÈÓfi fiÏÔ˘ ÙÔ˘ ÎfiÛÌÔ˘ Ó· ÙȘ ·ÎÔ‡ÛÂÈ.
Despina Mouzaki
3
hessaloniki is historically a Crossroads – military roads, trading routes; it is a place today where history meets a contemporary, even young
city. Crossroads Co-Production Forum has its initial year this year at the 46th Thessaloniki International Film Festival to extend the tradition
of the city being an essential meeting point, an epicentre, this time for cinema production and development.
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Mediterranean and Balkan producers have different needs and special industries when compared to the producers to the north and west.
The other European Union producers need not just budget savings but talent and the collaboration of equals as their financing structures
become less and less supportive while their budgets increase. Co-production offers producers a most attractive opportunity to make
pleasing, challenging films together.
The programme this year offers a wide variety of activities, perhaps too many choices, but they all have one clear goal: allowing the
Crossroads Producers and the Crossroads Partners to learn more about each others’ films, film industries and to allow them all to find
beneficial ways to make the movies all of us want to see.
This year’s Crossroads is off to a wonderful start with an unexpectedly high number of applications from all ends of Europe which resulted
in a group of 27 high quality, experienced producers participating; and a large industry contingent willing to meet them, hear their ideas and
work out ways to make dreams happen.
Welcome to Crossroads, Year One!
Linda Beath
4
£ÂÛÛ·ÏÔÓ›ÎË ÈÛÙÔÚÈο ˘‹ÚÍ ¤Ó· ™Ù·˘ÚÔ‰ÚfiÌÈ – ÁÈ· Ù· ÛÙÚ·ÙȈÙÈο Î·È Ù· ÂÌÔÚÈο ÌÔÓÔ¿ÙÈ·. ™‹ÌÂÚ· Â›Ó·È ¤Ó·˜ ÙfiÔ˜ fiÔ˘ Ë ÈÛÙÔÚ›· Û˘Ó·ÓÙ¿ ÌÈ· Û‡Á¯ÚÔÓË, ·ÎfiÌË Î·È Ó¤·, ı· ϤÁ·ÌÂ, fiÏË. º¤ÙÔ˜, ÛÙÔ 46Ô ºÂÛÙÈ‚¿Ï ∫ÈÓËÌ·ÙÔÁÚ¿ÊÔ˘ Ù˘ £ÂÛÛ·ÏÔӛ΢, Â›Ó·È Ë ÚÒÙË
¯ÚÔÓÈ¿ ÁÈ· ÙÔ ºfiÚÔ˘Ì ™˘Ì·Ú·ÁˆÁÒÓ Crossroads Î·È Ë ·Ú¿‰ÔÛË Ô˘ ı¤ÏÂÈ ÙËÓ fiÏË ·˘Ù‹ Ô˘ÛÈ·ÛÙÈÎfi ÛËÌÂ›Ô Û˘Ó¿ÓÙËÛ˘, Â›ÎÂÓÙÚÔ, ÂÂÎÙ›ÓÂÙ·È ÛÙËÓ ÎÈÓËÌ·ÙÔÁÚ·ÊÈ΋ ·Ú·ÁˆÁ‹ Î·È ·Ó¿Ù˘ÍË.
∏
√È ·Ú·ÁˆÁÔ› Ù˘ ªÂÛÔÁ›Ԣ Î·È ÙˆÓ µ·ÏηӛˆÓ ¤¯Ô˘Ó ‰È·ÊÔÚÂÙÈΤ˜ ·Ó¿ÁΘ Î·È ‚ÈÔÌ˯·Ó›Â˜ Ì ȉȷÈÙÂÚfiÙËÙ˜, Û ۇÁÎÚÈÛË Ì ÙÔ˘˜ ·Ú·ÁˆÁÔ‡˜ ÙÔ˘ µÔÚÚ¿ Î·È Ù˘ ¢‡Û˘. √È ¿ÏÏÔÈ ·Ú·ÁˆÁÔ› Ù˘ ∂˘Úˆ·˚΋˜ ŒÓˆÛ˘ ‰ÂÓ ¯ÚÂÈ¿˙ÔÓÙ·È ÌfiÓÔ ÔÈÎÔÓÔÌ›· ÛÙÔÓ ÚÔ¸ÔÏÔÁÈÛÌfi ÙÔ˘˜,
·ÏÏ¿ Î·È Ù·Ï¤ÓÙÔ Î·È ÙËÓ ÈÛfiÙÈÌË Û˘ÓÂÚÁ·Û›·, ηıÒ˜ ÔÈ ÊÔÚ›˜ ¯ÚËÌ·ÙÔ‰fiÙËÛ˘ ÙÔ˘˜ ÚÔÛʤÚÔ˘Ó fiÏÔ Î·È ÏÈÁfiÙÂÚË ˘ÔÛÙ‹ÚÈÍË, ÂÓÒ ÔÈ
ÚÔ¸ÔÏÔÁÈÛÌÔ› ÙÔ˘˜ ÌÂÁ·ÏÒÓÔ˘Ó. ∏ Û˘Ì·Ú·ÁˆÁ‹ ÚÔÛʤÚÂÈ ÛÙÔ˘˜ ·Ú·ÁˆÁÔ‡˜ ÌÈ· ÂÍ·ÈÚÂÙÈ΋ ¢ηÈÚ›· Ó· Û˘ÓÂÚÁ·ÛÙÔ‡Ó ÁÈ· Ó· οÓÔ˘Ó
Ù·Èӛ˜ ¢¯¿ÚÈÛÙ˜ Î·È Ù·˘Ùfi¯ÚÔÓ· ··ÈÙËÙÈΤ˜.
º¤ÙÔ˜ ÙÔ ÚfiÁÚ·ÌÌ· ÚÔÛʤÚÂÈ ÌÂÁ¿ÏË ÔÈÎÈÏ›· ‰Ú·ÛÙËÚÈÔÙ‹ÙˆÓ Î·È ›Ûˆ˜ ÔÈ ÂÈÏÔÁ¤˜ Â›Ó·È ÔÏϤ˜, ·ÏÏ¿ ¤¯Ô˘Ó fiϘ ¤Ó· Û·Ê‹ ÛÙfi¯Ô:
·Ú¤¯Ô˘Ó ÛÙÔ˘˜ Û˘ÌÌÂÙ¤¯ÔÓÙ˜ ÛÙÔ Crossroads ¶·Ú·ÁˆÁÔ‡˜ Î·È ™˘ÓÂÚÁ¿Ù˜ ÙËÓ ‰˘Ó·ÙfiÙËÙ· Ó· ÁÓˆÚ›ÛÔ˘Ó Î·Ï‡ÙÂÚ· ÙȘ Ù·Èӛ˜ Î·È ÙȘ
ÎÈÓËÌ·ÙÔÁÚ·ÊÈΤ˜ ‚ÈÔÌ˯·Ó›Â˜ ÙÔ˘˜, ηıÒ˜ Â›Û˘ Ó· ‚ÚÔ˘Ó ¯Ú‹ÛÈ̘ ÌÂıfi‰Ô˘˜ Ó· οÓÔ˘Ó ÙȘ Ù·Èӛ˜ Ô˘ fiÏÔÈ Ì·˜ ı¤ÏÔ˘Ì ӷ ‚ϤÔ˘ÌÂ.
∆Ô ÊÂÙÈÓfi Crossroads οÓÂÈ ¤Ó· ˘¤ÚÔ¯Ô ÍÂΛÓËÌ· Ì ¤Ó·Ó ·Ó·¿ÓÙ¯· ÌÂÁ¿ÏÔ ·ÚÈıÌfi ·ÈÙ‹ÛÂˆÓ ·fi fiϘ ÙȘ ÁˆÓȤ˜ Ù˘ ∂˘ÚÒ˘, Ô˘ ›¯Â
ˆ˜ ·ÔÙ¤ÏÂÛÌ· ÙËÓ ÂÈÏÔÁ‹ 27 ¤ÌÂÈÚˆÓ Î·È ˘„ËÏÒÓ ÚԉȷÁÚ·ÊÒÓ ·Ú·ÁˆÁÒÓ_ Î·È ¤Ó·Ó ÌÂÁ¿ÏÔ ·ÚÈıÌfi ÂÎÚÔÛÒˆÓ Ù˘ ÎÈÓËÌ·ÙÔÁÚ·ÊÈ΋˜ ‚ÈÔÌ˯·Ó›·˜ Ô˘ Â›Ó·È Úfiı˘ÌÔÈ Ó· ÙÔ˘˜ Û˘Ó·ÓÙ‹ÛÔ˘Ó, Ó· ·ÎÔ‡ÛÔ˘Ó ÙȘ ȉ¤Â˜ ÙÔ˘˜ Î·È Ó· ‚ÚÔ˘Ó ÙÚfiÔ˘˜ Ó· οÓÔ˘Ó Ù· fiÓÂÈÚ·
Ú·ÁÌ·ÙÈÎfiÙËÙ·.
∫·ÏÒ˜ ÔÚ›Û·ÙÂ ÛÙÔ ¶ÚÒÙÔ Crossroads!
Linda Beath
5
À¶√Àƒ°√™
6
À¶√Àƒ°√™
7
Crossroads’ Projects...
COUNTRY
∆Ô CROSSROADS
Ú·ÁÌ·ÙÔÔÈ›ٷÈ
Ì ÙËÓ ˘ÔÛÙ‹ÚÈÍË
ÙÔ˘ ÀÔ˘ÚÁ›Ԣ
ª·Î‰ÔÓ›·˜- £Ú¿Î˘
TITLE . . . . . . . . . . . . . . . . . . . .CROSSROADS PRODUCER
Albania
28
The Journey . . . . . . . . . . . . . .Artan Minarolli
Bulgaria
26
Investigation . . . . . . . . . . . . . .Rossitsa Valkanova
Bulgaria
14
Balkan Blues
Croatia
30
Kino Lika . . . . . . . . . . . . . . . . .Ankica Juric Tilic
Cyprus
10
Akamas
FYROM
32
The Magic Snowman . . . . . . . .Pavlina Proevska
Greece
60
The Watch House . . . . . . . . . .Eleni Atsikbasis
Greece
58
Tango Notturno
Greece
24
Helen and the Seven Dwarfs . .Mary Georgou
Greece
48
The Red Apple Tree . . . . . . . . .Costas Kefalas
Greece
46
Pera Kassiros
Greece
44
Pandora . . . . . . . . . . . . . . . . .Nikos Moustakas
Greece/Canada
22
Eagle . . . . . . . . . . . . . . . . . . . .Antigoni Gavriatopoulou
Israel
52
Russoun . . . . . . . . . . . . . . . . .Talia Kleinhendler
. . . . . . . . . . . . .Nikolay Kirov
. . . . . . . . . . . . . . . . .Panicos Chrysanthou
. . . . . . . . . .Elena Hatzialexandrou
. . . . . . . . . . . . .Sofia Papachristou
...and Producers
COUNTRY
TITLE . . . . . . . . . . . . . . . . . . . .CROSSROADS PRODUCER
Israel
62
Zion and His Brother . . . . . . . .Yoav Roeh
Italy
40
Night Bus . . . . . . . . . . . . . . . .Alessandro Silvestri
Italy
18
Clown
Norway
38
Milo . . . . . . . . . . . . . . . . . . . .Gudny Hummelvoll
N. Ireland
36
McCarthy’s War . . . . . . . . . . . .Paul Largan
Palestine
20
Dancing at the Checkpoint . . .George Khleifi
Portugal
54
Still Lives . . . . . . . . . . . . . . . . .Leonel Vieira
Portugal
12
America!!! . . . . . . . . . . . . . . . .Pandora da Cunha Telles
Romania
56
Stray Dog . . . . . . . . . . . . . . . .Ada Solomon
Romania
50
The Rest Is Silence . . . . . . . . . .Cristian Comeaga
Serbia & Montenegro
42
Nowhere . . . . . . . . . . . . . . . .Zoran Jovanovic
Serbia & Montenegro
34
Mamarosh . . . . . . . . . . . . . . . .Momcilo Mrdakovic
Turkey
16
A Ballad for the Black Sea . . . .Nesteren Davutoglu
. . . . . . . . . . . . . . . . . .Ute Leonhardt
CROSSROADS
is realized with the support
of the Ministry
of Macedonia-Thrace
Akamas
Cyprus / Κύπρος
Omeris, a young Turkish-Cypriot, is sent to live with the family of Greek-Cypriot
Nikolis. He falls in love with Nikolis’ daughter Rhodou and, in order to win her
approval, he joins the armed guerilla forces who are fighting the British. When
the British leave the island, the two decide to marry. They are forced to deal
with the consequences of Cyprus’ partition and the hatred it brings between
the Greeks and the Turks on the island.
Producer
Panikos Chrysanthou
¶·Ó›ÎÎÔ˜ ÃÚ˘Û¿ÓıÔ˘
Contacts / ∂ÈÎÔÈÓˆÓ›·:
P.O. Box 25314, 1308,
Nicosia, Cyprus
∆.£. 25314, 1308,
§Â˘ÎˆÛ›·, ∫‡ÚÔ˜
T. +35 799434923
Mobile: +35 799434923
[email protected]
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√ Omeris, ¤Ó·˜ Ó·Úfi˜ ∆Ô˘ÚÎÔ·ÚÈÔ˜, ·Ó·Áο˙ÂÙ·È Ó· ¿ÂÈ Ó· ˙‹ÛÂÈ Ì ÙËÓ
ÔÈÎÔÁ¤ÓÂÈ· ÙÔ˘ ÂÏÏËÓÔ·ÚÈÔ˘ ¡ÈÎÔÏ‹. ∂ÚˆÙ‡ÂÙ·È ÙËÓ ÎfiÚË ÙÔ˘ ¡ÈÎÔÏ‹, ÙË
ƒÔ‰Ô‡ Î·È ÁÈ· Ó· ÙËÓ ÎÂÚ‰›ÛÂÈ Î·Ù·Ù¿ÛÛÂÙ·È ÛÙȘ ¤ÓÔϘ ·ÓÙ¿ÚÙÈΘ ‰˘Ó¿ÌÂȘ
Ô˘ ÔÏÂÌÔ‡Ó ÙÔ˘˜ µÚÂÙ·ÓÔ‡˜. ŸÙ·Ó ÔÈ µÚÂÙ·ÓÔ› ʇÁÔ˘Ó ·fi ÙÔ ÓËÛ›, ÔÈ ‰‡Ô
Ó¤ÔÈ ·ÔÊ·Û›˙Ô˘Ó Ó· ·ÓÙÚ¢ÙÔ‡Ó. ∞Ó·Áο˙ÔÓÙ·È, ÙfiÙÂ, Ó· ·ÓÙÈÌÂÙˆ›ÛÔ˘Ó ÙȘ
Û˘Ó¤ÂȘ Ù˘ ‰È¯ÔÙfiÌËÛ˘ Ù˘ ∫‡ÚÔ˘ Î·È ÙÔ˘ Ì›ÛÔ˘˜ Ô˘ ÚÔηÏ› ·Ó¿ÌÂÛ· ÛÙÔ˘˜ ŒÏÏËÓ˜ Î·È ∆Ô‡ÚÎÔ˘˜ ÙÔ˘ ÓËÛÈÔ‡.
Credits / ™˘ÓÙÂÏÂÛÙ¤˜:
Produced by / ¶·Ú·ÁˆÁ‹: Artimages Ltd.,
Director-Writer / ™ÎËÓÔıÂÛ›·-™ÂÓ¿ÚÈÔ: Panikos Chrysanthou / ¶·Ó›ÎÎÔ˜ ÃÚ˘Û¿ÓıÔ˘
Cinematography /¢È‡ı˘ÓÛË ºˆÙÔÁÚ·Ê›·˜: Andras Gero
Budget / ¶ÚÔ¸ÔÏÔÁÈÛÌfi˜: €1, 600,000
Secured Financing / ∂Í·ÛÊ·ÏÈṲ̂ÓË ÃÚËÌ·ÙÔ‰fiÙËÛË: Yes / ¡·È
Panicos Chrysanthou was born in Kythrea, a village that today lies in the Turkish-occupied region of Cyprus.
In a small country without a film tradition there is not much scope for development. For years he worked in
productions as assistant director and production assistant, in film clubs and in the Cyprus Cinemathèque. He
has made 4 documentaries and is now completing his first feature film.
Producer’s filmography
ºÈÏÌÔÁÚ·Ê›· ·Ú·ÁˆÁÔ‡
The Footprints of Aphrodite,
directed by Panicos Chrysanthou, 1996
Parallel Trips, directed by Panicos Chrysanthou, 2003
√ ¶·Ó›ÎÎÔ˜ ÃÚ˘Û¿ÓıÔ˘ ÁÂÓÓ‹ıËΠÛÙËÓ ∫˘ıÚ¤·, ¤Ó· ¯ˆÚÈfi, Ô˘ Û‹ÌÂÚ· ‚Ú›ÛÎÂÙ·È ÛÙËÓ Î·Ù¯fiÌÂÓË ÂÚÈÔ¯‹ Ù˘ ∫‡ÚÔ˘. ™Â ÌÈ· ¯ÒÚ· ÌÈÎÚ‹ Î·È ¯ˆÚ›˜ ÎÈÓËÌ·ÙÔÁÚ·ÊÈ΋ ·Ú¿‰ÔÛË ‰ÂÓ Â›¯Â Î·È ÔÏÏ¿ ÂÚÈıÒÚÈ· ·Ó¿Ù˘Í˘. ¢Ô‡Ï„ ÁÈ· ¯ÚfiÓÈ· Û ·Ú·ÁˆÁ¤˜ ˆ˜ ‚ÔËıfi˜ ÛÎËÓÔı¤ÙË Î·È ‚ÔËıfi˜ ·Ú·ÁˆÁ‹˜, Û ÎÈÓËÌ·ÙÔÁÚ·ÊÈΤ˜ Ϥۯ˜ Î·È ÛÙËÓ ∫˘Úȷ΋ ∆·ÈÓÈÔı‹ÎË. ŒÎ·Ó 4 ÓÙÔÎÈÌ·ÓÙ¤Ú Î·È ÙÒÚ· ÙÂÏÂÈÒÓÂÈ ÙËÓ ÚÒÙË ÙÔ˘ Ù·ÈÓ›·
Ì˘ıÔÏ·Û›·˜.
Akamas, directed by Panicos Chrysanthou, 2005
¶·‰ÎȤ˜ Ù˘ ∞ÊÚÔ‰›Ù˘,
Û ÛÎËÓÔıÂÛ›· ¶·Ó›ÎÎÔ˘ ÃÚ˘Û¿ÓıÔ˘, 1996
Company profile/ ∏ ÂÙ·ÈÚ›·
Artimages is a company that was founded in 1995 and that tries to produce films in a small country with a
very small tradition in the area of production. It aspires nevertheless to exploit the interest in co-productions
with Europe that has begun to emerge in Cyprus in recent years.
¶·Ú¿ÏÏËÏ· Ù·Í›‰È·,
Û ÛÎËÓÔıÂÛ›· ¶·Ó›ÎÎÔ˘ ÃÚ˘Û¿ÓıÔ˘, 2003
∞η̿˜, Û ÛÎËÓÔıÂÛ›· ¶·Ó›ÎÎÔ˘ ÃÚ˘Û¿ÓıÔ˘, 2005
∏ Artimages Â›Ó·È ÌÈ· ÂÙ·ÈÚ›· Ô˘ ȉڇıËΠÙÔ 1995 Î·È Ô˘ ÚÔÛ·ı› Ó· ·Ú¿ÁÂÈ Ù·Èӛ˜ Û ÌÈ· ¯ÒÚ· ÌÈÎÚ‹
Î·È Ì Ôχ ÌÈÎÚ‹ ·Ú¿‰ÔÛË ÛÙÔÓ ÙÔ̤· Ù˘ ·Ú·ÁˆÁ‹˜. ºÈÏÔ‰ÔÍ› ˆÛÙfiÛÔ Ó· ÂÎÌÂÙ·ÏÏ¢Ù› ÙÔ ÂӉȷʤÚÔÓ Ô˘ ¿Ú¯ÈÛ ӷ ÂȉÂÈÎÓ‡ÂÙ·È ÛÙËÓ ∫‡ÚÔ Ù· ÙÂÏÂ˘Ù·›· ¯ÚfiÓÈ·, ÒÛÙ ӷ οÓÂÈ Û˘Ì·Ú·ÁˆÁ¤˜ Ì ÙËÓ
∂˘ÚÒË.
11
Artimages
Panicos Chrysanthou / Πανίκκος Χρυσάνθου
America!!!
Portugal / Πορτογαλία
Portugal has radically changed in the last ten years. It is more than an African immigration
destination. It has become a kind of America for the poor and underprivileged. Amongst the
clandestine exiles are people from the Ukraine, Moldavia, Romania, Brazil, China, Cap-Verde
... including Lisa, a Russian living in Lisbon, who is in love with Viktor. They both work for
Viktor’s ex-wife, Fernanda, who runs a gang that makes fake passports and residency permits. Between them they deal with vast numbers of “foreigners” who want to live in
Portugal or immigrate to the USA. When Fernanda negotiates a deal with an American who
is running an internet scam, things end up in even more of a mess for this melting pot of
dislocated cultures.
Producer
Pandora da Cunha Telles
Contacts / ∂ÈÎÔÈÓˆÓ›·:
23, Praça do Principe Real, 1Æ andar,
Lisboa, Portugal
T. +35 1213243200
Mobile: + 35 1934451218
[email protected]
∏ ¶ÔÚÙÔÁ·Ï›· ¤¯ÂÈ ·ÏÏ¿ÍÂÈ ‰Ú·ÛÙÈο Ù· ‰¤Î· ÙÂÏÂ˘Ù·›· ¯ÚfiÓÈ·. ¢ÂÓ Â›Ó·È ϤÔÓ ÌfiÓÔ ¤Ó·˜
ÚÔÔÚÈÛÌfi˜ ÁÈ· ÌÂÙ·Ó¿ÛÙ˜ ·Ô ÙËÓ ∞ÊÚÈ΋. Œ¯ÂÈ Á›ÓÂÈ Ì›· «∞ÌÂÚÈ΋» ÁÈ· ÙÔ˘˜ ÊÙˆ¯Ô‡˜ ηÈ
ÌË ÚÔÓÔÌÈÔ‡¯Ô˘˜. √È ·Ú¿ÓÔÌÔÈ ·˘ÙÔÂÍfiÚÈÛÙÔÈ Â›Ó·È ¿ÓıÚˆÔÈ ·fi ÙËÓ √˘ÎÚ·Ó›·, ªÔω·‚›·, µÚ·˙ÈÏ›· ∫›Ó·, ¶Ú¿ÛÈÓÔ ∞ÎÚˆÙ‹ÚÈ...ÌÂٷ͇ ·˘ÙÒÓ Î·È Ë Lisa, ÌÈ· ƒˆÛ›‰· Ô˘ ̤ÓÂÈ
ÛÙËÓ §ÈÛÛ·‚fiÓ·, ÂÚˆÙÂ˘Ì¤ÓË Ì ÙÔÓ Viktor. ¢Ô˘ÏÂ‡Ô˘Ó Î·È ÔÈ ‰‡Ô ÁÈ· ÙËÓ ÚÒËÓ Á˘Ó·›Î·
ÙÔ˘ Viktor, ÙËÓ Fernanda, ·Ú¯ËÁfi ÌÈ·˜ Û˘ÌÌÔÚ›·˜ Ô˘ ηٷÛ΢¿˙ÂÈ Ï·ÛÙ¿ ‰È·‚·Ù‹ÚÈ·
Î·È ¿‰ÂȘ ·Ú·ÌÔÓ‹˜. ŒÚ¯ÔÓÙ·È ¤ÙÛÈ Û Â·Ê‹ Ì ̤Á·ÏÔ ·ÚÈıÌfi «Í¤ÓˆÓ» Ô˘ ı¤ÏÔ˘Ó Ó·
˙‹ÛÔ˘Ó Î·È Ó· ÂÚÁ·ÛÙÔ‡Ó ÛÙËÓ ¶ÔÚÙÔÁ·Ï›· ‹ Ó· ÌÂÙ·Ó·ÛÙ‡ÛÔ˘Ó ÛÙȘ ∏¶∞. ‘√Ù·Ó Ë
Fernanda ηÓÔÓ›˙ÂÈ ÌÈ· Û˘ÓÂÚÁ·Û›· Ì ¤Ó·Ó ·ÌÂÚÈοÓÔ ÎÔÌÈÓ·‰fiÚÔ ÙÔ˘ ›ÓÙÂÚÓÂÙ, Ù· Ú¿ÁÌ·Ù· ÂÚÈϤÎÔÓÙ·È Ì¤Û· Û ·˘Ùfi ÙÔ Û˘ÓÔÓı‡ÏÂ˘Ì· ÙˆÓ ÍÂÓÈÙÂÌ¤ÓˆÓ ÔÏÈÙÈÛÌÒÓ.
Credits / ™˘ÓÙÂÏÂÛÙ¤˜:
Produced by / ¶·Ú·ÁˆÁ‹: Animatografo2
Director / ™ÎËÓÔıÂÛ›·: Joao Nuno Pinto
Scriptwriter / ™ÂÓ¿ÚÈÔ: Luisa Costa Gomes
Budget / ¶ÚÔ¸ÔÏÔÁÈÛÌfi˜: €1,200,000
Secured Financing / ∂Í·ÛÊ·ÏÈṲ̂ÓË ÃÚËÌ·ÙÔ‰fiÙËÛË: Yes/¡·È
12
∏ Pandora da Cunha Telles ÁÂÓÓ‹ıËΠÛÙË §ÈÛÛ·‚ÒÓ· ÙÔ 1978. ªÂÁ¿ÏˆÛ Ì ÙËÓ Î·Ó·‰‹ ÌËÙ¤Ú· Ù˘, ÂÓÒ
ÚÔ¤Ú¯ÂÙ·È ·fi ÌÈ· ÎÈÓËÌ·ÙÔÁÚ·ÊÈ΋ ÔÈÎÔÁ¤ÓÂÈ·. ™Ô‡‰·Û ¢ÈÂıÓ›˜ ¶ÔÏÈÙÈΤ˜ ∂ÈÛً̘ ÛÙË §ÈÛÛ·‚ÒÓ· ηÈ
ÛÙË °Ú·Ó¿‰· Î·È ÚÈÓ ·fi 5 ¯ÚfiÓÈ· ÍÂΛÓËÛ ÙËÓ ÂÓ·Û¯fiÏËÛ‹ Ù˘ Ì ÙÔÓ ÎÈÓËÌ·ÙÔÁÚ¿ÊÔ ‰Ô˘Ï‡ÔÓÙ·˜ Ì ÙÔÓ
·Ù¤Ú· Ù˘ ÛÙËÓ ÂÙ·ÈÚ›· Animatografo. ŒÎ·Ó ÙÔ ÓÙÂÌÔ‡ÙÔ Ù˘ Ì ÙȘ Ù·Èӛ˜ ÌÈÎÚÔ‡ Ì‹ÎÔ˘˜ Wounded ηÈ
Between Desire and Destiny. ∆Ô 2003 ¤Î·Ó ÙËÓ ÚÒÙË Ù˘ Ù·ÈÓ›· ÌÂÁ¿ÏÔ˘ Ì‹ÎÔ˘˜, ÙÔ Loving Maria, ÌÈ·
ÌÔÓÙ¤ÚÓ· Έ̈‰›· ÁÈ· ÙË Á˘Ó·ÈΛ· ÊÈÏ›·. Œ¯ÔÓÙ·˜ ÔÏÔÎÏËÚÒÛÂÈ ·˘Ù‹ ÙËÓ Ù·ÈÓ›· ‚Ú¤ıËΠÛÙȘ ∫¿ÓÓ˜ ÙÔ 2004,
ˆ˜ ÌÈ· ·fi ÙÔ˘˜ Producers on the Move. ∞ÎÔÏÔ‡ıËÛÂ Ë Ù·ÈÓ›· Kiss Me, ÂÓÒ Ì ÙËÓ Ù·ÈÓ›· Sleepwalking Land,
¤ÊÙ·Û ̤¯ÚÈ ÙË ªÔ˙·Ì‚›ÎË ÁÈ· Ù· Á˘Ú›ÛÌ·Ù·. ¶ÚfiÎÂÈÙ·È ÁÈ· ÌÈ· Ù·ÈÓ›· Ô˘ Ù·Ï·ÓÙ‡ÂÙ·È ÌÂٷ͇ ÙˆÓ ÔÓ›ڈÓ
ÂÓfi˜ ¯·Ì¤ÓÔ˘ ËÌÂÚÔÏÔÁ›Ô˘ Î·È ÂÓfi˜ ∂ÌÊ˘Ï›Ô˘ ¶ÔϤÌÔ˘.
Born 1978 in Lisbon, and raised by her Canadian mother, Pandora da Cunha Telles comes from a family of
filmmakers. She graduated in International Politics in Lisbon and Granada; five years ago she started working in
the film business with her father in Animatografo. Wounded and Between Desire and Destiny were her first
shorts. In 2003 she produced her first feature film, Loving Maria, a modern comedy about women’s friendship.
As result of this, she was nominated one of the Producers on the Move at the Cannes Film Festival 2004. Kiss
Me followed. With Sleepwalking Land, Mozambique was the next stop. It is a film that oscillates between the
dreams of a lost diary and a Civil War.
Company profile/ ∏ ÂÙ·ÈÚ›·
Animatografo 2 takes the Latin word anima as a challenge and aims to do films with soul. With the experience
of Antonio da Cunha Telles that has produced more than 200 films since the 60’s and the youthful energy of
Pandora da Cunha Telles, Animatografo 2 is one of the strongest production companies in Portugal.
Animatografo 2 has just finished shooting, in Mozambique, Sleepwalking Land with the support of Arte ZDF and
Ébano. In 2004 it produced Animal, directed by Roselyne Bosh with Studio Legende (Competition at the
Montreal Film Festival) and Hollow City, the first film of Maria Joao Ganga, filmed in Angola, which with Integrada
was presented in more than 20 festivals. Next year, Animatografo 2 will shoot a 19th century mystery in co-production with Brazil and are preparing a 13 episode series for Portuguese television.
∏ ÂÙ·ÈÚ›· Animatografo 2 ¯ÚËÛÈÌÔÔÈ› ÙË Ï·ÙÈÓÈ΋ ϤÍË «anima» ˆ˜ ÚfiÎÏËÛË Î·È ÛÙԯ‡ÂÈ ÛÙË ·Ú·ÁˆÁ‹
Ù·ÈÓÈÒÓ Ì „˘¯‹. ™˘Ó‰˘¿˙ÔÓÙ·˜ ÙËÓ ÂÌÂÈÚ›· ÙÔ˘ Antonio da Cunha Telles Ô˘ ¤¯ÂÈ ·Ú¿ÁÂÈ ÂÚÈÛÛfiÙÂÚ˜ ·fi
200 Ù·Èӛ˜ ·fi ÙÔ 1960 Ì ÙË Ó·ÓÈ΋ ˙ˆÓÙ¿ÓÈ· Ù˘ Pandora da Cunha Telles, Ë ÂÙ·ÈÚ›· ¤¯ÂÈ ÂÍÂÏȯı› Û ÌÈ·
·fi ÙȘ ÈÔ ÛËÌ·ÓÙÈΤ˜ ÂÙ·ÈÚ›˜ ·Ú·ÁˆÁ‹˜ ÛÙËÓ ¶ÔÚÙÔÁ·Ï›·. ∏ Animatografo 2 ÌfiÏȘ ÔÏÔÎÏ‹ÚˆÛ ٷ Á˘Ú›ÛÌ·Ù· Ù˘ Ù·ÈÓ›·˜ Sleepwalking Land ÛÙË ªÔ˙·Ì‚›ÎË Ì ÙËÓ ˘ÔÛÙ‹ÚÈÍË ÙˆÓ Arte ZDF Î·È Ébano. ∆Ô 2004 ·Ú‹Á·Á Ì ÙÔ Studio Legende ÙËÓ Ù·ÈÓ›· Animal Û ÛÎËÓÔıÂÛ›· Roselyne Bosh (Û˘ÌÌÂÙÔ¯‹ ÛÙÔ ‰È·ÁˆÓÈÛÙÈÎfi ÙÌ‹Ì·
ÙÔ˘ ºÂÛÙÈ‚¿Ï ÙÔ˘ ªfiÓÙÚ·Ï) Î·È ÙËÓ ÚÒÙË Ù·ÈÓ›· Ù˘ Maria Joao Ganga, ÙÔ Hollow City, Ô˘ Á˘Ú›ÛÙËΠÛÙËÓ
∞ÁÎfiÏ·, Î·È Ì ÙËÓ ÔÔ›· Ë Integrada ·ÚÔ˘ÛÈ¿ÛÙËΠ۠ÂÚÈÛÛfiÙÂÚ· ·fi 20 ÊÂÛÙÈ‚¿Ï. ∆Ô˘ ¯ÚfiÓÔ˘, Ë ÂÙ·ÈÚ›· ı· Á˘Ú›ÛÂÈ ÌÈ· Ù·ÈÓ›· Ì˘ÛÙËÚ›Ô˘ Ô˘ ÂÎÙ˘Ï›ÛÛÂÙ·È ÛÙÔÓ19Ô ·ÈÒÓ· ÛÂ Û˘Ì·Ú·ÁˆÁ‹ Ì ÙË µÚ·˙ÈÏ›· ηÈ
ÚÔÂÙÔÈÌ¿˙ÂÈ ¤Ó· Û›ÚÈ·Ï 13 ÂÂÈÛÔ‰›ˆÓ ÁÈ· ÙËÓ ÔÚÙÔÁ·ÏÈ΋ ÙËÏÂfiÚ·ÛË.
ºÈÏÌÔÁÚ·Ê›· ·Ú·ÁˆÁÔ‡ /
Producer’s filmography
Terra Sonâmbula (Sleepwalking Land),
directed by / ÛÂ ÛÎËÓÔıÂÛ›· by Teresa Prata, 2005
Maria e as Outras (Loving Maria),
directed by / ÛÂ ÛÎËÓÔıÂÛ›· José de Sa Caetano, 2004
Kiss Me, directed by / ÛÂ ÛÎËÓÔıÂÛ›· Antonio da Cunha
Telles, 2004
Na Cidade Vazia (Hollow City),
directed by / ÛÂ ÛÎËÓÔıÂÛ›· Maria Joao Ganga, 2003
µÚ·‚›· / Festival Prizes
Kiss me,, 2004, Public Award, Coimbra Festival
Hollow City,, Special Jury Award, Paris Film Festival
Audience Award, Milan COE Festival Africa, South
America, Asia
3rd Jury Award,Milan, COE Festival
“Graines de Cinéphage”, Women Films Festival,
Créteil France
Jury Special Mention , “Images de Femmes”,
Vues d’Afrique Montréal
Wounded (Short Film), 2003, FIKE
Prémio dos Cinéfilos, 2004,
Luso-brasilian Film Festival of Santa Maria da Feira
Kiss me,, 2004, µÚ·‚Â›Ô ∫ÔÈÓÔ‡, ºÂÛÈ‚¿Ï ∫fiÈÌÚ·˜
Hollow City,, ∂ȉÈÎfi µÚ·‚Â›Ô ∂ÈÙÚÔ‹˜, ºÂÛÙÈ‚¿Ï
¶·ÚÈÛÈÔ‡
µÚ·‚Â›Ô ∫ÔÈÓÔ‡ & 3Ô µÚ·‚Â›Ô ∂ÈÙÚÔ‹˜, ºÂÛÙÈ‚¿Ï
COE ªÈÏ¿ÓÔ, ∞ÊÚÈ΋, §·ÙÈÓÈ΋ ∞ÌÂÚÈ΋, ∞Û›·
«Graines de Cinéphage»,
ºÂÛÙÈ‚¿Ï °˘Ó·ÈΛˆÓ ∆·ÈÓÈÒÓ, ∫ÚÂÙ¤ÈÁ, °·ÏÏ›·
∂ȉÈ΋ ªÓ›· Ù˘ ∂ÈÙÚÔ‹˜, «Images de Femmes»
Vues d’Afrique Montréal
Wounded (Ù·ÈÓ›· ÌÈÎÚÔ‡ Ì‹ÎÔ˘˜), 2003, FIKE
Prémio dos Cinéfilos, 2004, ºÂÛÙÈ‚¿Ï Luso-brasilian
Ù˘ Santa Maria da Feira
13
Animatografo 2
Pandora Da Cunha Telles
Balkan Blues
Bulgaria
Hurt, Margarita runs away from her boyfriend Marco, a famous TV personality. She joins
her brother and his friends, all from different Balkan countries, for a windsurfing trip
on a Turkish Island. But the wind stops and the dramedy starts. The young men undertake a dispute with nationalistic overtones over insignificant things. “National borders”
are built between their tents. Marco’s arrival makes the conflict known to the media.
He ends up breaking up with Margarita who goes surfing and disappears in the open
sea. After an international rescue operation at the Greek-Turkish sea border during a
football game between the leading Turkish and Greek teams, a life is saved, a love is
revived, the national differences merge and miraculously the wind comes back.
Producer
Nikolay Kirov
Contacts / ∂ÈÎÔÈÓˆÓ›·:
69, General Skobelev Blvd,
Fl 5, Apt 12, 1606
Sofia, Bulgaria
T. +35 929505545
Mobile: +35 888339566,
+35 9888334363
[email protected],
[email protected],
[email protected]
¶ÏËÁˆÌ¤ÓË, Ë Margarita ÙÔ ÛοÂÈ ·fi ÙÔÓ Ê›ÏÔ Ù˘, Marco, Ô˘ Â›Ó·È ‰È¿ÛËÌË ÙËÏÂÔÙÈ΋ ÚÔÛˆÈÎfiÙËÙ·. ª·˙› Ì ÙÔÓ ·‰ÂÏÊfi Ù˘ Î·È ÙÔ˘˜ Ê›ÏÔ˘˜ ÙÔ˘ Ô˘ ÚÔ¤Ú¯ÔÓÙ·È
·fi ‰È¿ÊÔÚ˜ ‚·ÏηÓÈΤ˜ ¯ÒÚ˜, ËÁ·›ÓÂÈ ÁÈ· windsurfing Û ¤Ó· ÙÔ˘ÚÎÈÎfi ÓËÛ›. √
·¤Ú·˜ fï˜ ·‡ÂÈ Î·È Ë ÈÏ·ÚÔÙÚ·Áˆ‰›· ·Ú¯›˙ÂÈ. √È Ó·ÚÔ› ÍÂÎÈÓÔ‡Ó ·Û‹Ì·ÓÙÔ˘˜ η‚Á¿‰Â˜ Ô˘ ·›ÚÓÔ˘Ó fï˜ ÂıÓÈÎÈÛÙÈÎÔ‡˜ ÙfiÓÔ˘˜. ªÂ ÙËÓ ¿ÊÈÍË ÙÔ˘ Marco Ë ‰È·Ì¿¯Ë Á›ÓÂÙ·È ÁÓˆÛÙ‹ ÛÙ· Ú·‰ÈÔÙËÏÂÔÙÈο ̤۷. ŸÙ·Ó ¯ˆÚ›˙Ô˘Ó Ì ÙËÓ Margarita ÂΛÓË ËÁ·›ÓÂÈ ÁÈ· surfing Î·È ÂÍ·Ê·Ó›˙ÂÙ·È ÛÙ· ·ÓÔÈÎÙ¿. ª¤Ù· ·fi Ì›· ‰ÈÂıÓ‹ ÚÔÛ¿ıÂÈ· ‰¿ÛˆÛ˘ ηٿ ÙË ‰È¿ÚÎÂÈ· ¤ÓÔ˜ ÂÏÏËÓÔÙÔ˘ÚÎÈÎÔ‡ Ô‰ÔÛÊ·ÈÚÈÎÔ‡ ·ÁÒÓ·, ÌÈ· ˙ˆ‹ ÛÒ˙ÂÙ·È,
ÌÈ· ·Á¿Ë ·Ó·‚ÈÒÓÂÈ, ÔÈ ÂıÓÈΤ˜ ‰È·ÊÔÚ¤˜ Û˘ÌÊÈÏÈÒÓÔÓÙ·È Î·È ˆ˜ ÂÎ ı·‡Ì·ÙÔ˜ Ô ¿ÓÂÌÔ˜ Â·Ó¤Ú¯ÂÙ·È.
Credits / ™˘ÓÙÂÏÂÛÙ¤˜:
Produced by / ¶·Ú·ÁˆÁfi˜: Kirov Consult Ltd
Director/ ™ÎËÓÔıÂÛ›·: Sophia Zornitsa
Scriptwriter / ™ÂÓ¿ÚÈÔ: Sophia Zornitsa, Nikolay Kirov, Emil Bonev
Budget / ¶ÚÔ¸ÔÏÔÁÈÛÌfi˜: €1,100,000
Secured financing / ∂Í·ÛÊ·ÏÈṲ̂ÓË ¯ÚËÌ·ÙÔ‰fiÙËÛË: Yes / ¡·È
14
Nikolay Kirov is an independent producer with a background in financing and economics. His first film Mila from
Mars, the first independent Bulgarian feature film, won 11 awards, participated in 44 festivals, has 12 nominations and was the Bulgarian nominee for the Academy Awards. Kirov organised the advertising and PR campaigns for the film’s theatrical release; both campaigns won the Best National Awards in their fields. The film
was a box office success in Bulgaria – the best selling Bulgarian film for the last 13 years; with the same success
when released on DVD/video. It sold to 5 countries and was broadcast on a number of foreign television channels. Nikolay Kirov is curently involved in the development of two feature films and the production of a documentary, to be released March 2006.
Producer’s filmography
ºÈÏÌÔÁÚ·Ê›· ·Ú·ÁˆÁÔ‡
Mila from Mars,
directed by / ÛÂ ÛÎËÓÔıÂÛ›· Sophia Zornitsa, 2004
What is a Nice Guy Like You Doing in a Place Like This,
directed by / ÛÂ ÛÎËÓÔıÂÛ›· Sophia Zornitsa, 2006
Festival Prizes/ µÚ·‚›·
√ Nikolay Kirov Â›Ó·È ¤Ó·˜ ·ÓÂÍ¿ÚÙËÙÔ˜ ·Ú·ÁˆÁfi˜ Ì Â·ÁÁÂÏÌ·ÙÈ΋ ÂÌÂÈÚ›· ÛÙ· ¯ÚËÌ·ÙÔÔÈÎÔÓÔÌÈο. ∏ ÚÒÙË
ÙÔ˘ Ù·ÈÓ›·, Mila from Mars, Ô˘ Â›Ó·È Î·È Ë ÚÒÙË ·ÓÂÍ¿ÚÙËÙË ‚Ô˘ÏÁ·ÚÈ΋ ·Ú·ÁˆÁ‹, ΤډÈÛ 11 ‚Ú·‚›·, Û˘ÌÌÂÙ›¯Â Û 44 ÊÂÛÙÈ‚¿Ï, ‹Ù·Ó ˘Ô„‹ÊÈ· ÁÈ· 12 ‚Ú·‚›· ηıÒ˜ Î·È ‹Ù·Ó Ë ˘Ô„ËÊÈfiÙËÙ· Ù˘ µÔ˘ÏÁ·Ú›·˜ ÁÈ· ÙÔ
ŸÛÎ·Ú ÍÂÓfiÁψÛÛ˘ Ù·ÈÓ›·˜. √ Kirov ÔÚÁ¿ÓˆÛ ÙË ‰È·ÊËÌÈÛÙÈ΋ ηÌ¿ÓÈ· Î·È ÙȘ ‰ËÌfiÛȘ Û¯¤ÛÂȘ ÁÈ· ÙËÓ ‰È·ÓÔÌ‹ Ù˘ Ù·ÈÓ›·˜ ÛÙȘ ·›ıÔ˘Û˜. ∫·È ÔÈ ‰‡Ô ηÌ¿ÓȘ ΤډÈÛ·Ó Ù· ·ÓÙ›ÛÙÔȯ· ¢ÈÂıÓ‹ ∂ıÓÈο µÚ·‚›·. ∏ Ù·ÈÓ›·
ÛËÌ›ˆÛ ÂÈÛÚ·ÎÙÈ΋ ÂÈÙ˘¯›· ÛÙË µÔ˘ÏÁ·Ú›· –Ë ÈÔ ÂÌÔÚÈ΋ ‚Ô˘ÏÁ·ÚÈ΋ Ù·ÈÓ›· Ù· ÙÂÏÂ˘Ù·›· 13 ¯ÚfiÓÈ·- ¤Óˆ Ë
ÂÈÙ˘¯›· Û˘Ó¯›ÛÙËÎÂ Î·È fiÙ·Ó Î˘ÎÏÔÊfiÚËÛ Û DVD/‚›ÓÙÂÔ. ¶Ô˘Ï‹ıËΠ۠5 ¯ÒÚ˜, ÂÓÒ ÚÔ‚Ï‹ıËΠ۠·ÚÎÂÙ¿ ͤӷ ÙËÏÂÔÙÈο ηӿÏÈ·. √ Nikolay Kirov ·Û¯ÔÏÂ›Ù·È ÙÒÚ· Ì ÙËÓ ·Ó¿Ù˘ÍË ‰‡Ô Ù·ÈÓÈÒÓ Ì˘ıÔÏ·Û›·˜ Î·È ÙËÓ
·Ú·ÁˆÁ‹ ÂÓfi˜ ÓÙÔÎÈÌ·ÓÙ¤Ú, Ô˘ ı· ΢ÎÏÔÊÔÚ‹ÛÂÈ ÙÔÓ ª·ÚÙÈÔ ÙÔ˘ 2006.
Company profile/ ∏ ÂÙ·ÈÚ›·
In 2002, Kirov Consult (together with All Things) launched the production of the Bulgarian feature film Mila from
Mars, which was later called by Bulgarian media “the revered beginning of the new Bulgarian independent cinema”. “The film marks the bow of a director to watch” by Variety. It is “full of invention and daring”,FIPRESCI
site. A “wild young cinema” by a Mannheim newspaper. The company aims to be part of the creation of a new
image of Bulgaria’s feature film by the production and distribution - in Bulgaria and abroad - of new Bulgarian
features and documentaries. To produce films created by young directors and filmmakers about non-traditional, controversial and modern issues; and to encourage, whenever possible, a new visual language and approach.
∆Ô 2002, Ë Kirov Consult (Ì·˙› Ì ÙËÓ All Things) ·ÚÔ˘Û›·Û ÙËÓ ·Ú·ÁˆÁ‹ Ù˘ ‚Ô˘ÏÁ·ÚÈ΋˜ Ù·ÈÓ›·˜ Mila from Mars,
Ô˘ ¯·Ú·ÎÙËÚ›ÛÙËΠ·ÚÁfiÙÂÚ· ·fi Ù· ̤۷ Ì·˙È΋˜ ÂÓË̤ڈÛ˘ ˆ˜ «ÙÔ ¿ÍÈÔ ÍÂΛÓËÌ· ÙÔ˘ Ó¤Ô˘ ·ÓÂÍ¿ÚÙËÙÔ˘
‚Ô˘ÏÁ·ÚÈÎÔ‡ ÎÈÓËÌ·ÙÔÁÚ¿ÊÔ˘». «∏ Ù·ÈÓ›· ÛËÌ·ÙÔ‰ÔÙ› ÙËÓ ¿ÊÈÍË ÌÈ·˜ Ó¤·˜ ÛÎËÓÔı¤Ùȉ·˜ Ô˘ ı· Ì·˜ ··Û¯ÔÏ‹ÛÂÈ ÛÙÔ Ì¤ÏÏÔÓ» ·fi ÙËÓ Variety. ∂›Ó·È Ì›· Ù·ÈÓ›· «ÁÂÌ¿ÙË ÂÊ¢ÚÂÙÈÎfiÙËÙ· Î·È ÙfiÏÌË» ·fi ÙËÓ ÈÛÙÔÛÂÏ›‰· Ù˘
FIPRESCI. ŒÓ· «Ó¤Ô, ·Ù›ı·ÛÔ ÛÈÓÂÌ¿» Û¯ÔÏ›·Û ̛· ÂÊËÌÂÚ›‰· ÙÔ˘ ª¿Ó¯·˚Ì. ∏ ÂÙ·ÈÚ›· ÊÈÏÔ‰ÔÍ› Ó· Û˘ÌÌÂÙ¿Û¯ÂÈ
ÛÙË ‰ËÌÈÔ˘ÚÁ›· Ì›·˜ Ó¤·˜ ÂÈÎfiÓ·˜ ÙˆÓ ‚Ô˘ÏÁ·ÚÈÎÒÓ Ù·ÈÓÈÒÓ Ì¤Ûˆ Ù˘ ·Ú·ÁˆÁ‹˜ Î·È Ù˘ ‰È·ÓÔÌ‹˜ –ÙfiÛÔ ÛÙË
µÔ˘ÏÁ·Ú›· fiÛÔ Î·È ÛÙÔ Â͈ÙÂÚÈÎfi- Ó¤ˆÓ ‚Ô˘ÏÁ·ÚÈÎÒÓ Ù·ÈÓÈÒÓ Î·È ÓÙÔÎÈÌ·ÓÙ¤ÚØ Ó· ·Ú·Á¿ÁÂÈ Ù·Èӛ˜ Ó¤ˆÓ ÛÎËÓÔıÂÙÒÓ Î·È ÎÈÓËÌ·ÙÔÁÚ·ÊÈÛÙÒÓ Ì ÌË-·Ú·‰ÔÛȷο, ·ÌÊÈÏÂÁfiÌÂÓ· Î·È ÌÔÓÙ¤ÚÓ· ı¤Ì·Ù·Ø Î·È Ó· ·ÚÔÙÚ‡ÓÂÈ, ηٿ
ÙÔ ‰˘Ó·ÙfiÓ, Ì›· Ó¤· ÔÙÈ΋ ÁÏÒÛÛ· Î·È ÚÔÛ¤ÁÁÈÛË.
Mila from Mars
Heidelberg FASBINDER Award & Ecumenical Jury Award, 53rd
Mannheim Heidelberg IFF
Kodak Award for Best Bulgarian film 2004, 8th Sofia IFF
Best Film Award in the Best Regional Competition, 10th Sarajevo IFF
Special Jury Award for the ensemble acting
Best Film Award, 26th Bulgarian Film Festival “Golden Rose”
“Golden Rose” for Best Actress
Vulo Radev Award for Outstanding Director’s Debut,
26th Bulgarian FF “Golden Rose”
Unity of Bulgarian Filmmakers Award for Debut,
26th Bulgarian FF “Golden Rose”
Official Bulgarian Submission for the Academy Awards 2005
Mila from Mars
µÚ·‚Â›Ô FASBINDER & √ÈÎÔ˘ÌÂÓÈÎfi µÚ·‚Â›Ô ∂ÈÙÚÔ‹˜,
53Ô ¢ÈÂıÓ¤˜ ºÂÛÙÈ‚¿Ï ª·Ó¯¿ÈÌ-÷˚‰ÂÏ‚¤ÚÁ˘
µÚ·‚Â›Ô Kodak Award ÁÈ· ÙËÓ ∫·Ï‡ÙÂÚË µÔ˘ÏÁ·ÚÈ΋ ∆·ÈÓ›·
ÙÔ˘ 2004, 8Ô ¢ÈÂıÓ¤˜ ºÂÛÙÈ‚¿Ï Ù˘ ™fiÊÈ·˜
µÚ·‚Â›Ô ∫·Ï‡ÙÂÚ˘ ∆·ÈÓ›·˜ ÛÙÔÓ ¶ÂÚÈÊÂÚÂÈ·Îfi ¢È·ÁˆÓÈÛÙÈÎfi,
10Ô ¢ÈÂıÓ¤˜ ºÂÛÙÈ‚¿Ï ∆·ÈÓÈÒÓ ÙÔ˘ ™·Ú¿Á‚Ô
∂ȉÈÎfi µÚ·‚Â›Ô ∫ÚÈÙÈ΋˜ ∂ÈÙÚÔ‹˜ ÁÈ· ÙÔ Û‡ÓÔÏÔ ÙˆÓ ÂÚÌËÓÂÈÒÓ
µÚ·‚Â›Ô ∫·Ï‡ÙÂÚ˘ ∆·ÈÓ›·˜ & ∫·Ï‡ÙÂÚ˘ °˘Ó·ÈΛ·˜ ∂ÚÌËÓ›·˜,
26Ô µÔ˘ÏÁ·ÚÈÎfi ºÂÛÙÈ‚¿Ï «Golden Rose»
µÚ·‚Â›Ô Vulo Radev ÁÈ· ÙÔÓ ∫·Ï‡ÙÂÚÔ ¶ÚˆÙÔÂÌÊ·ÓÈ˙fiÌÂÓÔ
™ÎËÓÔı¤ÙË ÛÙÔ 26Ô µÔ˘ÏÁ·ÚÈÎfi ºÂÛÙÈ‚¿Ï «Golden Rose»
µÚ·‚Â›Ô ¶ÚˆÙÔÂÌÊ·ÓÈ˙fiÌÂÓÔ˘ Ù˘ ŒÓˆÛ˘
µÔ˘ÏÁ¿ÚˆÓ ∫ÈÓËÌ·ÙÔÁÚ·ÊÈÛÙÒÓ ÛÙÔ 26Ô µÔ˘ÏÁ·ÚÈÎfi
ºÂÛÙÈ‚¿Ï «Golden Rose»
∂›ÛËÌË ˘Ô„ËÊÈfiÙËÙ· Ù˘ µÔ˘ÏÁ·Ú›·˜ ÁÈ· Ù· ŸÛÎ·Ú 2005
15
Kirov Consult Ltd
Nikolay Kirov
A Ballad for the Black Sea
Turkey / Τουρκία
The story is set in Turkey, near the Black Sea, at the end of the nineteenth century. Mustafa is in love with Esma. When his father’s death reveals a long kept
secret – Mustafa is a Christian not the Moslem everyone assumed - many in the
community are upset by the news including Esma’s family who marry her off
to Mehmet, a Moslem. Twenty years later, Esma is unhappily married to
Mehmet and Fotis (Mustafa) is a widower with a son, Niko, a guerilla fighter.
Their paths cross with dramatic consequences for all.
Producer
Nesteren Davutoglu
Contacts / ∂ÈÎÔÈÓˆÓ›·:
20-22, Silahsor Cad,
D: 5, Sisly, 34381,
Istanbul, Turkey
T. +90 2122860517
Mobile: +90 5323217838
[email protected]
H ÈÛÙÔÚ›· ÂÎÙ˘Ï›ÛÛÂÙ·È ÛÙËÓ ∆Ô˘ÚΛ·, ÎÔÓÙ¿ ÛÙË ª·‡ÚË £¿Ï·ÛÛ·, ÛÙÔ Ù¤ÏÔ˜
ÙÔ˘ 19Ô˘ ·ÈÒÓ·. √ Mustafa Â›Ó·È ÂÚˆÙÂ˘Ì¤ÓÔ˜ Ì ÙËÓ Esma. ŸÌˆ˜, Ô ı¿Ó·ÙÔ˜
ÙÔ˘ ·Ù¤Ú· ÙÔ˘ ʤÚÓÂÈ ÛÙÔ Êˆ˜ ¤Ó· ·ÏÈfi Ì˘ÛÙÈÎfiØ Ô Mustafa Â›Ó·È ¯ÚÈÛÙÈ·Ófi˜
Î·È fi¯È ÌÔ˘ÛÔ˘ÏÌ¿ÓÔ˜. ∏ ÌÈÎÚ‹ ÎÔÈÓˆÓ›· ·Ó·ÛÙ·ÙÒÓÂÙ·È ·fi ÙËÓ ·ÔÎ¿Ï˘„Ë
Î·È Ë ÔÈÎÔÁ¤ÓÂÈ· Ù˘ Esma ·ÔÊ·Û›˙ÂÈ Ó· ÙËÓ ·ÓÙÚ¤„ÂÈ Ì ÙÔÓ Mehmet, ¤Ó·Ó
ÌÔ˘ÛÔ˘ÏÌ¿ÓÔ. ∂›ÎÔÛÈ ¯ÚfiÓÈ· ÌÂÙ¿, Ë Esma ‚Ú›ÛÎÂÙ·È ÂÁÎψ‚ÈṲ̂ÓË Û ¤Ó·Ó
‰˘ÛÙ˘¯ÈṲ̂ÓÔ Á¿ÌÔ, ÂÓÒ Ô ºÒÙ˘ (Mustafa) Â›Ó·È ¯‹ÚÔ˜ Ì ¤Ó·Ó ÁÈÔ ÙÔÓ ¡›ÎÔ,
Ì·¯ËÙ‹ ÛÙÔÓ ·ÓÙ·ÚÙÔfiÏÂÌÔ. √È ‰ÚfiÌÔÈ ÙÔ˘˜ ı· Û˘Ó·ÓÙËıÔ‡Ó Ì ‰Ú·Ì·ÙÈΤ˜
Û˘Ó¤ÂȘ ÁÈ· fiÏÔ˘˜.
Credits / ™˘ÓÙÂÏÂÛÙ¤˜:
Produced by / ¶·Ú·ÁˆÁ‹: Film F
Director-Writer / ™ÎËÓÔıÂÛ›·-™ÂÓ¿ÚÈÔ: Yusuf Kurçenli,
Cinematography / ¢È‡ı˘ÓÛË ºˆÙÔÁÚ·Ê›·˜: Colin Mounier
Budget / ¶ÚÔ¸ÔÏÔÁÈÛÌfi˜: €2,000,000
Secured Financing / ∂Í·ÛÊ·ÏÈṲ̂ÓË ÃÚËÌ·ÙÔ‰fiÙËÛË: Yes/¡·È
16
Nesteren Davutoglu started her career in TRT (Turkish Radio Television), editing films, producing TV programmes and documantaries. Later, she joined the advertising industry. After several posts in the agency,
usually involved with the creation of strategies for many global brands, she became the CEO of Lowe Istanbul.
She was also the head of the Turkish Advertising Association between 2001-2004. Davutogu also wrote a
book about marketing and communications. Her enthusiasm for cinema motivated her into becoming a partner of Film F in 2002; she produced Letters Unsent (directed by Yusuf Kurçenli). The film won two awards,
Best Actor and Best Actress. She wrote a book about the behind the scenes of the film. Along with producing films, she continues to be responsible for the management of the agency, Lowe-Turkey.
∏ Nesteren Davutoglu ÍÂΛÓËÛ ÙËÓ Î·ÚȤڷ Ù˘ ÛÙËÓ ∆Ô˘ÚÎÈ΋ ƒ·‰ÈÔÙËÏÂfiÚ·ÛË Î¿ÓÔÓÙ·˜ ÌÔÓÙ¿˙ Î·È ·Ú·ÁˆÁ¤˜ ÙËÏÂÔÙÈÎÒÓ ÚÔÁÚ·ÌÌ¿ÙˆÓ Î·È ÓÙÔÎÈÌ·ÓÙ¤Ú. ∞ÚÁfiÙÂÚ·, ÛÙÚ¿ÊËΠÛÙË ‰È·Ê‹ÌÈÛË. ∞ÊÔ‡ ¤Ú·Û ·fi
‰È¿ÊÔÚ· fiÛÙ· ÛÙÔÓ ¯ÒÚÔ Ù˘ ‰È·Ê‹ÌÈÛ˘, ·Û¯ÔÏÔ‡ÌÂÓË Î˘Ú›ˆ˜ Ì ÙÔÓ Û¯Â‰È·ÛÌfi Ù˘ ÛÙÚ·ÙËÁÈ΋˜ ÔÏ˘ÂıÓÈÎÒÓ ÂÙ·ÈÚÂÈÒÓ, ÂÍÂÏ›¯ıËΠ۠ÎÔÚ˘Ê·›Ô ‰ÈÔÈÎËÙÈÎfi Û٤ϯԘ Ù˘ Lowe Istanbul. ¢ÈÂÙ¤ÏÂÛÂ, Â›Û˘, ‰È¢ı‡ÓÙÚÈ· ÙÔ˘ ∆Ô˘ÚÎÈÎÔ‡ √Ì›ÏÔ˘ ¢È·ÊËÌÈÛÙÒÓ ÌÂٷ͇ ÙˆÓ ÂÙÒÓ 2001-2004. ∏ Nesteren Davutoglu Â›Ó·È Î·È
Û˘ÁÁڷʤ·˜ ÂÓfi˜ ‚È‚Ï›Ô˘ Û¯ÂÙÈο Ì ÙÔ Ì¿ÚÎÂÙÈÓÁÎ Î·È ÙËÓ ÂÈÎÔÈÓˆÓ›·. ∆Ô ÂӉȷʤÚÔÓ Ù˘ ÁÈ· ÙÔÓ ÎÈÓËÌ·ÙÔÁÚ¿ÊÔ ÙËÓ Ô‰‹ÁËÛ ÛÙËÓ ·fiÊ·Û‹ Ù˘ Ó· Á›ÓÂÈ Û˘ÓÂÙ·›ÚÔ˜ Ù˘ Film F ÙÔ 2002, ÔfiÙÂ Î·È ·Ú‹Á·Á ÙËÓ
Ù·ÈÓ›· Letters Unsent Û ÛÎËÓÔıÂÛ›· Yusuf Kurçenli. ∏ Ù·ÈÓ›· ΤډÈÛ ‰‡Ô ‚Ú·‚›·Ø ηχÙÂÚ˘ ·Ó‰ÚÈ΋˜ ηÈ
Á˘Ó·ÈΛ·˜ ÂÚÌËÓ›·˜. ŒÁÚ·„ ¤Ó· ·ÎfiÌË ‚È‚Ï›Ô Û¯ÂÙÈο Ì ÙÔ Á‡ÚÈÛÌ· Ù˘ Ù·ÈÓ›·˜ ·˘Ù‹˜. ¶·Ú¿ÏÏËÏ· ÌÂ
ÙËÓ ·Ú·ÁˆÁ‹ Ù·ÈÓÈÒÓ, ÂÍ·ÎÔÏÔ˘ı› Ó· Â›Ó·È Î·È ‰ÈÔÈÎËÙÈÎfi Û٤ϯԘ Ù˘ Lowe-Turkey.
Company profile/ ∏ ÂÙ·ÈÚ›·
Film F Filmcilik Ltd. was established in 1992 by Turkish director Yusuf Kurçenli. It produces both feature films
and television programmes including:
Cözülmeler (Disintegration), 1994. Antika Talani (Plunder of Antiques), 1997
Treasure of Croesus and Treasure of Santa Claus, docu-dramas
Kursun Kalem (Pencil), TV series, 2000. Gönderilmemis Mektuplar (Letters Unsent), 2003
∏ ÂÙ·ÈÚ›· Film F Filmcilik Ltd. π‰Ú‡ıËΠÙÔ 1992 ·fi ÙÔÓ ∆Ô‡ÚÎÔ ÛÎËÓÔı¤ÙË Yusuf Kurçenli. ¢Ú·ÛÙËÚÈÔÔÈ›ٷÈ
ÙfiÛÔ ÛÙËÓ ·Ú·ÁˆÁ‹ ÎÈÓËÌ·ÙÔÁÚ·ÊÈÎÒÓ Ù·ÈÓÈÒÓ fiÛÔ Î·È ÙËÏÂÔÙÈÎÒÓ ÚÔÁÚ·ÌÌ¿ÙˆÓ, ÌÂٷ͇ ÙˆÓ ÔÔ›ˆÓ:
Cözülmeler (Disintegration), 1994. Antika Talani (Plunder of Antiques), 1997
Treasure of Croesus Î·È Treasure of Santa Claus, ‰Ú·Ì·ÙÔÔÈË̤ӷ ÓÙÔÎÈÌ·ÓÙ¤Ú
Kursun Kalem (Pencil), ÙËÏÂÔÙÈÎfi Û‹ÚÈ·Ï, 2000. Gönderilmemis Mektuplar (Letters Unsent), 2003
Producer’s filmography
ºÈÏÌÔÁÚ·Ê›· ·Ú·ÁˆÁÔ‡
Letters Unsent,
directed by / ÛÂ ÛÎËÓÔıÂÛ›· Yussuf Kurçenli, 2003
Festival Prizes/ µÚ·‚›·
Letters Unsent
Best Actress, 22nd International Istanbul Film Festival
Best Actor, 40th Antalya International Film Festival
Plunder of Antiques
Best Script, AGON 2nd Mediterranean Archeology Film
Festival
Special Prize, International Kiel Archeology Film
Festival
Disintegration
Best Director, 13th International Istanbul Film Festival
Best Script, Actress, Supporting Actor,
7th Ankara Film Festival
Letters Unsent
µÚ·‚Â›Ô ∫·Ï‡ÙÂÚ˘ °˘Ó·ÈΛ·˜, 22Ô ¢ÈÂıÓ¤˜ ºÂÛÙÈ‚¿Ï
∫ˆÓÛÙ·ÓÙÈÓÔ‡ÔÏ˘
µÚ·‚Â›Ô ∫·Ï‡ÙÂÚ˘ ∞Ó‰ÚÈ΋˜ ∂ÚÌËÓ›·˜, 40Ô ¢ÈÂıÓ¤˜
ºÂÛÙÈ‚¿Ï Ù˘ ∞ÓÙ¿ÏÈ·˜
Plunder of Antiques
µÚ·‚Â›Ô ∫·Ï‡ÙÂÚÔ˘ ™ÂÓ·Ú›Ô˘,
∞°ø¡ – 2Ë ¢ÈÂıÓ‹˜ ™˘Ó¿ÓÙËÛË ∞Ú¯·ÈÔÏÔÁÈ΋˜ ∆·ÈÓ›·˜
ªÂÛÔÁÂÈ·ÎÔ‡ ÃÒÚÔ˘
∂ȉÈÎfi µÚ·‚›Ô, ¢ÈÂıÓ¤˜ ºÂÛÙÈ‚¿Ï ∞Ú¯·ÈÔÏÔÁÈ΋˜
∆·ÈÓ›·˜ ÙÔ˘ Kiel Disintegration
µÚ·‚Â›Ô ∫·Ï‡ÙÂÚ˘ ™ÎËÓÔıÂÛ›·˜, 13Ô ¢ÈÂıÓ¤˜
ºÂÛÙÈ‚¿Ï ∫ˆÓÛÙ·ÓÙÈÓÔ‡ÔÏ˘
µÚ·‚Â›Ô ∫·Ï‡ÙÂÚÔ˘ ™ÂÓ·Ú›Ô˘, ∫·Ï‡ÙÂÚ˘ °˘Ó·ÈΛ·˜
∂ÚÌËÓ›·˜, ∫·Ï‡ÙÂÚÔ˘ ‚’ ∞Ó‰ÚÈÎÔ‡ ƒfiÏÔ˘, 7Ô ¢ÈÂıÓ¤˜
ºÂÛÙÈ‚¿Ï ÕÁ΢ڷ˜
17
Film F Filmcilik Ltd.
Nesteren Davutoglu
Clown
Italy/Ιταλία
Clown is the story of a group of homeless kids who live on the streets, the railway tracks and in the underground tunnels of Bucharest. Surrounded by violence and crime, the only thing keeping them alive is their intense friendships
… and drugs. A spirited French clown enters their lives and shakes up their
world. Through his art, skill and good heart, he gives them a new outlook on
life.
Producer
Ute Leonhardt
Contacts / ∂ÈÎÔÈÓˆÓ›·:
15, Piazza Mazzini, 00195,
Rome, Italy
T. +39 3356374416
[email protected]
www.panoramafilms.com
To Clown Â›Ó·È Ë ÈÛÙÔÚ›· ÌÈ·˜ ·Ú¤·˜ ¿ÛÙÂÁˆÓ ·È‰ÈÒÓ Ô˘ ̤ÓÔ˘Ó ÛÙÔ˘˜ ‰ÚfiÌÔ˘˜, ÛÙȘ ÛȉËÚÔ‰ÚÔÌÈΤ˜ Ú¿Á˜ Î·È ÛÙÔÓ ˘fiÁÂÈÔ ÙÔ˘ µÔ˘ÎÔ˘ÚÂÛÙ›Ô˘. ª¤Û·
ÛÙË ‚›· Î·È ÙÔ ¤ÁÎÏËÌ·, ÙÔ ÌfiÓÔ Ú¿ÁÌ· Ô˘ ÙÔ˘˜ ÎÚ·Ù¿ÛÂÈ ˙ˆÓÙ·ÓÔ‡˜ Â›Ó·È Ë
ÌÔÓ·‰È΋ ÊÈÏ›· ÙÔ˘˜... Î·È Ù· Ó·ÚΈÙÈο. ŒÓ·˜ ‰˘Ó·ÌÈÎfi˜ Á¿ÏÏÔ˜ ÎÏfiÔ˘Ó Ì·›ÓÂÈ ÛÙË ˙ˆ‹ ÙÔ˘˜ Î·È ·Ó·ÛÙ·ÙÒÓÂÈ ÙÔÓ ÎfiÛÌÔ ÙÔ˘˜. ª¤Û· ·fi ÙËÓ Ù¤¯ÓË ÙÔ˘,
ÙË ‰ÂÍÈÔÙ¯ӛ· ÙÔ˘ Î·È ÙËÓ Î·Ï‹ ηډȿ ÙÔ˘ ÙÔ˘˜ ÚÔÛʤÚÂÈ Ì›· Ó¤· ÔÙÈ΋ Ù˘
˙ˆ‹˜.
Credits / ™˘ÓÙÂÏÂÛÙ¤˜:
Produced by / ¶·Ú·ÁˆÁ‹: Panorama Films,
Director / ™ÎËÓÔıÂÛ›·: Marco Pontecorvo,
Scriptwriter / ™ÂÓ¿ÚÈÔ: Roberto Tiraboschi & Marco Pontecorvo
Budget / ¶ÚÔ¸ÔÏÔÁÈÛÌfi˜: €2,250,000
Secured Financing / ∂Í·ÛÊ·ÏÈṲ̂ÓË ÃÚËÌ·ÙÔ‰fiÙËÛË: No / Ÿ¯È
18
In 1985, Ute Leonhardt started her career in special visual effects. In the early 90s, Leonhardt joined Propaganda Films, Los
Angeles, as Head of Post Production. Shortly thereafter she became associate producer of a series of Michael Jackson short
films for his Dangerous album. She worked, among others, with directors John Landis, John Singleton, David Lynch and
David Fincher. In 1995, Leonhardt became Associate Producer on Jane Campion’s film, Portrait of a Lady, working closely
with its producer from development through to the release of the film. She continued working in development for three
years. In 1998, Leonhardt joined forces with Marco Valerio Pugini in Panorama Films, Italy, as co-owner and Vice President.
Leonhardt line produces commercials, film and television projects from around the world. Leonhardt and Pugini are developing projects to be produced by Panorama Films.
∆Ô 1985, Ë Ute Leonhardt ÍÂΛÓËÛ ÙËÓ Î·ÚȤڷ Ù˘ ÛÙ· ÂȉÈο ÔÙÈο Âʤ. ™ÙȘ ·Ú¯¤˜ Ù˘ ‰ÂηÂÙ›·˜ ÙÔ˘ ’90 ÚÔÛ¯ÒÚËÛ ÛÙËÓ ÂÙ·ÈÚ›· Propaganda Films ÙÔ˘ §Ô˜ ÕÓÙ˙ÂϘ ˆ˜ ‰È¢ı‡ÓÙÚÈ· ÙÔ˘ post production. ™‡ÓÙÔÌ·, ¤ÁÈÓ ‚ÔËıfi˜ ·Ú·ÁˆÁ‹˜ Û ̛· ÛÂÈÚ¿ Ù·ÈÓÈÒÓ ÌÈÎÚÔ‡ Ì‹ÎÔ˘˜ ÙÔ˘ Michael Jackson ÁÈ· ÙÔÓ ‰›ÛÎÔ ÙÔ˘ Dangerous. ¢Ô‡Ï„ ÌÂٷ͇ ¿ÏÏˆÓ ÌÂ
ÛÎËÓÔı¤Ù˜, fiˆ˜ ÔÈ John Landis, John Singleton, David Lynch Î·È David Fincher. ∆Ô 1995 ÂÚÁ¿ÛÙËΠˆ˜ Û˘ÓÂÚÁ¿ÙȘ ·Ú·ÁˆÁfi˜ ÛÙËÓ Ù·ÈÓ›· Ù˘ Jane Campion, Portrait of a Lady, ·Ú·ÎÔÏÔ˘ıÒÓÙ·˜ ·fi ÎÔÓÙ¿ ÙÔÓ ·Ú·ÁˆÁfi- ·fi ÙËÓ ·Ó¿Ù˘ÍË Ì¤¯ÚÈ ÙËÓ Î˘ÎÏÔÊÔÚ›· Ù˘ Ù·ÈÓ›·˜. ™˘Ó¤¯ÈÛ ӷ ‰Ô˘Ï‡ÂÈ ÛÙËÓ ·Ó¿Ù˘ÍË ÛÂÓ·Ú›ˆÓ ÁÈ· ¿ÏÏ· ÙÚ›· ¯ÚfiÓÈ·. ∆Ô 1998 Ë
Leonhardt Û˘Ó¤Ú·Í Ì ÙÔÓ Marco Valerio Pugini ÛÙËÓ ÂÙ·ÈÚ›· Panorama Films, ÛÙËÓ πÙ·Ï›·, ˆ˜ Û˘ÓȉÈÔÎÙ‹ÙÚÈ· Î·È ·ÓÙÈÚfi‰ÚÔ˜. ∏ Leonhardt οÓÂÈ ÂÎÙ¤ÏÂÛË ·Ú·ÁˆÁÒÓ ÁÈ· ‰È·ÊËÌÈÛÙÈο, Ù·Èӛ˜ Î·È ÙËÏÂÔÙÈο ÚÔÁÚ¿ÌÌ·Ù· ·fi fiÏÔ ÙÔÓ
ÎfiÛÌÔ, ÂÓÒ Ë ÂÙ·ÈÚ›· Panorama Films ı· ·Ó·Ï¿‚ÂÈ ÙËÓ ·Ú·ÁˆÁ‹ Ù·ÈÓÈÒÓ Ô˘ ÚÔÂÙÔÈÌ¿˙Ô˘Ó ·fi ÎÔÈÓÔ‡ Ì ÙÔÓ Pugini.
Producer’s filmography
ºÈÏÌÔÁÚ·Ê›· ·Ú·ÁˆÁÔ‡
The Lizzie McGuire Movie
(Line Producer) directed by Jim Fall, 2003
Katja’s Adventure (Line Producer),
directed by Lars Hesselholdt, 1999
Portrait of a Lady (Associate Producer),
directed by Jane Campion, 1996
The Lizzie McGuire Movie,, (∂ÎÙ¤ÏÂÛË ¶·Ú·ÁˆÁ‹˜),
ÛÂ ÛÎËÓÔıÂÛ›· Jim Fall, 2003
Katja’s Adventure, (∂ÎÙ¤ÏÂÛË ¶·Ú·ÁˆÁ‹˜),
ÛÂ ÛÎËÓÔıÂÛ›· Lars Hesselholdt, 1999
Portrait of a Lady, (™˘ÓÂÚÁ¿Ù˘ ¶·Ú·ÁˆÁfi˜),
ÛÂ ÛÎËÓÔıÂÛ›· Jane Campion, 1996
Company profile / ∏ ÂÙ·ÈÚ›·
Now fifteen years old, Panorama Films is recognized internationally as one of Italy’s leading production companies for feature films, television, commercials and photographic shoots. Headed by Marco Valerio Pugini and Ute Leonhardt, it has
successfully provided logistical and organisational support throughout Italy for clients from around the world. Production
services for over 20 long format projects have successfully been completed, with companies including Disney, Universal,
Warner Bros., HBO, Dreamworks, CBS, Paramount and Film Four as well as over 200 international TV commercials. In addition, Panorama Films is developing, producing and co-producing feature film projects. It is mainly focusing on international co-productions with a smaller number of low budget Italian features. Pugini is currently producing a television series
for HBO Original Programming and BBC entitled “Rome”.
ªÂÙÚÒÓÙ·˜ ϤÔÓ 15 ¯ÚfiÓÈ· ˙ˆ‹˜, Ë ÂÙ·ÈÚ›· Panorama Films, Â›Ó·È ‰ÈÂıÓÒ˜ ·Ó·ÁÓˆÚÈṲ̂ÓË ˆ˜ ÌÈ· ·fi ÙȘ ÚˆÙÔfiÚ˜ ÈÙ·ÏÈΤ˜ ÂÙ·ÈÚ›˜ ·Ú·ÁˆÁ‹˜ Ù·ÈÓÈÒÓ, ÙËÏÂÔÙÈÎÒÓ ÚÔÁÚ·ÌÌ¿ÙˆÓ, ‰È·ÊËÌÈÛÙÈÎÒÓ Î·È ÊˆÙÔÁڷʛۈÓ. ªÂ ÂÈÎÂÊ·Ï‹˜ ÙÔÓ Marco Valerio Pugini Î·È ÙËÓ Ute Leonhardt, Ë ÂÙ·ÈÚ›· ·Ú¤¯ÂÈ ‰ÈÔÈÎËÙÈΤ˜ Î·È ÔÚÁ·ÓˆÙÈΤ˜ ˘ËÚÂۛ˜ Û fiÏË
ÙËÓ πÙ·Ï›· Î·È Û˘ÓÂÚÁ¿˙ÂÙ·È Ì ÂÏ¿Ù˜ ·Ó¿ ÙÔÓ ÎfiÛÌÔ. Œ¯ÂÈ ‹‰Ë Û˘ÓÂÚÁ·ÛÙ› ÂÈÙ˘¯Ò˜ Û ÂÚÈÛÛfiÙÂÚ˜ ·fi 20 ·Ú·ÁˆÁ¤˜ ÌÂÁ¿ÏÔ˘ Ì‹ÎÔ˘˜ Ì ÂÙ·ÈÚ›˜ ÌÂٷ͇ ÙˆÓ ÔÔ›ˆÓ Û˘ÁηٷϤÁÔÓÙ·È ÔÈ Disney, Universal, Warner Bros., HBO,
Dreamworks, CBS, Paramount Î·È Film Four, fiˆ˜ Î·È ÛÙËÓ ·Ú·ÁˆÁ‹ ÂÚÈÛÛfiÙÂÚˆÓ ·fi 200 ‰ÈÂıÓÒÓ ÙËÏÂÔÙÈÎÒÓ ‰È·ÊËÌÈÛÙÈÎÒÓ. ∂ÈϤÔÓ, Ë ÂÙ·ÈÚ›· Panorama Films ‰Ú·ÛÙËÚÈÔÔÈÂ›Ù·È ÛÙËÓ ·Ó¿Ù˘ÍË, ·Ú·ÁˆÁ‹ Î·È Û˘Ì·Ú·ÁˆÁ‹ Ù·ÈÓÈÒÓ ÌÂÁ¿ÏÔ˘ Ì‹ÎÔ˘˜. ∂ÈÎÂÓÙÚÒÓÂÙ·È Î˘Ú›ˆ˜ Û ‰ÈÂıÓ›˜ Û˘Ì·Ú·ÁˆÁ¤˜ ηıÒ˜ Î·È Û ¤Ó·Ó ÌÈÎÚfi ·ÚÈıÌfi ÈÙ·ÏÈÎÒÓ Ù·ÈÓÈÒÓ ¯·ÌËÏÔ‡ ÚÔ¸ÔÏÔÁÈÛÌÔ‡. ∞˘Ù‹ ÙËÓ ÂÚ›Ô‰Ô Ô Pugini ·Û¯ÔÏÂ›Ù·È Ì ÙËÓ ·Ú·ÁˆÁ‹ ÌÈ·˜ ÙËÏÂÔÙÈ΋˜ ÛÂÈÚ¿˜ ÁÈ· ÙËÓ
HBO Original Programming Î·È ÙÔ BBC Ì ٛÙÏÔ «Rome».
19
Panorama Films
Ute Leonhardt
Dancing at the Checkpoint
Palestine / Παλαιστίνη
A series of vignettes that tell a powerful story. Morning. Afternoon. Evening.
Night. Car Lane. Male Lane. Female Lane. Soldiers deciding who will pass and
who will not. The soldiers: Israeli. Those crossing: Palestinians. The good soldier
and the bad one. Humiliation. Humour. Despair. Maybe even Love. From morning to night: people are waiting to cross but the checkpoint closes. Tomorrow
is another day.
Producer
George Khleifi
Contacts / ∂ÈÎÔÈÓˆÓ›·:
P.O. Box 18058,
Jerusalem 91180
T.+97 0599212281, +97 2546441021
[email protected]
∏ ·Ê‹ÁËÛË Ì›·˜ Û˘ÁÎÏÔÓÈÛÙÈ΋˜ ÈÛÙÔÚ›·˜ ̤۷ ·fi Ì›· ÛÂÈÚ¿ ÛÙÈÁÌÈÔÙ‡ˆÓ.
¶Úˆ›. ∞fiÁÂ˘Ì·. ¢ÂÈÏÈÓfi. µÚ¿‰˘. ™ÂÈÚ¿ ·˘ÙÔÎÈÓ‹ÙˆÓ. ™ÂÈÚ¿ ·Ó‰ÚÒÓ. ™ÂÈÚ¿
Á˘Ó·ÈÎÒÓ. √È ÛÙÚ·ÙÈÒÙ˜ ·ÔÊ·Û›˙Ô˘Ó ÔÈÔ˜ ı· ÂÚ¿ÛÂÈ Î·È ÔÈÔ˜ fi¯È. √È ÛÙÚ·ÙÈÒÙ˜: πÛÚ·ËÏÈÓÔ›. ∞˘ÙÔ› Ô˘ ÂÚÓÔ‡Ó: ¶·Ï·ÈÛÙ›ÓÈÔÈ. √ ηÏfi˜ Î·È Ô Î·Îfi˜ ÛÙÚ·ÙÈÒÙ˘. ∆·›ӈÛË. ÃÈÔ‡ÌÔÚ. ∞fiÁÓˆÛË. ÿÛˆ˜ Î·È ·Á¿Ë. ∞fi ÙÔ Úˆ› ̤¯ÚÈ ÙÔ
‚Ú¿‰˘: ¿ÓıÚˆÔÈ ÂÚÈ̤ÓÔ˘Ó Ó· ÂÚ¿ÛÔ˘Ó, ·ÏÏ¿ Ù· ÛËÌ›· ÂϤÁ¯Ô˘ ÎÏ›ÓÔ˘Ó. ∞‡ÚÈÔ ÍËÌÂÚÒÓÂÈ Ì›· Ó¤· ̤ڷ.
Credits / ™˘ÓÙÂÏÂÛÙ¤˜:
Produced by / ¶·Ú·ÁˆÁ‹: Lailak Films
Director-Writer / ™ÎËÓÔıÂÛ›·-™ÂÓ¿ÚÈÔ: Ismail El Habbash
Budget / ¶ÚÔ¸ÔÏÔÁÈÛÌfi˜: $720,000
Secured financing / ∂Í·ÛÊ·ÏÈṲ̂ÓË ¯ÚËÌ·ÙÔ‰fiÙËÛË: Yes / ¡·È
20
George Khleifi was born in Nazareth in 1947. He studied filmmaking and production in Brussels at the INSAS.
He has worked as a Line and Executive Producer of several Palestinian features. He was the producer of the
children’s programme Share’ Sumsum (the Palestinian Sesame Street) and the producer, writer and director
of Abu Youssef’s House a 64 episode sitcom. He also directed several documentaries. He is the head of training and production for the Institute of Modern Media at Al Quds University, which he joined in 1999. He is
the founder of Lilac Films. He is currently preparing the production of Dancing at the Checkpoint, a feature
by Palestinian filmmaker Ismail Al Habbash and Rat, a short feature by the young Palestinian director Rokayya
Sabbah Khoury.
√ George Khleifi ÁÂÓÓ‹ıËΠÛÙË ¡·˙·Ú¤ı ÙÔ 1947. ™Ô‡‰·Û ÛÎËÓÔıÂÛ›· Î·È ·Ú·ÁˆÁ‹ ÛÙȘ µÚ˘Í¤ÏϘ ÛÙÔ
INSAS. Œ¯ÂÈ Î¿ÓÂÈ ÂÎÙ¤ÏÂÛË Î·È ÔÚÁ¿ÓˆÛË ·Ú·ÁˆÁ‹˜ Û ‰È¿ÊÔÚ˜ ·Ï·ÈÛÙÈÓȷΤ˜ Ù·Èӛ˜, ˆ˜ ·Ú·ÁˆÁfi˜
ÙÔ˘ ·È‰ÈÎÔ‡ ÚÔÁÚ¿ÌÌ·ÙÔ˜ Share’ Sumsum (Ù˘ ·Ï·ÈÛÙÈÓȷ΋˜ ÌÂÙ·ÊÔÚ¿˜ ÙÔ˘ Sesame Street) Î·È ˆ˜
·Ú·ÁˆÁfi˜, ÛÎËÓÔı¤Ù˘ Î·È ÛÂÓ·ÚÈÔÁÚ¿ÊÔ˜ ÙÔ˘ Abu Youssef’s House, Ì›·˜ Ê·ÚÛÔΈ̈‰›·˜ 64 ÂÂÈÛÔ‰›ˆÓ.
∂ÎÙfi˜ ·˘ÙÒÓ, ÛÎËÓÔı¤ÙËÛÂ Î·È ·ÚÎÂÙ¿ ÓÙÔÎÈÌ·ÓÙ¤Ú. ¢È·ÙÂÏ› ‰È¢ı˘ÓÙ‹˜ ÂÎ·›‰Â˘Û˘ Î·È ·Ú·ÁˆÁ‹˜ ÛÙÔ
πÓÛÙÈÙÔ‡ÙÔ˘ ªÔÓÙ¤ÚÓˆÓ ª¤ÛˆÓ ÙÔ˘ ¶·ÓÂÈÛÙËÌ›Ô˘ Al Quds, Ì ÙÔ ÔÔ›Ô Û˘ÓÂÚÁ¿˙ÂÙ·È ·fi ÙÔ 1999, ÂÓÒ
Â›Ó·È Î·È Ô È‰Ú˘Ù‹˜ Ù˘ ÂÙ·ÈÚ›·˜ Lilac Films. ∞˘Ù‹ ÙËÓ ÂÚ›Ô‰Ô ÚÔÂÙÔÈÌ¿˙ÂÈ ÙËÓ ·Ú·ÁˆÁ‹ Ù˘ Ù·ÈÓ›·˜
Dancing at the Checkpoint, Û ÛÎËÓÔıÂÛ›· ÙÔ˘ ¶·Ï·ÈÛÙ›ÓÈÔ˘ ÛÎËÓÔı¤ÙË Ismail Al Habbash Î·È ÙËÓ ·Ú·ÁˆÁ‹ Ù˘ Ù·ÈÓ›·˜ ÌÈÎÚÔ‡ Ì‹ÎÔ˘˜ Rat, ÙÔ˘ Ó·ÚÔ‡ ¶·Ï·ÈÛÙ›ÓÈÔ˘ ÛÎËÓÔı¤ÙË Rokayya Sabbah Khoury.
Company profile/ ∏ ÂÙ·ÈÚ›·
Founded in 2004 by the well known Palestinian producer/filmmaker, George Khleifi, Lilac Films has produced
a long documentary and is preparing the short feature Rat by the female director Rokayya Sabbah Khoury,
and the feature Dancing at the Checkpoint written and to be directed by Palestinian filmmaker Ismail Al
Habbash.
Producer’s filmography
ºÈÏÌÔÁÚ·Ê›· ·Ú·ÁˆÁÔ‡
Once Again a collection of 5 short documentaries
by 5 Palestinian filmmakers, 2002
Journeys, a collection of 10 short features
by 10 Palestinian filmmakers, 2004
Saving Children, feature length documentary, 2004
Once Again, ÌÈ· Û˘ÏÏÔÁ‹ ·fi 5 ÓÙÔÎÈÌ·ÓÙ¤Ú
ÌÈÎÚÔ‡ Ì‹ÎÔ˘˜ Û ÛÎËÓÔıÂÛ›· 5 ¶·Ï·ÈÛÙ›ÓȈÓ
ÎÈÓËÌ·ÙÔÁÚ·ÊÈÛÙÒÓ, 2002
Journeys, ÌÈ· Û˘ÏÏÔÁ‹ 10 Ù·ÈÓÈÒÓ ÌÈÎÚÔ‡ Ì‹ÎÔ˘˜
Û ÛÎËÓÔıÂÛ›· 10 ¶·Ï·ÈÛÙ›ÓȈÓ
ÎÈÓËÌ·ÙÔÁÚ·ÊÈÛÙÒÓ, 2004
Saving Children,
¤Ó· ÓÙÔÎÈÌ·ÓÙ¤Ú ÌÂÁ¿ÏÔ˘ Ì‹ÎÔ˘˜, 2004
∏ ÂÙ·ÈÚ›· Lilac Films ȉڇıËΠÙÔ 2004 ·fi ÙÔÓ ÁÓˆÛÙfi ¶·Ï·ÈÛÙ›ÓÈÔ ·Ú·ÁˆÁfi / ÛÎËÓÔı¤ÙË George Khleifi.
∏ ÂÙ·ÈÚ›· ¤¯ÂÈ ·Ú¿ÁÂÈ ¤Ó· ÓÙÔÎÈÌ·ÓÙ¤Ú ÌÂÁ¿ÏÔ˘ Ì‹ÎÔ˘˜ Î·È ÚÔÂÙÔÈÌ¿˙ÂÈ ÌÈ· Ù·ÈÓ›· ÌÈÎÚÔ‡ Ì‹ÎÔ˘˜, ÙÔ Rat,
Ù˘ ÛÎËÓÔı¤Ùȉ·˜ Rokayya Sabbah Khoury, Î·È ÙËÓ Ù·ÈÓ›· Dancing at the Checkpoint, Û ÛÂÓ¿ÚÈÔ Î·È ÛÎËÓÔıÂÛ›· ÙÔ˘ ¶·Ï·ÈÛÙ›ÓÈÔ˘ ÛÎËÓÔı¤ÙË Ismail Al Habbash.
21
Lilac Films
George Khleifi
Eagle
Greece - Canada / Ελλάδα - Καναδάς
1986. Nicholas Junior travels to Greece to meet his father’s friend Stelios who
recounts the story of the “other” Nicholas. After fleeing from an orphanage,
Nicholas worked as a drug runner for Stelios. The two men became successful
criminal partners with a side business: running bordellos. During the war, however, Nicholas changed again, becoming a celebrated resistance fighter. His
eagle tattoo marked him as a ‘mangas’ or gangster, it also gave the hero his
code name, Aetos.
Producer
Antigoni Gavriatopoulou
∞ÓÙÈÁfiÓË °·‚ÚÈ·ÙÔÔ‡ÏÔ˘
Contacts / ∂ÈÎÔÈÓˆÓ›·:
13-15, Andrea Papandreou Av,
151-27 Melissia, Athens
∞Ó‰Ú¤· ¶··Ó‰Ú¤Ô˘ 13-15,
151-27, ªÂÏ›ÛÛÈ·, ∞ı‹Ó·
T. +30 210 8037610
[email protected],
[email protected]
1986. √ ÌÈÎÚfi˜ ¡ÈÎfiÏ·˜ Ù·Íȉ‡ÂÈ ÛÙËÓ ∂ÏÏ¿‰· ÁÈ· Ó· ÁÓˆÚ›ÛÂÈ ÙÔÓ ™Ù¤ÏÈÔ,
Ê›ÏÔ ÙÔ˘ ·Ù¤Ú· ÙÔ˘, Ô ÔÔ›Ô˜ ÙÔ˘ ‰ÈËÁÂ›Ù·È ÙËÓ ÈÛÙÔÚ›· ÙÔ˘ «¿ÏÏÔ˘» ¡ÈÎfiÏ·.
∞ÊÔ‡ ÙÔ ÛοÂÈ ·fi ÙÔ ÔÚÊ·ÓÔÙÚÔÊ›Ô, Ô ¡ÈÎfiÏ·˜ ‰Ô˘Ï‡ÂÈ ˆ˜ ¤ÌÔÚÔ˜ Ó·ÚΈÙÈÎÒÓ ÁÈ· ÏÔÁ·ÚÈ·ÛÌfi ÙÔ˘ ™Ù¤ÏÈÔ˘. √È ‰‡Ô ¿Ó‰Ú˜ Á›ÓÔÓÙ·È ÂÈÙ˘¯Ë̤ÓÔÈ
«Û˘ÓÂÚÁ¿Ù˜» ‰ÈÂı‡ÓÔÓÙ·˜ Ì›· Âȯ›ÚËÛË Ì ԛÎÔ˘˜ ·ÓÔ¯‹˜. ∫·Ù¿ ÙË ‰È¿ÚÎÂÈ·
ÙÔ˘ ÔϤÌÔ˘, fï˜, Ô ¡ÈÎfiÏ·˜ ÌÂÙ·ÌÔÚÊÒÓÂÙ·È Í·Ó¿ Î·È ÂÍÂÏ›ÛÛÂÙ·È Û ¤Ó·Ó
ÔÓÔÌ·ÛÙfi ·ÓÙÈÛÙ·ÛÈ·Îfi. ∆Ô Ù·ÙÔ˘¿˙ Ì ÙÔÓ ·ÂÙfi ÙÔ˘ ¯·Ú›˙ÂÈ ÙËÓ Îˆ‰È΋ ÔÓÔÌ·Û›· «·ÂÙfi˜» Î·È ÙÔÓ ¯·Ú·ÎÙËÚ›˙ÂÈ ˆ˜ «Ì¿Áη» Ù˘ ÂÔ¯‹˜.
Credits / ™˘ÓÙÂÏÂÛÙ¤˜:
Produced by / ¶·Ú·ÁˆÁ‹: Password Pictures Canada & Lumiere Productions,
Co-producer / ™˘Ì·Ú·ÁˆÁfi˜: Jordan Randell,
Scriptwriter / ™ÂÓ¿ÚÈÔ: George Politis / °ÈÒÚÁÔ˜ ¶ÔÏ›Ù˘ & Paul Antony Davis
Budget / ¶ÚÔ¸ÔÏÔÁÈÛÌfi˜: €10,000,000
Secured financing / ∂Í·ÛÊ·ÏÈṲ̂ÓË ¯ÚËÌ·ÙÔ‰fiÙËÛË: Yes / ¡·È
22
Antigoni Gavriatopoulou studied Film at the Pantheon University, Sorbonne. She worked for Canal + in Paris and produced more than 25 feature films for Lumiere Productions S.A., most of them international co-productions. Many were
awarded in various International Festivals. Antigone has produced many television programmes and documentaries for
the Nova Filmnet and ERT channels. She promotes short films and features to television channels and distribution companies in Europe, the United States and Canada. Her recent projects include Adrianos Georgantas’ film, Let’s Dance
Together, Les Champions de l’Olympie, a documentary series and Robert Manthoulis’ feature film, Lilly’s Story.
∏ ∞ÓÙÈÁfiÓË °·‚ÚÈ·ÙÔÔ‡ÏÔ˘ ÛÔ‡‰·Û ∫ÈÓËÌ·ÙÔÁÚ¿ÊÔ ÛÙÔ ¶·ÓÂÈÛÙ‹ÌÈÔ Pantheon Ù˘ ™ÔÚ‚ÒÓ˘. ∂ÚÁ¿ÛÙËΠÛÙÔ
Canal + ÛÙÔ ¶·Ú›ÛÈ Î·È ‹Ù·Ó ·Ú·ÁˆÁfi˜ Û ÂÚÈÛÛfiÙÂÚ˜ ·fi 25 Ù·Èӛ˜ ÁÈ· ÙËÓ ÂÙ·ÈÚ›· Lumiere Productions S.A.,
ÔÈ ÂÚÈÛÛfiÙÂÚ˜ ·fi ÙȘ Ôԛ˜ ‹Ù·Ó ‰ÈÂıÓ›˜ Û˘Ì·Ú·ÁˆÁ¤˜. ¶ÔÏϤ˜ ‚Ú·‚‡ıËÎ·Ó Ì¿ÏÈÛÙ· Û ‰ÈÂıÓ‹ ºÂÛÙÈ‚¿Ï.
∏ ∞ÓÙÈÁfiÓË ¤¯ÂÈ ‰Ú·ÛÙËÚÈÔÔÈËı› Î·È ÛÙËÓ ·Ú·ÁˆÁ‹ ÔÏÏÒÓ ÙËÏÂÔÙÈÎÒÓ ÚÔÁÚ·ÌÌ¿ÙˆÓ Î·È ÓÙÔÎÈÌ·ÓÙ¤Ú ÁÈ· ÙË
Nova, ÙÔ Filmnet Î·È ÙËÓ ∂ƒ∆, ÂÓÒ ·Ó·Ï·Ì‚¿ÓÂÈ ÙËÓ ÚÔÒıËÛË Ù·ÈÓÈÒÓ ÌÈÎÚÔ‡ Î·È ÌÂÁ¿ÏÔ˘ Ì‹ÎÔ˘˜ Û ÙËÏÂÔÙÈο
ηӿÏÈ· Î·È ÂÙ·ÈÚ›˜ ·Ú·ÁˆÁ‹˜ ÛÙËÓ ∂˘ÚÒË, ÙȘ ∏ӈ̤Ó˜ ¶ÔÏÈÙ›˜ Î·È ÙÔÓ ∫·Ó·‰¿. ™ÙȘ ÚfiÛÊ·Ù˜ ·Ú·ÁˆÁ¤˜ Ù˘ ÂÚÈÏ·Ì‚¿ÓÔÓÙ·È Ë Ù·ÈÓ›· ÙÔ˘ ∞‰ÚÈ·ÓÔ‡ °ÂˆÚÁ·ÓÙ¿, ŸÙ·Ó XÔÚ¤„Ô˘Ì M·˙›, Ë ÛÂÈÚ¿ ÓÙÔÎÈÌ·ÓÙ¤Ú Les
Champions de l’Olympie Î·È Ë Ù·ÈÓ›· ÙÔ˘ ƒÔ‚‹ÚÔ˘ ª·ÓıÔ‡ÏË, Lilly’s Story.
Company profile / ∏ ÂÙ·ÈÚ›·
Lumiere Productions S. A. is an audiovisual production company, which has undertaken the production of various projects such as television commercials, TV films, feature film productions etc. Film projects in co-production with various
European and American production companies have made Lumiere one of the most dynamic production houses in
Greece, with experienced staff, capable of dealing with the most demanding of projects. Since 1997, the company has
also been engaged in the distribution of films in Greece and Cyprus. Lumiere has a permanent and exclusive working
relationship with the TV subscription channels Filmnet / Supersport and the digital satellite bouquet, Nova, all broadcast in Greece and Cyprus, with all their programming produced to meet the highest industry standards. Lumiere has
co- produced more than 25 feature films, most of them international co-productions which have won awards and
prizes in various international festivals around the world. Lumiere has been involved in the production servicing of various foreign movies and documentaries Lumiere also has produced many TV programs for Nova, Filmnet, and ERT.
Producer’s filmography
ºÈÏÌÔÁÚ·Ê›· ·Ú·ÁˆÁÔ‡
Les Champions d’Olympie
directed by Philippe Moulins, 2004
Let’s Dance Together
directed by Adrianos Georgantas, 2003
Lilly’s Story directed by Robert Manthoulis, 2002
Les Champions d’Olympie
ÛÂ ÛÎËÓÔıÂÛ›· Philippe Moulins, 2004
‘√Ù·Ó XÔÚ¤„Ô˘Ì M·˙›
Û ÛÎËÓÔıÂÛ›· ∞‰ÚÈ·ÓÔ‡ °ÂˆÚÁ·ÓÙ¿, 2003
Lilly’s Story Û ÛÎËÓÔıÂÛ›· ƒÔ‚‹ÚÔ˘ ª·ÓıÔ‡ÏË, 2002
∏ ÂÙ·ÈÚ›· ÔÙÈÎÔ·ÎÔ˘ÛÙÈÎÒÓ ·Ú·ÁˆÁÒÓ Lumiere Productions S. A, ¤¯ÂÈ ·Ó·Ï¿‚ÂÈ ÙËÓ ·Ú·ÁˆÁ‹ ÚÔÁÚ·ÌÌ¿ÙˆÓ ‰È·ÊfiÚˆÓ ÂȉÒÓ, fiˆ˜ ÙËÏÂÔÙÈÎÒÓ ‰È·ÊËÌÈÛÙÈÎÒÓ, ÙËÏÂÙ·ÈÓÈÒÓ, ÎÈÓËÌ·ÙÔÁÚ·ÊÈÎÒÓ Ù·ÈÓÈÒÓ Î.Ï. √È Û˘Ì·Ú·ÁˆÁ¤˜ ÌÂ
‰È¿ÊÔÚ˜ Â˘Úˆ·˚Τ˜ Î·È ·ÌÂÚÈηÓÈΤ˜ ÂÙ·ÈÚ›˜ ·Ú·ÁˆÁ‹˜ ¤¯Ô˘Ó ηٷÛÙ‹ÛÂÈ ÙËÓ Lumiere Ì›· ·fi ÙȘ ÈÔ ‰˘Ó·ÌÈΤ˜ ·ÚÔ˘Û›Â˜ ÙÔ˘ ¯ÒÚÔ˘ ÛÙËÓ ∂ÏÏ¿‰·, Ì ¤ÌÂÈÚÔ ÚÔÛˆÈÎfi, ÈηÓfi Ó· ʤÚÂÈ Û ¤Ú·˜ ·ÎfiÌË Î·È ÙȘ ÈÔ ··ÈÙËÙÈΤ˜ ·Ú·ÁˆÁ¤˜. ∞fi ÙÔ 1997 Ë ÂÙ·ÈÚ›· ‰Ú·ÛÙËÚÈÔÔÈÂ›Ù·È Î·È ÛÙË ‰È·ÓÔÌ‹ Ù·ÈÓÈÒÓ ÛÙËÓ ∂ÏÏ¿‰· Î·È ÙËÓ ∫‡ÚÔ. ∏
Lumiere ¤¯ÂÈ Ì›· ÌfiÓÈÌË Î·È ·ÔÎÏÂÈÛÙÈ΋ Û˘ÓÂÚÁ·Û›· Ì ٷ Û˘Ó‰ÚÔÌËÙÈο ÙËÏÂÔÙÈο ηӿÏÈ· Filmnet / Supersport
Î·È ÙËÓ „ËÊȷ΋ ‰ÔÚ˘ÊÔÚÈ΋ Ï·ÙÊfiÚÌ· Nova, Ô˘ ÂÎ¤ÌÔ˘Ó Û ∂ÏÏ¿‰· Î·È ∫‡ÚÔ Ì ¤Ó· ÚfiÁÚ·ÌÌ· Ô˘ ·ÁÁ›˙ÂÈ Ù· ˘„ËÏfiÙÂÚ· ÚfiÙ˘· Ù˘ ·ÁÔÚ¿˜. ∏ Lumiere ¤¯ÂÈ Û˘Ì·Ú·Á¿ÁÂÈ ÂÚÈÛÛfiÙÂÚ˜ ·fi 25 ÎÈÓËÌ·ÙÔÁÚ·ÊÈΤ˜ Ù·Èӛ˜, ÔÏϤ˜ ·fi ÙȘ Ôԛ˜ ¤¯Ô˘Ó ÎÂÚ‰›ÛÂÈ ‚Ú·‚›· Û ‰ÈÂıÓ‹ ÊÂÛÙÈ‚¿Ï ·Ó¿ ÙÔÓ ÎfiÛÌÔ. ∏ ÂÙ·ÈÚ›· ¤¯ÂÈ ‰Ú·ÛÙËÚÈÔÔÈËı› Î·È ÛÙËÓ ·ÚÔ¯‹ ˘ËÚÂÛÈÒÓ ·Ú·ÁˆÁ‹˜ ÁÈ· ‰È¿ÊÔÚ˜ ͤÓ˜ Ù·Èӛ˜ Î·È ÓÙÔÎÈÌ·ÓÙ¤Ú, ÂÓÒ ¤¯ÂÈ Î¿ÓÂÈ ÙËÓ ·Ú·ÁˆÁ‹ Û ÔÏÏ¿ ÙËÏÂÔÙÈο ÚÔÁÚ¿ÌÌ·Ù· ÁÈ· ÙË Nova, ÙÔ Filmnet Î·È ÙËÓ ∂ƒ∆.
23
Lumiere Productions S. A.
Antigoni Gavriatopoulou / Αντιγόνη Γαβριατοπούλου
Helen and the Seven Dwarfs
Greece / Ελλάδα
Helen is desperate. She is nearing her 40th year on this planet and is still without a partner – without her “prince”. Instead of a “prince” she constantly ends
up with “frogs”, her dwarfs. One by one, she deconstructs the men in her life
for what they really are. Finally, she realises that her “prince” is in fact her
neighbour. And he does not even turn into a frog.
Producer
Mary Georgou
For CL Productions /
°È· ÙËÓ CL Productions
Contacts / ∂ÈÎÔÈÓˆÓ›·:
2, Hatzievangelou St.,
154-52, Athens, Greece
÷Ù˙Ë¢·ÁÁ¤ÏÔ˘ 2,
15452, ∞ı‹Ó·
T. +30 210 6743047
+30 693 2382917
[email protected]
www.pap.gr
24
∏ ∂ϤÓË Â›Ó·È ·ÂÏÈṲ̂ÓË. ∫ÔÓÙ‡ÂÈ Ù· 40 Î·È ·ÎfiÌ· ‰ÂÓ ¤¯ÂÈ ‚ÚÂÈ ÙÔÓ Û‡ÓÙÚÔÊfi Ù˘, ÙÔÓ «Ú›ÁÎË¿» Ù˘, Û ·˘Ùfi ÙÔÓ Ï·Ó‹ÙË. ∞ÓÙ› ÁÈ· «Ú›ÁÎË·» ηٷϋÁÂÈ Û˘Ó¯Ҙ Ì «‚·ÙÚ¿¯Ô˘˜», ÙÔ˘˜ Ó¿ÓÔ˘˜ Ù˘. ∞Ô‰ÔÌ› ¤Ó·Ó ¤Ó·Ó ÙÔ˘˜
¿ÓÙÚ˜ Ù˘ ˙ˆ‹˜ Ù˘ Û ·˘Ùfi Ô˘ Ú·ÁÌ·ÙÈο ›ӷÈ, ÁÈ· Ó· Û˘ÓÂȉËÙÔÔÈ‹ÛÂÈ
fiÙÈ ÙÂÏÈο Ú›ÁÎË·˜ Ù˘ Â›Ó·È Ô Á›ÙÔÓ¿˜ Ù˘. ∫·È ‰ÂÓ ÌÂÙ·ÙÚ¤ÂÙ·È Î·Ó ÛÂ
‚¿ÙÚ·¯Ô.
Credits / ™˘ÓÙÂÏÂÛÙ¤˜:
Produced by / ¶·Ú·ÁˆÁfi˜: Papandreou S.A. / ¶··Ó‰Ú¤Ô˘ ∞.∂,
Director / Scriptwriter: Anneta Papathanasiou / ∞ÓÓ¤Ù· ¶··ı·Ó·Û›Ô˘,
Cinematography / ¢È‡ı˘ÓÛË ºˆÙÔÁÚ·Ê›·˜: T. Dionyssopoulos / ∆. ¢ÈÔÓ˘ÛfiÔ˘ÏÔ˜
Budget / ¶ÚÔ¸ÔÏÔÁÈÛÌfi˜: €504,000
Secured financing / ∂Í·ÛÊ·ÏÈṲ̂ÓË ¯ÚËÌ·ÙÔ‰fiÙËÛË: No / Ÿ¯È
She was born in Germany in August 1973. She studied European Culture at the Open University of Patra. From
1998 until 2002 she worked at the Thessaloniki Film Festival. From 2003 until 2005 she worked as a production co-ordinator at CL Productions, a Film and Television Production and Service company formed by Costas
Labropoulos. She has worked for several projects among which Brides directed by Pantelis Voulgaris, A Dog’s
Dream directed by Angelos Frantzis, Loafing and Camouflage, Sirens in the Aegean directed by Nikos Perakis,
Sweet Memory directed by Kyriakos Katzourakis, Chariton’s Choir directed by Grigoris Karadinakis and My
Family and other animals directed by Sherry Folkson The rights to this project are owned by Papandreou S.A.
Mary Georgou is representing the project in her capacity as one of the producers.
°ÂÓÓ‹ıËΠÛÙË °ÂÚÌ·Ó›· ÙÔÓ ∞‡ÁÔ˘ÛÙÔ ÙÔ˘ 1973. ™Ô‡‰·Û ∂˘Úˆ·˚Îfi ¶ÔÏÈÙÈÛÌfi ÛÙÔ ∞ÓÔȯÙfi ¶·ÓÂÈÛÙ‹ÌÈÔ Ù˘ ¶¿ÙÚ·˜ Î·È ·fi ÙÔ 1998 ̤¯ÚÈ ÙÔ 2002 ÂÚÁ¿ÛÙËΠÛÙÔ ºÂÛÙÈ‚¿Ï £ÂÛÛ·ÏÔӛ΢. ∞fi ÙÔ 2003 ̤¯ÚÈ
ÙÔ 2005 ÂÚÁ¿ÛÙËΠˆ˜ Û˘ÓÙÔÓ›ÛÙÚÈ· ·Ú·ÁˆÁ‹˜ ÛÙËÓ CL Productions, Ì›· ÂÙ·ÈÚ›· ÙËÏÂÔÙÈ΋˜ Î·È ÎÈÓËÌ·ÙÔÁÚ·ÊÈ΋˜ ·Ú·ÁˆÁ‹˜ Î·È ·ÚÔ¯‹˜ ˘ËÚÂÛÈÒÓ Ô˘ ȉڇıËΠ·fi ÙÔÓ ∫ÒÛÙ· §·ÌÚfiÔ˘ÏÔ. Œ¯ÂÈ ‰Ô˘Ï¤„ÂÈ Û ·ÚÎÂÙ¤˜ ·Ú·ÁˆÁ¤˜, ÌÂٷ͇ ÙˆÓ ÔÔ›ˆÓ √È ¡‡Ê˜, ÙÔ˘ ¶·ÓÙÂÏ‹ µÔ‡ÏÁ·ÚË, ∆Ô ŸÓÂÈÚÔ ÙÔ˘ ™Î‡ÏÔ˘,
ÙÔ˘ ÕÁÁÂÏÔ˘ ºÚ·ÓÙ˙‹, §Ô‡Ê· Î·È ·Ú·ÏÏ·Á‹, ™ÂÈÚ‹Ó˜ ÛÙÔ ∞ÈÁ·›Ô, ÙÔ˘ ¡›ÎÔ˘ ¶ÂÚ¿ÎË, °Ï˘ÎÈ¿ ÌÓ‹ÌË, ÙÔ˘
∫˘ÚÈ¿ÎÔ˘ ∫·Ù˙Ô˘Ú¿ÎË, ∏ ÃÔÚˆ‰›· ÙÔ˘ ÷ڛوӷ, ÙÔ˘ °ÚËÁfiÚË ∫·Ú·ÓÙÈÓ¿ÎË Î·È ÛÙËÓ Ù·ÈÓ›· My Family and
other animals, Ù˘ Sherry Folkson. ∆· ÓÂ˘Ì·ÙÈο ‰ÈηÈÒÌ·Ù· ·˘Ù‹˜ Ù˘ ·Ú·ÁˆÁ‹˜ ·Ó‹ÎÔ˘Ó ÛÙËÓ ¶··Ó‰Ú¤Ô˘ ∞.∂. ∏ ª·Ú›· °ÂˆÚÁÔ‡ ÂÎÚÔÛˆ› ÙËÓ ·Ú·ÁˆÁ‹ Ì ÙËÓ È‰ÈfiÙËÙ¿ Ù˘ ˆ˜ Ì›·˜ ·fi ÙÔ˘˜ ·Ú·ÁˆÁÔ‡˜.
Company filmography
ºÈÏÌÔÁÚ·Ê›· Ù˘ ÂÙ·ÈÚ›·˜
Honey Donuts, directed by Olga Malea, 2004
Full Speed Rose,
directed by Dimitris Yiatzoutzakis, 2001
Rizoto, directed by Olga Malea, 2001
§Ô˘ÎÔ˘Ì¿‰Â˜ Ì ª¤ÏÈ,
Û ÛÎËÓÔıÂÛ›· ŸÏÁ·˜ ª·Ï¤·, 2004
ƒÔ˙ √ÏÔÙ·¯Ò˜,
Û ÛÎËÓÔıÂÛ›· ¢ËÌ‹ÙÚË °È·Ù˙Ô˘Ù˙¿ÎË, 2001
ƒÈ˙fiÙÔ, Û ÛÎËÓÔıÂÛ›· ŸÏÁ·˜ ª·Ï¤·, 2001
Company profile / ∏ ÂÙ·ÈÚ›·
Papandreou S.A. was founded by Tassos Papandreou in 1982; it specializes in TV, stage and film productions
in Greece. Among its numerous successful productions in Greece: the films: Safe Sex, Rizoto, Full Speed Rose,
Donuts in Honey; the TV series for Mega Channel: Hi Rock, Dis Eksamartein, The Trace of Love, Tzivaeri, You
are my Mate, Leni, etc.; and more than thirty theatre productions.
∏ ¶··Ó‰Ú¤Ô˘ ∞.∂. ȉڇıËΠ·fi ÙÔÓ ∆¿ÛÔ ¶··Ó‰Ú¤Ô˘ ÙÔ 1982. ¢Ú·ÛÙËÚÈÔÔÈÂ›Ù·È Û ÙËÏÂÔÙÈΤ˜, ÎÈÓËÌ·ÙÔÁÚ·ÊÈΤ˜ Î·È ı·ÙÚÈΤ˜ ·Ú·ÁˆÁ¤˜ ÛÙËÓ ∂ÏÏ¿‰·. ∞Ó¿ÌÂÛ· ÛÙȘ ÔÏ˘¿ÚÈı̘ ÂÈÙ˘¯Ë̤Ó˜ ·Ú·ÁˆÁ¤˜
Ù˘ ÂÙ·ÈÚ›·˜ ÛÙËÓ ∂ÏÏ¿‰· Û˘ÁηٷϤÁÔÓÙ·È ÔÈ Ù·Èӛ˜: Safe Sex, ƒÈ˙fiÙÔ, ƒÔ˙ √ÏÔÙ·¯Ò˜, §Ô˘ÎÔ˘Ì¿‰Â˜ ÌÂ
ª¤ÏÈ_ ÔÈ ÙËÏÂÔÙÈΤ˜ ÛÂÈÚ¤˜ ÁÈ· ÙÔ Mega Channel: Ã¿È ƒÔÎ, ¢È˜ ∂Í·Ì·ÚÙ›Ó, ∆Ô ÛËÌ¿‰È ÙÔ˘ ¤ÚˆÙ·, ∆˙È‚·¤ÚÈ,
∂›Û·È ÙÔ Ù·›ÚÈ ÌÔ˘, §¤ÓË Î.Ï. Î·È ÂÚÈÛÛfiÙÂÚ˜ ·fi 30 ı·ÙÚÈΤ˜ ·Ú·ÁˆÁ¤˜.
25
Papandreou S.A.
Mary Georgou / Μαίρη Γεωργού
Investigation
Bulgaria / Βουλγαρία
Alexandra Yamikova is one tough cop. Her latest assignment is to “break” a hard
man, a police suspect, after the first investigator failed. Plamen is being
detained for the brutal murder of his brother, whose body was butchered and
quartered. Nothing links him to the crime but everyone, including Alexandra, is
certain of his guilt. During the day she
interrogates his friends and relatives. During the night she interrogates Plamen.
Only his silence will save his life. Who will win?
Producer
Rossitsa Valkanova
Contacts / ∂ÈÎÔÈÓˆÓ›·:
10, Tsar Assen St.,
1000 Sofia, Bulgaria
∏ Alexandra Yamikova Â›Ó·È Ì›· ÛÎÏËÚ‹ ·ÛÙ˘ÓÔÌÈÎfi˜. ∏ ÙÂÏÂ˘Ù·›· Ù˘ ·ÔÛÙÔÏ‹ Â›Ó·È Ó· «Ï˘Á›ÛÂÈ» ¤Ó·Ó ‰‡ÛÎÔÏÔ ¿ÓıÚˆÔ, ¤Ó·Ó ‡ÔÙÔ Ù˘ ·ÛÙ˘ÓÔÌ›·˜,
·ÊÔ‡ Ô ÚÒÙÔ˜ ·Ó·ÎÚÈÙ‹˜ ·¤Ù˘¯Â. √ Plamen ÎÚ·ÙÂ›Ù·È ÁÈ· ÙËÓ ·¿ÓıÚˆË
‰ÔÏÔÊÔÓ›· ÙÔ˘ ·‰ÂÏÊÔ‡ ÙÔ˘, ÙÔ˘ ÔÔ›Ô˘ ÙÔ ÙÒÌ· ÛÊ·ÁÈ¿ÛÙËÎÂ Î·È ÎÔÌÌ·ÙÈ¿ÛÙËÎÂ. ∆›ÔÙ ‰ÂÓ ÙÔÓ Û˘Ó‰¤ÂÈ Ì ÙÔ ¤ÁÎÏËÌ·, ·ÏÏ¿ fiÏÔÈ, Û˘ÌÂÚÈÏ·Ì‚·ÓÔ̤Ó˘ Î·È Ù˘ Alexandra, Â›Ó·È ‚¤‚·ÈÔÈ ÁÈ· ÙËÓ ÂÓÔ¯‹ ÙÔ˘. ∆Ë Ì¤Ú· ·Ó·ÎÚ›ÓÂÈ
ÙÔ˘˜ Ê›ÏÔ˘˜ Î·È Û˘ÁÁÂÓ›˜ ÙÔ˘. ∆Ë Ó‡¯Ù· ·Ó·ÎÚ›ÓÂÈ ÙÔÓ ›‰ÈÔ. ªfiÓË ÛˆÙËÚ›· ÙÔ˘
Ë ÛȈ‹. ¶ÔÈÔ˜ ı· ÎÂÚ‰›ÛÂÈ;
T. +35 929815343, +35 929815344
Mobile: +35 9898503702
[email protected]
Credits / ™˘ÓÙÂÏÂÛÙ¤˜:
Produced by / ¶·Ú·ÁˆÁfi˜: Klas Film - Phanta Vision, Flying Moon,
Director-Writer / ™ÎËÓÔıÂÛ›·-™ÂÓ¿ÚÈÔ: Iglika Triffonova,
Cinematography / ¢È‡ı˘ÓÛË ºˆÙÔÁÚ·Ê›·˜: Rali Ralchev
Budget / ¶ÚÔ¸ÔÏÔÁÈÛÌfi˜: €815,000
Secured financing / ∂Í·ÛÊ·ÏÈṲ̂ÓË ¯ÚËÌ·ÙÔ‰fiÙËÛË: Yes / ¡·È
26
Producer’s filmography
ºÈÏÌÔÁÚ·Ê›· ·Ú·ÁˆÁÔ‡
Rossitsa Valkanova graduated from the Sofia National Academy of Theatre and Film in 1982. She directed
documentaries before founding the production company, Klas Film in 1995. She attended several film production courses in London and Berlin with scholarships from the British Council and the NIPKOW Programme.
She participated in the CirCLE ‘98 and CirCLE ‘99 programmes of EUREKA Audiovisual as well as in the
Television Business School in 1998.
Rossitsa Valkanova worked as a delegate, executive or associate producer for numerous Bulgarian feature
and documentary films, as well as on several foreign productions. From December 1997 till March 2003 she
has been a member of the Board of the Association of Bulgarian Producers. She has been a member of the
European Film Academy since 2002.
The Patience of the Stone,
directed by / ÛÂ ÛÎËÓÔıÂÛ›· Kostadin Bonev, 1998
Letter To America,
directed by / ÛÂ ÛÎËÓÔıÂÛ›· Iglika Triffonova, 2000
∏ Rossitsa Valkanova ·ÔÊÔ›ÙËÛ ·fi ÙËÓ ∂ıÓÈ΋ ∞η‰ËÌ›· £Â¿ÙÚÔ˘ Î·È ∫ÈÓËÌ·ÙÔÁÚ¿ÊÔ˘ Ù˘ ™fiÊÈ·˜ ÙÔ
1982. ¶ÚÈÓ È‰Ú‡ÛÂÈ ÙËÓ ÂÙ·ÈÚ›· ·Ú·ÁˆÁ‹˜ Klas Film ÙÔ 1995, ÛÎËÓÔı¤ÙËÛ ‰È¿ÊÔÚ· ÓÙÔÎÈÌ·ÓÙ¤Ú. ¶·Ú·ÎÔÏÔ‡ıËÛ ̷ı‹Ì·Ù· ÎÈÓËÌ·ÙÔÁÚ·ÊÈ΋˜ ·Ú·ÁˆÁ‹˜ ÛÙÔ §ÔÓ‰›ÓÔ Î·È ÙÔ µÂÚÔÏ›ÓÔ Ì ˘ÔÙÚÔʛ˜ ·fi ÙÔ µÚÂÙ·ÓÈÎfi ™˘Ì‚Ô‡ÏÈÔ Î·È ÙÔ ÚfiÁÚ·ÌÌ· NIPKOW. ™˘ÌÌÂÙ›¯Â ÛÙ· ÚÔÁÚ¿ÌÌ·Ù· ÙÔ˘ EUREKA Audiovisual CirCLE
‘98 Î·È CirCLE ’99, fiˆ˜ Î·È ÛÙË ™¯ÔÏ‹ ∆ËÏÂÔÙÈÎÒÓ ∂ȯÂÈÚ‹ÛÂˆÓ ÙÔ 1998.
∏ Rossitsa Valkanova ÂÚÁ¿ÛÙËΠˆ˜ ÂÓÙÂÙ·Ï̤ÓË ·Ú·ÁˆÁfi˜ Î·È ˘‡ı˘ÓË ÔÚÁ¿ÓˆÛ˘ Î·È ÂÎÙ¤ÏÂÛ˘ ·Ú·ÁˆÁ‹˜ Û ÔÏϤ˜ ‚Ô˘ÏÁ·ÚÈΤ˜ Ù·Èӛ˜ ÓÙÔÎÈÌ·ÓÙ¤Ú Î·È Í¤Ó˜ ·Ú·ÁˆÁ¤˜. ∞fi ÙÔÓ ¢ÂΤ̂ÚÈÔ ÙÔ˘ 1997 ̤¯ÚÈ
ÙÔÓ ª¿ÚÙÈÔ ÙÔ˘ 2003 ‰ÈÂÙ¤ÏÂÛ ̤ÏÔ˜ Ù˘ ∂ÈÙÚÔ‹˜ Ù˘ ∂Ù·ÈÚ›·˜ µÔ˘ÏÁ¿ÚˆÓ ¶·Ú·ÁˆÁÒÓ. ∞fi ÙÔ 2002
Â›Ó·È Î·È Ì¤ÏÔ˜ Ù˘ ∂˘Úˆ·˚΋˜ ∫ÈÓËÌ·ÙÔÁÚ·ÊÈ΋˜ ∞η‰ËÌ›·˜.
Company profile / ∏ ÂÙ·ÈÚ›·
Since it was founded in 1995, the main goal of Klas Film is to produce Bulgarian feature and documentary
films that will reach international screens. The company looks for an international co-producer for almost
every project for several reasons: the opportunity to secure better financing, to share in a diverse professional experience, to reach international audiences and markets. The company has a strong preference for
films that focus on important issues relating to life and to human nature.
∏ ÂÙ·ÈÚ›· Klas Film ȉڇıËΠÙÔ 1995 Ì ÛÎÔfi ÙËÓ ·Ú·ÁˆÁ‹ ‚Ô˘ÏÁ·ÚÈÎÒÓ Ù·ÈÓÈÒÓ Î·È ÓÙÔÎÈÌ·ÓÙ¤Ú Ô˘ ı·
·¢ı‡ÓÔÓÙ·È Î·È ÛÙÔ ‰ÈÂıÓ¤˜ ÎÔÈÓfi. ™¯Â‰fiÓ Û οı ·Ú·ÁˆÁ‹ Ë ÂÙ·ÈÚ›· ·Ó·˙ËÙ¿ ‰ÈÂıÓ›˜ Û˘Ì·Ú·ÁˆÁÔ‡˜ ÁÈ· Ó· ÂÙ‡¯ÂÈ ÙËÓ ÂÍ·ÛÊ¿ÏÈÛË Î·Ï‡ÙÂÚ˘ ¯ÚËÌ·ÙÔ‰fiÙËÛ˘ Î·È ÌÈ· ‰È·ÊÔÚÂÙÈ΋ Â·ÁÁÂÏÌ·ÙÈ΋ ÂÌÂÈÚ›· Ô˘ ı· ·ÁÁ›ÍÂÈ ÙË ‰ÈÂıÓ‹ ·ÁÔÚ¿. ∏ ÂÙ·ÈÚ›· ‰Â›¯ÓÂÈ Ì›· ¤ÓÙÔÓË ÚÔÙ›ÌËÛË ÁÈ· ÙȘ Ù·Èӛ˜ Ô˘ ÂÛÙÈ¿˙Ô˘Ó
ÛÙ· ÛËÌ·ÓÙÈο ı¤Ì·Ù· Ù˘ ˙ˆ‹˜ Î·È Ù˘ ·ÓıÚÒÈÓ˘ ʇÛ˘.
Festival Prizes / µÚ·‚›·
Letter to America
2003, Matad’Or Prize, IFF Nordelijk
2002, Special Prize of the Jury, IFF Istanbul
2001, Grand Prix, Golden Chest IFF for TV films, Plovdiv
2001, Silver Vitiaz, IFF Tambov
2001, FIPRESCI award and Don Quijote award of the IFFC in
Molodist FF, Kiev
2000, Best Music, Best Young Actress, Critics’ Award, Special
Jury Prize, the Audience Award and two more complementary
prizes, National Film Festival in Varna
Selected to represent Bulgaria for the Oscar nominations for
Best Foreign Language Film
The Patience of the Stone,
1998- 6 national prizes and 3 international, among which the
Zuschauerpries – Willy Brandt, Prix Europa, 1998
Letter to America,
2003, µÚ·‚Â›Ô Matad’Or, ¢ÈÂıÓ¤˜ ºÂÛÙÈ‚¿Ï Nordelijk
2002, ∂ȉÈÎfi µÚ·‚Â›Ô ∂ÈÙÚÔ‹˜, ¢ÈÂıÓ¤˜ ºÂÛÙÈ‚¿Ï
∫ˆÓÛÙ·ÓÙÈÓÔ‡ÔÏ˘
2001, Grand Prix, ¢ÈÂıÓ¤˜ ºÂÛÙÈ‚¿Ï Golden Chest ÁÈ·
ÙËÏÂÔÙÈΤ˜ Ù·Èӛ˜, Plovdiv
2001, Silver Vitiaz, ¢ÈÂıÓ¤˜ ºÂÛÙÈ‚¿Ï ∆·ÌfiÊ
2001, µÚ·‚Â›Ô Ù˘ FIPRESCI Î·È µÚ·‚Â›Ô Don Quijote ÛÙÔ
¢ÈÂıÓ¤˜ ºÂÛÙÈ‚¿Ï Molodist FF, ∫›Â‚Ô
2000, µÚ·‚Â›Ô ∫·Ï‡ÙÂÚ˘ ªÔ˘ÛÈ΋˜, ∫·Ï‡ÙÂÚ˘ ¡Â·Ú‹˜
∏ıÔÔÈÔ‡, µÚ·‚Â›Ô ∫ÚÈÙÈÎÒÓ, ∂ȉÈÎfi µÚ·‚Â›Ô ∂ÈÙÚÔ‹˜,
µÚ·‚Â›Ô ∫ÔÈÓÔ‡ Î·È ‰‡Ô Û˘ÌÏËڈ̷ÙÈο ‚Ú·‚›·, ∂ıÓÈÎfi
ºÂÛÙÈ‚¿Ï Ù˘ µ¿ÚÓ·˜
µÔ˘ÏÁ·ÚÈ΋ ˘Ô„ËÊÈfiÙËÙ· ÁÈ· ηχÙÂÚË ÍÂÓfiÁψÛÛË Ù·ÈÓ›·
ÛÙ· µÚ·‚›· Ù˘ ∞η‰ËÌ›·˜
The Patience of the Stone,
1998- 6 ÂıÓÈο ‚Ú·‚›· Î·È 3 ‰ÈÂıÓ‹, ÌÂٷ͇ ÙˆÓ ÔÔ›ˆÓ ÙÔ
Zuschauerpries – Willy Brandt, Prix Europa 1998
27
Klas Film
Rossitsa Valkanova
The Journey
Albania / Αλβανία
An important delegation arrives in Albania in 1990. Its mission is to decide
whether the country can take its place in the European Union. The government
deceitfully insists that there are no longer any political prisoners being held in
Albania. The head of the delegation wants to be reunited with his childhood
friend Leo. But Leo is a prisoner, for political motives. The authorities have to
get him out of jail and present him as a honourable professor to keep the committee happy and the possibility of EU entry open.
Producer
Artan Minarolli
Contacts / ∂ÈÎÔÈÓˆÓ›·:
11, Durresit St., Fl 4, Apt 31,
Tirana, Albania
T. +35 5423 3558
[email protected]
ª›· ÛËÌ·ÓÙÈ΋ ·ÓÙÈÚÔÛˆ›· ÊÙ¿ÓÂÈ ÛÙËÓ ∞Ï‚·Ó›· ÙÔ 1990. ∞ÔÛÙÔÏ‹ Ù˘
Â›Ó·È Ó· ·ÔÊ·Û›ÛÂÈ ·Ó Ë ¯ÒÚ· ı· ÂÓÙ·¯ı› ÛÙËÓ ∂˘Úˆ·˚΋ ŒÓˆÛË. ∏ ΢‚¤ÚÓËÛË ÂÈ̤ÓÂÈ ·Ú·Ï·ÓËÙÈο fiÙÈ ‰ÂÓ ˘¿Ú¯Ô˘Ó ϤÔÓ ÔÏÈÙÈÎÔ› ÎÚ·ÙÔ‡ÌÂÓÔÈ
ÛÙËÓ ∞Ï‚·Ó›·. √ ÂÈÎÂÊ·Ï‹˜ Ù˘ ·ÓÙÈÚÔÛˆ›·˜ ı¤ÏÂÈ Ó· Í·Ó·‚ÚÂı› Ì ÙÔÓ
·È‰ÈÎfi ÙÔ˘˜ Ê›ÏÔ ÙÔÓ, Leo. ∞ÏÏ¿ Ô Leo Â›Ó·È ÎÚ·ÙÔ‡ÌÂÓÔ˜ ÁÈ· ÔÏÈÙÈÎÔ‡˜
ÏfiÁÔ˘˜. √È ·Ú¯¤˜ Ú¤ÂÈ ÙÒÚ· Ó· ÙÔÓ ·ÂÏ¢ıÂÚÒÛÔ˘Ó Î·È Ó· ÙÔÓ ·ÚÔ˘ÛÈ¿ÛÔ˘Ó Û·Ó ·ÍÈÔÚÂ‹ ηıËÁËÙ‹ ÁÈ· Ó· ¢¯·ÚÈÛÙ‹ÛÔ˘Ó ÙËÓ ÂÈÙÚÔ‹ Î·È Ó· ·Ê‹ÛÔ˘Ó ·ÓÔȯÙfi ÙÔ ÂӉ¯fiÌÂÓÔ ¤ÓÙ·Í˘.
Credits / ™˘ÓÙÂÏÂÛÙ¤˜:
Produced by / ¶·Ú·ÁˆÁ‹: Art Film,
Director-Writer / ™ÎËÓÔıÂÛ›·-™ÂÓ¿ÚÈÔ: Artan Minarolli
Budget / ¶ÚÔ¸ÔÏÔÁÈÛÌfi˜: €600,000
Secured financing / ∂Í·ÛÊ·ÏÈṲ̂ÓË ¯ÚËÌ·ÙÔ‰fiÙËÛË: No / Ÿ¯È
28
Festival Prizes / µÚ·‚›·
Minarolli graduated from the University of Tirana with a degree in Fine Arts (specialising in acting) in 1982,
ten years later he graduated in directing film first from the Albafilm Studio, Tirana and the following year
from the European Film Academy in Denmark. He worked first as an actor and theatre director, moving into
film in the mid-eighties at the Albafilm Studio in Tirana, as an assistant director on 8 films. In 1991 he directed his first film, a documentary, For a Centimetre. Minarolli moved into drama with a short feature, 100%,
and followed that with the recent feature film The Moonless Night, which is a co-production between Albania
and France. In addition to his film work, he published his short novels in 1997, under the title The Corpse of
a Telephone and in 1998 organised the Eurofilm Festival in Tirana.
The Moonless Night
Best Film, MedFilm Festival in Roma, Italy, 2004
Best Foreign Film, Trenton Film Festival, USA, 2005
Best Music, Naples Film Festival, Italy, 2005
√ Minarolli ·ÔÊÔ›ÙËÛ ·fi ÙÔ ¶·ÓÂÈÛÙ‹ÌÈÔ ÙˆÓ ∆ÈÚ¿ÓˆÓ Ì Ù˘¯›Ô ÛÙȘ ∫·Ï¤˜ ∆¤¯Ó˜ (Î·È Âȉ›Î¢ÛË ÛÙËÓ ˘ÔÎÚÈÙÈ΋) ÙÔ 1982. ¢¤Î· ¯ÚfiÓÈ· ·ÚÁfiÙÂÚ· ‹Ú Ù˘¯›Ô ÛÎËÓÔıÂÛ›·˜ ÚÒÙ· ·fi ÙÔ Albafilm Studio ÙˆÓ ∆ÈÚ¿ÓˆÓ
Î·È ÙÔÓ ÂfiÌÂÓÔ ¯ÚfiÓÔ ·fi ÙËÓ ∂˘Úˆ·˚΋ ∫ÈÓËÌ·ÙÔÁÚ·ÊÈ΋ ∞η‰ËÌ›· ÛÙË ¢·Ó›·. ∂ÚÁ¿ÛÙËΠÚÒÙ· ˆ˜ ËıÔÔÈfi˜ Î·È ÛÎËÓÔı¤Ù˘ ÛÙÔ ı¤·ÙÚÔ. ™Ù· ̤۷ Ù˘ ‰ÂηÂÙ›·˜ ÙÔ˘ ’80 ·Û¯ÔÏ‹ıËΠ̠ÙÔÓ ÎÈÓËÌ·ÙÔÁÚ¿ÊÔ, Û˘ÓÂÚÁ·˙fiÌÂÓÔ˜ Ì ÙÔ Albafilm Studio ÛÙ· ∆›Ú·Ó· ˆ˜ ‚ÔËıfi˜ ÛÎËÓÔı¤ÙË Û 8 Ù·Èӛ˜. ∆Ô 1991 ÛÎËÓÔı¤ÙËÛ ÙËÓ
ÚÒÙË ÙÔ˘ Ù·ÈÓ›·, ¤Ó· ÓÙÔÎÈÌ·ÓÙ¤Ú Ì ٛÙÏÔ For a Centimetre. ™ÙË Û˘Ó¤¯ÂÈ· ÛÙÚ¿ÊËΠÚÔ˜ ÙËÓ Ì˘ıÔÏ·Û›·
Ì ÌÈ· Ù·ÈÓ›· ÌÈÎÚÔ‡ Ì‹ÎÔ˘˜, ÙÔ 100%, Î·È ·ÚÁfiÙÂÚ· Ì ÙËÓ ÚfiÛÊ·ÙË Ù·ÈÓ›· ÙÔ˘ The Moonless Night, ÌÈ·
Û˘Ì·Ú·ÁˆÁ‹ ∞Ï‚·Ó›·˜ Î·È °·ÏÏ›·˜. ∂ÎÙfi˜ ·fi ÙÔ ÎÈÓËÌ·ÙÔÁÚ·ÊÈÎfi ÙÔ˘ ¤ÚÁÔ, ÙÔ 1997 ‰ËÌÔÛ›Â˘Û ÙËÓ Û˘ÏÏÔÁ‹ ‰ÈËÁËÌ¿ÙˆÓ The Corpse of a Telephone, ÂÓÒ ÙÔ 1998 ‰ÈÔÚÁ¿ÓˆÛ ÙÔ ºÂÛÙÈ‚¿Ï Eurofilm ÛÙ· ∆›Ú·Ó·.
The Moonless Night
µÚ·‚Â›Ô ∫·Ï‡ÙÂÚ˘ ∆·ÈÓ›·˜,
ºÂÛÙÈ‚¿Ï MedFilm ÛÙË ƒÒÌË, πÙ·Ï›·, 2004
µÚ·‚Â›Ô ∫·Ï‡ÙÂÚ˘ •¤Ó˘ ∆·ÈÓ›·˜,
ºÂÛÙÈ‚¿Ï ÙÔ˘ ∆Ú¤ÓÙÔÓ, ∏.¶.∞., 2005
µÚ·‚Â›Ô ∫·Ï‡ÙÂÚ˘ ªÔ˘ÛÈ΋˜,
ºÂÛÙÈ‚¿Ï Ù˘ ¡¿ÔÏ˘, πÙ·Ï›·, 2005
Company profile / ∏ ÂÙ·ÈÚ›·
Art Film sh.p.k. was established by Artan Minarolli in 1997 in Tirana; the main objectives of the company are:
the production and distribution of feature and short films, documentaries, animation, publicity and commercials, and other audio visual programes in Albania. It also organises other cinematographic activities, artistic and audio visual works, including the Eurofilm Festival in Tirana. Art Film sh.p.k. produced the feature The
Moonless Night, with the financial support of the Albanian Film Center, Fond D`Sud in France and with the
participation of the Hubert Bals Fund in International Film Festival of Rotterdam.
∏ ÂÙ·ÈÚ›· Art Film ȉڇıËΠÙÔ 1997 ÛÙ· ∆›Ú·Ó· ·fi ÙÔÓ Artan Minarolli. √È Î‡ÚÈÔÈ ÛÙfi¯ÔÈ Ù˘ ÂÙ·ÈÚ›· ›ӷÈ:
Ë ·Ú·ÁˆÁ‹ Î·È ‰È·ÓÔÌ‹ Ù·ÈÓÈÒÓ ÌÂÁ¿ÏÔ˘ Î·È ÌÈÎÚÔ‡ Ì‹ÎÔ˘˜, ÓÙÔÎÈÌ·ÓÙ¤Ú, Ù·ÈÓÈÒÓ ÎÈÓÔ˘Ì¤ÓˆÓ Û¯Â‰›ˆÓ, ‰È·ÊËÌÈÛÙÈÎÒÓ Î·È ¿ÏÏˆÓ ÔÙÈÎÔ·ÎÔ˘ÛÙÈÎÒÓ ÚÔÁÚ·ÌÌ¿ÙˆÓ ÛÙËÓ ∞Ï‚·Ó›·. ¢ÈÔÚÁ·ÓÒÓÂÈ, Â›Û˘, ¿ÏϘ ÎÈÓËÌ·ÙÔÁÚ·ÊÈΤ˜ ‰Ú·ÛÙËÚÈfiÙËÙ˜, ÌÂٷ͇ ÙˆÓ ÔÔ›ˆÓ ÙÔ ºÂÛÙÈ‚¿Ï Eurofilm ÛÙ· ∆›Ú·Ó·. ∏ Art Film ·Ú‹Á·Á ÙËÓ
Ù·ÈÓ›· The Moonless Night, Ì ¯ÚËÌ·ÙÔ‰fiÙËÛË ÙÔ˘ ∞Ï‚·ÓÈÎÔ‡ ∫¤ÓÙÚÔ˘ ∫ÈÓËÌ·ÙÔÁÚ¿ÊÔ˘, Ù˘ Á·ÏÏÈ΋˜ Fond
D`Sud Î·È Ì ÙË Û˘ÌÌÂÙÔ¯‹ Ù˘ Hubert Bals Fund ÙÔ˘ ¢ÈÂıÓÔ‡˜ ºÂÛÙÈ‚¿Ï ÙÔ˘ ƒfiÓÙÂÚÓÙ·Ì.
29
Art Film
Artan Minarolli
Kino Lika
Croatia / Κροατία
Mike Krizapoljac is an aspiring football player who has some talent. His father
has big dreams for him, dreams which are shared by the whole of his village,
Lika. Should he play professionally in Croatia or for a team in Europe? His father
wants an international career for Mike, but the village doctor, a staunch nationalist, believes that Europe and the promise of EU membership mean nothing
but destruction for Croatia. And for Mike.
Producer
Ankica Tilic
Contacts / ∂ÈÎÔÈÓˆÓ›·:
25, Stoosova,
10000 Zagreb
T.+38 1984 65576, +38 1123 16787
Mobile:+38 598465576
[email protected]
√ Mike Krizapoljac, ¤Ó·˜ Ó·Úfi˜ Ì οÔÈÔ Ù·Ï¤ÓÙÔ, ÊÈÏÔ‰ÔÍ› Ó· Á›ÓÂÈ Ô‰ÔÛÊ·ÈÚÈÛÙ‹˜. √ ·Ù¤Ú·˜ ÙÔ˘ οÓÂÈ ÌÂÁ¿Ï· fiÓÂÈÚ· ÁÈ’ ·˘ÙfiÓ, fiˆ˜ Î·È fiÏÔ ÙÔ
¯ˆÚÈfi ÙÔ˘, Ë Lika. ¶Ú¤ÂÈ Ó· ·›ÍÂÈ Â·ÁÁÂÏÌ·ÙÈο ÛÙËÓ ∫ÚÔ·Ù›· ‹ Û οÔÈ·
Â˘Úˆ·˚΋ ÔÌ¿‰·; √ ·Ù¤Ú·˜ ÙÔ˘ ÔÓÂÈÚ‡ÂÙ·È Ì›· ‰ÈÂıÓ‹ ηÚȤڷ ÁÈ· ÙÔÓ Mike,
·ÏÏ¿ Ô ÁÈ·ÙÚfi˜ ÙÔ˘ ¯ˆÚÈÔ‡, ¤Ó·˜ ·ÊÔÛȈ̤ÓÔ˜ ÂıÓÈÎÈÛÙ‹˜, ıˆÚ› fiÙÈ Ë ∂˘ÚÒË Î·È Ë ˘fiÛ¯ÂÛË Ù˘ ¤ÓÙ·Í˘ ÛÙËÓ ∂˘Úˆ·˚΋ ŒÓˆÛË ‰ÂÓ ÛËÌ·›ÓÔ˘Ó Ù›ÔÙÂ
¿ÏÏÔ, ·Ú¿ ÙÔÓ ·Ê·ÓÈÛÌfi Ù˘ ∫ÚÔ·Ù›·˜... Î·È ÙÔ˘ Mike.
Credits / ™˘ÓÙÂÏÂÛÙ¤˜:
Produced by / ¶·Ú·ÁˆÁ‹: Kinorama,
Director / ™ÎËÓÔıÂÛ›·: Dalibor Matanic,
Scriptwriter / ™ÂÓ¿ÚÈÔ: Dalibor Matanic & Milan Frenstacki Zivkovic
Budget / ¶ÚÔ¸ÔÏÔÁÈÛÌfi˜: €1,230,000
Secured Financing / ∂Í·ÛÊ·ÏÈṲ̂ÓË ÃÚËÌ·ÙÔ‰fiÙËÛË: Yes / ¡·È
30
Ankica Juric Tilic started working in film and television while she was a student. She worked as a production
assistant, production co-ordinator and assistant director on numerous television films and series. In 1998 she
decided to try her luck as an independent producer and since then has produced numerous documentaries,
as well as some of the most critically acclaimed Croatian feature films of recent years.
Producer’s filmography
ºÈÏÌÔÁÚ·Ê›· ·Ú·ÁˆÁÔ‡
Hundred Minutes of Glory,
directed by Dalibor Matanic, 2004
Fine Dead Girls, directed by Dalibor Matanic, 2002
∏ Ankica Juric Tilic ÍÂΛÓËÛ ÙËÓ Î·ÚȤڷ Ù˘ ÛÙÔÓ ÎÈÓËÌ·ÙÔÁÚ¿ÊÔ Î·È ÙËÓ ÙËÏÂfiÚ·ÛË ÂÓÒ ‹Ù·Ó ·ÎfiÌË ÊÔÈÙ‹ÙÚÈ·. ¢Ô‡Ï„ ˆ˜ ‚ÔËıfi˜ ·Ú·ÁˆÁ‹˜, Û˘ÓÙÔÓ›ÛÙÚÈ· ·Ú·ÁˆÁ‹˜ Î·È ‚ÔËıfi˜ ÛÎËÓÔı¤ÙË Û ÔÏ˘¿ÚÈı̘
ÙËÏÂÔÙÈΤ˜ Ù·Èӛ˜ Î·È ÛÂÈÚ¤˜. ∆Ô 1998 ·ÔÊ¿ÛÈÛ ӷ ‰ÔÎÈÌ·ÛÙ› Î·È ˆ˜ ·ÓÂÍ¿ÚÙËÙË ·Ú·ÁˆÁfi˜ Î·È ¤ÎÙÔÙ ¤¯ÂÈ ·Ú¿ÁÂÈ ÔÏÏ¿ ÓÙÔÎÈÌ·ÓÙ¤Ú Î·È Ù·Èӛ˜ Ô˘ ¤Ù˘¯·Ó Ù˘ ÈÔ ıÂÙÈ΋˜ ˘Ô‰Ô¯‹˜ ·fi ÙÔ˘˜ ÎÚÈÙÈÎÔ‡˜ Ù·
ÙÂÏÂ˘Ù·›· ¯ÚfiÓÈ·.
A Cashier Wants to Go to the Seaside,
directed by Dalibor Matanic, 2000
Company profile/ ∏ ÂÙ·ÈÚ›·
Hundred Minutes of Glory,
ÛÂ ÛÎËÓÔıÂÛ›· Dalibor Matanic, 2004
Ankica Juric Tilic founded Kinorama in 2002 after having worked for more than ten years as an executive producer of dozen features, a few documentaries and dozen of TV films. Several of them, such as The Drought,
directed by Dalibor Matani, were presented and won award at various international film festivals.
Since its inception, Kinorama has produced two experimental films and four short films. Although it produces
TV commercials, its main goal is to produce both short and feature films. Currently it is in postproduction of
a short film and in pre-production of two feature films.
∏ Ankica Juric Tilic ›‰Ú˘Û ÙËÓ ÂÙ·ÈÚ›· Kinorama ÙÔ 2002, ¤¯ÔÓÙ·˜ ‹‰Ë ‰ÂηÂÙ‹ ÂÌÂÈÚ›· ÛÙËÓ ÔÚÁ¿ÓˆÛË
·Ú·ÁˆÁ‹˜ ‰Âο‰ˆÓ ÎÈÓËÌ·ÙÔÁÚ·ÊÈÎÒÓ Î·È ÙËÏÂÔÙÈÎÒÓ Ù·ÈÓÈÒÓ Î·È ÌÂÚÈÎÒÓ ÓÙÔÎÈÌ·ÓÙ¤Ú. ∫¿ÔÈ· ·fi
·˘Ù¿, fiˆ˜ ÙÔ The Drought Û ÛÎËÓÔıÂÛ›· Dalibor Matanic, ÚÔ‚Ï‹ıËÎ·Ó Î·È Î¤Ú‰ÈÛ·Ó ‚Ú·‚›· Û ‰È¿ÊÔÚ· ‰ÈÂıÓ‹ ÊÂÛÙÈ‚¿Ï. ∞fi ÙËÓ ›‰Ú˘Û‹ Ù˘, Ë ÂÙ·ÈÚ›· ¤¯ÂÈ ·Ú¿ÁÂÈ ‰‡Ô ÂÈÚ·Ì·ÙÈΤ˜ Ù·Èӛ˜ Î·È Ù¤ÛÛÂÚȘ Ù·Èӛ˜ ÌÈÎÚÔ‡ Ì‹ÎÔ˘˜. ∞Ó Î·È ‰Ú·ÛÙËÚÈÔÔÈÂ›Ù·È ÛÙËÓ ·Ú·ÁˆÁ‹ ÙËÏÂÔÙÈÎÒÓ ‰È·ÊËÌÈÛÙÈÎÒÓ, Ô Î‡ÚÈÔ˜ ÛÙfi¯Ô˜
Ù˘ Kinorama Â›Ó·È Ë ·Ú·ÁˆÁ‹ Ù·ÈÓÈÒÓ ÌÂÁ¿ÏÔ˘ Î·È ÌÈÎÚÔ‡ Ì‹ÎÔ˘˜. ∞˘Ù‹ ÙËÓ ÂÚ›Ô‰Ô ·Û¯ÔÏÂ›Ù·È Ì ÙÔ
post-production ÌÈ·˜ Ù·ÈÓ›·˜ ÌÈÎÚÔ‡ Ì‹ÎÔ˘˜ Î·È Ì ÙÔ pre-production ‰‡Ô Ù·ÈÓÈÒÓ ÌÂÁ¿ÏÔ˘ Ì‹ÎÔ˘˜.
Fine Dead Girls, ÛÂ ÛÎËÓÔıÂÛ›· Dalibor Matanic, 2002
A Cashier Wants to Go to the Seaside,
ÛÂ ÛÎËÓÔıÂÛ›· Dalibor Matanic, 2000
Festival Prizes / µÚ·‚›·
The Cashier Wants to Go to the Seaside
Best European Debut, Cottbus, Germany, 2000
The Cashier Wants to Go to the Seaside
µÚ·‚Â›Ô ∫·Ï‡ÙÂÚÔ˘ ∂˘Úˆ·›Ô˘ ¶ÚˆÙÔÂÌÊ·ÓÈ˙fiÌÂÓÔ˘
™ÎËÓÔı¤ÙË, ∫fiÙÌÔ˘˜, °ÂÚÌ·Ó›·, 2000
31
Ankica Juric Tilic
Αnkica Juric Tilic
The Magic Snowman
FYROM / ΠΓ∆Μ
Kim (10) and her brother Tommy (12) are ardent skiers. They come by it naturally as their grandfather was not only a ski champion, but in the 50s he built
the famous Jenseville Olympic-style ski jump. Now they must save it. Ambitious
Serena Queen wants to transform their sleepy town into “America’s St Moritz”.
With help from their friends Lumi Ukko, the Magic Snowman, and Gustella, the
North wind, they will prove that magic exists and
miracles do happen.
Producer
Pavlina Proveska
Contacts / ∂ÈÎÔÈÓˆÓ›·:
Ul. Makedonija Local 1 - Palata
Macedonia, FYROM
∏ Kim (10 ÂÙÒÓ) Î·È Ô ·‰ÂÏÊfi˜ Ù˘ Tommy (12 ÂÙÒÓ) Â›Ó·È ÂÓıÔ˘ÛÈÒ‰ÂȘ ÛÎȤÚ.
∏ ¤ÊÂÛË ÙÔ˘˜ Â›Ó·È Ê˘ÛÈ΋, ·ÊÔ‡ Ô ·Ô‡˜ ÙÔ˘˜ ‰ÂÓ ‹Ù·Ó ÌfiÓÔ ÚˆÙ·ıÏËÙ‹˜ ÙÔ˘ ÛÎÈ, ·ÏÏ¿ ÛÙ· 1950 ¤¯ÙÈÛÂ Î·È ÙË ÁÓˆÛÙ‹, ÔÏ˘ÌÈ·ÎÒÓ ‰È·ÛÙ¿ÛˆÓ,
›ÛÙ· ¯ÈÔÓÔ‰ÚÔÌÈÔ‡ ¿ÏÌ·ÙÔ˜ Jenseville. ∆ÒÚ· Ú¤ÂÈ Ó· ÙË ÛÒÛÔ˘Ó. ∏ ÊÈÏfi‰ÔÍË ‚·Û›ÏÈÛÛ· Serena ı¤ÏÂÈ Ó· ÌÂÙ·ÌÔÚÊÒÛÂÈ ÙËÓ fiÏË ÙÔ˘˜, Ô˘ ¤¯ÂÈ ¤ÛÂÈ
Û ϋı·ÚÁÔ, ÛÙÔ «™ÂÓ ªfiÚÈÙ˜ Ù˘ ∞ÌÂÚÈ΋˜». ªÂ ÙË ‚Ô‹ıÂÈ· ÙˆÓ Ê›ÏˆÓ ÙÔ˘˜,
ÙÔ˘ Lumi Ukko, ÙÔ˘ ª·ÁÈÎÔ‡ ÃÈÔÓ·ÓıÚÒÔ˘ Î·È Ù˘ Gustella, ÙÔ˘ ‚fiÚÂÈÔ˘ ·Ó¤ÌÔ˘, ı· ·ԉ›ÍÔ˘Ó fiÙÈ Ë Ì·Á›· ˘¿Ú¯ÂÈ Î·È fiÙÈ Ù· ı·‡Ì·Ù· Â›Ó·È ‰˘Ó·Ù¿.
T. + 1 6462404079
[email protected]
Credits / ™˘ÓÙÂÏÂÛÙ¤˜:
Produced by / ¶·Ú·ÁˆÁfi˜: MAKETA PRODUCTIONS,
Director / ™ÎËÓÔıÂÛ›·: Janko Virant,
Scriptwriter / ™ÂÓ¿ÚÈÔ: Pavlina Proevska,
Cinematography / ¢È‡ı˘ÓÛË ºˆÙÔÁÚ·Ê›·˜: Dejan Georgevich
Budget / ¶ÚÔ¸ÔÏÔÁÈÛÌfi˜: $1,600,000
Secured financing / ∂Í·ÛÊ·ÏÈṲ̂ÓË ¯ÚËÌ·ÙÔ‰fiÙËÛË: Yes / ¡·È
32
A native of Macedonia, Pavlina studied Public Relations in Paris and worked as news producer for CBS News and field
producer for the USA Cable Networks. An independent film producer since 1986, she has produced The Magic Snowman
(Miramax) and Happy Hell Night (Anchor Bay Entertainment). Ms. Proevska is in pre-production of The Magic Snowman
II and is developing The Magic Snowman III. Ms. Proevska is also packaging the romantic Borders in Heaven slated for
late summer 2006. Other projects include the bio-picture on Nikola Tesla, the least know scientific genius of our time.
Ms. Proevska is completing The Promise of Perfume, a one-hour documentary film which she produced, wrote and
directed. She is fluent in five languages and lives and works in New York.
°ÂÓÓË̤ÓË ÛÙËÓ ¶.°.¢.ª Ë Pavlina ÛÔ‡‰·Û ‰ËÌfiÛȘ Û¯¤ÛÂȘ ÛÙÔ ¶·Ú›ÛÈ Î·È ‰Ô‡Ï„ ˆ˜ ·Ú·ÁˆÁfi˜ ÁÈ· ÙÔ CBS News
Î·È ˆ˜ ‰È¢ı‡ÓÙÚÈ· ·Ú·ÁˆÁ‹˜ ÁÈ· ÙËÓ ·ÌÂÚÈοÓÈÎË Î·Ïˆ‰È·Î‹ ÙËÏÂfiÚ·ÛË. ø˜ ·ÓÂÍ¿ÚÙËÙË ·Ú·ÁˆÁfi˜ ·Ô ÙÔ 1985
¤¯ÂÈ Î¿ÓÂÈ ÙËÓ ·Ú·ÁˆÁ‹ ÛÙÔ The Magic Snowman ( ÁÈ· ÙËÓ Miramax) Î·È ÙÔ Happy Hell Night (ÁÈ· ÙËÓ Anchor Bay
Entertainment) Î·È ÂÙÔÈÌ¿˙ÂÈ ÙÔ The Magic Snowman ππ Î·È ÙÔ The Magic Snowman III. H Proevska ÂÙÔÈÌ¿˙ÂÈ ÙËÓ ¯ÚËÌ·ÙÔ‰fiÙËÛË ÙÔ˘ Borders in Heaven Ô˘ ˘ÔÏÔÁ›˙ÂÙ·È Ó· ΢ÎÏÔÊÔÚ‹ÛÂÈ ÙÔ Î·ÏÔη›ÚÈ ÙÔ˘ 2006. ÕÏÏ· Û¯¤‰È· Ù˘ Û˘ÌÂÚÈÏ·Ì‚¿ÓÔ˘Ó ÙËÓ ‚ÈÔÁÚ·ÊÈ΋ Ù·ÈÓ›· ÙÔ˘ Nikola Tesla, ÙÔ˘ ÙÂÏÂ˘Ù·›Ô˘ ÁÓˆÛÙÔ‡ ȉÈÔÊ˘Ô‡˜ ÂÈÛÙ‹ÌÔÓ· Ù˘ ÂÔ¯‹˜ Ì·˜.
∏ Proevska ÔÏÔÎÏËÚÒÓÂÈ ·˘ÙfiÓ ÙÔÓ Î·ÈÚfi ÙÔ The Promise of Perfume, ¤Ó· ˆÚÈ·›Ô ÓÙÔÎ˘Ì·ÓÙ¤Ú ÙÔ ÔÔ›Ô ¤ÁÚ·„Â, ÛÎËÓÔı¤ÙËÛÂ Î·È ·Ú‹Á·ÁÂ. ªÈÏ¿ÂÈ ¤ÓÙ ÁÏÒÛÛ˜ Î·È ˙ÂÈ Î·È ÂÚÁ¿˙ÂÙ·È ÛÙË ¡¤· ÀfiÚÎË.
Company Profile / H ÂÙ·ÈÚ›·
Maketa Production is an extension of Pavlina Ltd., an independent film company established in 1986. The first feature
film produced was The Magic Snowman (a children Christmas tale endorsed by UNICEF and dedicated to the world’s
children, 1987). The Magic Snowman is distributed by Miramax/Buena Vista International. More than 20 million children
in the US alone have seen the film on the Disney Channel. The supernatural thriller Happy Hell Night was produced in
1991. The Colors of Macedonia, a half-hour TV documentary was commissioned by PBS in 2004 and Promise of
Perfume, a one-hour TV documentary is in post production. There are two projects in pre-production: The Magic
Snowman II, scheduled for shooting in Winter 2005/6 and The Magic Snowman III which will be shot in Ireland, New
Zealand and Iceland. The company is also packaging Borders in Heaven, a romantic comedy scheduled for production
in Toronto and Macedonia and is also developing Peasants and Soldiers, set in 1941 and the epic story 1903. Other projects include Eudora Welty’s Golden Apples, and the bio picture on the scientific genius, Nikola Tesla.
Producer’s filmography
ºÈÏÌÔÁÚ·Ê›· ¶·Ú·ÁˆÁÔ‡
Happy Hell Night, directed by Brian Owens, 1991
Colors of Macedonia,
directed by Pavlina Proevska, 2004
The Promise of Perfume,
directed by Pavlina Proevska, 2005
Happy Hell Night, ÛÂ ÛÎËÓÔıÂÛ›· Brian Owens, 1991
Colors of Macedonia, TV documentary,
ÛÂ ÛÎËÓÔıÂÛ›· Pavlina Proevska, 2004
The Promise of Perfume,
ÛÂ ÛÎËÓÔıÂÛ›· Pavlina Proevska, 2005
∏ Maketa Production Â›Ó·È Ë ÚÔ¤ÎÙ·ÛË Ù˘ Pavlina Ltd, ÌÈ·˜ ·ÓÂÍ¿ÚÙËÙ˘ ÂÙ·ÈÚ›·˜ ·Ú·ÁˆÁ‹˜ Ô˘ ȉڇıËΠÙÔ 1986.
∏ ÚÒÙË Ù˘ Ù·ÈÓ›· ‹Ù·Ó ÙÔ The Magic Snowman (¤Ó· ·È‰ÈÎfi ÃÚÈÛÙÔ˘ÁÂÓÓÈ¿ÙÈÎÔ ·Ú·Ì‡ıÈ Ô˘ ÔÔÒıËÛÂ Ë UNICEF ηÈ
·ÊÈÂÚÒıËΠÛÙ· ·È‰È¿ fiÏÔ˘ ÙÔ˘ ÎfiÛÌÔ˘). ∆ËÓ ‰È·ÓÔÌ‹ ÙÔ˘ The Magic Snowman ·Ó¤Ï·‚Â Ë Miramax/Buena Vista
International. ¶¿Óˆ ·fi 20 ÂηÙÔÌ̇ÚÈ· ·›‰È· ÛÙȘ ∏¶∞ ·Ú·ÎÔÏÔ‡ıËÛ·Ó ÙËÓ Ù·ÈÓ›· ÛÙÔ Disney Channel. ∆Ô ÌÂÙ·Ê˘ÛÈÎfi ıÚ›ÏÂÚ Happy Hell Night Á˘Ú›ÛÙËΠÙÔ 1991. ∆Ô The Colors of Macedonia, ¤Ó· ÌÈÛ¿ˆÚÔ ÙËÏÂÔÙÈÎfi ÓÙÔÎ˘Ì·ÓÙ¤Ú ‚Ú›ÛÎÂÙ·È ÛÙ· ÙÂÏÂ˘Ù·›· ÛÙ¿‰È· Ù˘ ·Ú·ÁˆÁ‹˜. À¿Ú¯Ô˘Ó ‰‡Ô Ù·Èӛ˜ ÛÙ· ÚÒÙ· ÛÙ¿‰È· ·Ú·ÁˆÁ‹˜ ÙÔ The
Magic Snowman II ÚÔÁÚ·ÌÌ·ÙÈṲ̂ÓÔ ÁÈ· Á‡ÚÈÛÌ· ÙÔ ¯ÂÈÒÓ· 2005 / 2006 Î·È ÙÔ The Magic Snowman II Ô˘ ı· Á˘ÚÈÛÙ› ÛÙËÓ πÚÏ·Ó‰›·, ÙË ¡¤· ∑ËÏ·Ó‰›· Î·È ÙËÓ πÛÏ·Ó‰›·. ∏ ÂÙ·ÈÚ›· Â›Û˘ ÂÙÔÈÌ¿˙ÂÈ ÙËÓ ¯ÚËÌ·ÙÔ‰fiÙËÛË ÁÈ· ÙÔ Borders
in Heaven Ì›· ÚÔÌ·ÓÙÈ΋ ÎÔ̈‰›· Ô˘ ÚfiÎÂÈÙ·È Ó· Á˘ÚÈÛÙ› ÛÙÔ ∆ÔÚfiÓÙÔ Î·È ÙËÓ ¶°¢ª Î·È ·Ó·Ù‡ÛÛÂÈ ÙÔ Peasants and
Soldiers, Ô˘ ‰È·‰Ú·Ì·Ù›˙ÂÙ·È ÙÔ 1941 Î·È ÙÔ ÂÈÎfi ‰Ú¿Ì· 1903. ÕÏÏ· Û¯¤‰È· Û˘ÌÂÚÈÏ·Ì‚¿ÓÔ˘Ó Î·È ÙÔ Eudora Welty’s
Golden Apples, ηıÒ˜ Î·È ÙËÓ ‚ÈÔÁÚ·Ê›· ÙÔ˘ ȉ˘ÔÊ˘Ô‡˜ ÂÈÛÙ‹ÌÔÓ· Nikola Tesla
33
Maketa Production
Pavlina Proevska
Pera lives in Serbia, under the shadow of his all-powerful, mother, Mara. Mara
is an ex-Party member who still believes in the glory of the Socialist ideals. Pera
is a typical mamma’s boy ( a “mamarosh”). After he wins the Green Card lottery, the two go to America to escape from the war. There Mara proves that
she is still fighting for the cause, both for her son and for the motherland.
Momcilo Moma Mrdakovic
Mamarosh
Serbia & Montenegro / Σερβία & Μαυροβούνιο
Producer
Cinears
Contacts / ∂ÈÎÔÈÓˆÓ›·:
19, Njegoseva, 11000
Belgrade, Serbia & Montenegro
T. +38 1113 341224
Mobile: +38 1638879357
[email protected]
www.cinears.com
√ Pera ˙ÂÈ ÛÙË ™ÂÚ‚›· ˘fi ÙË ÛÎÈ¿ Ù˘ ÈÛ¯˘Ú‹˜ ÌËÙ¤Ú·˜ ÙÔ˘, Ù˘ Mara. ∏ Mara
Â›Ó·È ÚÒËÓ Ì¤ÏÔ˜ ÙÔ˘ ÎfiÌÌ·ÙÔ˜ Î·È ÈÛÙ‡ÂÈ ·ÎfiÌ· ÛÙË ‰fiÍ· Î·È ÛÙ· ȉÂÒ‰Ë
ÙÔ˘ ÛÔÛÈ·ÏÈÛÌÔ‡. √ Pera, ·fi ÙËÓ ¿ÏÏË, Â›Ó·È ÙÔ Ù˘ÈÎfi «·È‰› Ù˘ Ì·Ì¿˜».
∞ÊÔ‡ ÎÂÚ‰›˙ÂÈ ÛÙË ÏÔÙ·Ú›· ÙËÓ ¶Ú¿ÛÈÓË ∫¿ÚÙ·, ‰Ú·ÂÙÂ‡Ô˘Ó ÔÈ ‰˘Ô ÙÔ˘˜ ÛÙËÓ
∞ÌÂÚÈ΋, ÁÈ· Ó· ÍÂʇÁÔ˘Ó ·fi ÙÔÓ fiÏÂÌÔ. ŒÎÂÈ Ë Mara ·Ô‰ÂÈÎÓ‡ÂÈ fiÙÈ Ì¿¯ÂÙ·È ·ÎfiÌ· Î·È ÁÈ· ÙÔÓ ÁÈÔ Ù˘ Î·È ÁÈ· ÙËÓ ·ÙÚ›‰· Ù˘.
Credits / ™˘ÓÙÂÏÂÛÙ¤˜:
Produced by / ¶·Ú·ÁˆÁ‹: Cinears,
Director-Writer-™ÎËÓÔıÂÛ›·-™ÂÓ¿ÚÈÔ: Momcilo Moma Mrdakovic,
Cinematography / ¢È‡ı˘ÓÛË ºˆÙÔÁÚ·Ê›·˜: Dusan Joksimovic
Budget / ¶ÚÔ¸ÔÏÔÁÈÛÌfi˜: €1,600,000
Secured financing / ∂Í·ÛÊ·ÏÈṲ̂ÓË xÚËÌ·ÙÔ‰fiÙËÛË: Yes / ¡·È
34
Moma Mrdakovic graduated in Architecture from the University of Belgrade, however, he went to work in film production as Production Assistant. He worked his way up to
Second Unit Director and Assistant Director positions, collaborating with directors like Emir Kusturica on Underground (winner of 1995 Golden Palm at the Cannes Film
Festival). Also he worked on Jim Jarmusch’s Coffee and Cigarettes and Slobodan Pesic’s The Harms Case which was also shown at the Cannes Film Festival. Mrdakovic wrote
the screenplay for feature film It’s Me the Hero. The script won the 2001 Hartley Merrill Screenwriting Competition. This award was given in a collaboration with the Screen
Writers Guild of America in Los Angeles, California. Mrdakovic has worked in both Yugoslavia and the United States on many productions including feature films, short films,
promotional films, television films, rock videos etc. Most notable was Project Millennium, a television special, produced by George Lucas, Lucasfilm. Moma Mrdakovic is proud
that he did not go to regular film school but instead learned from the best people while working with them.
√ Moma Mrdakovic ÛÔ‡‰·Û ∞Ú¯ÈÙÂÎÙÔÓÈ΋ ÛÙÔ ¶·ÓÂÈÛÙ‹ÌÈÔ ÙÔ˘ µÂÏÈÁÚ·‰›Ô˘, ÛÙË Û˘Ó¤¯ÂÈ· fï˜, ÂÚÁ¿ÛÙËΠˆ˜ ‚ÔËıfi˜ ·Ú·ÁˆÁ‹˜ Û ÎÈÓËÌ·ÙÔÁÚ·ÊÈΤ˜ ·Ú·ÁˆÁ¤˜.
∫·Ù¿ÊÂÚÂ, ¤ÙÛÈ Ó· ‰Ô˘Ï¤„ÂÈ ˆ˜ ÛÎËÓÔı¤Ù˘ ‚’ Û˘ÓÂÚÁ›Ԣ, ηıÒ˜ Î·È ˆ˜ ‚ÔËıfi˜ ÛÎËÓÔı¤ÙË Û˘ÓÂÚÁ·˙fiÌÂÓÔ˜ Ì ÛÎËÓÔı¤Ù˜, fiˆ˜ Ô Emir Kusturica ÛÙÔ Underground
(ÓÈÎËÙ‹˜ ÙÔ˘ ÃÚ˘ÛÔ‡ ºÔ›ÓÈη ÙÔ 1995 ÛÙÔ ºÂÛÙÈ‚¿Ï ÙˆÓ ∫·ÓÓÒÓ). Œ¯ÂÈ ‰Ô˘Ï¤„ÂÈ, Â›Û˘, ÛÙȘ Ù·Èӛ˜ Coffee and Cigarettes ÙÔ˘ Jim Jarmusch Î·È The Harms Case ÙÔ˘
Slobodan Pesic, ÙÔ ÔÔ›Ô ÚÔ‚Ï‹ıËÎÂ Î·È ÛÙÔ ºÂÛÙÈ‚¿Ï ÙˆÓ ∫·ÓÓÒÓ. √ Mrdakovic ¤¯ÂÈ ÁÚ¿„ÂÈ ÙÔ ÛÂÓ¿ÚÈÔ Ù˘ Ù·ÈÓ›·˜ It’s Me the Hero, Ô˘ ΤډÈÛ ÙÔ 2001 ÙÔÓ ¢È·ÁˆÓÈÛÌfi
™ÂÓ·Ú›Ô˘ Hartley Merrill. ∆Ô ‚Ú·‚Â›Ô ·˘Ùfi ·ÔÓÂÌ‹ıËΠÛÂ Û˘ÓÂÚÁ·Û›· Ì ÙËÓ ŒÓˆÛË ∞ÌÂÚÈηÓÒÓ ÂÓ·ÚÈÔÁÚ¿ÊˆÓ ÛÙÔ §Ô˜ ÕÓÙ˙ÂϘ Ù˘ ∫·ÏÈÊfiÚÓÈ·˜. √ Mrdakovic ¤¯ÂÈ ÂÚÁ·ÛÙ› ÛÙËÓ ·Ú·ÁˆÁ‹ ÎÈÓËÌ·ÙÔÁÚ·ÊÈÎÒÓ Ù·ÈÓÈÒÓ, Ù·ÈÓÈÒÓ ÌÈÎÚÔ‡ Ì‹ÎÔ˘˜, ‰È·ÊËÌÈÛÙÈÎÒÓ Î·È ÙËÏÂÔÙÈÎÒÓ Ù·ÈÓÈÒÓ, ÚÔÎ ‚›ÓÙÂÔ ÎÏ., ÙfiÛÔ ÛÙË °ÈÔ˘ÁÎÔÛÏ·‚›· fiÛÔ Î·È ÛÙȘ ∏.¶.∞.
∞ÍÈÔÛËÌ›ˆÙË Â›Ó·È Ë Û˘ÌÌÂÙÔ¯‹ ÙÔ˘ ÛÙËÓ ·Ú·ÁˆÁ‹ ÙÔ˘ Project Millennium, ÂÓfi˜ ÂȉÈÎÔ‡ ÙËÏÂÔÙÈÎÔ‡ ÚÔÁÚ¿ÌÌ·ÙÔ˜ Û ·Ú·ÁˆÁ‹ ÙÔ˘ George Lucas, ·fi ÙËÓ Lucas Film.
√ Moma Mrdakovic Â›Ó·È ÂÚ‹Ê·ÓÔ˜ Ô˘ ÊÔ›ÙËÛ ÎÔÓÙ¿ Û ÛËÌ·ÓÙÈÎÔ‡˜ ·ÓıÚÒÔ˘˜ ÙÔ˘ ¯ÒÚÔ˘ ·ÓÙ› Û ̛· Û˘Ì‚·ÙÈ΋ ÎÈÓËÌ·ÙÔÁÚ·ÊÈ΋ Û¯ÔÏ‹.
Company profile / ∏ ÂÙ·ÈÚ›·
The film distribution company, Cinears, was founded in 2004. The first film distributed in Serbia and Montenegro was a romantic comedy Love Actually by Richard Curtis with
Hugh Grant, Alan Rickman, Emma Thompson, Liam Neeson. It was soon followed by Spartan (David Mammet), Van Helsing (Stephen Sommeers), Fahrenheit 9/11 (Michael
Moore), Cheese and Jam (Branko Djuric Djura). Cinears is especially proud of their two domestically produced films. The first one was When I Grow Up I’ll Be a Kangaroo by
Rasa Andric and the second is the current blockbuster We Are Not Angels 2 by Srdjan Dragojevic which was seen by half a million viewers in less than a month. Beside the
cinema distribution, Cinears also publishes and distributes videos and DVDs. At this year’s Belgrade International Film Festival, Cinears presented eight films: 9Songs (Michael
Winterbottom), Vera Drake (Mike Leigh), Bad Education (Pedro Almodovar), House of Flying Daggers (Yimou Zhang), World (Zheng KeJia), Bombon El Perro (Carlos Sorin),
Whisky (Juan Pablo Rebella, Pablo Stoll) and Looking for Fidel (Oliver Stone).
∏ ÂÙ·ÈÚ›· ‰È·ÓÔÌ‹˜ Cinears ȉڇıËΠÙÔ 2004 Î·È Ë ÚÒÙË Ù·ÈÓ›· Ô˘ ‰È¤ÓÂÈÌ ÛÙË ™ÂÚ‚›· Î·È ª·˘ÚÔ‚Ô‡ÓÈÔ ‹Ù·Ó Ë ÚÔÌ·ÓÙÈ΋ Έ̈‰›· Love Actually ÙÔ˘ Richard Curtis ÌÂ
ÚˆÙ·ÁˆÓÈÛÙ¤˜ ÙÔ˘˜ Hugh Grant, Alan Rickman, Emma Thompson, Liam Neeson. ™‡ÓÙÔÌ· ·ÎÔÏÔ‡ıËÛ·Ó ÔÈ Ù·Èӛ˜: Spartan (David Mammet), Van Helsing (Stephen Sommeers),
Fahrenheit 9/11 (Michael Moore), Cheese and Jam (Branko Djuric Djura). ∏ Cinears Â›Ó·È È‰È·›ÙÂÚ· ÂÚ‹Ê·ÓË ÁÈ· ÙË ‰È·ÓÔÌ‹ ‰‡Ô ÂÁ¯ÒÚÈˆÓ ·Ú·ÁˆÁÒÓ. ¶ÚfiÎÂÈÙ·È ÁÈ· ÙȘ Ù·Èӛ˜ When I Grow Up I’ll Be a Kangaroo ÙÔ˘ Rasa Andric Î·È We Are Not Angels 2 ÙÔ˘ Srdjan Dragojevic, ÌÈ· ÂÈÛÚ·ÎÙÈ΋ ÂÈÙ˘¯›· Ô˘ ·Ú·ÎÔÏÔ‡ıËÛ·Ó ÌÈÛfi ÂηÙÔÌ̇ÚÈÔ ı·٤˜ Û ÏÈÁfiÙÂÚÔ ·fi ¤Ó·Ó Ì‹Ó·. ∂ÎÙfi˜ ·fi ÙË ‰È·ÓÔÌ‹ ÎÈÓËÌ·ÙÔÁÚ·ÊÈÎÒÓ Ù·ÈÓÈÒÓ, Ë ÂÙ·ÈÚ›· ·Û¯ÔÏÂ›Ù·È Î·È Ì ÙËÓ Î˘ÎÏÔÊÔÚ›· Î·È ‰È·ÓÔÌ‹ ‚›ÓÙÂÔ Î·È DVD. ™ÙÔ ÊÂÙÈÓfi ¢ÈÂıÓ¤˜ ºÂÛÙÈ‚¿Ï ÙÔ˘ µÂÏÈÁÚ·‰›Ô˘, Ë ÂÙ·ÈÚ›· ·ÚÔ˘Û›·Û ÔÎÙÒ Ù·Èӛ˜: 9 Songs (Michael Winterbottom), Vera Drake (Mike Leigh), Bad Education (Pedro Almodovar), House of
Flying Daggers (Yimou Zhang), World (Zheng KeJia), Bombon El Perro (Carlos Sorin), Whisky (Juan Pablo Rebella, Pablo Stoll) and Looking for Fidel (Oliver Stone).
35
Cinears
Momcilo “Moma” Mrdakovic
McCarthy’s War
N. Ireland / Β.Ιρλανδία
Bosnia, 1995. Brian McCarthy is an Irish soldier in the British army. He tries to
smuggle a number of Bosnians, including his friend Rajic, out of the country.
Not only are they stopped by troops led by Marko, a notorious war criminal, but
the Bosnians are massacred. McCarthy returns to Sarajevo as a civilian, to
revenge their deaths. Unbeknownst to him, he will become more involved in
Marko’s life than he could possibly have imagined.
Producer
Paul Largan
Contacts / ∂ÈÎÔÈÓˆÓ›·:
µÔÛÓ›·, 1995. √ Brian McCarthy Â›Ó·È ¤Ó·˜ πÚÏ·Ó‰fi˜ ÛÙÚ·ÙÈÒÙ˘ ÛÙÔÓ ‚ÚÂÙ·ÓÈÎfi ÛÙÚ·Ùfi, Ô˘ ÚÔÛ·ı› Ó· ‚Á¿ÏÂÈ Ï·ıÚ·›· ·fi ÙË ¯ÒÚ· οÔÈÔ˘˜ µfiÛÓÈÔ˘˜, ÌÂٷ͇ ÙˆÓ ÔÔ›ˆÓ Î·È Ô Ê›ÏÔ˜ ÙÔ˘ Rajic. ŸÌˆ˜, ÛÙÚ·ÙÈÒÙ˜ Ì ·Ú¯ËÁfi
ÙÔÓ Marko, ¤Ó·Ó ‰È·‚Ô‹ÙÔ ÂÁÎÏËÌ·Ù›· ÔϤÌÔ˘, ÙÔ˘˜ ÛÙ·Ì·ÙÔ‡Ó Î·È ÔÈ µfiÛÓÈÔÈ ÛÊ·ÁÈ¿˙ÔÓÙ·È. √ McCarthy ÂÈÛÙÚ¤ÊÂÈ ÛÙÔ ™ÂÚ¿ÁÂ‚Ô ˆ˜ ÔÏ›Ù˘ ÁÈ· Ó· ÂΉÈÎËı›. Èڛ˜ Ó· ÙÔ ÁÓˆÚ›˙ÂÈ, ı· ÂÌϷΛ ÛÙË ˙ˆ‹ ÙÔ˘ Marko ÂÚÈÛÛfiÙÂÚÔ
·’fiÛÔ ı· ÌÔÚÔ‡Û ÔÙ¤ Ó· Ê·ÓÙ·ÛÙ›.
62, Donegall Pass,
BT7 1 BU, Belfast, N.Ireland
T. +44 2890333360
Mobile: +44 7802407481
[email protected]
Credits / ™˘ÓÙÂÏÂÛÙ¤˜:
Produced by / ¶·Ú·ÁˆÁ‹: Bandigital Ltd, HEFT Productions,
Director / ™ÎËÓÔıÂÛ›·: Brian Kirk,
Scriptwriter / ™ÂÓ¿ÚÈÔ: Richard Crawford
Budget / ¶ÚÔ¸ÔÏÔÁÈÛÌfi˜: €2,300,000
Secured financing / ∂Í·ÛÊ·ÏÈṲ̂ÓË ¯ÚËÌ·ÙÔ‰fiÙËÛË: No / Ÿ¯È
36
Paul Largan (EAVE graduate 2000) has been working in the Northern Irish film industry for ten years. He was
formerly the Executive Producer for the NIFTC (Northern Ireland Film & Television Commission) on their short
film series as well as independently creating the Made in Northern Ireland Screenings in New York and Los
Angeles. Most recently Largan produced his first feature film, the thriller Johnny Was, with partners in the
UK, USA and Denmark. The 3.8 million euro movie was one of the largest to shoot in Northern Ireland in
recent years and attracted a stellar cast including Vinnie Jones, Eriq La Salle, Lennox Lewis and Samantha
Mumba. It was previewed at the American Film Market, November 2005.
√ Paul Largan (·fiÊÔÈÙÔ˜ ÙÔ˘ EAVE, 2000) ‰Ú·ÛÙËÚÈÔÔÈÂ›Ù·È ÛÙÔÓ ¯ÒÚÔ Ù˘ ÎÈÓËÌ·ÙÔÁÚ·ÊÈ΋˜ ·Ú·ÁˆÁ‹˜
Ù˘ µ. πÚÏ·Ó‰›·˜ Â‰Ò Î·È ‰¤Î· ¯ÚfiÓÈ·. Œ¯ÂÈ ‰È·ÙÂϤÛÂÈ ˘‡ı˘ÓÔ˜ ÂÎÙ¤ÏÂÛ˘ ·Ú·ÁˆÁ‹˜ ÙÔ˘ ∫¤ÓÙÚÔ˘ ∫ÈÓËÌ·ÙÔÁÚ¿ÊÔ˘ Î·È ∆ËÏÂfiÚ·Û˘ Ù˘ µ. πÚÏ·Ó‰›·˜ ÁÈ· ÙȘ Ù·Èӛ˜ ÌÈÎÚÔ‡ Ì‹ÎÔ˘˜, ÂÓÒ ¤¯ÂÈ ‰ËÌÈÔ˘ÚÁ‹ÛÂÈ Ù· Made
in Northern Ireland Screenings ÛÙË ¡¤· ÀfiÚÎË Î·È ÙÔ §Ô˜ ÕÓÙ˙ÂϘ. ¶ÚfiÛÊ·Ù· ·Ú‹Á·Á ÙËÓ ÚÒÙË ÙÔ˘
ÎÈÓËÌ·ÙÔÁÚ·ÊÈ΋ Ù·ÈÓ›·, ÙÔ ıÚ›ÏÂÚ Johnny Was, ÛÂ Û˘ÓÂÚÁ·Û›· Ì ÙË ªÂÁ. µÚÂÙ·Ó›·, ÙȘ ∏.¶.∞. Î·È ÙË ¢·Ó›·.
∏ Ù·ÈÓ›·, Ô˘ ÛÙÔ›¯ÈÛ 3.8 ÂηÙÔÌ̇ÚÈ· ¢ÚÒ, ‹Ù·Ó Ë ÌÂÁ·Ï‡ÙÂÚË ·Ú·ÁˆÁ‹ Ô˘ Á˘Ú›ÛÙËΠÛÙË µ. πÚÏ·Ó‰›· Ù· ÙÂÏÂ˘Ù·›· ¯ÚfiÓÈ· Ì ‰È¿ÛËÌÔ˘˜ ÚˆÙ·ÁˆÓÈÛÙ¤˜ fiˆ˜ ÙÔ˘˜ Vinnie Jones, Eriq La Salle, Lennox Lewis
Î·È Samantha Mumba. ∏ ·‚¿Ó-ÚÂÌÈ¤Ú ¤ÁÈÓ ÛÙÔ ·ÌÂÚÈηÓÈÎfi Film Market ÙÔÓ ¡Ô¤Ì‚ÚÈÔ ÙÔ˘ 2005.
Producer’s filmography/
ºÈÏÌÔÁÚ·Ê›· ·Ú·ÁˆÁÔ‡
Johnny Was,
directed by / ÛÂ ÛÎËÓÔıÂÛ›· Mark Hammond, 2005
Pretty Face,
directed by / ÛÂ ÛÎËÓÔıÂÛ›· Fintan Brady, 2005
Hitch,
directed by / ÛÂ ÛÎËÓÔıÂÛ›· Mik Duffy, 2005
Company profile / ∏ ÂÙ·ÈÚ›·
Bandigital Ltd. was formed in 1998 and with it’s partner company, Borderline Productions, aims to be the
natural place for European producers for English language co-productions. The development slate includes
McCarthy’s War, a contemporary thriller set in Bosnia to be directed by Brian Kirk. Development finance has
been received from the NIFTC (Northern Ireland Film & Television Commission) and Irish Film Board. The company is currently seeking a sales agent and European co-producers with knowledge of the Media programme
and Eurimages.
∏ ÂÙ·ÈÚ›· Bandigital Ltd. ȉڇıËΠÙÔ 1998 Î·È Ì·˙› Ì ÙËÓ ÂÙ·ÈÚ›· Borderline Productions ¤¯Ô˘Ó ˆ˜ ÛÎÔfi
Ó· Û˘ÓÂÚÁ·ÛÙÔ‡Ó ÌÂ Â˘Úˆ·›Ô˘˜ ·Ú·ÁˆÁÔ‡˜ Û ·ÁÁÏfiʈÓ˜ Û˘Ì·Ú·ÁˆÁ¤˜. ™ÙȘ ˘fi ·Ó¿Ù˘ÍË ·Ú·ÁˆÁ¤˜ ÙȘ ÂÙ·ÈÚ›·˜ Û˘ÌÂÚÈÏ·Ì‚¿ÓÂÙ·È ·˘Ù‹ ÙËÓ ÂÚ›Ô‰Ô Ë Ù·ÈÓ›· McCarthy’s War, ¤Ó· Û‡Á¯ÚÔÓÔ ıÚ›ÏÂÚ
Ô˘ ÂÎÙ˘Ï›ÛÛÂÙ·È ÛÙË µÔÛÓ›· Î·È ı· ÛÎËÓÔıÂÙ‹ÛÂÈ Ô Brian Kirk. ∏ Ù·ÈÓ›· ¤¯ÂÈ ¿ÚÂÈ ¯ÚËÌ·ÙÔ‰fiÙËÛË ÁÈ· ÙËÓ
·Ó¿Ù˘Í‹ Ù˘ ·fi ÙÔ ∫¤ÓÙÚÔ ∫ÈÓËÌ·ÙÔÁÚ¿ÊÔ˘ Î·È ∆ËÏÂfiÚ·Û˘ Ù˘ µ. πÚÏ·Ó‰›·˜ Î·È ·fi ÙËÓ πÚÏ·Ó‰È΋ ∫ÈÓËÌ·ÙÔÁÚ·ÊÈ΋ ∂ÈÙÚÔ‹. ∏ ÂÙ·ÈÚ›· ·˘ÙfiÓ ÙÔÓ Î·ÈÚfi „¿¯ÓÂÈ ¤Ó·Ó Ú¿ÎÙˆÚ· ˆÏ‹ÛÂˆÓ Î·È ∂˘Úˆ·›Ô˘˜
Û˘Ì·Ú·ÁˆÁÔ˘˜ Ì ÁÓÒÛË ÙÔ˘ ÚÔÁÚ¿ÌÌ·ÙÔ˜ Media Î·È Ù˘ Eurimages.
37
Safe Company
Paul Largan
Milo
Norway / Νορβηγία
Milo (15) is growing up in the midst of the destruction, which was once Kosovo.
He lives with his mother and older brother. Milo indirectly causes an accident,
which kills his brother. He runs away to Norway to find his father. It is a journey
that does not live up to his expectations just like his dreams of his long lost
father. He finds his father living where violence and crime is commonplace.
Producer
Gudny Hummelvoll
Contacts / ∂ÈÎÔÈÓˆÓ›·:
21 c, Olavsgt St., 0165,
Oslo, Norway
T. +47 22942494
Mobile: +44 90995869
[email protected]
www.fourandahalf.no
√ Milo (15 ÂÙÒÓ) ÌÂÁ·ÏÒÓÂÈ Ì¤Û· ÛÙËÓ Î·Ù·ÛÙÚÔÊ‹ ÙÔ˘ ∫ÔÛfi‚Ô˘ Ì·˙› Ì ÙË
ÌËÙ¤Ú· ÙÔ˘ Î·È ÙÔÓ ÌÂÁ·Ï‡ÙÂÚÔ ·‰ÂÏÊfi ÙÔ˘. √ Milo ÚÔηÏ› ¤ÌÌÂÛ· ¤Ó· ·Ù‡¯ËÌ· Ô˘ Ô‰ËÁ› ÛÙÔÓ ı¿Ó·ÙÔ ÙÔ˘ ·‰ÂÏÊÔ‡ ÙÔ˘. ∫·Ù·Ê‡ÁÂÈ ÙfiÙ ÛÙË ¡ÔÚ‚ËÁ›· ÁÈ· Ó· ‚ÚÂÈ ÙÔÓ ·Ù¤Ú· ÙÔ˘. ¶ÚfiÎÂÈÙ·È ÁÈ· ¤Ó· Ù·Í›‰È Ô˘ ‰ÂÓ ·ÓÙ·ÔÎÚ›ÓÂÙ·È ÛÙȘ ÚÔÛ‰Ô˘ ÙÔ˘, fiˆ˜ ¿ÏψÛÙÂ Î·È Ù· fiÓÂÈÚ¿ ÙÔ˘ ÁÈ· ÙÔÓ ¯ÚfiÓÈ·
¯·Ì¤ÓÔ ·Ù¤Ú· ÙÔ˘, ÙÔÓ ÔÔ›Ô ‚Ú›ÛÎÂÈ Ó· ˙ÂÈ ·Ó¿ÌÂÛ· ÛÙË ‚›· Î·È ÙÔ ¤ÁÎÏËÌ·.
Credits / ™˘ÓÙÂÏÂÛÙ¤˜:
Produced by / ¶·Ú·ÁˆÁ‹: Spillefilmkompaniet 4 ó,
Director / ™ÎËÓÔıÂÛ›·: Marius Holst,
Scriptwriter / ™ÂÓ¿ÚÈÔ: Harald Rosenlow Eeg & Lars Gudmestad,
Cinematography / ¢È‡ı˘ÓÛË ºˆÙÔÁÚ·Ê›·˜: John Andreas Andersen
Budget / ¶ÚÔ¸ÔÏÔÁÈÛÌfi˜: €2,310,000
Secured financing/ ∂Í·ÛÊ·ÏÈṲ̂ÓË ¯ÚËÌ·ÙÔ‰fiÙËÛË: Yes / ¡·È
38
Gudny Hummelvoll received her film degree from the University of Texas at Austin. Back in Norway she worked several years
as the production manager of feature films and for the Norwegian Broadcast Corporation. In 2003 she produced Morten
Tyldum_s Buddy which was one of the most successful films in Norway that year, and took home several awards. In 2004,
she joined 4 1/2 as a producer and was Norway’ s representative for the Producers on the Move programme in Cannes. In
2005 she produced Hisham Zaman’s Bawke, a 15 minute short, which is a nominee for the European Academy Awards this
year.
∏ Gudny Hummelvoll ÛÔ‡‰·Û ÎÈÓËÌ·ÙÔÁÚ¿ÊÔ ÛÙÔ ¶·ÓÂÈÛÙ‹ÌÈÔ ÙÔ˘ ∆¤Í·˜ ÛÙÔ ŸÛÙÈÓ. ∂ÚÁ¿ÛÙËΠ·ÚÎÂÙ¿ ¯ÚfiÓÈ· ÛÙË
¡ÔÚ‚ËÁ›· ˆ˜ ‰È¢ı‡ÓÙÚÈ· ·Ú·ÁˆÁ‹˜ ÎÈÓËÌ·ÙÔÁÚ·ÊÈÎÒÓ Ù·ÈÓÈÒÓ, ηıÒ˜ Î·È ÛÙÔ ¡ÔÚ‚ËÁÈÎfi ∫¤ÓÙÚÔ ƒ·‰ÈÔÙËÏÂfiÚ·Û˘. ∆Ô
2003 ¤Î·Ó ÙËÓ ·Ú·ÁˆÁ‹ Ù˘ Ù·ÈÓ›·˜ Buddy ÙÔ˘ Morten Tyldum, Ô˘ ‹Ù·Ó Ì›· ·fi ÙȘ ÈÔ ÂÈÙ˘¯Ë̤Ó˜ Ù·Èӛ˜ ÛÙËÓ ¡ÔÚ‚ËÁ›· ÂΛÓË ÙË ¯ÚÔÓÈ¿ Î·È Î¤Ú‰ÈÛ ‰È¿ÊÔÚ· ‚Ú·‚›·. ∆Ô 2004 ÚÔÛ¯ÒÚËÛ ÛÙËÓ ÂÙ·ÈÚ›· 4 ó ˆ˜ ·Ú·ÁˆÁfi˜ Î·È ÂÎÚÔÛÒËÛ ÙË ¡ÔÚ‚ËÁ›· ÛÙÔ ¶ÚfiÁÚ·ÌÌ· «Producers on the move» ÙÔ˘ ÊÂÛÙÈ‚¿Ï ÙˆÓ ∫·ÓÓÒÓ. ∆Ô 2005 ¤Î·Ó ÙËÓ ·Ú·ÁˆÁ‹
Ù˘ Ù·ÈÓ›·˜ ÌÈÎÚÔ‡ Ì‹ÎÔ˘˜ ÙÔ˘ Hisham Zaman, Bawke (15’), Ô˘ Â›Ó·È ˘Ô„‹ÊÈÔ Ê¤ÙÔ˜ ÁÈ· Ù· ‚Ú·‚›· Ù˘ ∂˘Úˆ·˚΋˜ ∞η‰ËÌ›·˜.
Company profile / ∏ ÂÙ·ÈÚ›·
4 1/2 was established in 1998. There are 5 partners: Marius Holst, director; Pal Sletaune, director; Aagot Skjeldal producer;
Turid Oversveen, producer; and Hakon Overas, producer. In addition to the partners, there are two more producers, Gudny
Hummelvoll and Karin Julsrud, associated with the company. The partners all come from different production backgrounds,
and got together to form a company for development and production of features as well as commercials. Part of our economical platform is based on the production of commercials. Since 2003, we have had a development deal with the
Norwegian Film Fund, which with the contributions from our distributor Nordisk Film Distributor and from ourselves, allow
us to fully develop a slate of feature film scripts each year. 4 1/2 has produced 4 feature films. We are currently in production - Reprise, directed by Joahim Trier – and in pre-production for two other films. We expect to produce two to three
films per year. Some of the films we have produced are: You Really Got Me directed by Pal Sletaune 2001, Dragonflies directed by Marius Holst, 2002, United directed by Magnus Martens, 2003, Next Door directed by Pal Sletaune, 2005.
∏ ÂÙ·ÈÚ›· 4 ó ȉڇıËΠÙÔ 1998 Î·È ·ÔÙÂÏÂ›Ù·È ·fi 5 Û˘ÓÂÙ·›ÚÔ˘˜: Marius Holst, ÛÎËÓÔı¤Ù˘, Pal Sletaune, ÛÎËÓÔı¤Ù˘,
Aagot Skjeldal ·Ú·ÁˆÁfi˜, Turid Oversveen, ·Ú·ÁˆÁfi˜ Î·È Hakon Overas, ·Ú·ÁˆÁfi˜. ∂ÎÙfi˜ ·˘ÙÒÓ, ¿ÏÏÔÈ ‰‡Ô ·Ú·ÁˆÁÔ› Û˘ÓÂÚÁ¿˙ÔÓÙ·È Ì ÙËÓ ÂÙ·ÈÚ›·Ø Ë Gudny Hummelvoll Î·È Ë Karin Julsrud. ŸÏÔÈ ÔÈ Û˘Ó¤Ù·ÈÚÔÈ ÚÔ¤Ú¯ÔÓÙ·È ·fi ‰È·ÊÔÚÂÙÈÎÔ‡˜ ¯ÒÚÔ˘˜ ·Ú·ÁˆÁ‹˜ Î·È ÂÓÒıËÎ·Ó ÁÈ· Ó· ‰ËÌÈÔ˘ÚÁ‹ÛÔ˘Ó ÌÈ· ÂÙ·ÈÚ›· Ì ÛÎÔfi ÙËÓ ·Ó¿Ù˘ÍË Î·È ·Ú·ÁˆÁ‹ ÎÈÓËÌ·ÙÔÁÚ·ÊÈÎÒÓ Ù·ÈÓÈÒÓ Î·È ‰È·ÊËÌÈÛÙÈÎÒÓ. ªÂÁ¿ÏÔ ÎÔÌÌ¿ÙÈ ÙˆÓ ‰Ú·ÛÙËÚÈÔÙ‹ÙˆÓ Ù˘ ÂÙ·ÈÚ›·˜ ·ÔÙÂÏ› Ë ·Ú·ÁˆÁ‹ ‰È·ÊËÌÈÛÙÈÎÒÓ. ∞fi ÙÔ 2003, ¤¯Ô˘Ì ÍÂÎÈÓ‹ÛÂÈ ÙË Û˘ÓÂÚÁ·Û›· Ì·˜ Ì ÙÔ ¡ÔÚ‚ËÁÈÎfi ∫ÈÓËÌ·ÙÔÁÚ·ÊÈÎfi ∆·Ì›Ô, Ô˘ ÌÂ Û˘ÓÂÈÛÊÔÚ¤˜ ·fi ÙÔÓ ‰È·ÓÔ̤· Ì·˜, ÙËÓ Nordisk Film Distributors Î·È ·fi ÙËÓ ÂÙ·ÈÚ›· Ì·˜, Ì·˜ ÂÈÙÚ¤ÂÈ Ó· ·Ó·Ù‡ÛÛÔ˘ÌÂ
Ï‹Úˆ˜ Ì›· ÛÂÈÚ¿ ÛÂÓ·Ú›ˆÓ οı ¯ÚfiÓÔ. ∏ 4 ó ¤¯ÂÈ ‹‰Ë ·Ú¿ÁÂÈ 4 Ù·Èӛ˜. ∞˘Ù‹ ÙË ÛÙÈÁÌ‹ ›̷ÛÙ ÛÙË ‰È·‰Èηۛ· ·Ú·ÁˆÁ‹˜ Ù˘ Ù·ÈÓ›·˜ Reprise, Û ÛÎËÓÔıÂÛ›· Joahim Trier, ÂÓÒ Û ÚÔ·Ú·Û΢·ÛÙÈÎfi ÛÙ¿‰ÈÔ ‚Ú›ÛÎÂÙ·È Î·È Ë ·Ú·ÁˆÁ‹
¿ÏÏˆÓ ‰‡Ô Ù·ÈÓÈÒÓ. ∞ӷ̤ÓÔ˘Ì ηٿ ̤ÛÔ fiÚÔ ÙËÓ ·Ú·ÁˆÁ‹ 2-3 Ù·ÈÓÈÒÓ ÙÔÓ ¯ÚfiÓÔ. ªÂÚÈΤ˜ ·fi ÙȘ ·Ú·ÁˆÁ¤˜ Ì·˜
Â›Ó·È ÔÈ Ù·Èӛ˜: You Really Got Me Û ÛÎËÓÔıÂÛ›· Pal Sletaune , 2001, Dragonflies Û ÛÎËÓÔıÂÛ›· Marius Holst, 2002, United
ÛÂ ÛÎËÓÔıÂÛ›· Magnus Martens , 2003, Next Door ÛÂ ÛÎËÓÔıÂÛ›· Pal Sletaune, 2005.
Producer’s filmography
ºÈÏÌÔÁÚ·Ê›· ·Ú·ÁˆÁÔ‡
Buddy,
directed by / ÛÂ ÛÎËÓÔıÂÛ›· Morten Tyldum, 2003
Tempo,
directed by / ÛÂ ÛÎËÓÔıÂÛ›· Eva Dahr, 2004
Bawke,
directed by / ÛÂ ÛÎËÓÔıÂÛ›· Hisham Zaman, 2005
Bastard
directed by / ÛÂ ÛÎËÓÔıÂÛ›· Marius Holst, 2005
Festival Prizes / µÚ·‚›·
Buddy
2004, Amanda for Best Film,
Norwegian International Film Festival, Haugesund
2003, Audience Award,
Karlovy Vary International Film Festival
2003, Audience Award and Exhibitors Award,
Norwegian International Film Festival,
2003, Audience Award,
Warsaw International Film Festival
Buddy,
2004, µÚ·‚Â›Ô Amanda ∫·Ï‡ÙÂÚ˘ ∆·ÈÓ›·˜ ÛÙÔ
¢ÈÂıÓ¤˜ ºÂÛÙÈ‚¿Ï Ù˘ ¡ÔÚ‚ËÁ›·˜, Haugesund
2003, µÚ·‚Â›Ô ∫ÔÈÓÔ‡, ¢ÈÂıÓ¤˜ ºÂÛÙÈ‚¿Ï ∫·ÚÏfi‚È µ¿ÚÈ
2003, µÚ·‚Â›Ô ∫ÔÈÓÔ‡ Î·È ∞ÈıÔ˘Û·Ú¯ÒÓ, ¢ÈÂıÓ¤˜
ºÂÛÙÈ‚¿Ï Ù˘ ¡ÔÚ‚ËÁ›·˜ 2003, µÚ·‚Â›Ô ∫ÔÈÓÔ‡,
¢ÈÂıÓ¤˜ ºÂÛÙÈ‚¿Ï µ·ÚÛÔ‚›·˜
39
4ó
Gudny Hummelvoll
Night Bus
Italy / Ιταλία
Franz is an intellectual who has given up on life. He works as a bus driver in
Bologna. Leila is a small time hustler who has stolen a valuable document, without realizing that both government officers and the Mafiosi are on her tail. The
two become involved in a dangerous and deadly chase, especially since $
1,000,000 is also at stake. Which one will end up with the document and who
will get the money?
Producer
Alessandro Silvestri
Contacts / ∂ÈÎÔÈÓˆÓ›·:
61, Madonna dei Monti St.,
00184 Rome, Italy
T. +39 06 474 4977
[email protected]
√ Franz Â›Ó·È ¤Ó·˜ ‰È·ÓÔÔ‡ÌÂÓÔ˜ Ô˘ ¤¯ÂÈ ·Ú·ÈÙËı› ·fi ÙË ˙ˆ‹ Î·È ‰Ô˘Ï‡ÂÈ ˆ˜ Ô‰ËÁfi˜ ψÊÔÚ›Ԣ ÛÙËÓ ªÔÏfiÓÈ·. ∏ Leila Â›Ó·È Ì›· ÌÈÎÚÔ··ÙÂÒÓÈÛÛ·
Ô˘ ¤¯ÂÈ ÎϤ„ÂÈ ¤Ó· ÔχÙÈÌÔ ¤ÁÁÚ·ÊÔ, ¯ˆÚ›˜ Ó· Û˘ÓÂȉËÙÔÔÈ‹ÛÂÈ fiÙÈ ÙfiÛÔ
Ù· ΢‚ÂÚÓËÙÈο ÛÙÂϤ¯Ë fiÛÔ Î·È ÔÈ Ì·ÊÈfi˙ÔÈ ÙËÓ Î·Ù·‰ÈÒÎÔ˘Ó. √È ‰˘Ô ÙÔ˘˜
ÌϤÎÔÓÙ·È Û ¤Ó· ÂÈΛӉ˘ÓÔ Î·È ı·Ó·ÙËÊfiÚÔ Î˘ÓËÁËÙfi, fiÔ˘ ‰È·Î˘‚‡ÔÓÙ·È
$ 1,000,000. ¶ÔÈfi˜ ı· ¿ÚÂÈ ÙÂÏÈο ÙÔ ¤ÁÁÚ·ÊÔ Î·È ÔÈfi˜ Ù· ¯Ú‹Ì·Ù·_
Credits / ™˘ÓÙÂÏÂÛÙ¤˜:
Produced by / ¶·Ú·ÁˆÁ‹: EMME S.R.L/RAI CINEMA,
Director / ™ÎËÓÔıÂÛ›·: Davide Marengo,
Scriptwriter / ™ÂÓ¿ÚÈÔ: Fabio Bonifacci & Giampiero Rigosi,
Cinematography / ¢È‡ı˘ÓÛË ºˆÙÔÁÚ·Ê›·˜: Arnaldo Catinari
Budget / ¶ÚÔ¸ÔÏÔÁÈÛÌfi˜: €2,500,000
Secured financing / ∂Í·ÛÊ·ÏÈṲ̂ÓË ¯ÚËÌ·ÙÔ‰fiÙËÛË: Yes / ¡·È
40
EMME S.r.l.
Alessandro Silvestri
Company profile / ∏ ÂÙ·ÈÚ›·
EMME S.r.l. co-owned by Alessandro Silvestri and Maura Vespini is an Italian production company based in
Rome and is parent company of development company Qualità Cinema S.r.l.. Both companies have the mandate of creating a series of original, compelling and market-worthy films.
Since 1991 EMME developed and produced for cinema and television, among others: La Strategia della
Lumaca by Sergio Cabrera, Le Aquile non Cacciano le Mosche by Sergio Cabrera, Ilona Arriva con la Pioggia by
Sergio Cabrera, Golpe de Estadio by Sergio Cabrera.
∏ EMME S.r.l. ÙˆÓ Alessandro Silvestri Î·È Maura Vespini Â›Ó·È Ì›· ÈÙ·ÏÈ΋ ÂÙ·ÈÚ›· ·Ú·ÁˆÁ‹˜ Ì ¤‰Ú· ÙËÓ
ƒÒÌË Î·È Ì ı˘Á·ÙÚÈ΋ ÙËÓ ÂÙ·ÈÚ›· ·Ó¿Ù˘Í˘ Qualità Cinema S.r.l.. ∫·È ÔÈ ‰‡Ô ÂÙ·Èڛ˜ ‰Ú·ÛÙËÚÈÔÔÈÔ‡ÓÙ·È
ÛÙË ‰ËÌÈÔ˘ÚÁ›· ÚˆÙfiÙ˘ˆÓ Î·È Û˘Ó·Ú·ÛÙÈÎÒÓ Ù·ÈÓÈÒÓ ÚÔÛ·Ó·ÙÔÏÈÛÌ¤ÓˆÓ ÚÔ˜ ÙËÓ ÎÈÓËÌ·ÙÔÁÚ·ÊÈ΋
·ÁÔÚ¿.
∞fi ÙÔ 1991 Ë EMME ¤¯ÂÈ ·Ó·Ï¿‚ÂÈ, ÌÂٷ͇ ¿ÏψÓ, Î·È ÙȘ ·ÎfiÏÔ˘ı˜ ·Ú·ÁˆÁ¤˜ ÁÈ· ÙËÓ ÙËÏÂfiÚ·ÛË Î·È
ÙÔÓ ÎÈÓËÌ·ÙÔÁÚ¿ÊÔ: La Strategia Della Lumaca ÙÔ˘ Sergio Cabrera, Le Aquile non Cacciano le Mosche ÙÔ˘
Sergio Cabrera, Ilona Arriva con la Pioggia ÙÔ˘ Sergio Cabrera, Golpe de Estadio ÙÔ˘ Sergio Cabrera.
41
Nowhere
Serbia & Montenegro / Σερβία & Μαυροβούνιο
Antoine and Tubby are both in love with Natasha. We first meet them at a New
Year’s Eve party in pre-war Belgrade in 1990. Antoine wins the girl – or so he
thinks. Natasha really cannot make up her mind between the two friends. We
follow this awkward trio through ten New Year’s Eve events: the war, the birth
of Antoine and Natasha’s child, and their new life as immigrants in Sweden.
Three people, three dreams, three compromises – one life.
Producer
Zoran Jovanovic
Contacts / ∂ÈÎÔÈÓˆÓ›·:
16, Resavska, 11000
Beograd, Serbia
T. +38 11133 46408
[email protected]
www.beomedia.co.yu
√ Antoine Î·È Ô Tubby Â›Ó·È ÂÚˆÙÂ˘Ì¤ÓÔÈ Î·È ÔÈ ‰‡Ô Ì ÙË Natasha. ∆Ô˘˜ Û˘Ó·ÓÙ¿Ì ÁÈ· ÚÒÙË ÊÔÚ¿ Û ¤Ó· ¿ÚÙÈ ·Ú·ÌÔÓ‹˜ ¶ÚˆÙÔ¯ÚÔÓÈ¿˜ ÛÙÔ ÚÔÔÏÂÌÈÎfi µÂÏÈÁÚ¿‰È ÙÔ 1990. √ Antoine ÎÂÚ‰›˙ÂÈ ÙÔ ÎÔÚ›ÙÛÈ –‹ ÙÔ˘Ï¿¯ÈÛÙÔÓ ¤ÙÛÈ ÓÔÌ›˙ÂÈ, ÁÈ·Ù› Ë Natasha ‰ÂÓ ÌÔÚ› Ó· ‰È·Ï¤ÍÂÈ ÌÂٷ͇ ÙˆÓ ‰‡Ô ʛψÓ. ¶·Ú·ÎÔÏÔ˘ıԇ̠·˘Ù‹ ÙËÓ ÂÚ›ÂÚÁË ÙÚÈ¿‰· ÁÈ· ‰¤Î· Û˘Ó¯fiÌÂÓ˜ ·Ú·ÌÔÓ¤˜ ¶ÚˆÙÔ¯ÚÔÓÈ¿˜: Ô fiÏÂÌÔ˜, Ë Á¤ÓÓËÛË ÙÔ˘ ·È‰ÈÔ‡ ÙÔ˘ Antoine Î·È Ù˘ Natasha ηÈ
Ë Ó¤· ÙÔ˘˜ ˙ˆ‹ ˆ˜ ÌÂÙ·Ó¿ÛÙ˜ ÛÙË ™Ô˘Ë‰›·. ∆ÚÂȘ ¿ÓıÚˆÔÈ, ÙÚ›· fiÓÂÈÚ·,
ÙÚÂȘ Û˘Ì‚È‚·ÛÌÔ› –Ì›· ˙ˆ‹.
Credits / ™˘ÓÙÂÏÂÛÙ¤˜:
Produced by / ¶·Ú·ÁˆÁ‹: Beomedia Marketing,
Director / Writer / ™ÎËÓÔıÂÛ›· / ™ÂÓ¿ÚÈÔ: Predrag Velinovic
Budget / ¶ÚÔ¸ÔÏÔÁÈÛÌfi˜: €680,000
Secured financing / ∂Í·ÛÊ·ÏÈṲ̂ÓË ¯ÚËÌ·ÙÔ‰fiÙËÛË: Yes / ¡·È
42
Zoran Jovanovic is the founder and general manager of Beomedia Marketing Production Company. Born in
1956 in Belgrade, he studied at the Faculty of Dramatic Arts in Belgrade (Department for Film & TV
Producers) from 1976 to 1981. His specialised training was French TV stations - Antennes 2 / TF-1 in 1981.
Jovanovic started to work with the national TV station RTS (1982-1993) as a producer of educational programmes, producing more than 50 serials & TV films as well as several TV films, dramas & entertainment programmes. For his own company, Beomedia, he produced a documentary film Shock is Spreading; produced
and directed the entertainment program Videodrom - TV Studio B; produced Belgrade Tourist Guide, a comedy Public Show for the national TV station RTS and executive produced 7 opening titles for ARTE/VELVET
MEDIA DESIGN. He has also produced numerous commercial films for many major Serbian companies as well
as news articles for ARTE, FRANCE 2, LCI, HRT, NOVA TV and MTV (Adria).
√ Zoran Jovanovic Â›Ó·È Ô È‰Ú˘Ù‹˜ Î·È °ÂÓÈÎfi˜ ¢È¢ı˘ÓÙ‹˜ Ù˘ ÂÙ·ÈÚ›·˜ ·Ú·ÁˆÁ‹˜ Beomedia Marketing. °ÂÓÓ‹ıËΠÙÔ 1956 ÛÙÔ µÂÏÈÁÚ¿‰È Î·È ÛÔ‡‰·Û ÛÙË ™¯ÔÏ‹ ¢Ú·Ì·ÙÈ΋˜ ∆¤¯Ó˘ ÙÔ˘ µÂÏÈÁÚ·‰›Ô˘ (∆Ì‹Ì· ∫ÈÓËÌ·ÙÔÁÚ¿ÊÔ˘ Î·È ∆ËÏÂÔÙÈÎÒÓ ¶·Ú·ÁˆÁÒÓ) ·fi ÙÔ 1976 ¤ˆ˜ ÙÔ 1981. ∂ȉÈ·ÙËΠÛÙ· Á·ÏÏÈο ÙËÏÂÔÙÈο ηӿÏÈ· -Antennes 2 / TF-1 ÙÔ 1981. √ Jovanovic ÍÂΛÓËÛ ÙËÓ Î·ÚȤڷ ÙÔ˘ ÛÙÔ ÂıÓÈÎfi ÙËÏÂÔÙÈÎfi ηӿÏÈ RTS (19821993) ˆ˜ ·Ú·ÁˆÁfi˜ ÂÎ·È‰Â˘ÙÈÎÒÓ ÚÔÁÚ·ÌÌ¿ÙˆÓ Ì ̛· ÊÈÏÌÔÁÚ·Ê›· Ô˘ ÂÚÈÏ·Ì‚¿ÓÂÈ ÂÚÈÛÛfiÙÂÚ· ·fi
50 Û›ÚÈ·Ï Î·È ÙËÏÂÔÙÈΤ˜ Ù·Èӛ˜, ηıÒ˜ Î·È ·ÚÎÂÙ¤˜ ‰Ú·Ì·ÙÈΤ˜ Û›Ú˜ Î·È „˘¯·ÁˆÁÈο ÚÔÁÚ¿ÌÌ·Ù·. ªÂ ÙË
‰È΋ ÙÔ˘ ÂÙ·ÈÚ›·, ÙËÓ Beomedia, ¤Î·Ó ÙËÓ ·Ú·ÁˆÁ‹ ÙÔ˘ ÓÙÔÎÈÌ·ÓÙ¤Ú Shock is Spreading, ÙËÓ ·Ú·ÁˆÁ‹ ηÈ
ÙË ÛÎËÓÔıÂÛ›· ÙÔ˘ „˘¯·ÁˆÁÈÎÔ‡ ÚÔÁÚ¿ÌÌ·ÙÔ˜ Videodrom - TV Studio B, ÙËÓ ·Ú·ÁˆÁ‹ ÙÔ˘ Belgrade Tourist
Guide Î·È Ù˘ Έ̈‰›·˜ Public Show ÁÈ· ÙÔ ÂıÓÈÎfi ÙËÏÂÔÙÈÎfi ηӿÏÈ RTS, Û˘ÓÂÚÁ¿ÛÙËΠÛÙËÓ ÂÎÙ¤ÏÂÛË ·Ú·ÁˆÁ‹˜ Ì ÙÔ ARTE/VELVET MEDIA DESIGN. ¶·Ú‹Á·Á Â›Û˘ ÔÏ˘¿ÚÈıÌ· ‰È·ÊËÌÈÛÙÈο ÁÈ· ÔÏϤ˜ Û¤Ú‚ÈΘ
ÂÙ·ÈÚ›˜ Î·È Û˘ÓÂÚÁ¿ÛÙËΠ̠ٷ ηӿÏÈ· ARTE, FRANCE 2, LCI, HRT, NOVA TV and MTV (Adria).
Producer’s filmography
ºÈÏÌÔÁÚ·Ê›· ·Ú·ÁˆÁÔ‡
Shock is Spreading, (documentary)
directed by Olivera Milos Todorovic, 1994
Belgrade Tourist Guide,
directed by Darijan Mihajlovic, 2000
Public show, directed by Mica Milosevic, 2002-2003
Shock is Spreading, (ÓÙÔÎÈÌ·ÓÙ¤Ú) ÛÂ ÛÎËÓÔıÂÛ›·
Olivera Milos Todorovic, 1994
Belgrade Tourist Guide,
ÛÂ ÛÎËÓÔıÂÛ›· Darijan Mihajlovic, 2000
Public show, ÛÂ ÛÎËÓÔıÂÛ›·
Mica Milosevic, 2002-2003
µÚ·‚›· / Festival Prizes
Shock is Spreading, Producer’s Award
41th Yugoslav Festival of Short & Documentary Films
Belgrade Tourist Guide
Best Short Film award, 46th Festival of Yugoslav short
& documentary film
First Jury award, Antalia Film Festival
Company profile / ∏ ÂÙ·ÈÚ›·
BEOMEDIA MARKETING was established in 1990. Since then it has produced more than 500 hours of diverse
types of programming, frequently winning awards and prizes for its projects. The company works in most
areas of production and line production, from news to different kinds of entertainment programming as well
as documentaries and commercials. The company works with foreign and national production companies,
broadcasters and other clients.
∏ ÂÙ·ÈÚ›· BEOMEDIA MARKETING ȉڇıËΠÙÔ 1990. ŒÎÙÔÙ ¤¯ÂÈ ·Ú¿ÁÂÈ ‰È·ÊfiÚˆÓ ÂȉÒÓ ÚÔÁÚ¿ÌÌ·Ù·,
Û˘ÓÔÏÈ΋˜ ‰È¿ÚÎÂÈ·˜ ¿Óˆ ·fi 500 ÒÚ˜, ÂÓÒ ‰ÂÓ Â›Ó·È Ï›Á· Ù· ‚Ú·‚›· Ô˘ ¤¯ÂÈ ÎÂÚ‰›ÛÂÈ ÁÈ· ÙȘ ·Ú·ÁˆÁ¤˜ ·˘Ù¤˜. ∏ ÂÙ·ÈÚ›· ‰Ú·ÛÙËÚÈÔÔÈÂ›Ù·È Û ¯ÒÚÔ˘˜ Ù˘ ·Ú·ÁˆÁ‹˜ Î·È Ù˘ ÔÚÁ¿ÓˆÛ˘ ·Ú·ÁˆÁ‹˜, ·fi ÙȘ
Âȉ‹ÛÂȘ ̤¯ÚÈ Ù· ÔÈΛϷ „˘¯·ÁˆÁÈο ÚÔÁÚ¿ÌÌ·Ù·, ηıÒ˜ Î·È ÓÙÔÎÈÌ·ÓÙ¤Ú Î·È ‰È·ÊËÌÈÛÙÈο. ™˘ÓÂÚÁ¿˙ÂÙ·È
Ì ͤÓ˜ Î·È ÂÁ¯ÒÚȘ ÂÙ·ÈÚ›˜ ·Ú·ÁˆÁ‹˜, Ú·‰ÈÔÙËÏÂÔÙÈο ̤۷ Î·È ¿ÏÏÔ˘˜ ÂÏ¿Ù˜.
Shock is Spreading,
µÚ·‚Â›Ô ¶·Ú·ÁˆÁÔ‡, 41Ô °ÈÔ˘ÁÎÔÛÏ·‚ÈÎfi ºÂÛÙÈ‚¿Ï
∆·ÈÓÈÒÓ ªÈÎÚÔ‡ ª‹ÎÔ˘˜ Î·È ¡ÙÔÎÈÌ·ÓÙ¤Ú
∆·ÍȉȈÙÈÎfi˜ √‰ËÁfi˜ µÂÏÂÁÚ·‰›Ô˘,
µÚ·‚Â›Ô ∫·Ï‡ÙÂÚ˘ ∆·ÈÓ›·˜ ªÈÎÚÔ‡ ª‹ÎÔ˘˜,
46Ô °ÈÔ˘ÁÎÔÛÏ·‚ÈÎfi ºÂÛÙÈ‚¿Ï
∆·ÈÓÈÒÓ ªÈÎÚÔ‡ ª‹ÎÔ˘˜ Î·È ¡ÙÔÎÈÌ·ÓÙ¤Ú
¶ÚÒÙÔ µÚ·‚Â›Ô ∂ÈÙÚÔ‹˜,
ºÂÛÙÈ‚¿Ï ∫ÈÓËÌ·ÙÔÁÚ¿ÊÔ˘ ∞ÓÙ¿ÏÈ·˜
43
Beomedia Marketing
Zoran Jovanovic
Pandora / ¶·Ó‰ÒÚ·
Greece / Ελλάδα
Vassilis tells the story of his family home in the village, which he is now selling.
Flashback: Vassilis as a boy, being raised, at least in part, by his uncle Kostis. His
father, Manos, is in jail for being a partisan. An American woman named
Pandora arrives in the village, saying she is the daughter of a local woman,
Aphrodite who long ago immigrated to America. Pandora becomes engaged to
Kostis. Manos is released from prison. When Pandora flirts shamelessly with
him, Manos becomes increasingly suspicious of her. Something is definitely not
right.
Producer
Nikos Moustakas
¡›ÎÔ˜ ªÔ˘Ûٿη˜
Contacts / ∂ÈÎÔÈÓˆÓ›·:
2, Kondilaki St., 154-52
Neo Psyhico, Athens, Greece
∫ÔÓ‰˘Ï¿ÎË 2, 154-52,
¡¤Ô æ˘¯ÈÎfi, ∞ı‹Ó·
T. +30 210 6778811
Mobile: +30 6937084430
[email protected]
[email protected] Website:
44
√ µ·Û›Ï˘ ·ÊËÁÂ›Ù·È ÙËÓ ÈÛÙÔÚ›· ÙÔ˘ ·ÙÚÈÎÔ‡ ÙÔ˘ ÛÈÙÈÔ‡, ÙÔ ÔÔ›Ô ÙÒÚ·
Ô˘Ï¿ÂÈ. ∞Ó·‰ÚÔÌ‹: √ µ·Û›Ï˘ Û ·È‰È΋ ËÏÈΛ·. √ ı›Ԙ ÙÔ˘, Ô ∫ˆÛÙ‹˜, ·Ó·Ï·Ì‚¿ÓÂÈ, ÂÓ Ì¤ÚÂÈ ÙÔ˘Ï¿¯ÈÛÙÔÓ, ÙËÓ ·Ó·ÙÚÔÊ‹ ÙÔ˘. √ ·Ù¤Ú·˜ ÙÔ˘, Ô ª¿ÓÔ˜,
Â›Ó·È ÛÙË Ê˘Ï·Î‹ ˆ˜ ·ÓÙ¿ÚÙ˘. ª›· ∞ÌÂÚÈηӛ‰·, Ë ¶·Ó‰ÒÚ·, ÊÙ¿ÓÂÈ ÛÙÔ
¯ˆÚÈfi ϤÁÔÓÙ·˜ ˆ˜ Â›Ó·È ÎfiÚË Ù˘ ∞ÊÚÔ‰›Ù˘, Ì›·˜ ÓÙfiÈ·˜ Ô˘ ÌÂÙ·Ó¿ÛÙ¢Û ÚÈÓ ·fi ¯ÚfiÓÈ· ÛÙËÓ ∞ÌÂÚÈ΋. ∞ÚÚ·‚ˆÓÈ¿˙ÂÙ·È Ì ÙÔÓ ∫ˆÛÙ‹. ŸÙ·Ó, fï˜,
Ô ª¿ÓÔ˜ ·ÔÊ˘Ï·Î›˙ÂÙ·È, Ë ¶·Ó‰ÒÚ· ÙÔÓ ÊÏÂÚÙ¿ÚÂÈ ·‰È¿ÓÙÚÔ·. √ ª¿ÓÔ˜ ÙËÓ
˘ÔÙ‡ÂÙ·È. ™›ÁÔ˘Ú· οÙÈ ‰ÂÓ ¿ÂÈ Î·Ï¿.
Produced by / ¶·Ú·ÁˆÁ‹: Metavision S.A/ Metavision ∞.∂
Director-Writer / ™ÎËÓÔıÂÛ›·-™ÂÓ¿ÚÈÔ : George Stampoulopoulos / °ÈÒÚÁÔ˜ ™Ù·ÌÔ˘ÏfiÔ˘ÏÔ˜
Budget / ¶ÚÔ¸ÔÏÔÁÈÛÌfi˜: €1,100,000
Secured financing / ∂Í·ÛÊ·ÏÈṲ̂ÓË ¯ÚËÌ·ÙÔ‰fiÙËÛË: Yes / ¡·È
Company filmography
ºÈÏÌÔÁÚ·Ê›· Ù˘ ÂÙ·ÈÚ›·˜
As producer:
True Blue,, directed by Yannis Diamandopoulos, 2005
Documentaries
As executive producer:
The Crossing,, directed by Dimitris Staurakas, 2004
Master of the Shadow,, directed by Lefteris Xanthopoulos, 1990
Impossible Encounter,, directed by Takis Andonopoulos, 1990
The Crossing,, directed by Vassiliki Iliopoulou, 1989
Documentary:
Without Borders,, directed by Nikos Delivorias, 1990
From Prophesy to Gospel,, directed by Nikos Delivorias, 1991
¶·Ú·ÁˆÁ‹:
∆Ô Á·Ï¿˙ÈÔ ÊfiÚÂÌ·,, Û ÛÎËÓÔıÂÛ›· °È¿ÓÓË ¢È·Ì·ÓÙfiÔ˘ÏÔ˘, 2005
∂ÎÙ¤ÏÂÛË ·Ú·ÁˆÁ‹˜:
∆Ô ¤Ú·ÛÌ·,, Û ÛÎËÓÔıÂÛ›· ¢ËÌ‹ÙÚË ™Ù·‡Ú·Î·, 2004
¢Ú·¤Ù˘ Û ÛÎËÓÔıÂÛ›· §Â˘Ù¤ÚË •·ÓıfiÔ˘ÏÔ˘, 1990
∏ Ó‡¯Ù· Ù˘ Ì˘ÛÙÈ΋˜ Û˘Ó¿ÓÙËÛ˘ Û ÛÎËÓÔıÂÛ›· ∆¿ÎË ∞ÓÙˆÓfiÔ˘ÏÔ˘, 1990
∆Ô ¤Ú·ÛÌ·,, Û ÛÎËÓÔıÂÛ›· µ·ÛÈÏÈ΋˜ ∏ÏÈÔÔ‡ÏÔ˘, 1989
¡ÙÔÎÈÌ·ÓÙ¤Ú:
∞ÓÔȯٿ ™‡ÓÔÚ· Û ÛÎËÓÔıÂÛ›· ¡›ÎÔ˘ ¢ÂÏË‚ÔÚÈ¿, 1990
∞fi ÙËÓ ÚÔÊËÙ›· ÛÙÔ ∂˘·ÁÁ¤ÏÈÔ directed by Nikos Delivorias, 1991
Walter Leiseley, 2004
Tsitsanis, 2000
Monks Community, 2000
The treasure of Mycenes, 1999
West Thessalia-Pindos, 3 documentaries, 1999
Stories of Crete, 7 episodes for RAI UNO, 1998
Greek Civillisation, 6 episodes for RAI UNO, 1997
Athens by night, 24 episodes for RAI UNO, 1996
Greece Before the Elections, 6 documentaries, 1993
¡ÙÔÎÈÌ·ÓÙ¤Ú
Walter Leiseley, 2004
∆ÛÈÙÛ¿Ó˘, 2000
Monks Community, 2000
√ ıËÛ·˘Úfi˜ ÙˆÓ ª˘Î‹ÓˆÓ, 1999
¢˘ÙÈ΋ £ÂÛÛ·Ï›·-¶›Ó‰Ô˜, 3 ÓÙÔÎÈÌ·ÓÙ¤Ú, 1999
πÛÙÔڛ˜ ·fi ÙËÓ ∫Ú‹ÙË,
7 ÂÂÈÛfi‰È· ÁÈ· ÙÔ RAI UNO, 1998
∂ÏÏËÓÈÎfi˜ ¶ÔÏÈÙÈÛÌfi˜,
6 ÂÂÈÛfi‰È· ÁÈ· ÙÔ RAI UNO, 1997
∏ ∂ÏÏ¿‰· ÚÈÓ ÙȘ ∂ÎÏÔÁ¤˜, 6 ÓÙÔÎÈÌ·ÓÙ¤Ú, 1993
45
Metavision S.A.
Nikos Moustakas / Νίκος Μουστάκας
Pera Kassiros / ¶¤Ú· ∫¿ÛÛÈÚÔ˜
Greece / Ελλάδα
Peter is an engineer employed by a multinational company. He is sent to supervise the
construction of a waste recycling plant on the Greek island of Pera Kassiros, an insignificant dot on the map somewhere in the Aegean Sea. Peter soon discovers that conditions
on the island are far from what he had expected. For all his efforts he fails and, though
he falls in love with Areti- an extraordinary and mysterious woman- he is forced to leave
the island. However, soon after his return home, Peter finds himself faced with a moral
dilemma: let the multinational company use the plant in Pera Kassiros as a cover for the
dumping of toxic substances, or save the island that has found a place in his heart?
Producer
Sofia Papachristou
™ÔÊ›· ¶·Ú·¯Ú‹ÛÙÔ˘
Contacts / ∂ÈÎÔÈÓˆÓ›·:
22, Navarinou,
10680 Athens, Greece
¡·˘·Ú›ÓÔ˘ 22,
10680, ∞ı‹Ó·
T. +30 2103625248
Mobile: +30 6948878636
[email protected]
√ Peter ÂÚÁ¿˙ÂÙ·È ÁÈ· Ì›· ·‰›ÛÙ·ÎÙË ÔÏ˘ÂıÓÈ΋ ÂÙ·ÈÚ›· Ù˘ ∂˘ÚÒ˘, Ô˘ ÙÔÓ ÛÙ¤ÏÓÂÈ Û ¤Ó· ·ÔÌ·ÎÚ˘Ṳ̂ÓÔ ÂÏÏËÓÈÎfi ÓËÛ›, ÙËÓ ¶¤Ú· ∫¿ÛÛÈÚÔ, ÁÈ· Ó· ηٷÛ΢¿ÛÂÈ ¤Ó·
ÂÚÁÔÛÙ¿ÛÈÔ ·Ó·Î‡ÎψÛ˘ ·Ô‚Ï‹ÙˆÓ Ô˘ ı· ·Ú¿ÁÂÈ ËÏÂÎÙÚÈ΋ ÂÓ¤ÚÁÂÈ· ÛÙË Á‡Úˆ
ÂÚÈÔ¯‹. √ Peter ÁÚ‹ÁÔÚ· ·Ó·Î·Ï‡ÙÂÈ ˆ˜ ÔÈ Û˘Óı‹Î˜ ‰È·‚›ˆÛ˘ ÛÙÔ ÓËÛ› ‰ÂÓ Â›Ó·È
·˘Ù¤˜ Ô˘ ÓfiÌÈ˙Â. ¶·Ú¿ ÙȘ ÚÔÛ¿ıÂȤ˜ ÙÔ˘, ·ÔÙ˘Á¯¿ÓÂÈ Î·È ·ÚfiÙÈ ¤¯ÂÈ ÂÚˆÙ¢Ù›
ÙËÓ ∞ÚÂÙ‹ (ÌÈ· Û˘Ó·Ú·ÛÙÈ΋ Î·È Ì˘ÛÙËÚÈÒ‰Ë Á˘Ó·›Î·) ·Ó·Áο˙ÂÙ·È Ó· ʇÁÂÈ ·Ô ÙÔ
ÓËÛ›. ∞ÊÔ‡ ÂÈÛÙÚ¤„ÂÈ Û›ÙÈ ÙÔ˘, Ô ¶¤ÙÚÔ˜ ·ÓÙÈÌÂÙˆ›˙ÂÈ ¤Ó· Ëı›ÎÔ ‰›ÏÏËÌ· : Ó· ·Ê‹ÛÂÈ ÙËÓ ÔÏ˘ÂıÓÈ΋ Ó· ¯ÚËÛÈÌÔÔÈ‹ÛÂÈ ÙÔ ¤ÚÁÔÛÙ¿ÛÈÔ ÁÈ· Ó· ηχ„ÂÈ ÙËÓ Ú›„Ë ·Ô‚ÏËÌ¿ÙˆÓ ‹ Ó· ÛÒÛÂÈ ÙÔ Ó‹ÛÈ Ô˘ ¤¯ÂÈ ϤÔÓ ·Á·‹ÛÂÈ;
Credits / ™˘ÓÙÂÏÂÛÙ¤˜:
Produced by / ¶·Ú·ÁˆÁ‹: Sofia Papachristou / ™ÔÊ›· ¶·Ú·¯Ú‹ÛÙÔ˘,
Director-Writer / ™ÎËÓÔıÂÛ›·-™ÂÓ¿ÚÈÔ: Sofia Papachristou / ™ÔÊ›· ¶·Ú·¯Ú‹ÛÙÔ˘,
Cinematography / ¢È‡ı˘ÓÛË ºˆÙÔÁÚ·Ê›·˜: Yannis Drakoularakos / °È¿ÓÓ˘ ¢Ú·ÎÔ˘Ï·Ú¿ÎÔ˜
Budget / ¶ÚÔ¸ÔÏÔÁÈÛÌfi˜: €1,195,000
Secured financing / ∂Í·ÛÊ·ÏÈṲ̂ÓË ¯ÚËÌ·ÙÔ‰fiÙËÛË: Yes / ¡·È
46
Producer’s filmography
ºÈÏÌÔÁÚ·Ê›· ·Ú·ÁˆÁÔ‡
Born in Athens, Greece, in 1958.
1980, graduated from the Athens University, School of Law.
1990, graduated from the Stavrakos Film School.
1993-94, studies in MFA programme of Columbia University in New York.
Without Words, directed by Sofia Papachristou, 1998
The Golden Apples of Hesperides,
directed by Sofia Papachristou, 1997
Who Killed Alekos Vrizakis,
directed by Sofia Papachristou, 1994
°ÂÓÓ‹ıËÎÂ ÛÙËÓ ∞ı‹Ó· ÙÔ 1958.
1980, ·ÔÊÔ›ÙËÛ ·fi ÙË ¡ÔÌÈ΋ ™¯ÔÏ‹ ÙÔ˘ ¶·ÓÂÈÛÙËÌ›Ô˘ ∞ıËÓÒÓ.
1990, ·ÔÊÔ›ÙËÛ ·fi ÙËÓ ™¯ÔÏ‹ ™Ù·˘Ú¿ÎÔ˘.
1993-4, ÛÔ˘‰¤˜ ÛÙÔ ÚfiÁÚ·ÌÌ· MFA, ¶·ÓÂÈÛÙ‹ÌÈÔ Columbia, ¡¤· ÀfiÚÎË.
Èڛ˜ §fiÁÈ·,
ÛÂ ÛÎËÓÔıÂÛ›· ™ÔÊ›·˜ ¶··¯Ú‹ÛÙÔ˘, 1998
∆· ÃÚ˘Û¿ ª‹Ï· ÙˆÓ ∂ÛÂÚ›‰ˆÓ,
ÛÂ ÛÎËÓÔıÂÛ›· ™ÔÊ›·˜ ¶··¯Ú‹ÛÙÔ˘, 1997
¶ÔÈÔ˜ ™ÎfiÙˆÛ ÙÔÓ ∞ϤÎÔ µÚÈ˙¿ÎË,
ÛÂ ÛÎËÓÔıÂÛ›· ™ÔÊ›·˜ ¶··¯Ú‹ÛÙÔ˘, 1990
Festival Prizes/ µÚ·‚›·
The Golden Apples of Hesperides
Awards in Thessaloniki Film Festival 1997
First Film Direction, Editing, Costume Design, Set
Design, First Lead Actor
Special Mention for Supporting Actor
Special Mention of the Jury
The script participates in éQuinox (Cannes)
∆· ÃÚ˘Û¿ ª‹Ï· ÙˆÓ ∂ÛÂÚ›‰ˆÓ
ºÂÛÙÈ‚¿Ï £ÂÛÛ·ÏÔӛ΢ 1997
µÚ·‚Â›Ô ∫·Ï‡ÙÂÚ˘ ™ÎËÓÔıÂÛ›·, ∫ÔÛÙÔ˘ÌÈÒÓ, ™ÎËÓÈÎÒÓ
µÚ·‚Â›Ô ∞’ ∞Ó‰ÚÈÎÔ‡ ƒfiÏÔ˘
∂ȉÈ΋ ªÓ›· ÁÈ· ‚’ ÚfiÏÔ
∂ȉÈ΋ ªÓ›· ∫ÚÈÙÈ΋˜ ∂ÈÙÚÔ‹˜
To ÛÂÓ¿ÚÈÔ ¶¤Ú· ∫¿ÛÛÈÚÔ˜
Û˘ÌÌÂÙ¤¯ÂÈ ÛÙÔ éQuinox (∫¿ÓÓ˜)
47
Sofia Papachristou
Sofia Papachristou
The Red Apple Tree
Greece / Ελλάδα
Angelo (40) is the owner of the “Red Apple Tree”, a tour boat combining the
rhythm of the water, a restaurant and a night club on the Thessalonica shore.
When Angelo returned to Greece from Germany some years ago, he was introduced into the Thessalonica mafia by Markos (50), the owner of the Fair Lady
Club. The two men are competitors, who manage, more or less peacefully, to
co-exist until the robbery of a religious institution. Nuns are brutally murdered
and important artefacts stolen; a bloody gang war begins.
Producer
KÒÛÙ·˜ ∫ÂÊ·Ï¿˜
Costas Kephalas
Contacts / ∂ÈÎÔÈÓˆÓ›·:
21, Neohorion St.,
113 63 Athens, Greece
¡ÂÔ¯ˆÚ›ˆÓ 21,
113 63, ∞ı‹Ó·
T. +30 2108835707
Mobile: +30 697 7793668
[email protected]
www.clproductions.gr
√ ÕÁÁÂÏÔ˜ (40 ÂÙÒÓ) Â›Ó·È È‰ÈÔÎÙ‹Ù˘ Ù˘ «∫fiÎÎÈÓ˘ ªËÏÈ¿˜», ÂÓfi˜ ÏÔÈ·Ú›Ô˘
Ô˘ οÓÂÈ ÍÂÓ·Á‹ÛÂȘ (Û˘Ó‰˘¿˙ÔÓÙ·˜ ÙÔ Ú˘ıÌfi ÙÔ˘ ÓÂÚÔ‡), ÂÓfi˜ ÂÛÙÈ·ÙfiÚÈÔ
Î·È ÂÓfi˜ ÎÏ·Ì ÛÙËÓ ·ÎÙ‹ Ù˘ £ÂÛÛ·ÏÔӛ΢. ŸÙ·Ó ÌÂÙ¿ ·fi ¯ÚfiÓÈ· ÂÈÛÙÚ¤ÊÂÈ ·fi ÙË °ÂÚÌ·Ó›·, Ô ª¿ÚÎÔ˜ (50 ÂÙÒÓ), ȉÈÔÎÙ‹Ù˘ ÙÔ˘ ÎÏ·Ì Fair Lady, ÙÔÓ
Û˘ÛÙ‹ÓÂÈ ÛÙË Ì·Ê›· Ù˘ £ÂÛÛ·ÏÔӛ΢. √È ‰‡Ô ¿Ó‰Ú˜, ·Ó Î·È ·ÓÙ·ÁˆÓÈÛÙ¤˜,
ηٷʤÚÓÔ˘Ó, Ï›ÁÔ-Ôχ ÂÈÚËÓÈο, Ó· Û˘Ó˘¿ÚÍÔ˘Ó Ì¤¯ÚÈ ÙË ÏËÛÙ›· ÂÓfi˜
ıÚËÛ΢ÙÈÎÔ‡ ȉڇ̷ÙÔ˜. ∫·ÏfiÁÚȘ ‰ÔÏÔÊÔÓÔ‡ÓÙ·È ¿ÁÚÈ·, ÂÓÒ ÏËÛÙ‡ÔÓÙ·È
ÛËÌ·ÓÙÈο ¤ÚÁ· Ù¤¯ÓË˜Ø ¤Ó·˜ ·ÈÌ·ÙËÚfi˜ fiÏÂÌÔ˜ Û˘ÌÌÔÚÈÒÓ ÍÂÎÈÓ¿.
Credits / ™˘ÓÙÂÏÂÛÙ¤˜:
Produced by / ¶·Ú·ÁˆÁ‹: CL productions,
Director-Writer / ™ÎËÓÔıÂÛ›·-™ÂÓ¿ÚÈÔ: §Â˘Ù¤Ú˘ •·ÓıfiÔ˘ÏÔ˜ / Lefteris Xanthopoulos,
Cinematography / ¢È‡ı˘ÓÛË ºˆÙÔÁÚ·Ê›·˜: Andreas Sinanos / ∞ÓÙÚ¤·˜ ™ÈÁ·Ófi˜
Budget / ¶ÚÔ¸ÔÏÔÁÈÛÌfi˜: €1,900,000
Secured financing / ∂Í·ÛÊ·ÏÈṲ̂ÓË ¯ÚËÌ·ÙÔ‰fiÙËÛË: Yes / ¡·È
48
Born in Athens in 1968, he studied Physics in the Athens University, Cinematography in Hatzikou Cinema School, Theory of
Cinema in the Stockholm University, his Masters’ thesis being on Heidegger’s phenomenology in the work of Rossellini and
Tarkovskij. Production Manager in several awarded films, such as Hard Goodbyes: My Father by Penny Panagiotopoulou,
Weaping Meadow by Theo Angelopoulos, The Brides by Pantelis Voulgaris. Line Producer for the film and video projections of
the Athens 2004 opening and closing ceremonies. The past year he has been cooperating in the development of new projects
for CL Productions. He is currently teaching Production in the Cinema Department of the Aristotle University of Thessaloniki.
°ÂÓÓ‹ıËΠÛÙËÓ ∞ı‹Ó· ÙÔ 1968 Î·È ÛÔ‡‰·Û º˘ÛÈ΋ ÛÙÔ ¶·ÓÂÈÛÙ‹ÌÈÔ ∞ıËÓÒÓ, ¢È‡ı˘ÓÛË ºˆÙÔÁÚ·Ê›·˜ ÛÙËÓ ∫ÈÓËÌ·ÙÔÁÚ·ÊÈ΋ ™¯ÔÏ‹ ÷Ù˙›ÎÔ˘, £ÂˆÚ›· ∫ÈÓËÌ·ÙÔÁÚ¿ÊÔ˘ ÛÙÔ ¶·ÓÂÈÛÙ‹ÌÈÔ Ù˘ ™ÙÔίfiÏÌ˘, ÂÓÒ ÛÙË ‰Èψ̷ÙÈ΋ ÙÔ˘ ÂÚÁ·Û›·
·Û¯ÔÏ‹ıËΠ̠ÙË Ê·ÈÓÔÌÂÓÔÏÔÁ›· ÙÔ˘ Heidegger ÛÙÔ ¤ÚÁÔ ÙˆÓ Rossellini Î·È ∆·ÚÎfiÊÛÎÈ. ∂ÚÁ¿ÛÙËΠˆ˜ ¢È¢ı˘ÓÙ‹˜ ¶·Ú·ÁˆÁ‹˜ Û ‰È¿ÊÔÚ˜ ‚Ú·‚Â˘Ì¤Ó˜ Ù·Èӛ˜, fiˆ˜: ¢‡ÛÎÔÏÔÈ ∞Ô¯·ÈÚÂÙÈÛÌÔ›: √ ª·Ì¿˜ ÌÔ˘ Ù˘ ¶¤ÓÓ˘˜ ¶·Ó·ÁȈÙÔÔ‡ÏÔ˘,
∆Ô §È‚¿‰È Ô˘ ¢·ÎÚ‡˙ÂÈ ÙÔ˘ £fi‰ˆÚÔ˘ ∞ÁÁÂÏfiÔ˘ÏÔ˘, Î·È √È ¡‡Ê˜ ÙÔ˘ ¶·ÓÙÂÏ‹ µÔ‡ÏÁ·ÚË. ŒÎ·Ó Â›Û˘ ÙËÓ ÔÚÁ¿ÓˆÛË
·Ú·ÁˆÁ‹˜ ÁÈ· ÙȘ ÎÈÓËÌ·ÙÔÁÚ·ÊÈΤ˜ Î·È ÙËÏÂÔÙÈΤ˜ ÚÔ‚ÔϤ˜ ÙˆÓ ÙÂÏÂÙÒÓ ¤Ó·Ú͢ Î·È Ï‹Í˘ ÙÔ˘ ∞ı‹Ó· 2004. ∆ÔÓ ÂÚ·Ṳ̂ÓÔ ¯ÚfiÓÔ Û˘ÓÂÚÁ¿ÛÙËΠÛÙËÓ ·Ó¿Ù˘ÍË ÙˆÓ Ó¤ˆÓ ·Ú·ÁˆÁÒÓ Ù˘ ÂÙ·ÈÚ›·˜ CL Productions. ¢È‰¿ÛÎÂÈ ¶·Ú·ÁˆÁ‹ ÛÙÔ
∆Ì‹Ì· ∫ÈÓËÌ·ÙÔÁÚ·Ê›·˜ ÙÔ˘ ∞ÚÈÛÙÔÙ¤ÏÂÈÔ˘ ¶·ÓÂÈÛÙËÌ›Ô˘ £ÂÛÛ·ÏÔӛ΢.
Company filmography
ºÈÏÌÔÁÚ·Ê›· Ù˘ ÂÙ·ÈÚ›·˜
Sweet Memory,
directed by Kyriakos Katzourakis, 2005
Loafing and Camouflage, Sirens in the Aegean,
directed by Nikos Perakis, 2005
A Dog’s Dream, directed by Angelos Frantzis, 2005
°Ï˘ÎÈ¿ ªÓ‹ÌË,
Û ÛÎËÓÔıÂÛ›· ∫˘ÚÈ¿ÎÔ˘ ∫·Ù˙Ô˘Ú¿ÎË, 2005
§Ô‡Ê· Î·È ¶·Ú·ÏÏ·Á‹, ™ÂÈÚ‹Ó˜ ÛÙÔ ∞ÈÁ·›Ô,
Û ÛÎËÓÔıÂÛ›· ¡›ÎÔ˘ ¶ÂÚ¿ÎË, 2005
∆Ô ŸÓÂÈÚÔ ÙÔ˘ ™Î‡ÏÔ˘,
ÛÂ ÛÎËÓÔıÂÛ›· ÕÁÁÂÏÔ˘ ºÚ·ÓÙ˙‹, 2005
Company profile / ∏ ÂÙ·ÈÚ›·
CL PRODUCTIONS is a company that produces films, television programs and artistic events. It was founded in 1985 and since
then has undertaken a large number of events and productions. It has produced and co-produced more than 90 feature
films, including Sweet Memory by Kyriakos Katzourakis, Loafing and Camouflage, Sirens in the Aegean by Nikos Perakis, Brides
by Pantelis Voulgaris, A Touch of Spice by Tassos Boulmetis, Peppermint by Costas Kapakas and Theo Angelopoulos’ films
Ulysses’ Gaze, The Suspended Step of the Stork, Landscape in the Mist and The Weeping Meadow. The company has also
undertaken television series including Nikos Perakis’ Almost Never and Almost Never 2nd cycle by Katerina Bei, as well as
Alone Due to Negligence, written by Katerina Bei and directed by Elisavet Chronopoulou. Its theatrical productions and the
cultural events it has organized include the performances of the summer period for the Athens Festival at the Theater of
Herod Atticus, at the ancient theater of Epidaurus and at the Little Theater of Ancient Epidaurus for the years 2001 to 2005,
the Thessaloniki Song Festival in 2005, the opening and closing ceremonies of the Athens Olympic Games 2004 and the millennium celebrations Acropolis 2000.
∏ CL PRODUCTIONS Â›Ó·È ÂÙ·ÈÚ›· ÎÈÓËÌ·ÙÔÁÚ·ÊÈÎÒÓ, ÙËÏÂÔÙÈÎÒÓ Î·È Î·ÏÏÈÙ¯ÓÈÎÒÓ ·Ú·ÁˆÁÒÓ. π‰Ú‡ıËΠÙÔ 1985 Î·È ·fi
ÙfiÙ ¤ˆ˜ Û‹ÌÂÚ· ¤¯ÂÈ ·Ó·Ï¿‚ÂÈ Ï‹ıÔ˜ ÂΉËÏÒÛÂˆÓ Î·È ·Ú·ÁˆÁÒÓ. Œ¯ÂÈ ·Ú·Á¿ÁÂÈ Î·È Û˘Ì·Ú·Á¿ÁÂÈ ÂÚÈÛÛfiÙÂÚ˜ ·fi
90 Ù·Èӛ˜ ÌÂÁ¿ÏÔ˘ Ì‹ÎÔ˘˜ ÌÂٷ͇ ÙˆÓ ÔÔ›ˆÓ °Ï˘ÎÈ¿ ÌÓ‹ÌË ÙÔ˘ ∫˘ÚÈ¿ÎÔ˘ ∫·Ù˙Ô˘Ú¿ÎË, §Ô‡Ê· Î·È ¶·Ú·ÏÏ·Á‹, ™ÂÈÚ‹Ó˜ ÛÙÔ
∞ÈÁ·›Ô ÙÔ˘ ¡›ÎÔ˘ ¶ÂÚ¿ÎË, ¡‡Ê˜ ÙÔ˘ ¶·ÓÙÂÏ‹ µÔ‡ÏÁ·ÚË, ¶ÔÏ›ÙÈÎË ∫Ô˘˙›Ó· ÙÔ˘ ∆¿ÛÔ˘ ªÔ˘Ï̤ÙË, Peppermint ÙÔ˘ ∫ÒÛÙ·
∫·¿Î·, ηıÒ˜ Î·È ÙȘ Ù·Èӛ˜ ÙÔ˘ £fi‰ˆÚÔ˘ ∞ÁÁÂÏfiÔ˘ÏÔ˘ ∆Ô µÏ¤ÌÌ· ÙÔ˘ √‰˘ÛÛ¤·, ∆Ô ªÂÙ¤ˆÚÔ µ‹Ì· ÙÔ˘ ¶ÂÏ·ÚÁÔ‡, ∆Ô›Ô
ÛÙËÓ √Ì›¯ÏË Î·È ∆Ô §È‚¿‰È Ô˘ ¢·ÎÚ‡˙ÂÈ. ∂ÈϤÔÓ, ¤¯ÂÈ ·Ó·Ï¿‚ÂÈ ÙËÏÂÔÙÈο Û‹ÚÈ·Ï ÌÂٷ͇ ÙˆÓ ÔÔ›ˆÓ ÙÔ ™¯Â‰fiÓ ¶ÔÙ¤ ÙÔ˘
¡›ÎÔ˘ ¶ÂÚ¿ÎË Î·È ÙÔ ™¯Â‰fiÓ ¶ÔÙ¤ 2Ô˜ ∫‡ÎÏÔ˜ Ù˘ ∫·ÙÂÚ›Ó·˜ ª¤Ë, ηıÒ˜ Î·È ÙÔ ªfiÓË ÂÍ ∞ÌÂÏ›·˜ Û ÛÂÓ¿ÚÈÔ ∫·ÙÂÚ›Ó·˜
ª¤Ë Î·È ÛÎËÓÔıÂÛ›· ∂ÏÈÛ¿‚ÂÙ ÃÚÔÓÔÔ‡ÏÔ˘. ªÂٷ͇ ÙˆÓ ı·ÙÚÈÎÒÓ ·Ú·ÁˆÁÒÓ Î·È ÔÏÈÙÈÛÙÈÎÒÓ ‰ÈÔÚÁ·ÓÒÛˆÓ, Û˘ÌÂÚÈÏ·Ì‚¿ÓÔÓÙ·È ÔÈ ·Ú·ÛÙ¿ÛÂȘ ηÏÔηÈÚÈÓ‹˜ ÂÚÈfi‰Ô˘ ÁÈ· ÙÔ ºÂÛÙÈ‚¿Ï ∞ıËÓÒÓ ÛÙÔ ∏ÚÒ‰ÂÈÔ, ÛÙÔ ∞Ú¯·›Ô £¤·ÙÚÔ ∂ȉ·‡ÚÔ˘
Î·È ÛÙÔ ªÈÎÚfi £¤·ÙÚÔ ∞Ú¯·›·˜ ∂ȉ·‡ÚÔ˘ ÁÈ· Ù· ¤ÙË 2001 ¤ˆ˜ 2005, ÙÔ ºÂÛÙÈ‚¿Ï ∆Ú·ÁÔ˘‰ÈÔ‡ ÛÙËÓ £ÂÛÛ·ÏÔÓ›ÎË ÙÔ 2005, Ë
ÙÂÏÂÙ‹ ¤Ó·Ú͢ Î·È Ï‹Í˘ ÙˆÓ √Ï˘ÌÈ·ÎÒÓ ∞ÁÒÓˆÓ ∞ı‹Ó· 2004 Î·È Ë ˘Ô‰Ô¯‹ Ù˘ Ó¤·˜ ¯ÈÏÈÂÙ›·˜ ∞ÎÚfiÔÏË 2000.
Festival Prizes / µÚ·‚›·
Brides, 10 Awards, including 1st Prize
for Best Film, 45th Thessaloniki Film Festival, 2004
A Touch of Spice, 10 Awards including 1st Prize for
Best Film, 44th Thessaloniki Film Festival, 2003
¡‡Ê˜, 10 ‚Ú·‚›· ÌÂٷ͇ ÙˆÓ ÔÔ›ˆÓ ÙÔ
1Ô µÚ·‚Â›Ô Î·Ï‡ÙÂÚ˘ Ù·ÈÓ›·˜, 45Ô
ºÂÛÙÈ‚¿Ï ∫ÈÓËÌ·ÙÔÁÚ¿ÊÔ˘ £ÂÛÛ·ÏÔӛ΢, 2004
¶ÔÏ›ÙÈÎË KÔ˘˙›Ó·, 10 ‚Ú·‚›· ÌÂٷ͇ ÙˆÓ ÔÔ›ˆÓ
ÙÔ 1Ô µÚ·‚Â›Ô Î·Ï‡ÙÂÚ˘ Ù·ÈÓ›·˜,
44Ô ºÂÛÙÈ‚¿Ï ∫ÈÓËÌ·ÙÔÁÚ¿ÊÔ˘
Ù˘ £ÂÛÛ·ÏÔӛ΢, 2003
49
CL Productions
Κώστας Κεφαλάς / Costas Kephalas
The Rest is Silence
Romania / Ρουµανία
At the beginning of the last century, the son of the popular actor in Romania,
Grig, is 19 years old and about to undertake the ultimate folly. He wants to
direct a moving picture! The country’s most flamboyant and eccentric
landowner becomes Grig’s financier. Leon is a crazy patron of the arts. If that
is not enough, Gaumont, a new French company which controls the Romanian
market, knows its independent production is not going well at all. The true
story of the men that made the first Romanian feature film.
Producer
Cristian Comeaga
Contacts / ∂ÈÎÔÈÓˆÓ›·:
59, Dr. Felix St., 011039
Bucharest 1, Romania
∆. +40 2131 76436
Mobile: +40 722200509
[email protected]
www.dominofilm.ro
™ÙȘ ·Ú¯¤˜ ÙÔ˘ ÚÔËÁÔ‡ÌÂÓÔ˘ ·ÈÒÓ·, Ô ÁÈÔ˜ ÂÓfi˜ ‰ËÌÔÊÈÏÔ‡˜ ËıÔÔÈÔ‡ ÛÙË
ƒÔ˘Ì·Ó›·, Ô Grig, Â›Ó·È 19 ÂÙÒÓ Î·È ¤ÙÔÈÌÔ˜ Ó· ‰È·Ú¿ÍÂÈ ÙËÓ ¤Û¯·ÙË ·ÂÚÈÛ΄›·. £¤ÏÂÈ Ó· ÛÎËÓÔıÂÙ‹ÛÂÈ Ì›· Ù·ÈÓ›·! √ ÈÔ ÂȉÂÈÎÙÈÎfi˜ Î·È ÂÎÎÂÓÙÚÈÎfi˜
ÎÙËÌ·Ù›·˜ Ù˘ ¯ÒÚ·˜ ¯ÚËÌ·ÙÔ‰ÔÙ› ÙÔÓ Grig. √ Leon Â›Ó·È ¤Ó·˜ ¤ÓıÂÚÌÔ˜
˘ÔÛÙËÚÈÎÙ‹˜ ÙˆÓ Ù¯ÓÒÓ. ∂ÈϤÔÓ, Ë Gaumont, Ì›· Ó¤· Á·ÏÏÈ΋ ÂÙ·ÈÚ›·,
ÁÓˆÚ›˙ÂÈ fiÙÈ Ë ·ÓÂÍ¿ÚÙËÙË ·Ú·ÁˆÁ‹ Ù˘ ‰ÂÓ ËÁ·›ÓÂÈ Î·ıfiÏÔ˘ ηϿ. ∏ ·ÏËıÈÓ‹ ÈÛÙÔÚ›· ÙÔ˘ ·ÓıÚÒÔ˘ Ô˘ ¤Î·Ó ÙËÓ ÚÒÙË ÚÔ˘Ì·ÓÈ΋ ÎÈÓËÌ·ÙÔÁÚ·ÊÈ΋ Ù·ÈÓ›·.
Credits / ™˘ÓÙÂÏÂÛÙ¤˜:
Produced by / ¶·Ú·ÁˆÁ‹: Domino Film,
Director-Writer / ™ÎËÓÔıÂÛ›·-™ÂÓ¿ÚÈÔ: Nae Caranfil
Budget / ¶ÚÔ¸ÔÏÔÁÈÛÌfi˜: €3,000,000
Secured financing / ∂Í·ÛÊ·ÏÈṲ̂ÓË ¯ÚËÌ·ÙÔ‰fiÙËÛË: Yes / ¡·È
50
Cristian Comeaga was born in Bucharest; in 1984 he graduated from the Theatre and Film Academy, with a
degree in cinematography. In 1987 he made his debut as a Director of Photography. Since then, he has shot
numerous Romanian features and commercials, three times winning the national award for Best
Cinematography. Since 1995, he has produced and directed some of the most successful Romanian commercials. His advertising career reached its peak in 1996 when he was the creative director for LINTAS –
Romania In 1993 he co-founded Domino Film, where he is currently CEO. It is a leading service company in
Romania; he acts as the Line Producer for many of the films serviced by the company.
√ Cristian Comeaga ÁÂÓÓ‹ıËΠÛÙÔ µÔ˘ÎÔ˘Ú¤ÛÙÈ. ∆Ô 1984 ·ÔÊÔ›ÙËÛ ·fi ÙËÓ ∞η‰ËÌ›· £Â¿ÙÚÔ˘ Î·È ∫ÈÓËÌ·ÙÔÁÚ¿ÊÔ˘ Ì Ù˘¯›Ô ÛÙËÓ ÎÈÓËÌ·ÙÔÁÚ·Ê›·. ∆Ô 1987 ¤Î·Ó ÙËÓ ÚÒÙË ÙÔ˘ ÂÌÊ¿ÓÈÛË ˆ˜ ¢È¢ı˘ÓÙ‹˜ ºˆÙÔÁÚ·Ê›·˜. ŒÎÙoÙÂ, ¤¯ÂÈ Á˘Ú›ÛÂÈ ÔÏϤ˜ ÚÔ˘Ì¿ÓÈΘ Ù·Èӛ˜ Î·È ‰È·ÊËÌÈÛÙÈο, ÂÓÒ ¤¯ÂÈ ÎÂÚ‰›ÛÂÈ ÙÚÂȘ ÊÔÚ¤˜ ÙÔ
∂ıÓÈÎfi µÚ·‚Â›Ô «∫·Ï‡ÙÂÚ˘ ∫ÈÓËÌ·ÙÔÁÚ·Ê›·˜». ∞fi ÙÔ 1995 ¤¯ÂÈ ·Ú¿ÁÂÈ Î·È ÛÎËÓÔıÂÙ‹ÛÂÈ ÌÂÚÈο ·fi Ù·
ÈÔ ÂÈÙ˘¯Ë̤ӷ ÚÔ˘Ì¿ÓÈη ‰È·ÊËÌÈÛÙÈο. ∏ ‰È·ÊËÌÈÛÙÈ΋ ÙÔ˘ ηÚȤڷ ¤ÊÙ·Û ÛÙÔ ·fiÁÂÈfi Ù˘ ÙÔ 1996,
fiÙ·Ó ÂÚÁ¿ÛÙËΠˆ˜ ηÏÏÈÙ¯ÓÈÎfi˜ ‰È¢ı˘ÓÙ‹˜ ÁÈ· ÙÔ LINTAS – ƒÔ˘Ì·Ó›·. ∆Ô 1993, ‹Ù·Ó ¤Ó· ·fi Ù· ̤ÏË Ô˘
›‰Ú˘Û·Ó ÙËÓ ÂÙ·ÈÚ›· Domino Film, ÛÙËÓ ÔÔ›· Â›Ó·È ÙÒÚ· ÎÔÚ˘Ê·›Ô ‰ÈÔÈÎËÙÈÎfi Û٤ϯԘ. ¶ÚfiÎÂÈÙ·È ÁÈ· Ì›·
ÚˆÙÔfiÚÔ ÂÙ·ÈÚ›· ·ÚÔ¯‹˜ ˘ËÚÂÛÈÒÓ ÛÙË ƒÔ˘Ì·Ó›·, ÛÙËÓ ÔÔ›· Ô Cristian Comeaga Â›Ó·È Ô ÂÎÙÂÏÂÛÙ‹˜
·Ú·ÁˆÁfi˜ ÁÈ· ÔÏϤ˜ ·fi ÙȘ Ù·Èӛ˜ Ô˘ ·Ó·Ï·Ì‚¿ÓÂÈ Ë ÂÙ·ÈÚ›·.
Company profile/ ∏ ÂÙ·ÈÚ›·
Domino Film primarily offers full service for foreign features, TV programs and commercials that shoot in
Romania. In 2005, in addition to various commercials, the company serviced: Icons of Power, documentary
(Partisan Pictures, directed by Doug Schulz). Des Animaux sous Influence, documentary (Tele Images Nature,
directed by Jean-Baptiste Erreca). Mafalda di Savoia, drama, (Tevere Film, directed by Maurizio Zaccaro).
Domino Film has co-produced two feature films: Asphalt Tango (1995, French / Romanian co production, Les
Films du Rivage / Domino Film), written and directed by Nae Caranfil; and Filantropica (2000, Romanian /
French co production, Domino Film / MACT Productions), written and directed by Nae Caranfil.
∏ ÂÙ·ÈÚ›· Domino Films ÚÔÛʤÚÂÈ ÚˆÙ›ÛÙˆ˜ ÔÏÔÎÏËڈ̤Ó˜ ˘ËÚÂۛ˜ Û ͤÓ˜ Ù·Èӛ˜, ÙËÏÂÔÙÈο
ÚÔÁÚ¿ÌÌ·Ù· Î·È ‰È·ÊËÌÈÛÙÈο Ô˘ Á˘Ú›˙ÔÓÙ·È ÛÙË ƒÔ˘Ì·Ó›·. ∆Ô 2005, ÂÎÙfi˜ ·fi ÔÏÏ¿ ‰È·ÊËÌÈÛÙÈο, Ë
ÂÙ·ÈÚ›· ·Ó¤Ï·‚Â Î·È ÙȘ ·ÎfiÏÔ˘ı˜ ·Ú·ÁˆÁ¤˜: Icons of Power, ÓÙÔÎÈÌ·ÓÙ¤Ú (Partisan Pictures, Û ÛÎËÓÔıÂÛ›· Doug Schulz). Des Animaux sous Influence, ÓÙÔÎÈÌ·ÓÙ¤Ú (Tele Images Nature, Û ÛÎËÓÔıÂÛ›· JeanBaptiste Erreca). Mafalda di Savoia , ‰Ú·Ì·ÙÈ΋ Ù·ÈÓ›·, (Tevere Film, Û ÛÎËÓÔıÂÛ›· Maurizio Zaccaro).∏ ÂÙ·ÈÚ›· Û˘Ì·Ú‹Á·Á ‰‡Ô Ù·Èӛ˜: Asphalt Tango (1995, °·ÏÏÈ΋/ƒÔ˘Ì¿ÓÈÎË Û˘Ì·Ú·ÁˆÁ‹, Les Films du Rivage
/ Domino Film), Û ÛÎËÓÔıÂÛ›· Î·È ÛÂÓ¿ÚÈÔ ÙÔ˘ Nae Caranfil Î·È Filantropica (2000, ƒÔ˘Ì¿ÓÈÎË/°·ÏÏÈ΋
Û˘Ì·Ú·ÁˆÁ‹, Domino Film / MACT Productions), Û ÛÎËÓÔıÂÛ›· Î·È ÛÂÓ¿ÚÈÔ ÙÔ˘ Nae Caranfil.
Producer’s filmography
ºÈÏÌÔÁÚ·Ê›· ·Ú·ÁˆÁÔ‡
Filantropica, directed by Nae Caranfil, 2000
Asphalt Tango, directed by Nae Caranfil, 1995
Filantropica, ÛÂ ÛÎËÓÔıÂÛ›· Nae Caranfil, 2000
Asphalt Tango, ÛÂ ÛÎËÓÔıÂÛ›· Nae Caranfil, 1995
Festival Prizes/ µÚ·‚›·
Filantropica,
2003, Jury’s Special Award, Bratislava Film Festival
2003, Best Script Award,
Newport Beach International Film Festival
2002, Audience’s Award,
Paris International Film Festival
2002, Jury’s Award, Go East Festival, Wiesbaden
2002, Jury’s Award, Mons International Film Festival
2002, Audience’s Award,
Montreal, Comedy Film Festival
2002, Audience’s Award, Wurzburg Film Festival
Filantropica,
2003, ∂ȉÈÎfi µÚ·‚Â›Ô ∂ÈÙÚÔ‹˜,
ºÂÛÙÈ‚¿Ï Ù˘ ªÚ·ÙÈÛÏ¿‚·
2003, µÚ·‚Â›Ô ∫·Ï‡ÙÂÚÔ˘ ™ÂÓ·Ú›Ô˘,
¢ÈÂıÓ¤˜ ºÂÛÙÈ‚¿Ï ÙÔ˘ Newport Beach
2002, µÚ·‚Â›Ô ∫ÔÈÓÔ‡, ¢ÈÂıÓ¤˜ ºÂÛÙÈ‚¿Ï ¶·ÚÈÛÈÔ‡
2002, µÚ·‚Â›Ô ∂ÈÙÚÔ‹˜,
ºÂÛÙÈ‚¿Ï Go East ÙÔ˘ µÈÛÌ¿ÓÙÂÓ
2002, µÚ·‚Â›Ô ∂ÈÙÚÔ‹˜, ¢ÈÂıÓ¤˜ ºÂÛÙÈ‚¿Ï Ù˘ ªÔÓ˜
2002, µÚ·‚Â›Ô ∫ÔÈÓÔ‡,
ºÂÛÙÈ‚¿Ï ΈÌÈÎÒÓ Ù·ÈÓÈÒÓ ÙÔ˘ ªÔÓÙÚ¿Ï
2002, µÚ·‚Â›Ô ∫ÔÈÓÔ‡, ºÂÛÙÈ‚¿Ï ÙÔ˘ µÔ‡ÚÙ˙ÌÔ˘ÚÁÎ
51
Domino Films
Cristian Comeaga
Russoun
Israel / Ισραήλ
An accidental murder, a vendetta gone wrong, and a package containing
drugs: the story of Jaffa. It is the story of an Arab community living within a
Jewish state. It is the story of a multitude of characters: Nasri, Omar, Malek,
Anan, Binj and Dando. All carrying their own burdens and dreaming their own
dreams. All of them needing money for a way out.
In the colourful mosaic of Russoun. There are no good guys or bad guys, only
ordinary people in impossible situations.
Producer
Mosh Danon
Contacts / ∂ÈÎÔÈÓˆÓ›·:
25, Nachamany St, Tel Aviv, Israel
ŒÓ·˜ Ù˘¯·›Ô˜ ÊfiÓÔ˜, Ì›· ·ÔÙ˘¯Ë̤ÓË ‚ÂÓ٤ٷ Î·È ¤Ó· ‰¤Ì· Ì ӷÚΈÙÈο: ∏
ÈÛÙÔÚ›· Ù˘ ∆˙¿Ê·. ∏ ÈÛÙÔÚ›· ÌÈ·˜ ·Ú·‚È΋˜ ÎÔÈÓfiÙËÙ·˜ Ô˘ ˙ÂÈ Û ¤Ó· ‚ڷ˚Îfi
ÎÚ¿ÙÔ˜. ∏ ÈÛÙÔÚ›· ‰È·ÊfiÚˆÓ ¯·Ú·ÎÙ‹ÚˆÓ: Nasri, Omar, Malek, Anan, Binj ηÈ
Dando. ŸÏÔÈ ÎÔ˘‚·ÏÔ‡Ó ÙÔ ‰ÈÎfi ÙÔ˘˜ ÊÔÚÙ›Ô Î·È Î¿ÓÔ˘Ó Ù· ‰Èο ÙÔ˘˜ fiÓÂÈÚ·.
ŸÏÔÈ ÙÔ˘˜ ¯ÚÂÈ¿˙ÔÓÙ·È ¯Ú‹Ì·Ù· ÁÈ· Ó· ÍÂʇÁÔ˘Ó. ™ÙÔ Ôχ¯ÚˆÌÔ ÌˆÛ·˚Îfi ÙÔ˘
Russoun ‰ÂÓ ˘¿Ú¯Ô˘Ó «Î·ÏÔ›» Î·È «Î·ÎÔ›», ÌfiÓÔ ·ÏÔ› ¿ÓıÚˆÔÈ Û ·‰È¤Íԉ˜
ηٷÛÙ¿ÛÂȘ.
T. +97 236204535
Mobile: + 97 2546898982
[email protected]
Credits / ™˘ÓÙÂÏÂÛÙ¤˜:
Produced by / ¶·Ú·ÁˆÁ‹: Inosan LTD,
Director-Writer / ™ÎËÓÔıÂÛ›·-™ÂÓ¿ÚÈÔ: Yaron Shani & Scandar Copti
Budget / ¶ÚÔ¸ÔÏÔÁÈÛÌfi˜: $ 1,300,000
Secured Financing / ∂Í·ÛÊ·ÏÈṲ̂ÓË ÃÚËÌ·ÙÔ‰fiÙËÛË: Yes / ¡·È
52
Mosh Danon has been in the film business for over twenty years and has produced dozens of feature films,
TV films, dramas, series and documentaries. In 2004 he founded Inosan Ltd., an independent production
company specializing in feature film and television production. Between 2000 and 2004 Danon was Managing
Director of JCS Productions, Israel’s largest production company (part of the Ronald S. Lauder Group). His
credits include: Colombian Love, Café Tales ( Montpellier International Film Festival), Paper Snow (winner of
the Israeli Academy Award, scheduled to be broadcast on ARTE France), Slaves of the Lord (Cannes Directors
Fortnight), Amsalems Tears (Edinburgh IFF), the documentary My 100 Children, Vulcan Junction, and Besame
Mucho.
√ Mosh Danon ‰Ú·ÛÙËÚÈÔÔÈÂ›Ù·È ÛÙÔÓ ¯ÒÚÔ ÙÔ˘ ÎÈÓËÌ·ÙÔÁÚ¿ÊÔ˘ ¿Óˆ ·fi ›ÎÔÛÈ ¯ÚfiÓÈ·, ÂÓÒ ¤¯ÂÈ ÂÚÁ·ÛÙ› ˆ˜ ·Ú·ÁˆÁfi˜ Û ÔÏ˘¿ÚÈı̘ Ù·Èӛ˜ Ì˘ıÔÏ·Û›·˜, ÙËÏÂÔÙÈΤ˜ Ù·Èӛ˜, ı·ÙÚÈο ¤ÚÁ·, Û›ÚÈ·Ï Î·È
ÓÙÔÎÈÌ·ÓÙ¤Ú. ∆Ô 2004 ›‰Ú˘Û ÙËÓ Inosan Ltd., ÌÈ· ·ÓÂÍ¿ÚÙËÙË ÂÙ·ÈÚ›· ·Ú·ÁˆÁ‹˜ Ô˘ ÂȉÈ·ÂÙ·È ÛÙȘ Ù·Èӛ˜ Ì˘ıÔÏ·Û›·˜ Î·È ÙȘ ÙËÏÂÔÙÈΤ˜ ·Ú·ÁˆÁ¤˜. ∞fi ÙÔ 2000 ̤¯ÚÈ ÙÔ 2004, Ô Danon ‹Ù·Ó ‰È¢ı‡ÓˆÓ Û‡Ì‚Ô˘ÏÔ˜ Ù˘ JCS Productions, Ù˘ ÌÂÁ·Ï‡ÙÂÚ˘ ÈÛÚ·ËÏÈÓ‹˜ ÂÙ·ÈÚ›·˜ ·Ú·ÁˆÁ‹˜ (Ô˘ ·Ó‹ÎÂÈ ÛÙÔÓ fiÌÈÏÔ ÙÔ˘
Ronald S. Lauder). ªÂٷ͇ ÙˆÓ ÂÈÙ˘¯ÈÒÓ ÙÔ˘ Û˘ÁηٷϤÁÔÓÙ·È: Colombian Love, Café Tales (¢ÈÂıÓ¤˜ ºÂÛÙÈ‚¿Ï ÙÔ˘ ªÔÓÂÏÏȤ), Paper Snow (‚Ú·‚Â›Ô Ù˘ ÈÛÚ·ËÏÈÓ‹˜ ∞η‰ËÌ›·˜_ ÚfiÎÂÈÙ·È Ó· ÚÔ‚ÏËı› ÛÙÔ ARTE
France), Slaves of the Lord (¢ÂηÂÓı‹ÌÂÚÔ ™ÎËÓÔıÂÙÒÓ ÙˆÓ ∫·ÓÓÒÓ), Amsalems Tears (Edinburgh IFF), ÙÔ
ÓÙÔÎÈÌ·ÓÙ¤Ú My 100 Children, Vulcan Junction Î·È ÙÔ Besame Mucho..
Producer’s filmography
ºÈÏÌÔÁÚ·Ê›· ·Ú·ÁˆÁÔ‡
Colombian Love, directed by Shay Kanot, 2004
Café Tales, directed by Amit Lior, 2003
Vulcan Junction, directed by Eran Riklis, 1999
Colombian Love, ÛÂ ÛÎËÓÔıÂÛ›· Shay Kanot, 2004
Café Tales, ÛÂ ÛÎËÓÔıÂÛ›· Amit Lior, 2003
Vulcan Junction, ÛÂ ÛÎËÓÔıÂÛ›· Eran Riklis, 1999
Festival Prizes/ µÚ·‚›·
Café Tales, Montpellier IFF, 2003
Paper Snow, Winner Israeli Academy Award, 2003
My 100 Children, Winner best documentary Jerusalem IFF
Vulcan Junction, Winner Haifa IFF, 1999
Besame Mucho, Winner Best film, Jerusalem IFF, 1999
Company profile/ ∏ ÂÙ·ÈÚ›·
Inosan Ltd. was founded in 2004 by veteran producer Mosh Danon. The company is dedicated to producing
quality feature films and television series. Inosan has already produced 5 television films and is currently producing three television series. The company has several feature film projects in advanced stages of development, all structured as international co-productions.
∏ ÂÙ·ÈÚ›· Inosan Ltd. π‰Ú‡ıËΠÙÔ 2004 ·fi ÙÔÓ ‚ÂÙÂÚ¿ÓÔ ·Ú·ÁˆÁfi Mosh Danon. ∞Û¯ÔÏÂ›Ù·È Ì ÙËÓ ·Ú·ÁˆÁ‹ ÔÈÔÙÈÎÒÓ Ù·ÈÓÈÒÓ ÌÂÁ¿ÏÔ˘ Ì‹ÎÔ˘˜ Î·È ÙËÏÂÔÙÈÎÒÓ ÛÂÈÚÒÓ. Œ¯ÂÈ ·Ú¿ÁÂÈ ‹‰Ë 5 ÙËÏÂÔÙÈΤ˜ Ù·Èӛ˜
Î·È ÙÒÚ· ·Û¯ÔÏÂ›Ù·È Ì ÙËÓ ·Ú·ÁˆÁ‹ ÙÚÈÒÓ ÙËÏÂÔÙÈÎÒÓ ÛÂÈÚÒÓ. ™ÙȘ ÙÚ¤¯Ô˘Û˜ ‰Ú·ÛÙËÚÈfiÙËÙ˜ Ù˘ ÂÙ·ÈÚ›·˜ ÂÚÈÏ·Ì‚¿ÓÔÓÙ·È Î·È ‰È¿ÊÔÚ˜ ‰ÈÂıÓ›˜ Û˘Ì·Ú·ÁˆÁ¤˜ Ô˘ ‚Ú›ÛÎÔÓÙ·È ‹‰Ë Û ÚÔ¯ˆÚË̤ÓÔ ÛÙ¿‰ÈÔ
·Ó¿Ù˘Í˘.
Café Tales, ¢ÈÂıÓ¤˜ ºÂÛÙÈ‚¿Ï ÙÔ˘ ªÔÓÂÏÏȤ, 2003
Paper Snow, µÚ·‚Â›Ô πÛÚ·ËÏÈÓ‹˜ ∞η‰ËÌ›·˜, 2003
My 100 Children, µÚ·‚Â›Ô ∫·Ï‡ÙÂÚÔ˘ ¡ÙÔÎÈÌ·ÓÙ¤Ú
ÛÙÔ ¢ÈÂıÓ¤˜ ºÂÛÙÈ‚¿Ï Ù˘ πÂÚÔ˘Û·Ï‹Ì
Vulcan Junction, µÚ·‚Â›Ô ÛÙÔ ¢ÈÂıÓ¤˜ ºÂÛÙÈ‚¿Ï
Ù˘ ÿÈÊ·, 1999
Besame Mucho, µÚ·‚Â›Ô ∫·Ï‡ÙÂÚ˘ ∆·ÈÓ›·˜
ÛÙÔ ¢ÈÂıÓ¤˜ ºÂÛÙÈ‚¿Ï
∫ÈÓËÌ·ÙÔÁÚ¿ÊÔ˘ Ù˘ πÂÚÔ˘Û·Ï‹Ì, 1999
53
Inosan Ltd.
Mosh Danon
Still Lives
Portugal / Πορτογαλία
Sebas and Javier are two small time hoods, living in Almeria, Spain. Their
attempt to rob a bullring goes wrong when somehow Javier ends up in the ring
with the bull. Some time later, a man called Augusto, the apparently faithful
retainer of a countess, offers them a chance to rob a Van Gogh, which belongs
to her. The job seems easy so they jump at the opportunity. But there is more
to this heist than meets the eye …
Producer
Leonel Vieira
Contacts / ∂ÈÎÔÈÓˆÓ›·:
97, R. Rodrigues Sampaio,
1150-279 Lisbon, Portugal
T. +35 1213121170
Mobile: + 35 1914047581
[email protected]
www.stopline.pt
√ Sebas Î·È Ô Javier Â›Ó·È ‰‡Ô Ó·ÚÔ› ηÎÔÔÈÔ› Ô˘ ˙Ô˘Ó ÛÙËÓ ∞ÏÌÂÚ›· Ù˘
πÛ·Ó›·˜. ∏ ÚÔÛ¿ıÂÈ· ÙÔ˘˜, fï˜, Ó· ÏËÛÙ¤„Ô˘Ó Ì›· ·Ú¤Ó· Ù·˘ÚÔÌ·¯ÈÒÓ
·ÔÙ˘Á¯¿ÓÂÈ fiÙ·Ó Ô Javier ηٷϋÁÂÈ Ô ›‰ÈÔ˜ ÛÙËÓ ·Ú¤Ó· Ì ÙÔÓ Ù·‡ÚÔ. ∞ÚÁfiÙÂÚ·, ¤Ó·˜ ¿Ó‰Ú·˜, Ô Augusto, Ô˘ ‰È·Ù›ÓÂÙ·È fiÙÈ Â›Ó·È ·ÎfiÏÔ˘ıÔ˜ ÌÈ·˜ ÎfiÌÈÛÛ·˜, ÙÔ˘˜ ÚÔÛʤÚÂÈ ÙËÓ Â˘Î·ÈÚ›· Ó· ÎϤ„Ô˘Ó ¤Ó·Ó ›Ó·Î· ÙÔ˘ Van Gogh, Ô˘
·Ó‹ÎÂÈ ÛÙËÓ ÎfiÌÈÛÛ·. ∏ ‰Ô˘ÏÂÈ¿ Ê·›ÓÂÙ·È Â‡ÎÔÏË Î·È Û‡‰Ô˘Ó Ó· ÂˆÊÂÏËıÔ‡Ó Ù˘ ¢ηڛ·˜. ŸÌˆ˜, ÏËÛÙ›· ÎÚ‡‚ÂÈ ÂÚÈÛÛfiÙÂÚ· ·’fiÛ· Ê·›ÓÔÓÙ·È ÂÎ
ÚÒÙ˘ fi„ˆ˜.
Credits / ™˘ÓÙÂÏÂÛÙ¤˜:
Produced by / ¶·Ú·ÁˆÁ‹: Stopline Films,
Director / ™ÎËÓÔıÂÛ›·: Leonel Viera,
Scriptwriter / ™ÂÓ¿ÚÈÔ: Roberto Santiago & Joao Quadros
Budget / ¶ÚÔ¸ÔÏÔÁÈÛÌfi˜: €2,500,000
Secured financing / ∂Í·ÛÊ·ÏÈṲ̂ÓË ¯ÚËÌ·ÙÔ‰fiÙËÛË: Yes / ¡·È
54
Born in Miranda do Douro, Portugal in 1969 to a Portuguese mother and Spanish father. From a very young
age, Vieira was strongly motivated by design and, at the age of 15, devoted himself to painting. At 17 he settled in the city of Oporto, where he studied design for 3 years. At 20, he moved to Madrid where he completed a course in Film Directing at the TAI School in the early 90s. At 26 years of age, Vieira returned to
Portugal and directed his feature film, A Sombra dos Abutres. With his second film, Zona J, he succeeded in
making one of the biggest box office successes in Portugal and the 4th biggest in Portuguese film history.
In 2001, he directed the large-scale production A Selva in the Brazilian Amazon, which was also a box office
success in 2002. At present, Vieira is preparing his next film Naturezas Mortas.
°ÂÓÓ‹ıËΠÙÔ 1969 ÛÙË Miranda do Douro Ù˘ ¶ÔÚÙÔÁ·Ï›·˜ ·fi ÌËÙ¤Ú· ¶ÔÚÙÔÁ·Ï¤˙· Î·È ·Ù¤Ú· πÛ·Ófi. ∞fi
Ôχ ÌÈÎÚ‹ ËÏÈΛ·, ÂӉȷʤÚıËΠÁÈ· ÙÔ Û¯¤‰ÈÔ Î·È ÛÙËÓ ËÏÈΛ· ÙˆÓ 15 ·ÊÈÂÚÒıËΠÛÙË ˙ˆÁÚ·ÊÈ΋. ™Ù· 17
ÙÔ˘ ÂÁηٷÛÙ¿ıËΠÛÙÔ √fiÚÙÔ, fiÔ˘ ÛÔ‡‰·Û ۯ¤‰ÈÔ ÁÈ· 3 ¯ÚfiÓÈ·. ™Ù· 20 ÙÔ˘ ÌÂÙ·ÎfiÌÈÛ ÛÙË ª·‰Ú›ÙË,
fiÔ˘ ÔÏÔÎÏ‹ÚˆÛ ÙȘ ÛÔ˘‰¤˜ ÙÔ˘ ÛÙËÓ ∫ÈÓËÌ·ÙÔÁÚ·ÊÈ΋ ™ÎËÓÔıÂÛ›· ÛÙË ™¯ÔÏ‹ TAI ÛÙȘ ·Ú¯¤˜ Ù˘ ‰ÂηÂÙ›·˜ ÙÔ˘ ’90. ™Ù· 26 Ô Vieira Â¤ÛÙÚ„ ÛÙËÓ ¶ÔÚÙÔÁ·Ï›· ÁÈ· Ó· ÛÎËÓÔıÂÙ‹ÛÂÈ ÙËÓ ÚÒÙË ÙÔ˘ Ù·ÈÓ›·, A Sombra
dos Abutres. ∏ ‰Â‡ÙÂÚË Ù·ÈÓ›· ÙÔ˘, Zona J, ‹Ù·Ó Ì›· ·fi ÙȘ ÌÂÁ·Ï‡ÙÂÚ˜ ÂÈÛÚ·ÎÙÈΤ˜ ÂÈÙ˘¯›Â˜ ÛÙËÓ ¶ÔÚÙÔÁ·Ï›· Î·È Ë Ù¤Ù·ÚÙË ÈÔ ÂÌÔÚÈ΋ Ù·ÈÓ›· ÛÙËÓ ÔÚÙÔÁ·ÏÈ΋ ÎÈÓËÌ·ÙÔÁÚ·ÊÈ΋ ÈÛÙÔÚ›·. ∆Ô 2001 ÛÎËÓÔı¤ÙËÛÂ
ÙË ÌÂÁ¿ÏË ·Ú·ÁˆÁ‹ A Selva Á˘ÚÈṲ̂ÓË ÛÙÔÓ ‚Ú·˙ÈÏÈ¿ÓÈÎÔ ∞Ì·˙fiÓÈÔ, Ô˘ ‹Ù·Ó Î·È ·˘Ùfi Ì ÙË ÛÂÈÚ¿ ÙÔ˘ ÂÌÔÚÈ΋ ÂÈÙ˘¯›· ÙÔ 2002. ∞˘Ù‹ ÙËÓ ÂÚ›Ô‰Ô, ÚÔÂÙÔÈÌ¿˙ÂÈ ÙËÓ ÂfiÌÂÓ‹ ÙÔ˘ Ù·ÈÓ›·, ÙÔ Naturezas Mortas.
Company profile/ ∏ ÂÙ·ÈÚ›·
After working as an executive producer on several national productions, Leonel Vieira decided to found Stopline
Films with his collaborator Pedro Camacho (a line producer) and in partnership with Change Partners, S.C.R., S.
A. (a major Portuguese finance company with Ä 5,000,000 in corporate holdings). Its intent is to produce films
and television series for the Brazilian, Portuguese, and Hispanic markets. In 2004, Stopline Films made the strategic decision to acquire Leonel Vieira’s share of CCFBR Produçoes (Brazil). Its key strategy is based on the fact that
any growth in the Portuguese audiovisual sector must pass through the Portugal-Brazil-Spain triangle, so Stopline
Films’ productions are fully integrated in terms of both investment and exploration of all three markets.
Producer’s filmography
ºÈÏÌÔÁÚ·Ê›· ·Ú·ÁˆÁÔ‡
PT Escolas II, directed by Leonel Vieira, 2005
Segredo, directed by
Paulo Nascimento and Patricia Sequeira
PT Escolas I, directed by Leonel Vieira, 2004
PT Escolas II, ÛÂ ÛÎËÓÔıÂÛ›· Leonel Vieira, 2005
Segredo, ÛÂ ÛÎËÓÔıÂÛ›·
Paulo Nascimento Î·È Patricia Sequeira
PT Escolas I, ÛÂ ÛÎËÓÔıÂÛ›· Leonel Vieira, 2004
Festival Prizes/ µÚ·‚›·
A Sombra dos Abutres
Audience Award, 6th Festival
“Caminhos do Cinema Portuguës”, Coimbra, 1999
Best Picture, Best Cinematography, Best Actor (Diogo
Infante), Gramado Festival Brazil, 1999
A Sombra dos Abutres
µÚ·‚Â›Ô ∫ÔÈÓÔ‡, 6Ô ºÂÛÙÈ‚¿Ï
«Caminhos do Cinema Portuguës», ∫fiÈÌÚ·, 1999
µÚ·‚Â›Ô ∫·Ï‡ÙÂÚ˘ ∆·ÈÓ›·˜,
µÚ·‚Â›Ô ∫·Ï‡ÙÂÚ˘ ºˆÙÔÁÚ·Ê›·˜,
µÚ·‚Â›Ô ∫·Ï‡ÙÂÚ˘ ∞Ó‰ÚÈ΋˜ ∂ÚÌËÓ›·˜
(Diogo Infante), ºÂÛÙÈ‚¿Ï Gramado, µÚ·˙ÈÏ›·, 1999
Œ¯ÔÓÙ·˜ οÓÂÈ ÂÎÙ¤ÏÂÛË ·Ú·ÁˆÁ‹˜ Û ‰È¿ÊÔÚ˜ ÔÚÙÔÁ·ÏÈΤ˜ ·Ú·ÁˆÁ¤˜, Ô Leonel Vieira ·ÔÊ¿ÛÈÛ ӷ
ȉڇÛÂÈ ÙËÓ ÂÙ·ÈÚ›· Stopline Films Ì ÙÔÓ Û˘ÓÂÚÁ¿ÙË ÙÔ˘ Pedro Camacho (˘‡ı˘ÓÔ ÔÚÁ¿ÓˆÛ˘ ·Ú·ÁˆÁ‹˜)
Î·È Ì ۇÌÚ·ÍË Ù˘ Change Partners, S.C.R., S. A. (ÌÈ·˜ ÌÂÁ¿Ï˘ ÔÚÙÔÁ·ÏÈ΋˜ ÔÈÎÔÓÔÌÈ΋˜ ÂÙ·ÈÚ›·˜ Ì Ä
5.000.000 ÂÙ·ÈÚÈÎfi ÎÂÊ¿Ï·ÈÔ). ™Ùfi¯Ô˜ Ù˘ ÂÙ·ÈÚ›·˜ Â›Ó·È Ë ·Ú·ÁˆÁ‹ Ù·ÈÓÈÒÓ Î·È ÙËÏÂÔÙÈÎÒÓ ÛÂÈÚÒÓ ÁÈ· ÙË
‚Ú·˙ÈÏÈ¿ÓÈÎË, ÔÚÙÔÁ·ÏÈ΋ Î·È ÈÛ·ÓfiʈÓË ·ÁÔÚ¿. ∆Ô 2004, Ë Stopline Films ‹Ú ÙË ÛÙÚ·ÙËÁÈ΋ ·fiÊ·ÛË Ó·
ÂÍ·ÁÔÚ¿ÛÂÈ ÙÔ ÌÂÚ›‰ÈÔ ÙÔ˘ Leonel Vieira ·fi ÙËÓ CCFBR Produçoes (µÚ·˙ÈÏ›·). ∏ ÛÙÚ·ÙËÁÈ΋ Ù˘ ÂÙ·ÈÚ›·˜ ‚·Û›˙ÂÙ·È ÛÙÔ ÁÂÁÔÓfi˜ fiÙÈ Î¿ı ·Ó¿Ù˘ÍË ÛÙÔÓ ÙÔ̤· ÙˆÓ ÔÙÈÎÔ·ÎÔ˘ÛÙÈÎÒÓ ÛÙËÓ ¶ÔÚÙÔÁ·Ï›· Ú¤ÂÈ Ó· ·¢ı‡ÓÂÙ·È ÛÙÔ ÙÚ›ÁˆÓÔ ¶ÔÚÙÔÁ·Ï›·-µÚ·˙ÈÏ›·-πÛ·Ó›·. ø˜ ÂÎ ÙÔ‡ÙÔ˘, ÔÈ ·Ú·ÁˆÁ¤˜ Ù˘ Stopline Films Â›Ó·È Ï‹Úˆ˜
ÔÏÔÎÏËڈ̤Ó˜ fiÛÔÓ ·ÊÔÚ¿ ÙfiÛÔ ÛÙȘ ÂÂÓ‰‡ÛÂȘ fiÛÔ Î·È ÛÙËÓ ÂÍÂÚ‡ÓËÛË ÙˆÓ ÙÚÈÒÓ ·˘ÙÒÓ ·ÁÔÚÒÓ.
55
Stopline Films
Lionel Vieira
Stray Dog
Romania
Seven-year old Teo has lived with his aunt Sabina since he was abandoned.
Increasingly Teo feels that his presence is a burden to Sabina so he runs away
to find his mother. His only companion is
Botic, a stray dog he found on the street, which his aunt wouldn’t let him keep.
The distraught Sabina looks for her nephew but he is roaming the city, running
into all sorts of shady characters...
Producer
Ada Solomon
Contacts / ∂ÈÎÔÈÓˆÓ›·:
23, Ctin Bosianu st.,
Bucharest, Romania
T. +40 7232 00640
Mobile: +40 723200640
[email protected]
www.hifilm.ro
√ ÂÙ¿¯ÚÔÓÔ˜ Teo ˙ÂÈ Ì ÙË ı›· ÙÔ˘ Sabina ·fi ÙfiÙ Ô˘ ÙÔÓ ÂÁη٤ÏÂÈ„·Ó ÔÈ
ÁÔÓ›˜ ÙÔ˘. ∞ÈÛı¿ÓÂÙ·È, fï˜, fiÙÈ Â›Ó·È ‚¿ÚÔ˜ ÁÈ· ÙË Sabina Î·È ·ÔÊ·Û›˙ÂÈ Ó·
ÙÔ ÛοÛÂÈ ÁÈ· Ó· ‚ÚÂÈ ÙË ÌËÙ¤Ú· ÙÔ˘. ªÔÓ·‰ÈÎfi˜ ÙÔ˘ Û‡ÓÙÚÔÊÔ˜ Â›Ó·È Ô Botic,
¤Ó· ·‰¤ÛÔÙÔ ÛÎ˘Ï› Ô˘ ‚ڋΠÛÙÔÓ ‰ÚfiÌÔ Ô˘ Ë ı›· ÙÔ˘ ‰ÂÓ ÙÔ˘ Â¤ÙÚ„Â
Ó· ÎÚ·Ù‹ÛÂÈ. ∏ Sabina ·ÏÏfiÊÚˆÓ „¿¯ÓÂÈ ÙÔÓ ·ÓË„Èfi Ù˘, ·ÏÏ¿ ·˘Ùfi˜ ÂÚÈÏ·ÓÈ¤Ù·È ÛÙËÓ fiÏË, ¤ÊÙÔÓÙ·˜ ¿Óˆ Û ‰È¿ÊÔÚÔ˘˜ ÂÚ›ÂÚÁÔ˘˜ ¯·Ú·ÎÙ‹Ú˜.
Credits / ™˘ÓÙÂÏÂÛÙ¤˜:
Produced by / ¶·Ú·ÁˆÁ‹: Hi Film Production & Carl Haber Productions,
Director / ™ÎËÓÔıÂÛ›·: Carl Haber,
Scriptwriter / ™ÂÓ¿ÚÈÔ: Carl Haber & Carmen Burcea
Budget / ¶ÚÔ¸ÔÏÔÁÈÛÌfi˜: €770,000
Secured Financing / ∂Í·ÛÊ·ÏÈṲ̂ÓË ÃÚËÌ·ÙÔ‰fiÙËÛË: Yes / ¡·È
56
Ada Solomon has worked as a first assistant director, a production manager and a producer. She currently
has the following projects in development:
Stray Dog by Carl Haber.
Cold Waves by Alexandru Solomon (Supported by Media II Programme and the Romanian CNC).
Lamp with a Hat by Radu Jude (Supported by the Romanian CNC)
∏ Ada Solomon ¤¯ÂÈ ÂÚÁ·ÛÙ› ˆ˜ ÚÒÙÔ˜ ‚ÔËıfi˜ ÛÎËÓÔı¤ÙË, ‰È¢ı‡ÓÙÚÈ· ·Ú·ÁˆÁ‹˜ Î·È ·Ú·ÁˆÁfi˜. ∞˘Ù‹
ÙË ÛÙÈÁÌ‹ ·Û¯ÔÏÂ›Ù·È Ì ÙËÓ ·Ó¿Ù˘ÍË ÙˆÓ ·ÎfiÏÔ˘ıˆÓ ·Ú·ÁˆÁÒÓ:
Stray Dog ÙÔ˘ Carl Haber.
Cold Waves ÙÔ˘ Alexandru Solomon (ªÂ ÙËÓ ˘ÔÛÙ‹ÚÈÍË ÙÔ˘ ÚÔÁÚ¿ÌÌ·ÙÔ˜ Media II Î·È ÙËÓ ˘ÔÛÙ‹ÚÈÍË ÙÔ˘
°·ÏÏÈÎÔ‡ ∫¤ÓÙÚÔ˘ ∫ÈÓËÌ·ÙÔÁÚ¿ÊÔ˘).
Lamp with a Hat ÙÔ˘ Radu Jude (ªÂ ÙËÓ ˘ÔÛÙ‹ÚÈÍË ÙÔ˘ ƒÔ˘Ì¿ÓÈÎÔ˘ ∫¤ÓÙÚÔ˘ ∫ÈÓËÌ·ÙÔÁÚ¿ÊÔ˘)
Producer’s filmography
ºÈÏÌÔÁÚ·Ê›· ·Ú·ÁˆÁÔ‡
Trolleyblues directed by Cristian Nemescu
Black Sea directed by Andrew Reuland, 2004
La Route de la Peur directed by Judith Kele, 2004
Trolleyblues ÛÂ ÛÎËÓÔıÂÛ›· Cristian Nemescu
Black Sea ÛÂ ÛÎËÓÔıÂÛ›· Andrew Reuland, 2004
La Route de la Peur ÛÂ ÛÎËÓÔıÂÛ›· Judith Kele
(Á·ÏÏÈÎfi ÂÈÚ·Ì·ÙÈÎfi ‰Ú·Ì·ÙÔÔÈË̤ÓÔ
ÓÙÔÎÈÌ·ÓÙ¤Ú ÁÈ· ÙÔ ARTE), 2004
Company profile/ ∏ ÂÙ·ÈÚ›·
Hi Film is a production company producing “made in Romania but designed for the world” projects. We are
producing our own projects as well as doing from A to Z production services for foreign companies.
∏ Hi Film Â›Ó·È Ì›· ÂÙ·ÈÚ›· ·Ú·ÁˆÁ‹˜ Ô˘ ‰Ú·ÛÙËÚÈÔÔÈÂ›Ù·È Û ÚÔÁÚ¿ÌÌ·Ù· «ÊÙÈ·Á̤ӷ ÛÙË ƒÔ˘Ì·Ó›·,
·ÏÏ¿ ÚÔÔÚÈṲ̂ӷ ÁÈ· fiÏÔ ÙÔÓ ÎfiÛÌÔ». ∞Û¯ÔÏԇ̷ÛÙ ÙfiÛÔ Ì ‰ÈΤ˜ Ì·˜ ·Ú·ÁˆÁ¤˜ fiÛÔ Î·È Ì ÙËÓ ·ÚÔ¯‹ ˘ËÚÂÛÈÒÓ ·fi ÙÔ ∞ ˆ˜ ÙÔ ø ÁÈ· ͤÓ˜ ÂÙ·ÈÚ›˜.
57
Hi Film
Ada Solomon
Tango Notturno
Greece / Ελλάδα
The story of bigamy - by mistake - set in a small Greek country town during the
War years and the period leading to the beginning of the Civil War. In 1940,
Katerina marries Yannis just before Greece is drawn into World War II. In October
that year, Yannis leaves for the Albanian front and does not come back. Her
hopes for his return gradually fade. She eventually falls in love and in 1943, she
marries Stratos. In 1944, Yanni suddenly returns and Katerina finds herself
wedged between her two husbands and their families.
Producer
Elena Hatzialexandrou
ŒÏÂÓ· ÷Ù˙Ë·ÏÂÍ¿Ó‰ÚÔ˘
Contacts / ∂ÈÎÔÈÓˆÓ›·:
3, D. Soutsou, Mavili Square,
11521 Athens, Greece
¢. ™Ô‡ÙÛÔ˘ 3, ¶Ï·Ù›· ª·‚›ÏË,
11521, ∞ı‹Ó·
T. +30 2106449923, T. +30 2106423129
Mobile: +30 6936017090
[email protected]
www.safecompany.gr
ª›· ÈÛÙÔÚ›· ‰ÈÁ·Ì›·˜ –·fi Ï¿ıÔ˜– Û ̛· ÌÈÎÚ‹ ÂÏÏËÓÈ΋ Â·Ú¯È·Î‹ fiÏË Î·Ù¿
ÙË ‰È¿ÚÎÂÈ· ÙÔ˘ ÔϤÌÔ˘ Î·È ÙËÓ ÂÚ›Ô‰Ô Ô˘ Ô‰‹ÁËÛ ÛÙÔÓ ∂ÌʇÏÈÔ ¶fiÏÂÌÔ.
∆Ô 1940, Ë ∫·ÙÂÚ›Ó· ·ÓÙÚ‡ÂÙ·È ÙÔÓ °È¿ÓÓË Ï›ÁÔ ÚÈÓ ÂÌϷΛ Ë ∂ÏÏ¿‰· ÛÙÔÓ
µ’ ¶·ÁÎfiÛÌÈÔ ¶fiÏÂÌÔ. ∆ÔÓ √ÎÙÒ‚ÚÈÔ ÙÔ˘ ›‰ÈÔ˘ ¯ÚfiÓÔ˘ Ô °È¿ÓÓ˘ ʇÁÂÈ ÁÈ· ÙÔ
·Ï‚·ÓÈÎfi ̤وÔ Î·È ‰ÂÓ ÂÈÛÙÚ¤ÊÂÈ. √È ÂÏ›‰Â˜ Ù˘ ∫·ÙÂÚ›Ó·˜ Û‚‹ÓÔ˘Ó ÛÙ·‰È·Î¿. ∆ÂÏÈο, ÙÔ 1943, ÂÚˆÙ‡ÂÙ·È Î·È ·ÓÙÚ‡ÂÙ·È ÙÔÓ ™ÙÚ¿ÙÔ. ∆Ô 1944 Ô
°È¿ÓÓ˘ ÂÈÛÙÚ¤ÊÂÈ Í·ÊÓÈο Î·È Ë ∫·ÙÂÚ›Ó· ‚Ú›ÛÎÂÙ·È Í·ÊÓÈο ÛÙÚÈ̈Á̤ÓË
·Ó¿ÌÂÛ· Û ‰‡Ô Û˘˙‡ÁÔ˘˜ Î·È ÙȘ ÔÈÎÔÁ¤ÓÂȘ ÙÔ˘˜.
Credits / ™˘ÓÙÂÏÂÛÙ¤˜:
Produced by / ¶·Ú·ÁˆÁ‹: Safe Company
Directors-Writers / ™ÎËÓÔıÂÛ›·-™ÂÓ¿ÚÈÔ:
Michalis Reppas & Thanasis Papathanasiou / ªÈ¯¿Ï˘ ƒ¤·˜ & £·Ó¿Û˘ ¶··ı·Ó·Û›Ô˘
Cinematography / ¢È‡ı˘ÓÛË ºˆÙÔÁÚ·Ê›·˜: Lefteris Pavlopoulos / §Â˘Ù¤Ú˘ ¶·˘ÏfiÔ˘ÏÔ˜
Budget / ¶ÚÔ¸ÔÏÔÁÈÛÌfi˜: €2,000,000
Secured financing / ∂Í·ÛÊ·ÏÈṲ̂ÓË ¯ÚËÌ·ÙÔ‰fiÙËÛË: Yes / ¡·È
58
Elena Hatzialexandrou graduated from the postgraduate “Film Financing, Production and Distribution”
department of the Royal College of Art in London in 1966 after completing pregraduate and postgraduate
studies in business administration. She began her career in 1985 on the board of directors of the Macedonia
Sun Hotel and continued as Marketing & Sales Administrator for Warner Roadshow Distributors. She worked
with the Papandreou S.A. company for the production of the successful films Safe Sex by ReppasPapathanasiou, Risotto by Olga Malea and Full Pink Ahead by Roma-Hatzisofia. In 2000 she founded the SAFE
COMPANY and produces successful films, TV series as well as documentaries.
∏ ŒÏÂÓ· ÷Ù˙Ë·ÏÂÍ¿Ó‰ÚÔ˘ ·ÔÊÔ›ÙËÛ ÙÔ 1996 ·fi ÙÔ ÌÂÙ·Ù˘¯È·Îfi ÙÌ‹Ì· “Film Financing, Production and
Distribution”, ÙÔ˘ Royal College of Art ÙÔ˘ §ÔÓ‰›ÓÔ˘, ¤¯ÔÓÙ·˜ ÔÏÔÎÏËÚÒÛÂÈ ÙȘ ÚÔÙ˘¯È·Î¤˜ Î·È ÌÂÙ·Ù˘¯È·Î¤˜ ÛÔ˘‰¤˜ ÛÙË ‰ÈÔ›ÎËÛË ÂȯÂÈÚ‹ÛˆÓ. •ÂΛÓËÛ ÙËÓ Î·ÚȤڷ Ù˘ ÙÔ 1985 ÛÙÔ ¢ÈÔÈÎËÙÈÎfi ™˘Ì‚Ô‡ÏÈÔ ÙÔ˘
•ÂÓÔ‰Ô¯Â›Ô˘ Macedonia Sun Hotel Î·È Û˘Ó¤¯ÈÛ ˆ˜ Marketing & Sales Administrator ÁÈ· ÙË Warner Roadshow.
™˘ÓÂÚÁ¿ÛÙËΠ̠ÙËÓ ¶··Ó‰Ú¤Ô˘ ∞.∂. ÁÈ· ÙËÓ ·Ú·ÁˆÁ‹ ÙˆÓ ÂÈÙ˘¯ËÌ¤ÓˆÓ Ù·ÈÓÈÒÓ Safe Sex ÙˆÓ ƒ¤·¶··ı·Ó·Û›Ô˘, ƒÈ˙fiÙÔ Ù˘ ŸÏÁ·˜ ª·Ï¤· Î·È ƒÔ˙ √ÏÔÙ·¯Ò˜ ÙˆÓ ƒÒÌ·-÷Ù˙ËÛÔÊÈ¿. ∆Ô 2000 ›‰Ú˘Û ÙË SAFE
COMPANY Î·È ·fi ÙfiÙ ·Ú¿ÁÂÈ ÂÈÙ˘¯Ë̤Ó˜ Ù·Èӛ˜, Û‹ÚÈ·Ï ÁÈ· ÙËÓ ÂÏÏËÓÈ΋ ÙËÏÂfiÚ·ÛË Î·ıÒ˜ Î·È ÓÙÔÎÈÌ·ÓÙ¤Ú.
Producer’s filmography
ºÈÏÌÔÁÚ·Ê›· ·Ú·ÁˆÁÔ‡
Chariton’s Choir, directed by Grigoris Karantinakis, 2005
Oxygen, directed by Thanassis Papathanasiou and
Michalis Reppas, 2003
Silicon Tears, directed by Thanassis Papathanasiou and
Michalis Reppas, 2001
∏ ¯ÔÚˆ‰›· ÙÔ˘ ÷ڛوӷ, Û ÛÎËÓÔıÂÛ›· °ÚËÁfiÚË
∫·Ú·ÓÙÈÓ¿ÎË, 2005
O͢ÁfiÓÔ, Û ÛÎËÓÔıÂÛ›· £·Ó¿ÛË ¶··ı·Ó·Û›Ô˘ ηÈ
ªÈ¯¿ÏË ƒ¤·, 2003
∆Ô ÎÏ¿Ì· ‚Á‹Î ·’ ÙÔÓ ·Ú¿‰ÂÈÛÔ, Û ÛÎËÓÔıÂÛ›·
£·Ó¿ÛË ¶··ı·Ó·Û›Ô˘ Î·È ªÈ¯¿ÏË ƒ¤·, 2001
Company profile / ∏ ÂÙ·ÈÚ›·
Safe Company is a company that produces films and television series and is based in Athens. Its aim is to produce commercial and quality audiovisual works for the Greek and international market. It was founded in
2000 by a dynamic and creative team of professionals from the audiovisual sector with long years of experience and a successful career in theater and television. Businesswoman Eleni Hatzialexandrou on the one
hand and filmmakers Michalis Reppas and Thanasis Papathanasiou on the other have contributed to the completion of successful productions for television and the cinema (Silicon Tears, Oxygen, Karabela Family, and
Safe Sex-TV Stories) while, working with professionals in the field, Safe Company recently added documentaries to its roster.
Festival Prizes / µÚ·‚›·
Oxygen, FIPRESCI Award,
Thessaloniki International Film Festival, 2003
O͢ÁfiÓÔ, µÚ·‚Â›Ô ¢ÈÂıÓÔ‡˜ √ÌÔÛÔÓ‰›·˜
∫ÚÈÙÈÎÒÓ ∫ÈÓËÌ·ÙÔÁÚ¿ÊÔ˘ (FIPRESCI),
ºÂÛÙÈ‚¿Ï £ÂÛÛ·ÏÔӛ΢, 2003
∏ Safe Company Â›Ó·È ÂÙ·ÈÚ›· ·Ú·ÁˆÁ‹˜ Ù·ÈÓÈÒÓ Î·È Û›ÚÈ·Ï ÁÈ· ÙËÓ ÙËÏÂfiÚ·ÛË Î·È ÙÔÓ ÎÈÓËÌ·ÙÔÁÚ¿ÊÔ, Ë ÔÔ›·
‰Ú‡ÂÈ ÛÙËÓ ∞ı‹Ó· Î·È ¤¯ÂÈ ÛÙfi¯Ô ÙËÓ ·Ú·ÁˆÁ‹ ÂÌÔÚÈÎÒÓ Î·È ÔÈÔÙÈÎÒÓ ÔÙÈÎÔ·ÎÔ˘ÛÙÈÎÒÓ ¤ÚÁˆÓ ÁÈ· ÙËÓ
ÂÏÏËÓÈ΋ Î·È ÙË ‰ÈÂıÓ‹ ·ÁÔÚ¿. π‰Ú‡ıËΠÙÔ 2000 ·fi ÌÈ· ‰˘Ó·ÌÈ΋ Î·È ‰ËÌÈÔ˘ÚÁÈ΋ ÔÌ¿‰· Â·ÁÁÂÏÌ·ÙÈÒÓ ÙÔ˘
ÔÙÈÎÔ·ÎÔ˘ÛÙÈÎÔ‡ ¯ÒÚÔ˘ Ì ÔÏ˘ÂÙ‹ ›ڷ Î·È ÂÈÙ˘¯Ë̤ÓË ÔÚ›· Û ı¤·ÙÚÔ Î·È ÙËÏÂfiÚ·ÛË. ∞fi ÙË ÌÈ· Ë ÂȯÂÈÚËÌ·Ù›·˜ ŒÏÂÓ· ÷Ù˙Ë·ÏÂÍ¿Ó‰ÚÔ˘ Î·È ·fi ÙËÓ ¿ÏÏË ÔÈ ‰ËÌÈÔ˘ÚÁÔ› ªÈ¯¿Ï˘ ƒ¤·˜ Î·È £·Ó¿Û˘ ¶··ı·Ó·Û›Ô˘, ¤¯Ô˘Ó Û˘Ì‚¿ÏÂÈ ÛÙËÓ ÔÏÔÎÏ‹ÚˆÛË ÂÈÙ˘¯ËÌ¤ÓˆÓ ·Ú·ÁˆÁÒÓ ÁÈ· ÙËÓ ÙËÏÂfiÚ·ÛË Î·È ÙÔÓ ÎÈÓËÌ·ÙÔÁÚ¿ÊÔ
(∆Ô KÏ¿Ì· BÁ‹Î ·’ ÙÔÓ ¶·Ú¿‰ÂÈÛÔ, √͢ÁfiÓÔ, √ÈÎÔÁ¤ÓÂÈ· ∫·Ú¿ÌÂÏ·, Î·È Safe Sex-TV Stories), ÂÓÒ ÙÂÏÂ˘Ù·›·
Ë Safe Company, Ì ÙË Û˘ÓÂÚÁ·Û›· Â·ÁÁÂÏÌ·ÙÈÒÓ ÙÔ˘ ¯ÒÚÔ˘, ÚÔÛı¤ÙÂÈ Î·È ÓÙÔÎÈÌ·ÓÙ¤Ú ÛÙÔ ÂÓÂÚÁËÙÈÎfi Ù˘.
59
Safe Company
Elena Hatzialexandrou/ Έλενα Χατζηαλεξάνδρου
The Watch House
Greece / Ελλάδα
Palestine, 1930. 6-year-old Amana meets her uncle from Australia; he tells her
not to be afraid of monsters. In present day Sydney. Amana is haunted by the
terrible memories of her past: the loss of her husband and her children, displacement, torture, rape. She relives her whole life inside a cell in the Watch
House where she is taken when charged with shoplifting. She completely surrenders to her memories ... only her son Basim can bring her back from this
nightmarish journey.
Producer
Eleni Atsikbasis
∂ϤÓË ∞ÙÛ›ÎÌ·ÛË
Contacts / ∂ÈÎÔÈÓˆÓ›·:
75, Eleftheriou Venizelou,
15561 Holargos, Athens, Greece
∂Ï¢ıÂÚ›Ô˘ µÂÓÈ˙¤ÏÔ˘,
15561 ÃÔÏ·ÚÁfi˜, ∞ı‹Ó·
T. + 30 2106542683
Mobile: +30 6974328808
¶·Ï·ÈÛÙ›ÓË 1930. ∏ ÂÍ¿¯ÚÔÓË Amana Û˘Ó·ÓÙ¿ ÙÔÓ ıÂ›Ô Ù˘ ·fi ÙËÓ ∞˘ÛÙÚ·Ï›·
Î·È ·˘Ùfi˜ Ù˘ ϤÂÈ Ó· ÌËÓ ÊÔ‚¿Ù·È Ù· Ù¤Ú·Ù·.
™›‰ÓÂ˚ Û‹ÌÂÚ·. √È ÙÚoÌÂÚ¤˜ ÌӋ̘ ÙÔ˘ ·ÚÂÏıfiÓÙÔ˜ ÛÙÔȯÂÈÒÓÔ˘Ó ÙËÓ
Amana: Ô ¯·Ìfi˜ ÙÔ˘ ¿Ó‰Ú· Ù˘ Î·È ÙˆÓ ·È‰ÈÒÓ Ù˘, Ô ÍÂÚÈ˙ˆÌfi˜, Ù· ‚¿Û·Ó·,
Ô ‚È·ÛÌfi˜. ∞Ó·‚ÈÒÓÂÈ fiÏË ÙË ˙ˆ‹ Ù˘ ̤۷ Û ¤Ó· ÎÂÏ›, fiÔ˘ ‚Ú›ÛÎÂÙ·È fiÙ·Ó
ÙËÓ Î·ÙËÁÔÚÔ‡Ó ÁÈ· ÌÈÎÚÔÎÏÔ‹ Û ηٿÛÙËÌ·. ¶·Ú·‰›‰ÂÙ·È ÔÏÔÎÏËÚˆÙÈο
ÛÙȘ ·Ó·ÌÓ‹ÛÂȘ Ù˘... ÌfiÓÔ Ô ÁÈÔ˜ Ù˘ Ô Basim ÌÔÚ› Ó· ÙËÓ Â·Ó·Ê¤ÚÂÈ ·fi
ÙÔ ÂÊÈ·ÏÙÈÎfi Ù˘ Ù·Í›‰È.
Credits / ™˘ÓÙÂÏÂÛÙ¤˜:
Produced by / ¶·Ú·ÁˆÁ‹: Phos Production,
Scriptwriter / ™ÂÓ¿ÚÈÔ: Anne Tsoulis
Budget / ¶ÚÔ¸ÔÏÔÁÈÛÌfi˜: € 2,000,000 - € 3,000,000
[email protected]
www.phos.gr
60
Secured financing / ∂Í·ÛÊ·ÏÈṲ̂ÓË ¯ÚËÌ·ÙÔ‰fiÙËÛË: Yes / N·È
Born and educated in Australia; studied Media and Culture at the Southampton Institute, UK; Business & Arts at The
Open University; UK and Communication Studies at The State University of New York, Athens. Professional training activities include: European Films Crossing Borders, Berlin 2005 (supported by Media Plus Training); EAVE 2004 (Media Plus
Training) Management & Legal Aspects of Production Companies, Greece 2003 (Akmi Media, a European Media Desk
Initiative); Management and Legal Aspects of Television, Greece 2002 (Akmi Media). In 2000, Atsikbasis found her own
independent production company in Athens. It is currently developing, amongst others, the feature films Juda’s
Treasure (with the support of the Media Plus Programme, New Talent 66/2004) and Meskel, a story set in Ethiopia.
Atsikbasis also collaborates with international media companies to produce films and television programmes.
°ÂÓÓ‹ıËÎÂ Î·È ÌÂÁ¿ÏˆÛ ÛÙËÓ ∞˘ÛÙÚ·Ï›·. ™Ô‡‰·Û ªª∂ Î·È ¶ÔÏÈÙÈÛÌÈΤ˜ ™Ô˘‰¤˜ ÛÙÔ Southampton Institute Ù˘ ªÂÁ.
µÚÂÙ·Ó›·˜, ¢ÈÔ›ÎËÛË ∂ȯÂÈÚ‹ÛÂˆÓ Î·È ∆¤¯Ó˜ ÛÙÔ Open University Ù˘ ªÂÁ. µÚÂÙ·Ó›·˜ Î·È ∂ÈÎÔÈÓˆÓ›· ÛÙÔ State University
of New York ÛÙËÓ ∞ı‹Ó·. ∏ Â·ÁÁÂÏÌ·ÙÈ΋ Ù˘ ÂÎ·›‰Â˘ÛË ÂÚÈÏ·Ì‚¿ÓÂÈ: European Films Crossing Borders, µÂÚÔÏ›ÓÔ 2005
(Ì ÙËÓ ˘ÔÛÙ‹ÚÈÍË ÙÔ˘ Media Plus Training), EAVE 2004 (Media Plus Training), ¢ÈÔ›ÎËÛË Î·È ¡ÔÌÈΤ˜ ∂ÎÊ¿ÓÛÂȘ ÙˆÓ ∂Ù·ÈÚÂÈÒÓ ¶·Ú·ÁˆÁ‹˜, ∂ÏÏ¿‰· 2003 (Akmi Media, Ì›· ÚˆÙÔ‚Ô˘Ï›· ÙÔ˘ ∂˘Úˆ·˚ÎÔ‡ ÚÔÁÚ¿ÌÌ·ÙÔ˜ Media), ¢ÈÔ›ÎËÛË Î·È ¡ÔÌÈΤ˜ ∂ÎÊ¿ÓÛÂȘ Ù˘ ∆ËÏÂfiÚ·Û˘, ∂ÏÏ¿‰· 2002 (Akmi Media). ∆Ô 2002, Ë ∞ÙÛ›ÎÌ·ÛË ›‰Ú˘Û ÙË ‰È΋ Ù˘ ·ÓÂÍ¿ÚÙËÙË ÂÙ·ÈÚ›· ·Ú·ÁˆÁ‹˜ ÛÙËÓ ∞ı‹Ó·. ªÂٷ͇ ¿ÏψÓ, Ë ÂÙ·ÈÚ›· ¤¯ÂÈ ·Ó·Ï¿‚ÂÈ, ·˘Ù‹ ÙËÓ ÂÚ›Ô‰Ô, ÙËÓ ·Ú·ÁˆÁ‹ Ù˘ Ù·ÈÓ›·˜ Juda’s
Treasure (Ì ÙËÓ ˘ÔÛÙ‹ÚÈÍË ÙÔ˘ ÚÔÁÚ¿ÌÌ·ÙÔ˜ Media Plus, ¡¤· ∆·Ï¤ÓÙ· 66/2004) Î·È Ù˘ Ù·ÈÓ›·˜ Meskel, Ô˘ ‰È·‰Ú·Ì·Ù›˙ÂÙ·È ÛÙËÓ ∞ÈıÈÔ›·. ∏ ∞ÙÛ›ÎÌ·ÛË Û˘ÓÂÚÁ¿˙ÂÙ·È, ·ÎfiÌË, Ì ‰ÈÂıÓ›˜ ÂÙ·ÈÚ›˜ ÁÈ· ÙËÓ ·Ú·ÁˆÁ‹ ÎÈÓËÌ·ÙÔÁÚ·ÊÈÎÒÓ Î·È
ÙËÏÂÔÙÈÎÒÓ ÚÔÁÚ·ÌÌ¿ÙˆÓ.
Producer’s filmography
ºÈÏÌÔÁÚ·Ê›· ·Ú·ÁˆÁÔ‡
The Forest Dances,
directed by Panagiotis Tsalapatas, 2005
Return to Homelands, directed by George Veras, 2004
Bungumworms: My Family & Other Animals,
directed by Eleni Atsikbasis, 2004
The Forest Dances,,
ÛÂ ÛÎËÓÔıÂÛ›· ¶·Ó·ÁÈÒÙË ∆Û·Ï·¿Ù·, 2005
Return to Homelands,
ÛÂ ÛÎËÓÔıÂÛ›· George Veras, 2004
Bungumworms: My Family & Other Animals,
Û ÛÎËÓÔıÂÛ›· ∂ϤÓ˘ ∞ÙÛ›ÎÌ·ÛË, 2004
Company profile / ∏ ÂÙ·ÈÚ›·
Phos Productions is an independent film and television production company based in Greece with the vision to develop and
produce contemporary films—features, shorts and documentaries—for local and international audiences. Phos is a young,
dynamic production company, aiming to work with new and established talent to create fresh productions. The focus is on
pooling artistic, commercial and managerial resources to develop and produce unique films with a European identity. Phos
provides skills and services on a project-to-project basis for some of Greece’s leading production companies. Phos is dedicated to coordinating production and related services for all aspects of development and production for local and international clients. Phos can provide a broad range of services including location scouting, crew, equipment, props and sets, cast
and post-production.
∏ Phos Productions Â›Ó·È ÌÈ· ·ÓÂÍ¿ÚÙËÙË ÂÙ·ÈÚ›· ÎÈÓËÌ·ÙÔÁÚ·ÊÈÎÒÓ Î·È ÙËÏÂÔÙÈÎÒÓ ·Ú·ÁˆÁÒÓ Ì ¤‰Ú· ÙËÓ ∂ÏÏ¿‰·.
™Ùfi¯Ô˜ Ù˘ Â›Ó·È Ë ·Ó¿Ù˘ÍË Î·È ·Ú·ÁˆÁ‹ Û‡Á¯ÚÔÓˆÓ Ù·ÈÓÈÒÓ –Ù·Èӛ˜ Ì˘ıÔÏ·Û›·˜, ÌÈÎÚÔ‡ Ì‹ÎÔ˘˜ Î·È ÓÙÔÎÈÌ·ÓÙ¤Ú- ÁÈ·
ÙÔ ÂÁ¯ÒÚÈÔ Î·È ‰ÈÂıÓ¤˜ ÎÔÈÓfi. ∏ Phos Â›Ó·È ÌÈ· Ó¤·, ‰˘Ó·ÌÈ΋ ÂÙ·ÈÚ›· ·Ú·ÁˆÁ‹˜ Ô˘ Û˘ÓÂÚÁ¿˙ÂÙ·È Ì ӤԢ˜ Î·È ·Ó·ÁÓˆÚÈṲ̂ÓÔ˘˜, Ù·Ï·ÓÙÔ‡¯Ô˘˜ ·ÓıÚÒÔ˘˜ ÁÈ· ÙË ‰ËÌÈÔ˘ÚÁ›· ÚˆÙfiÙ˘ˆÓ ·Ú·ÁˆÁÒÓ. ∏ ÂÙ·ÈÚ›· ÂÛÙÈ¿˙ÂÙ·È ÛÙË Û˘ÁΤÓÙÚˆÛË Î·ÏÏÈÙ¯ÓÈÎÒÓ, ÂÌÔÚÈÎÒÓ Î·È ‰ÈÔÈÎËÙÈÎÒÓ fiÚˆÓ ÁÈ· Ó· ·Ó·Ù‡ÍÂÈ Î·È Ó· ·Ú¿ÁÂÈ ÌÔÓ·‰ÈΤ˜ Ù·Èӛ˜, ÌÂ Â˘Úˆ·˚΋ Ù·˘ÙfiÙËÙ·. ∏ ÂÙ·ÈÚ›· ·Ú¤¯ÂÈ, ·ÎfiÌË, ηٿÚÙÈÛË Î·È ˘ËÚÂۛ˜ ÁÈ· ‰È¿ÊÔÚ· projects Û ÁÓˆÛÙ¤˜ ÂÏÏËÓÈΤ˜ ÂÙ·ÈÚ›˜ ·Ú·ÁˆÁ‹˜. ∏ Phos Û˘Ó‰˘¿˙ÂÈ ÙËÓ ·Ú·ÁˆÁ‹ Î·È ÙȘ Û˘Ó·Ê›˜ ˘ËÚÂۛ˜ ÁÈ· fiϘ ÙȘ Ù˘¯¤˜ ·Ó¿Ù˘Í˘ Î·È ·Ú·ÁˆÁ‹˜ ·¢ı˘ÓfiÌÂÓË Û ÂÁ¯ÒÚÈÔ˘˜ Î·È ‰ÈÂıÓ›˜ ÂÏ¿Ù˜. ¶·Ú¤¯ÂÈ ÌÈ· ¢Ú›· Áο̷ ˘ËÚÂÛÈÒÓ ÌÂٷ͇ ÙˆÓ ÔÔ›ˆÓ ·Ó‡ÚÂÛË ÙfiˆÓ, Û˘ÓÂÚÁ›·, ÂÍÔÏÈÛÌfi, ÓÙÂÎfiÚ Î·È ÛÎËÓÈο, οÛÙÈÓÁÎ Î·È post-production.
61
Phos Productions
Eleni Atsikbasis/ Ελένη Ατσίκµπαση
Zion and his Brother
Israel / Ισραήλ
Zion and his older brother Meir live with their mother and the memory of a
father who is long gone. Trapped inside the confines of a housing project and
desperately dreaming of another life, Meir is well on the road to hell. He
destroys everything he touches. On the other hand, Zion still holds real hope
that his life will get better. But now, he too, continuously finds himself in trouble – most often because of his brother.
Producer
Asaaf Amir
Contacts / ∂ÈÎÔÈÓˆÓ›·:
18, Levontin St., 65112
Tel Aviv, Israel
T. +97 235609311
Mobile: +97 25233655772
[email protected]
√ Zion Î·È Ô ÌÂÁ·Ï‡ÙÂÚÔ˜ ·‰ÂÏÊfi˜ ÙÔ˘ Meir ˙Ô˘Ó Ì ÙË ÌËÙ¤Ú· ÙÔ˘˜ Î·È ÌÂ
ÙËÓ ·Ó¿ÌÓËÛË ÂÓfi˜ ·Ù¤Ú· Ô˘ Ï›ÂÈ Î·ÈÚfi. ¶·ÁÈ‰Â˘Ì¤ÓÔÈ ÛÙÔ ÛÙÂÓfi¯ˆÚÔ
ÂÚÈ‚¿ÏÏÔÓ ÙˆÓ ÂÚÁ·ÙÈÎÒÓ ÔÏ˘Î·ÙÔÈÎÈÒÓ, ÔÓÂÈÚ‡ÔÓÙ·È ·ÂÁÓˆṲ̂ӷ Ì›·Ó
¿ÏÏË ˙ˆ‹, ·ÏÏ¿ Ô Meir ¤¯ÂÈ ‹‰Ë ¿ÚÂÈ ÙÔÓ ‰ÚfiÌÔ Ù˘ ÎfiÏ·Û˘. √ Zion, ·fi ÙËÓ
¿ÏÏË, ‰È·ÙËÚ› ÙËÓ ÂÏ›‰· fiÙÈ Ú·ÁÌ·ÙÈο Ë ˙ˆ‹ ÙÔ˘ ı· Î·Ï˘ÙÂÚ‡ÛÂÈ. ∞ÏÏ¿
ϤÔÓ ‚Ú›ÛÎÂÙ·È Î·È ·˘Ùfi˜ Û˘Ó¯Ҙ Û ÌÏÂ̷͛ٷ –΢ڛˆ˜ ÏfiÁˆ ÙÔ˘ ·‰ÂÏÊÔ‡ ÙÔ˘.
Credits / ™˘ÓÙÂÏÂÛÙ¤˜:
Produced by / ¶·Ú·ÁˆÁ‹: Norma Productions,
Director-Writer / ™ÎËÓÔıÂÛ›·-™ÂÓ¿ÚÈÔ: Eran Merav
Budget / ¶ÚÔ¸ÔÏÔÁÈÛÌfi˜: €910,000
Secured financing / ∂Í·ÛÊ·ÏÈṲ̂ÓË ¯ÚËÌ·ÙÔ‰fiÙËÛË: Yes / ¡·È
62
Company profile / ∏ ÂÙ·ÈÚ›·
Norma Productions, is an independent production company, specializing in full-length feature films and
made-for-TV dramas. Norma Productions’ films were all released theatrically as well as being broadcast by
major national and international television networks.
∏ Norma Productions Â›Ó·È Ì›· ·ÓÂÍ¿ÚÙËÙË ÂÙ·ÈÚ›· ·Ú·ÁˆÁ‹˜ Ô˘ ÂȉÈ·ÂÙ·È ÛÙȘ ÌÂÁ¿ÏÔ˘ Ì‹ÎÔ˘˜ ÎÈÓËÌ·ÙÔÁÚ·ÊÈΤ˜ Ù·Èӛ˜ Î·È ÛÙȘ ÙËÏÂÙ·Èӛ˜. ŸÏ˜ ÔÈ ·Ú·ÁˆÁ¤˜ Ù˘ ÂÙ·ÈÚ›·˜ ÚÔ‚Ï‹ıËÎ·Ó ÛÙȘ ·›ıÔ˘Û˜
ηıÒ˜ Î·È Û ÌÂÁ¿Ï· ÂıÓÈο Î·È ‰ÈÂıÓ‹ ÙËÏÂÔÙÈο ‰›ÎÙ˘·.
Producer’s filmography
ºÈÏÌÔÁÚ·Ê›· ·Ú·ÁˆÁÔ‡
What a Wonderful Place, directed by Eyal halfon, 2005
Broken Wings, directed by Nir Bergman, 2002
Affula Express, directed by Julie Shles, 1997
What a Wonderful Place,
ÛÂ ÛÎËÓÔıÂÛ›· Eyal Halfon, 2005
Broken Wings, ÛÂ ÛÎËÓÔıÂÛ›· Nir Bergman, 2002
Affula Express, ÛÂ ÛÎËÓÔıÂÛ›· Julie Shles, 1997
Festival Prizes / µÚ·‚›·
What a Wonderful Place, Special Jury Prize and Best
Actor Award at the Karlovy Vary Film Festival, 2005
Broken Wings
Grand Prix in Tokyo International Film Festival, 2002
Best Picture & Best script in Jerusalem Int’l Film
Festival, 2002
What a Wonderful Place,
∂ȉÈÎfi µÚ·‚Â›Ô ∂ÈÙÚÔ‹˜ Î·È µÚ·‚Â›Ô ∫·Ï‡ÙÂÚ˘
∞Ó‰ÚÈ΋˜ ∂ÚÌËÓ›·˜, ºÂÛÙÈ‚¿Ï ÙÔ˘ ∫¿ÚÏÔ‚È µ¿ÚÈ, 2005
Broken Wings,
Grand Prix, ¢ÈÂıÓ¤˜ ºÂÛÙÈ‚¿Ï ÙÔ˘ ∆fiÎÈÔ, 2002
µÚ·‚Â›Ô ∫·Ï‡ÙÂÚ˘ ºˆÙÔÁÚ·Ê›·˜ Î·È ∫·Ï‡ÙÂÚÔ˘
™ÂÓ·Ú›Ô˘, ¢ÈÂıÓ¤˜ ºÂÛÙÈ‚¿Ï Ù˘ πÂÚÔ˘Û·Ï‹Ì, 2002
63
Norma Productions
Yoav Roeh
46Ô ºÂÛÙÈ‚¿Ï ∫ÈÓËÌ·ÙÔÁÚ·ÊÔ˘ £ÂÛÛ·ÏÔÓÈ΢
46th Thessaloniki International Film Festival
∂˘¯·ÚÈÛÙԇ̠ıÂÚÌ¿ ÙÔÓ / Special Thanks to:
ÀÔ˘ÚÁfi ª·Î‰ÔÓ›·˜-£Ú¿Î˘ Î. ¡›ÎÔ ∆ÛÈ·ÚÙÛÈÒÓË /
Nikos Tsiartsionis, Minister of Macedonia-Thrace
∫·È ÙÔ˘˜ / and:
√ ηٿÏÔÁÔ˜ ·˘Ùfi˜ ÂΉfiıËΠ̠ÙËÓ Â˘Î·ÈÚ›· Ù˘ ‰ÈÂÍ·ÁˆÁ‹˜ ÙÔ˘ ÊfiÚÔ˘Ì
Û˘Ì·Ú·ÁˆÁÒÓ Crossroads, Ô˘ ÔÚÁ·ÓÒıËΠ·fi ÙÔ
46Ô ºÂÛÙÈ‚¿Ï ∫ÈÓËÌ·ÙÔÁÚ¿ÊÔ˘ £ÂÛÛ·ÏÔӛ΢ (18-27 ¡ÔÂÌ‚Ú›Ô˘ 2005).
This publication was compiled on the occasion of the Crossroads co-production forum that was
organized by the 46th Thessaloniki International Film Festival (18-27 November 2005).
¶Úfi‰ÚÔ˜ ºÂÛÙÈ‚¿Ï / Festival President: °ÈÒÚÁÔ˜ Èڷʿ˜ / George Corraface
¢È¢ı‡ÓÙÚÈ· ºÂÛÙÈ‚¿Ï / Festival Director: ¢¤ÛÔÈÓ· ªÔ˘˙¿ÎË / Despina Mouzaki
¢ÈÔÚÁ¿ÓˆÛË Crossroads / Crossroads team:
À‡ı˘ÓË / Executive Producer: Linda Beath
™˘ÓÙÔÓÈÛÌfi˜ / Coordination:
∫·ÙÂÚ›Ó· ∫·ÎÏ·Ì¿ÓË / Katerina Kaklamani, º¤ÓÈ· ∫ÔÛÛÔ‚›ÙÛ· / Fenia Cossovitsa
°Ú·ÌÌ·Ù›· / Assistant: ∂Ï›‰· ∫·ÏÏÈÓÙ¤ÚË / Elpida Kallinteri
™˘ÓÙÔÓÈÛÌfi˜ ÂΉfiÛÂˆÓ ÊÂÛÙÈ‚¿Ï / Festival publications co-ordinator:
∞ıËÓ¿ ∫·ÚÙ¿ÏÔ˘ / Athena Kartalou
∂È̤ÏÂÈ· ÎÂÈÌ¤ÓˆÓ / Copy editing:
∫·ÙÂÚ›Ó· ∫·ÎÏ·Ì¿ÓË / Katerina Kaklamani, ∂Ï›‰· ∫·ÏÏÈÓÙ¤ÚË / Elpida Kallinteri
ªÂÙ·ÊÚ¿ÛÂȘ / Translations:
ŒÏÈ· ∞ÔÛÙÔÏÔÔ‡ÏÔ˘ / Elia Apostolopoulou, ŒÏÏË ¶ÂÙÚ›‰Ë / Elly Petrides
¢ÈfiÚıˆÛË Ù˘ÔÁÚ·ÊÈÎÒÓ ‰ÔÎÈÌ›ˆÓ / Proof reading:
∂ϤÓË ∞Ó‰ÚÔ˘ÙÛÔÔ‡ÏÔ˘ / Eleni Androutsopoulou, ª¿ÓıË ªfiÙÛÈÔ˘ / Manthi Botsiou
™¯Â‰›·ÛË Â͈ʇÏÏÔ˘ / Cover design: ∞Ó‰Ú¤·˜ ƒÂÌÔ‡ÓÙ˘ / Andreas Remountis
∫·ÏÏÈÙ¯ÓÈ΋ ÂÈ̤ÏÂÈ·-¶·Ú·ÁˆÁ‹ ÂÓÙ‡Ô˘ / Design - Production: Z-AXIS
∞ı‹Ó· / Athens: Marwan Akkawi
µ·ÚÎÂÏfiÓË / Barcelona: Pere Roca, Angela Bosch, Catalan Films & TV, CDA
µÂÏÈÁÚ¿‰È / Belgrade: Andjelija Andric
¢Ô˘‚Ï›ÓÔ / Dublin: Noemi Ferrer, Irish Film Board
§Â˘ÎˆÛ›· / Nicosia: Elena Christodoulidou, Ministry of Culture
§ÈÛ·‚fiÓ· / Lisbon: Amelia Sousa Tavares, Media Desk Portugal
ª·‰Ú›ÙË / Madrid: Jesus Hernandez Moyano, Media Desk Spain
ƒ·Ì¿Ï· / Rammallah: Adam Zuabi
™fiÊÈ· / Sofia: Stefan Kitanov, Irina Kanousheva, Mira Staleva,
Sofia International Film Festival, Bulgarian Film Centre
∆ÂÏ ∞‚›‚ / Tel Aviv: Katriel Schory, Israel Film Fund
∂ΉfiÛÂȘ ºÂÛÙÈ‚¿Ï ∫ÈÓËÌ·ÙÔÁÚ¿ÊÔ˘ £ÂÛÛ·ÏÔӛ΢
Thessaloniki International Film Festival Publications
§ÂˆÊfiÚÔ˜ ∞ÏÂÍ¿Ó‰Ú·˜ 9, 11473 ∞ı‹Ó· / 9 Alexandras Ave, 11473 Athens, Greece
∆. +30 210-8706000, F. +30 210-6448163
¶Ï·Ù›· ∞ÚÈÛÙÔÙ¤ÏÔ˘˜ 10, 54623 £ÂÛÛ·ÏÔÓ›ÎË /
10 Aristotelous Square, 54623 Thessaloniki, Greece
T. +30 2310-378400, F. +30 2310-285759
www.filmfestival.gr
[email protected]
À¶√Àƒ°∂π√ ¶√§π∆π™ª√À
HELLENIC MINISTRY OF CULTURE
Copyright © 2005, ºÂÛÙÈ‚¿Ï ∫ÈÓËÌ·ÙÔÁÚ¿ÊÔ˘ £ÂÛÛ·ÏÔӛ΢ /
Thessaloniki International Film Festival
46ο ΦΕΣΤΙΒΑΛ
ΚΙΝΗΜΑΤΟΓΡΑΦΟΥ
ΘΕΣΣΑΛΟΝΙΚΗΣ
18-27 ΝΟΕΜΒΡΙΟΥ
2005
ΥΠΟΥΡΓΕΙΟ ΠΟΛΙΤΙΣΜΟΥ