palladio - Richard Felciano

VIOLIN
P A L L A D I O
for Violin, Piano, and Percussion
RICHARD FELCIANO
= 60 (Violin) After beginning together, do not synchronize
o
pont.
ord.
Always intense
arco
pizz.
ord.
(
II
II
III
III
)
(
III
II
(
)
II
)
(
molto
sul pont. ord.
2
(
II
III
intense
II
III
II
III
pizz.
arco
sul pont.
(
)
II
III
sempre
II
III
I
II
)
subito
ord.
)
II
I
8va
Always intense
3
II
(
poss. )
pizz.
III
Sustain in one slow bow
ord. to sul pont.
1"
sul pont.
)
II
III
II
III
(
VIOLIN -2
)
(
8va
Co-ordinated
Libero
7
espress., dolce
= 60
ord.
( ) ( )(
( ) I
II
3
I II I
II
I
II
3
ord.
pont.
)
I
Suddenly distant, lightly
III IV III II I
Drifting
11
III
19
pont.
ord.
ord.
espress.
pont.
3
sffz
8va
pont.
25
10
7
() (
(
)
()
)
ord.
pont.
)( )(
(
)
( )(
( )
pont.
subito ord.
29
(
)
)(
(
II
( )
)
tasto
)
III
II
intense
III
II
III
II
III
II
subito
VIOLIN -3
non - vibrato
ord.
33
subito
36
tasto
6
6
6
6
6
6
6
6
6
feathery
ord.
39
6
secco
43
46
3
7
50
poco
(
)
V. S.
VIOLIN -4
martelé
54
5
5
5
secco
58
5
5
5
5
con vibrato
5
61
non - vibrato
molto legato
pont.
7
(
64
6
6
66
6
6
6
6
6
6
6
ord., martelé
5
6
)
68
5
VIOLIN -5
71
73
pizz.
5
5
3
3
6
arco
75
espressivo, dolce
molto sul pont.
77
5
(
79
3
)
pont.
move
81
towards
pont.
3
(
)
(
5
)
(
)
(
)
(
)
(
)
(
)
(
)
o
VIOLIN -6
8va
pont.
82
tasto
ord.
3
(
3
(
)
more
Wisps of sound, a full second each. Silence between, like a chorale.
8va
8va
sounds:
8va
)
8va
8va
8va
ord.
evenly
85
3
3
3
3
3
( )
II
IV
88
to MUTE
pont. - raspy
3
6
93
a distant voice
con sord.
espress.
senza sord.
con sord.
senza sord.
99
pont.
pont.
raspy
o o
ord.
105
(
(
becoming fierce
)
)
5
3
p subito e dolce
VIOLIN -7
= 66
109
gently rocking
dolce
3
mp / mf
3
114
118
III
6
pont.
121
ord.
( )
pizz.
124
arco
3
127
V. S.
VIOLIN -8
= 72
(D insistant and forte; other notes cresc.)
129
p o c o
a
p o c o
pont.
o
= 60
134
III
IV
8va
pont. ord.
IV
III
)
(f)
intense
no break
ord. III
IV III
3
pont.
ord.
III
(
(f)
c r e s c .
pont.
o
III
IV
ord.
subito but intense
Slow bow, bear down; raspy
Start 5" after vibraphone stops
no break ord.
pont.
8va
ord.
pont.
,
(
3
subito, as before
5" after 3rd
crotale note
ord.
intense
)
pont.
ord.
pont.
(
)
(
)
(
)
on IV string
cantando
pont.
al niente
VIOLIN -9
140
= 84
pont.
ord.
pont., legato molto
gliss.
( )
5
(
ord., espress.
3
143
5
3
3
5
)
146
pont.
6
5
6
6
5
(
legato sempre
149
152
5
6
5
5
5
5
6
6
6
ord.
6
3
)
6
3
8va
3
pont.
155
( )
( )
( )
(
)
ord.
VIOLIN -10
158
legato sempre
6
6
3
3
legato
6
161
6
6
6
6
6
6
p o c o
a
6
164
6
6
p o c o
3
c r e s c .
6
6
6
6
pont.
5
6
167
5
)
(
3
less
5
gliss.
6
5
8va
(
170
)
3
Count
8va
molto sul pont.
loco
multiples;
all equal,
accent by groups
short
173
feroce
VIOLIN -11
177
180
183
6
186
3
very distant
ord., con sord.
189
3
(
Slower
release on marimba entry
senza sord.
molto sul pont. battuto (use a pencil) - deaden strings
201
pont.
3
dry, pitchless sound
3
)
= 60
PERCUSSION
P A L L A D I O
for Violin, Piano, and Percussion
RICHARD FELCIANO
2
PERCUSSION
P A L L A D I O
for Violin, Piano, and Percussion
RICHARD FELCIANO
= 60 (Violin) After beginning together, do not synchronize
(Vln.)
( ) ( ) ( )
XYLOPHONE (medium yarn)
3"
(Pedal remains depressed)
8va
(Vln.)
( = 60)
3
3
2"
3
to MARIMBA
(
)
MARIMBA (Soft yarn)
1"
1"
(
( = 60)
1"
1"
)
(Keep vibes pedal depressed until sound dies completely away)
1"
1"
subito
3
= 60 (Coordinated)
2"-3"
7
MARIMBA
Strike sharply
3
Lightly
3
(less)
Top voice in foreground
VIBES
Strike damper bar
(1.5")
11
(less)
(less)
(Keep pedal depressed through rests)
16
28
4
31
34
MARIMBA
(MARIMBA)
(
(Accent G only)
VIBES
)
(a little in the foreground)
38
subito
(niente)
42
MARIMBA (medium yarn)
legato
44
VIBES
5
47
(niente)
51
subito
Med. rubber mallet
less
54
(
(niente)
)
58
Large W.Block (Medium yarn)
Very large W.Block
62
V.S.
6
66
70
3
non dim.
(
)
dim.
less
74
78
(MARIMBA)
3
(MARIMBA) staccatissimo
Finger muffle instantly after
striking (choke the resonance
before it develops)
82
VIBES
Slowly scrape on marimba key
with vertically held rattan
mallet handle. Should produce
release
a pitchless "groan."
on
violin
entry
7
91
Hard rubber
Medium rubber
Soft rubber
96
Medium yarn
Marimba just loud enough to modulate
amplitude of vibraphone note
Medium yarn
(Keep pedal depressed always)
Don’t accent final note
101
(Medium yarn)
(one hand tremolo)
Hard yarn
(Medium yarn)
3
Hard yarn
(
)
short - col violino
106
Distant
Loud enough so as not to
fade completely away.
Medium yarn
5
(
)
short - col violino
Release at
violin entry
8
= 66
112
Vln.
= 72
MARIMBA
7.5"
= 60
16"
129
Stop 1" after piano stops
(Highest octave)
Hard plastic
2x
4x
Piano
CROTALES: (with violin bow)
= 60
ca. 12"
137
( = 60)
MARIMBA
Medium yarn
3
6
3
3
6
(Continue together, on cue from piano - coordinated)
= 84
Repeat until violin low G drops out
6
140
6
3
6
3
141
3
6
3
5
3
9
144
5
5
6
147
150
6
3
3
153
3
5
3
156
3
Distant
5
3
6
As fast as possible, exaggerated crescendos, all entries on downbeat.
159
(
)
(
)
10
(Medium yarn)
162
(
)
(
)
(
)
VIBES - Hard plastic
(
)
No pedal
(Full range)
166
sempre
Medium yarn
(VIBES)
3
3
(
3
long, slow crescendo
subito
171
3
3
3
cresc. molto
)
3
175
Lift pedal abrubtly at climax
(Keep pedal depressed through rests)
MARIMBA
183
rapid
Stop abrubtly a split-second before
downbeat. Do not connect with piano
chord which follows.
Scrape marimba key with rattan
stick held vertically. Make it
moan!
(
)
less
11
(MARIMBA)
189
192
VIBES - Soft rubber or hard yarn
Hard!
(Wah - wah)
197
Stop at piano entry.
Mouth resonance fast to slow.
Stop when piano re-enters.
Release pedal at piano entry.
= 60 Slower
MARIMBA - Soft yarn
(
)
non dim.
200
Dynamic unchanging as piano gets softer.
203
206