curriculum vitae
Transcript
curriculum vitae
SABA SALVEMINI CURRICULUM VITAE Name: Saba Salvemini Profession: Actor Nationality: Italian Adress: Via Cairoli, 20 70054 Giovinazzo (Ba) Italy Date of birth: 6th of February 1973 Mail: [email protected] – www.areteensemble.wordpress.com Mobile: +39 339 6063758 Skype: saba.salvemini Driving license: type A, B Physique: Hight: 1.78 cm, shoes: 42/43, weight: 70, hair: brown, , eyes: brown Languages: English, French, Spanish. EDUCATION: 2008-2011: different seminars with Jean Paul Denizon. 2001-2007 Theatre laboratories with different masters; working texts – “Crime and punishment”- “The Karamazov brothers” Dostoevskij; “Symposium”, “Ion”, “Hippias minor” - Plato; “Don Giovanni” Moliere; “Guilty without guilt” - Ostrovski; “Thus spoke Zarathustra” – Nietzsche; “The seagull”, “Three sisters” - A. Cechov 2005/06: different seminars with A. Milenin. 2003/4: post – education master “Dannati Maestri” realised by Protei with Regione Puglia. Teachers : J. Alschitz, G. Borgia, C. Di Domenico, A. Strohm, B. Bonriposi, R. Tordoni , Teresa Vallarella. 2001 “Methodica” – Festival of theatre pedagogies, Sweden. 2001: post – education master with J. Alschitz, G. Borgia and C. Di Domenico (Protei-progetti teatrali internazionali), Vladimir Granoff (GITIS di Mosca), C. Schmalor (Akt-zent di Berlino), G. Sneltvedt (SCUT di Oslo). ’96-2000: Diploma – National Theatre Academy, Genova – Teatro Stabile di Genova, art. dir. A. Messeri. ’93-’94: Acting school “ATECNICI” art. direction Delia Cajelli, Busto Arsizio (VA). Voice characteristics: Contralto. 1996 – 2000 Class at Theatre Academy Teatro Stabile Genova 2002 – 2005 private lessons with Tiziana Portoghese ; educated at the music conservatory in Bari. 2002 concert for actors with the composer Igor Ioussim. From 2007 Trompet – Beginner. STAGES: Stages with A. Milenin, D. Manfredini, M. Francia, R. Mirecka, M. Lucenti, C. Coldy, T. Bertherat, P. Byland, P. Nani, I. Algie, V. Campo. From ’99 to 2000 – course in contemporary dance with G. Di Cicco and C. Monti (Compagnia Arbalete). From ’99 Taiji Quan practise. PERFORMANCES: 2013 “A monkey to the Academy” di F. Kafka directed by Jean-Paul Denizon. Monologue. A production Areté Ensemble. “Medea” by Euripide, directed, translated and interpreted by Annika Strøhm and Saba Salvemini, a production Areté Ensemble. “The Problem” by A.R. Gurney Jr, directed and interpreted by Annika Strøhm and Saba Salvemini, a production Areté Ensemble. “A voice to what remains” by S. Salvemini e A. Strøhm. Lessons of philosophy/ theatre, for high school students. “The curry room” by S. Salvemini e A. Strøhm. Theatre and music happening in gypsy style. 2012 “A monkey to the Academy” di F. Kafka directed by Jean-Paul Denizon. Monologue. A production Areté Ensemble. “Medea” by Euripide, directed, translated and interpreted by Annika Strøhm and Saba Salvemini, a production Areté Ensemble. “The Problem” by A.R. Gurney Jr, directed and interpreted by Annika Strøhm and Saba Salvemini, a production Areté Ensemble. “A voice to what remains” by S. Salvemini e A. Strøhm. Lessons of philosophy/ theatre, for high school students. “The curry room” by S. Salvemini e A. Strøhm. Theatre and music happening in gypsy style. 2011 “Medea” by Euripide, directed, translated and interpreted by Annika Strøhm and Saba Salvemini, a production Areté Ensemble. “Three sisters” by A.Tsjeckhov, directed by Jean Paul Denizon “The Problem” by A.R. Gurney Jr, directed and interpreted by Annika Strøhm and Saba Salvemini, a production Areté Ensemble. 2010 Festival “Biarteca 2010” Short pieces: Kick off; As much as we may be Immortal; Lights. Directed by A. Strøhm, S. Salvemini, R. Goulsmit, C. Bos-Kroese. “The birthday of Sofia” – Shortfilm realised by Areté Ensemble and TIEFILM - Price of Best Actress A. Strøhm Piemonte Movie Festival, Torino. “Folk song” - Concert-recital directed by T. Portoghese “Liederabend” – Concert-recital directed by T. Portoghese “The Problem” by A.R. Gurney Jr, directed and interpreted by Annika Strøhm and Saba Salvemini, a production Areté Ensemble. “La parata” street performance directed by Boris Vecchio. “La voce del filosofo” conducted by S. Salvemini e A. Strøhm. Lessons of philosophy/ theatre, for high school students. 2009 The Problem – by A.R. Gurney Jr. Directed and interpreted by Annika Strøhm and Saba Salvemini. A production Areté Ensemble Lover’s song – directed by Iida Shigemi and the E-Dance Ensemble. Fenicotteri Game #1 – short film realised by Areté Ensemble and SalveminiMalorni. Niente di umano – Rien d’humaine by Marie NDiaye, mise en espace by Teresa Ludovico, Kismet Teatro Opera, Bari Body tracks video realized by Areté Ensemble. Cibonia performance/lesson on alimentation for elementary school realised by Areté Ensemble. La voce del filosofo di S. Salvemini e A. Strøhm. Lessons of philosophy /theatre, for high school students 2008 "La légende de Sainte Cécile" by E. Chausson. Concert. Directed by Rino Marrone. Collegium Musicum Bari. Reading by S.Salvemini and T. Ludovico. "Signals" by Cora Bos-Kroese. Theatre/dance performance presented at the Cadance Festival of Den Haag, NL. “Studio K- The night before the forests” by B.M. Koltès, directed and interpreted by Saba Salvemini. “Vangelo secondo Giovanni” – reading of the entire gospel of John by Saba Salvemini. “La voce del filosofo” by S. Salvemini e A. Strøhm. Lessons of philosophy /theatre, for high school students “Biarteca 2008” Three short pieces; Piazza a Pois, Fenicotteri, A square. 2007 “Gospel of John” reading of the entire text, idea and realisation Saba Salvemini. “Studio K- The night just before the forests” by B.M. Koltès, idea and realisation by Saba Salvemini. “The Ecclesiaste” realisation by Saba Salvemini - theatre reading. “Biarteca 2007” International festival - three works : Actuality, Pacman Vs Escher II, Ristorante dai Felici spaghetti. “Better not knowing” direction F. Madonni, readings together with violin quartet. “The voice of the philosopher” by S. Salvemini and A. Strohm. Reading and games of philosophical texts. 2006 “Ione: una prova” by H. Kaletsch direction H. Kaletsch. Dialogue. “How to explain the history of communism to the mental patients“ – Reading - by M. Visniec, direction G. Borgia. “Clown clandestino” – street theatre – direction G. Foresti. “Mr. Escher Vs Pacman” performance of music/theatre directed by Y. Avital. “A day in the life of a square” theatre performance directed by K. Bos. “Studio K- La notte poco prima delle foreste” by B.M. Koltès. “Assedio” by M. Dammacco, direction S. Gonnella, prod. Diaghilev. Dialogue. 2005 “Ritratto di signora del Cavalier Masoch per intercessione della Beata Maria Goretti” by C. Bene, direction G. Borgia. “La Controra” by S. Antinori, direction S. Antinori. Performance for 3 actors. “Assedio” of M. Dammacco, direction S. Gonnella, prod. Diaghilev. Dialogue. “Vocazione di una puttana” by N. Capra, direction G. Borgia, with A. Strøhm. Assistant director. 2004 “Ritratto di signora del Cavalier Masoch per intercessione della Beata Maria Goretti” by C. Bene, direction G. Borgia. Performance for 5 actors. Debut Festival dei Due Mondi di Spoleto. “Un Amleto di legno“ by N. Capra, direction G. Borgia. Debut Festival dei Due Mondi di Spoleto. “La casa di Bernarda Alba” by F.G. Lorca, direction G. Borgia. 2003 "Verso la Casa di Bernarda Alba" by F.G. Lorca, direction G. Borgia. Second studio. "Lontano dalla Casa di Bernarda Alba" by F.G. Lorca, direction G. Borgia. First studio. "Dimitrij karamazov" by Dostoevskij, direction C. Di Domenico. Dialogue. “Leopardi: Operette e Canti” by N. Capra with texts of G. Leopardi, direction G. Borgia. Dialogue. 2002 “Leopardi: Operette e Canti” dialogue directed by G. Borgia. “Macbeth Illusion” from W. Shakespeare, direction Jurij Alschitz, production Protei-Progetti Teatrali Internazionali. “Directors colloquim” Seminar for professional directors, directed by Jurij Alschitz. Working as actor. 2001 “Cechov Exercises” from “The seagull” and “Three sisters” of A. Cechov. Direction of the composition Jurij Alschitz. “Frammenti dalla costruzione di un amore e di un teatro” direction S. Di Lauro. “Il canto delle formiche” direction G. Borgia and C. Di Domenico. “Notte al Castello” concert - direction G. Gotti. 2000 “Non si fa attendere una regina” by M. Formisano, direction A. Messeri, production Stabile di Genova. “Le bizzarrie di Belisa” by Lope de Vega, direction A. Messeri, Scuola del Teatro Stabile di Genova. “Il giro del mondo in 80 giorni” from J. Verne, direction L. Sicignano, Teatro Cargo. “La guerra di Oscar” - Short film – direction Luca Franco. 1999 “La formula”, street-theatre, direction B. Vecchio. ”I porci senza guardiano” street-theatre based on the story by Andersen, direction L. Pischedda and B. Vecchio. “Happy End” by E. Hauptman-B. Brecht, direction A. Messeri, Teatro Stabile di Genova. “Giulietta e Romeo a love story” adaptation and direction P. Valerio, Teatro Alcione-Verona. “La saga del velluto” direction P. Valerio. ”Improvvisazione a Versailles” by Molière direction A. Messeri, Stabile di Genova. “Lo strano bus”, street-theatre, direction B. Vecchio, Teatro della Tosse. 1998 “La bibliotecaria rapita” by M. Formisano, direction A. Messeri. “Il maestro e Margherita” by Bulgakov, adaptation and direction L. Sicignano, Teatro Cargo. “La dodicesima notte” by W. Shakespeare, direction A. Messeri, Teatro Stabile di Genova. 1996 “Piccole donne” by Alcott, adaptation and direction D. Cajelli, Atecnici. THEATRE ASSOCIATIONS 2007 Foundation Areté Ensemble, president and member. 2003/04 Counsellor Protei – International Theatre projects – Art. dir. J. Alschitz. 2001 Counsellor and founder of “La Compagnia delle formiche”. TEACHING From 2001 – theatre teacher in various high schools. OTHER STUDIES Liuc-Libero Istituto Universitario Carlo Cattaneo, Laurea in Economia Aziendale. – University studies in Business Economy, Italy Espeme Lille (Ecole Supèrieure de management de l’Entreprise), Economy studies, France. Universidad Complutense de Madrid – Departamento de Economìa –Economy studies – Spain. Classic and scientific High school - Biella, Italy