fragment on fragments
Transcript
fragment on fragments
commisioned by Lembit Beecher and
Scrag Mountain Music
fragment on fragments
Scott Wollschleger
2013
Dry and violent; focused. e = 72
non espressivo
p
gliss.
Voice
2
4 Ϫ
O
œ ™
83
3
4
2
4
µœ
42
- les
col legno tratto
Cello
Contrabass
IV=C
° 2
4
3
8
2 œ œ
¢ 4
sf
3
8
œ
3
4
fp
3
4
tutta forza
◊œÿ œ
œ œ
3 œ
4
ppp
2
4
2
4
2
4
fff
◊ÿ
œœ
2
4
83
p
p
Piano
5
{
2
4
œ‘œ
“
83
"f" subito
violent
3
4
œ‘œ
“
(c) 2013 scott wollschleger, new york (BMI)
"f"
as before
2
p
p
2 œ œ
4
3
8
2
4 œ œ
O - les
3
8
O - les
#
#
# #
° 2 ord.
4 œ œ
3
8
1
1
"f"
2
4
ÿ
œ◊œ
BBœ
3
8
p
"f" with vigor
2
¢ 4
1
1
1
1
II # I #
#
IV # III
3
2
8
4 œ œ
p
Cb.
Si - na
1
Vc.
3
œ œ œ 42
1
Voice
p
3
8
3
8
2
4
42
42
◊œÿ
œ
2
4
fzp
◊œœÿ
2
4
42
œ
3
8
p
ppp
Pno.
{
2
4
3
8
œœ‘
“
2
4
œ‘œ
“
"f"
3
8
œœ‘
“
"f"
senza ped!
=
p
p
Voice
2
4
3
8
œ œ
2 gliss.
4 œ œ
Si - na
O
1
1
1
1
1
1
1
1
1
Vc.
° 2
4
œ œ
3
8
p
Cb.
les
#
#
# #
# # # #
#
-
3
8
2
¢ 4
2
4 œ
3
8
3
8
3
8
p
"f"
œ
2
4
3
◊œœÿ
2
4
◊ÿ
3
8
2
4
3
8
3
8
2
4
“‘
3
8
p
Pno.
2
4
{
"f"
œœ‘
“
moving up into the high position, slide the
* while
left hand along the strings to create a swoosh sound.
"f"
3
pp
3
8 œ
na
-
Sin
° 3
8
3
4 œ
œ
3
8 œ
na
#
3æ
4æ
I
Vc.
2
4
#
ææ
#
ææ
#
2æ
4æ
II III
#
ææ
#
ææ
1
1
Sin
µœ 43
1
œ
1
1
Voice
3
4 œ
1
3
8
3
"p"
p
p
"f"
5:3
III
Cb.
3
¢ 8
3
4
3
3
8 4
IV
2
4
3
4
2
4
43
2
4
fz
fff (tutta forza)
◊ÿ
œœœ
3
8
◊ÿœ
œ
3
8
3
4
œ
p
Pno.
{
3 3
8
4
œœ
“‘
"f"
3
8
œœ
“‘
"f"
"p"
=
p
5
œ œ 16
sub f
Voice
2
4 œ œ
3
8
O - les
Vc.
1
#
° ææ æ
æ
42 œ œ
III
¢
2
4
5
16
2
4
2
4
pizz.
œ ™™
p
œ œ
"f"
Cb.
5
16
#
1
1
#
1
II
p
2 œ œ
4
2
4
Sin - a
#
3æ
8æ
I
IV
<>
3 _
8) ) ) ) )
) ) ) ) )
p
fz
"f"
fff
ÿ
◊
œœœ ™™™
ÿ
œ◊œ
2
4
3
8
5
16
3
8
5
2
16 ™ 4
p
Pno.
{
2
4
œœ‘
“
œœ‘ ™™
“
ppp
"f"
"f"
As before, but faster.
4
e = 86
p
2
4 œ œ
5
16
# #
5 ææ
16
1
Sin - a
arco
Vc.
Cb.
5
8
3
8
5
8 œ
œ 3 œ œ œ œ 3
8
4
3
4
1
° 2 B
4B œ œ
fz
œ œ
2
¢ 4
fz
#
1
Voice
p
"f"
<>
3_
5
5
16 8
sul pont.
83 43
œ
ppp œ
p
fff
◊ÿ
œœ
2
4 ™
5
16
◊ÿœ
œ
3
8
◊ÿ
œœœ
5
8
◊ÿ
œ
5
œ œœ
œ
3
4
p
f
p
Pno.
{
2
4 œ
œ‘
“
5
16 ™
(senza ped)
=
p
Voice
3
4 œ
œ
“‘
5
8
83
œ
‘
“
"f"
"f"
œœ‘
“
"p"
œœ‘
“
f
œ
3
8
° 3 œ œ œ œ œ
3
œ
œ
œ œ œ 8
4
œ œ
f
p pppp
f
Sin
43
9
8
na
tasto flautando; very delicate
Vc.
œ
89
p
5:3
œ
ord.
Cb.
3
¢ 4
œ
f
œ
◊ÿ
œ
3
4
Pno.
{
3
4
œ
mf
œ
3
8
œ œ 89
ææœ ææ ææ
p 3
◊ÿœœ
œ
3
9
8
8
p
3
89
8
"f" œœ
"p"
“‘
5
Broadly e = 92
3
4
4
4
#™
I
#™
5
16
5
16
#™
1
II
1
9
8
1
Voice
Vc.
° 9
8
™ 43
™
™
4
4
"f"
mf
pppp
1
Cb.
9
¢ 8
1
1
1
1
# # I # #II #
4
5
4
16
1
1
#II #
1
# III #
1
III
1
1
1
# #II #
1
1
#™
IV
™
#
#
II
æ 3æ
4
1
1
#™
I
3:2
3:2
"f"
"f"
◊œÿ
œ
9
8
3
4
4
4
5
16
™
™ 43
4
4
16
Pno.
{
9
8
œœ
“‘
5
"f"
=
Slower; free and spacious q=30
p
Voice
5
16
3
4
p
f
sotto voce
™
3
2œ œ
5
œ œ œ 83 œ 16
Mus' te
Vc.
Cb.
° 5
16
3
4
5
¢ 16
3
4
3
4
,jo - da
œ œœ
3
2
3
2
œœ
œœ
◊ÿ
<> œ ™
5
5
16
3
2
œ
œ
œœ œ 83
œœ 83
œ œ
sotto voce
3
8
5
16
5
16
5
16
ppp
Pno.
ff
{
5
16 œ
œ 43
3
2
œ
3 5
8
16
œ
"p"
6
Voice
Tempo prima e=72
ppp
5
16
5
œ œ œ œ œ
3
3
8 4
4
4
Me - re
Vc.
° 5
16
3
3
8 4
po -ha - sees
œ œ œ œ
4
4
5
ppp
5
Cb. 16
¢
3
3
8 4
◊ ÿ
Ϫ
5
16
4
4
◊ÿ
œ
3
3
8 4
5
◊œÿ
œ 44
p
Pno.
ff
œ
{
5
16
œ
3 3
8
4
œ
4
4
œ
"f"
loco
9.10.13
Brooklyn, NY